My First First Love Season 2

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

My First First Love
(첫사랑은 처음이라서 / Cheossarangeun Cheoeumiraseo / Because It’s My First Love)
MyDramaList rating: 7.0/10

Before starting a new long drama, I decided to go on Netflix and quickly bingewatch the second season of My First First Love. I’d been postponing it for a while and I was finally in the mood.
For my review on the first season, please check it out here.
The reason I’m making two separate reviews is because I watched the two seasons separately. If I’d watched it one go, I would’ve probably made it into one extended review. However, as I did with the separate review for Good Morning Call’s second season, I found it interesting to write an individual review, as it expresses the best how I felt watching this after it had been a while since I watched the first season.

So, what do we remember from season 1?
Yoon Tae Oh (played by Ji Soo), is a rich boy who for his 20th birthday gets a house from his father and stepmother and due to extenuating circumstances, three friends come to live with him in this big house with many rooms. These friends are his childhood friend Han Song Yi (played by Jung Chae Yeon), his extra aspiring musical actor friend Choi Hoon (played by Kang Tae Oh) and little princess who walked away from home Oh Ga Rin (played by Choi Ri).
Song Yi secretly gets involved with Tae Oh’s other good friend Seo Do Hyun (played by Jin Young) and Tae Oh gets together with popular aan free-spirited aspiring film editor Ryu Se Hyeon (played by Hong Ji Yoon).
Season 1 ended when all six of them went on a trip together to Gangneung, and Tae Oh found out that Song Yi and Do Hyun were dating.
It was the plan for the couple to tell everyone during that trip, but a couple of things happened: Hoon experienced a low moment after failing again for obtaining a role, and Ga Rin accidentally let it slip to Se Hyeon that they, excluding Do Hyun, were all living together at Tae Oh’s place.

Season 2 begins with a very happy couple, Song Yi and Do Hyun, happily spending time together. We can see that Tae Oh isn’t too happy about it (it was already shown that his feelings for Song Yi were changing after he saw them kiss in Gangneung), but for the sake of both his friends, he keeps his dismay to himself and tries really hard to get rid of his feelings for Song Yi.
The couple still has to tell the others about their relationship, though.
In the meantime, Tae Oh tries to patch things up with Se Hyeon, but discovers that she’s not as angry about those people living with him as she is with Song Yi living with him. She gives Tae Oh an ultimatum to save their relationship: make Song Yi move out.
On the other hand, the deep friendship between Tae Oh and Song Yi is starting to bother Do Hyun as well. He keeps missing chances to come to Song Yi’s aid because Tae Oh gets there faster and starts feeling inferior as Song Yi’s boyfriend.
So both Tae Oh and Song Yi are faced with dissatisfaction from their respective love interests in regards to their friendship with each other.
But they find that they can’t deny how much they mean to each other – in some natural way, they just know each other inside out and they always seem to prioritize each other. When Tae Oh is upset, Song Yi feels bad too and vice versa.

In the meantime, there is more development in Hoon and Ga Rin’s relationship as well. Hoon makes a stupid mistake in his despair for money as she keeps failing at auditions and he dials the number from the missing person’s flyer that was given to him by the people looking for Ga Rin.
At the last minute, but already after the money has been wired to him, he decides this isn’t right and still helps Ga Rin get away. However, when he tells her the truth, she gets really mad at him, as does everyone else.
He does keep trying to make it up to her and she is eventually eased by sincerity of his regret.
Just when he gets back his motivation to keep auditioning, Hoon receives a hopeful phone call from his dad – but it turns out to be an unfair way to get him into a promising musical and he doesn’t feel good taking the opportunity purely based on connections. He gets into a fight with his dad, gets slapped by his dad, and when he calls Ga Rin, even though he says he’s fine, Ga Rin can hear that he needs her and she runs to him.
They confront each other there and realize they’ve always been there for each other and there’s this adorable scene where they kiss and from that moment on they’re dating as well.

As this season also only has 8 episodes, the story goes really fast and what basically happens is that both Song Yi and Tae Oh experience a situation concerning their mothers in which the other stands by them. Tae Oh stands by Song Yi as she finds out the whereabouts of her mom who ran away from her and as she confronts her. Song Yi stands by Tae Oh after she finds out his mother has been alive all this time and this has been kept a secret from him for 20 years. She takes him to the address and they meet again.
These moments truly show how deep their friendship is – they both gave up on their respective ‘dates’ because this was a situation that was important to their best friend.
Tae Oh and Se Hyeon are the first to break up, though not on entirely bad terms. Do Hyun gets angry at Song Yi for prioritizing Tae Oh and thinking more than about him than about her boyfriend.
Although this was also because Song Yi was really beating around the bush about what was going on with Tae Oh which sounded to Do Hyun as if she was leaving him for Tae Oh, I have to agree.

In the end, due to the worsening financial circumstances of his dad’s dumpling shop, Do Hyun decides to take up the offer and move away for a while with his dad to get everything back on track.
Hoon finally lands a leading role and Ga Rin becomes an independent entrepeneur (she gets her own building in which people can rent their own spaces to get together for hobby workshops and meet new people with the same hobby’s), they both move out and Song Yi stays with Tae Oh and despite the fact that the switch from friends to lovers is a bit awkward, they start dating.

Okay, so I basically mentioned everything that happened in the series.
I have to say that the main reason I postponed watching this was because I knew what was coming. No thanks to the major spoiler thumbnail on Netflix, thank you very much (the image is of Tae Oh and Song Yi kissing).
When season 1 ended, my friend and I were kind of disappointed because we thought Song Yi and Do Hyun made such a great cute couple that we actually were against Tae Oh and Song Yi ending up together. I mean, it was obvious, but at that point I thought it would feel really unnatural to force Tae Oh and Song Yi together because Song Yi didn’t show any romantic intentions towards Tae Oh.
However, I have to say that after watching season 2, I think they did a very good job building it up. Except for the sudden mutual decision in the end to start dating, I didn’t feel like they were forced together. They both gave each other their blessing in their respective romantic relationships, but they just discovered that they kept prioritizing other people.
Sometimes things are just not meant to be. I mean, for me it felt a bit weird to see Song Yi switch from Do Hyun to Tae Oh. But when looking at their friendship, there were no weird feelings.
As I’ve noted many times before: feelings do whatever they want. If something happens and you want to tell someone, you don’t have any control about who you want to tell first. For Song Yi, that person was always Tae Oh. At least when it came to serious things, and when she was upset.
For things about dates and when she got out of school and ask to have lunch together, of course she texted her boyfriend. But when it came to the important things, she would always call Tae Oh. And Tae Oh always came running. And afterwards he would ask Do Hyun why he didn’t come running, and Do Hyun would just feel bad. But Tae Oh couldn’t help it. Because it had always been that way.

What I really appreciate about this series is that everyone is so real with each other. Everyone talks to each other. When they have a secret or a lie, they never hold it in for long. I loved Hoon for confessing what he did to Ga Rin the minute he got her out of the situation.
And the struggle Song Yi had about telling Tae Oh when she found out about his mother also was really relatable. On the one hand you know he needs to know the truth, but what if he really didn’t want to know? Will it bring him joy or pain knowing the truth? Anyways, I think everyone was very honest with each other and I really liked that.

I just love Kang Tae Oh, he might have had some annoying traits in the beginning, but I just found him so endearing as Hoon. I really want to see more of him as an actor.
I’m also really proud of my bean Ji Soo. His acting became so much better! It feels like I’m watching him grow with every drama and I love it.
I also liked Chae Yeon better, even though she can still improve her acting. But the scene where she confronted her mother and threw a tantrum was really good and heartfelt.
It was nice to see how Ga Rin got this character development, she stood up against her mother for her own freedom, found something she was interested in and started her own organization to bring people together as they were brought together by staying at Tae Oh’s together. It was all wrapped together very nicely.
I enjoyed it when Hoon and Ga Rin finally got together. Because even if they were insufferably cheesy with each other, the true depth of their feelings for each other made it seem like more than just a cute romance, it really came from somewhere. That’s a beautiful thing to have.

Actually it’s interesting to see that Tae Oh and Song Yi were eventually ‘brought together’ by their friends. If it had been for Tae Oh, he would’ve probably gone on hiding his feelings from Song Yi to make sure she and Do Hyun would’ve stayed happy. However, Se Hyeon and Do Hyun were the ones who pointed out to them that they actually liked each other. So in the end, you could say that they were ‘forced’ together, but not by the writers in order to fulfill their trope – because from the start it was clear that they would end up together – but by the people around them. Se Hyeon and Do Hyun accepted reluctantly that they weren’t being prioritized and chose for themselves, even though it hurt.
As for Do Hyun, I had hoped for him to be a little bit more understanding because he had been friends with Tae Oh for a long time as well. And while he was always asking Song Yi to keep him informed about things, he didn’t tell her either about how his family/father’s business was in serious trouble. And there were some cases in which Song Yi did contact him first before Tae Oh, but he still wasn’t able to come in first.

As for Se Hyeon, by the way, it was never explained what the deal was with Se Hyeon and her rumored rendezvous with all these other guys. When she was with Tae Oh it really seemed like she was serious about him, but she never mentioned anything and it was never discovered by Tae Oh. We only ever saw her get into other guy’s cars through Song Yi’s eyes.
I actually wondered what that was about, but it wasn’t explained in the end. Ultimately I actually liked Se Hyeon’s character. She might’ve acted high and mighty to Song Yi, but she proved that she was a good person and not just the bitchy type. She even helped Song Yi with the first clue that led her to her mother’s whereabouts. No one asked her to do that and there was nothing she could gain from it, she did it from the existing goodness in her heart. I like that the characters in this series were all relatable in some way.

Now that I’ve finished this, I do feel content. Although I still don’t completely feel all the way for Tae Oh and Song Yi as a couple, it was undeniable that their friendship outweighed all their other relationships and this was probably the only way to go.

So, I will now start a new longer drama and keep you posted about my future drama watch activities!


About Time

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

About Time
(어바웃 타임 / Eobaut Taim)
MyDramaList rating: 5.5/10

Hello again! Back with another review. I have been trying to get my act together again after being prematurely sent away from my new job but I managed to and I even got a new job only a few weeks later. I will be able to combine this with my hobbys more so I’m feeling lucky and this means I have more time to watch my needed dose of drama again as well!

This series was on my list for a while as I’m a big Lee Sung Kyung fan. Each and every drama I’ve seen of her so far, she shows a completely new and different side of her and she’s also stunning and a total style icon. My favorite up to date of course is Weightlifting Fairy Kim Bok Joo in which she also didn’t shy from portraying a female character that was not included in the standard category of ‘pretty popular girl’.
It was the first time I saw a drama with her in which she played the typical sweet girl heroine, and it was also the first time I was seriously annoyed by the character she portrayed. But more of that later.

First of all, the story.
About Time is a 16-episode drama about an aspiring young musical actress named Choi Mikaela, nicknamed Mi Ka (played by Lee Sung Kyung). She has had a special ability since she was a child, which is that she’s able to see people’s ‘life clocks’. Somewhere on their bodies, everyone has a digital clock ticking down the time they have left to live and Mi Ka can see these. Not too long ago she also suddenly became able to see her own life clock – she herself has less than a year to live (about 104 days) when the story begins. That’s why she’s determined to make her dream of becoming a musical actress a reality and has been drowning herself in auditions one after the other. The only one who knows about her special ability is her best friend Jeon Seong Hee (played by Han Seung Yeon), who works at a musical agency. She has been supporting Mikaela, especially since she gained the ability to see her life clock.
On the other hand, we have Lee Do Ha (played by Lee Sang Yoon), the director of a company that manages musicals (I think?). He suffers from an anxiety syndrome and isn’t really the affectionate type. He has been attempting to propose to Bae Soo Bong, nicknamed Beth (played by Im Se Mi), a good friend and business ally, but she has been playing coy and hasn’t accepted a single proposal yet even though she calls him ‘Honey’ and it seems like they’re dating. It’s suggested that they are practically engaged, anyway.
One day Mikaela is on her way to an audition and gets into an accident when Do Ha bumps into her with his car.Eventually she makes him drive her to her audition. The director currently searching for competent actors to star in his new original musical, Cho Jae Yoo (played by Kim Dong Joon), comments on Mi Ka’s audition that while she captures the excitement of the character, she lacks the emotional empathy of someone who is in love.
She boldly steps up and kisses Do Ha, who is in the hall, to prove to the director that she at least has the guts, but he is still not impressed.
Mi Ka and Do Ha meet a couple more times, and Do Ha increasingly gets more intrigued by Mi Ka, as she sometimes seems all happy and careless, and sometimes gets this really sad look in her eye.
When they happen upon each other again -Do Ha has to meet a Chinese investor and make a good impression so they go diving in the ocean to please him and Mi Ka is coincidentally asked to accompany them as a diving instructor – Do Ha almost drowns and Mi Ka saves his life.
In this moment, she suddenly realizes that her life clock (located in her case on her left wrist) stops when she’s near Do Ha.
In the weeks that follow this discovery, Mi Ka tries to seduce Do Ha, or at least tries anything in her power to remain close to him in order to stop her own ticking time.
The story of course results in the two falling in love, but then the life clocks reveal a cruel hidden trait as Mi Ka discovers the reason why she’s been getting extra time is because she’s been gaining Do Ha’s time. When they get intimate, his time starts ticking down real fast as hers accumulates.
Will they be able to figure this strange twist of fate out?

To drop the bomb, I have a lot of frustrations and criticisms about this drama but as I have done before, I will try to keep it nice.
I would like to start with these criticisms before I end on a positive note, because there certainly was a good message at the end.

First of all, what surprised me from the start was that the build-up in the relationship between Do Ha and Mi Ka was very fast. Normally, it takes about 10 episodes to get to the point where the male and female lead finally confront each other’s feelings and/or kiss. In About Time, when Do Ha tells Mi Ka he’s in love with her, it’s episode 3. It went so fast that I actually remember saying to my computer screen, ‘slow down people, it’s only episode 3’. But yeah, in episode 3 Do Ha has already been mesmerized by Mi Ka. Mi Ka, on the other hand, after actively pursuing him, at this stage has chosen to keep her distance and she initially takes a step back.
I have to admit I found his confession quite premature and I didn’t feel like they were both on the same page yet.
But all in all, I found the development of their relationship very odd. Because in the beginning Mi Ka was all like ‘damn I gotta get close to him, I need him so that I’ll have more time’ (quite a selfish reason), but then when Do Ha suddenly starts falling for her she’s like ‘oh now wait a second’. But the next moment she suddenly liked him back. It was a bit confusing for me to follow.
Anyways, they were already together within the first 5 episodes of the series, so I thought ‘great. if their relationship has been established so early on, it can only go down from here.’ And it did. It really did.

Until this point, Mi Ka has not been able to spot Do Ha’s clock. That’s the first puzzling thing. In the beginning he doesn’t seem to have a clock, but when he’s near her her time stops and when he touches her (holds her hand or something), her time increases. He doesn’t seem to be aware that he has this effect.
However, when they are at a point in their relationship when they’re living together (Mi Ka has become Do Ha’s personal driver) and they are doing happily well, one time when she fixes his tie she suddenly sees his life clock, located in his neck. And then she suddenly sees his time rapidly decreasing from the 60 years he has, and her own time rapidly increasing, adding extra days within several minutes.
And the way she chose to handle this, was my biggest frustration of the drama. Honestly, I haven’t been this frustrated since Switched.

Before I go on to jot down all my frustrations, I first want to mention my favorite characters. I don’t want this review to be only negative comments and frustrations, so I’ll try to mix in some things and people I thought where nice and funny and good.
Most and foremost, KIM HAE SOOK. Ladies and gentlemen, Kim Hae Sook is a treasure of the Korean acting industry and I hope she keeps on acting until the end. What an incredibly talented actress. I just wish she was my next-door neighbor who would bring me cookies everyday.
She portrayed Madame Oh So Nyeo, an elderly lady in the hospital Mi Ka used to volunteer at. She seems like the typical lovely middle-aged lady who still had a youthful glint in her eye and a love for mischief, but we find out later that she too is able to see life clocks. Once the viewer discovers this, in-between Mi Ka and Do Ha’s relationship troubles, there are occasional scenes of Madame Oh comforting other people in the hospital and teaching them about life and how important it is to enjoy as much of it as possible within the time we have.
She briefly dates an elderly man she also met at the hospital and their romance was just so endearing. And it stung, because we see from the beginning through Mi Ka’s point of view that he doesn’t live as long as Madame Oh. Despite knowing this, Madame Oh enjoys their relationship as long as it lasts so to have no regrets. As she’s aware of her own impending end, at one point she pulls a prank where she sends a message informing of her obituary notice, which brings people crying to her house expecting a funeral – only to find her there very much alive with a prepared party.
One of the scenes I enjoyed the most was the one where she met up with some old friends and they reminiscined and apologized for whatever lingering feelings of resentment there were from the past. Madame Oh’s character was filled in by Kim Hae Sook so beautifully and warmly that I just wanted to hug her every time she had scenes. Whenever she’d appear, I’d find myself smiling. This woman is the best.
I have seen several other roles portrayed by Kim Hae Sook (I Hear Your Voice and Pinocchio), and the drama Room No. 9 is also on my list. I look very much forward to watching her shine there as well.
Furthermore, I really liked Do Ha’s older brother Lee Do San (played by Jung Moon Sung). He was a bit of an outcast in the family because he had a different mother than Do Ha and his other brother. He liked to travel and write stories. He walked with a limp that he acquired during childhood when the mean brother pushed him down the stairs once.
Mi Ka finds out one time that he has less than a month left to live and urges him to go to the hospital. When he does, he finds out the disease he’s been diagnosed with before but of which was said it wasn’t spreading too fast, indeed had suddenly been spreading so much that he didn’t have much time left. I just loved how sweet he was to Do Ha. Besides Do Ha and their sister-in-law, he was the only nice person in their family. I had feels when he passed 🙁
By the way, Do Ha’s family is worth describing a bit. He was the youngest of two brothers, Do San and Do Bin (played by Min Sung Wook). Do Bin is married to Kim Hye Young (played by Kim Sa Hee), but their father has never really approved of her and keeps criticizing her or ignoring her. I felt bad for her too. I felt bad for her that she was married to Do Bin, he wasn’t very nice either.
The father, Lee Sun Moon (Jung Dong Hwan) only cares about the legacy of his family and urges Do Ha to marry Bae Soo Bong because she’s from a wealthy family and they need to keep up appearances most of all. Do Ha isn’t really close to anyone in his family, he only had Do San to talk to so it was really sad that his most trusted person had such an unfortunate fate waiting for him 🙁

I’m going to go back to my story for a little bit, trying to mix the frustrations with other topics I can talk about. The main thing I wish to talk about is my frustration about the incredibility of Mi Ka’s character. This expressed itself in several different aspects, I will categorize them in two little chapters: ‘Mi Ka the Musical Actress’ and ‘Mi Ka’s Way of Handling Things’.
1. Mi Ka the Musical Actress.
It was a nice extra addition to include the trials and tribulations of a small original musical in-the-making, even though it was probably only to create a place where Mi Ka and Do Ha would be forced to meet on a regular basis. Putting them in the same workspace was needed as a plot tool.
From our first meeting with Mi Ka we see that she loves singing, she’s all about taking auditions and she wants to be on stage. However, I still can’t help wondering about the choice for casting Lee Sung Kyung, who isn’t a professional singer, in a role that needs to prove she’s a good singer. Because, and I know this sounds awful, and maybe it was because of the acoustics of the rooms she practiced in, but on several occasions I didn’t actually enjoy her singing.
There’s one point in which she becomes the understudy for the main female lead, the actual role being performed by Kim Joo Na (played by Kim Kyu Ri), Do Ha’s first love, who is brought in by Beth in order to sabotage Mi Ka and Do Ha’s relationship and put extra tension between the three of them. Kim Joo Na’s singing was really good, and I was a bit taken aback when Mi Ka would suddenly criticize her – because in my opinion Kim Joo Na’s singing was way better than Mi Ka’s. Mi Ka eventually acquires the leading role when Joo Na chooses to step back because her vocal condition isn’t up to par and also because she’s done with Beth using her as a revenge tool to break apart Mi Ka and Do Ha. I liked Joo Na’s character, she was real and she stood up for what was right, even if that meant being an occasionally strict mentor.
Anyways, I didn’t believe Mi Ka as a musical actress. Not just because of the singing – and let’s look past the cutesy little songs and dances she’d perform during practice, she only sang the two same songs throughout the series as if she didn’t know anything else to practice – but also because of what happened when she was cast as the understudy.
Now, okay, I have done a lot of acting and musical myself, so maybe it will sound arrogant, but as excited as she was to be the understudy, she didn’t seem to have a clue what it meant. During script reading and other rehearsals, she literally just sat there. When someone asked her what she was doing – because the understudy needs to be able to perform the leading role if the leading actress is unable to, she would just blink her eyes and look all confused and I was like, does she not know what an understudy is? You can’t just sit there and think ‘oh, this doesn’t apply to me, I don’t need to practice this’. Uhm, guess what, you DO. The director would ask her questions about what she thought about the lead role and Joo Na and she’d be just like ‘oh I don’t know, I think she did well’, and the director actually had to point out to her that she had to pay attention as well. Also, for someone whose dream it was to star in a musical, she didn’t look all that excited to me during rehearsals AT ALL. I was seriously wondering if she even liked being there. It seemed like she was this naive girl with a dream of being a musical actress because she liked singing, but when it came to it, she actually fell on her face. I just found it such a waste that Lee Sung Kyung, the QUEEN of facial expressions, just fell flat expressing her emotions as Mi Ka. Honestly, each time she was asked a question, she would just look back at that person with a blank expression, not even answering. Such a shame, I know Sung Kyung can do so much better. Maybe it was just badly written, I don’t know.
Anyhow, those were aspects that made me question the choice of putting Mi Ka in the story as a musical actress, because it seemed like she hadn’t even heard of what being an understudy entailed. Whenever she got a clear compliment she got all happy, but whenever someone gave her some feedback to work with, she was just like ‘Oh wow these people really know their stuff’. Girl, the point here is that YOU know your stuff.
There was this one moment where Choi Jae Yoo complimented her on not just focussing on the song lyrics but actually reading through the lines and expressing the emotions behind it, and she literally looked at him like ‘???’ and when he walked away, she whispered to herself, ‘ “Reading between the lines”? …Wow, he must be a real genius…’ GIRL. It’s not rocket science. It’s the basic thing to know about singing – conveying a message, not just singing prettily. If you don’t even know this, how are you going to do this?
It just wasn’t realistic.
2. Mi Ka’s Way of Handling Things.
As I mentioned, I was very frustrated with the way in which Mi Ka dealt with the discovery that she was taking Do Ha’s time away to add to her own all this time.
This is what happens: she takes it upon herself to stop Do Ha’s time from spilling into hers, and she does this by suddenly, out of the blue, declaring to him that she can’t stand him anymore and wants to break up. She doesn’t explain anything, she just decides to stay away from him.
Do Ha, of course, is confused. One night they’re cuddling, kissing on the couch, she even tells him she loves him – the next she’s suddenly gone and when he meets her she tells him she doesn’t like him anymore. Initially he doesn’t believe her and keeps trying to talk with her and confront her, but every time it only results in her pushing him away even harder.
And the most angering thing was this: He already knew about the life clocks. Mi Ka had already told him that she needed him because he made her time stop. He already knew about it.
They’d also just had the whole arc with Do San in which she informed him of his brother’s decreasing time and that he had less than a month to live. Do Ha knew about the life clock phenomenon, so he would’ve probably also grasped the situation if she’d told him the problem honestly.
‘I can finally see your clock now and I discovered that all this time I’ve actually been taking your time away from you. The time that’s been added to my life is coming from yours. I can’t let this happen because I love you too damn much. How do we face this problem?’ < this is how it should’ve gone. It was their problem, something that had to do with both of them. But Mi Ka took it on as her own, not even telling him. And sure, it was to “protect” him, she did it to “save” him from herself. But the way she went about trying to accomplish what she wanted (I’m not sure what it was she wanted to accomplish because it made zero sense to me) was just wrong.
After she just plain lied to him about why she wanted to break up, when he confronts her again, she lies to him again saying that she discovered HER time was suddenly decreasing and it was because of him. Heck, she tells him he is going to kill her if he stays close to her. She literally guilt-trips him into staying away from her, she guilt-trips him into believing he’s an actual physical danger to her. She never once shows any intention to tell him the truth. Even though he would’ve believed her, he would’ve been informed about the severity of the situation and he would’ve done everything in his power to figure something out somehow BY HER SIDE. But no.
Instead of trusting him and telling him the simple truth, she just piled up a lie on top of another lie, making things worse and worse.
And here’s where I lost all respect for Mi Ka’s character. She acted so incredibly selfish. While maybe she thought she was doing it for him, not once did she think about how this would make him feel. That didn’t matter. She was actually causing more damage than necessary.
One time she said something like, ‘I’m just so terrified that one day I’m suddenly going to be gone and he’ll be so hurt.’ Uhm, excuse me? The way she treated him instead was way more hurtful and damaging than any of the ‘what might’ve been’ scenarios.
It just wasn’t fair to Do Ha. He deserved to know the truth. He deserved to know what was happening, at least. It wasn’t just her problem, it wasn’t just her secret. Do Ha kept proving again and again how much he was willing to do for her and she still kept running away whenever things got a little complicated, never confiding in him once.
I pitied Do Ha a lot. He just wanted to know why his girlfriend broke up with him all of a sudden, he had the right to an explanation. And instead of just giving him the truth, she kept making up lie after lie. I mean, it’s not like she’d have to explain the whole life clock phenomenon to him from the beginning. It just didn’t make sense to lie.
The only two people aware of Mi Ka’s situation were Madame Oh and Mi Ka’s best friend Seong Hee, but Mi Ka made them lie for her as well. Do Ha went to see the two of them multiple times for answers, but all they said to him was things like, ‘All you need to know is Mi Ka actually still loves you very much’. How the hell does that help? That made it even harder for him to understand why she broke up with him. Mi Ka went about telling everyone else how much she loved him, but in his face she would just push him away and tell him she didn’t want to be near him anymore. How is that taking care of things?
I mean, she even made Seong Hee lie to her family. She was so caught up in disappearing from Do Ha’s life that she didn’t even stop to think what might happen to her own mother and brother after she’d leave. Honestly, do you really think you mean so little to your friends and family that you think it’s okay to just decide by yourself to disappear and die quietly in your own time without notifying anyone?! What the hell was she thinking, I really couldn’t figure out what Mi Ka was thinking.
And although I loved Madame Oh the most out of every single character in this drama, I honestly wished she would’ve been the one to cut the crap and just tell Do Ha what was going on, but even she only gave him abstract advice. The greatest one was when she told him to ‘find the answer within himself’. Wow. How the hell do you expect him to do that when literally no one wants to tell him what’s going on?!
In the end, it actually takes for Do Ha to semi-figure it out by himself. He figures out that it has to be something to do with HIM, not Mi Ka. And even when he confronts her again with this, and when we finally think ‘Ah, now she’ll have to admit it finally!’, she STILL pretended she didn’t know what he was talking about. Girl. He’s literally spelling it out for you, he figured it out by himself because YOU wouldn’t spare 10 seconds to do so. And you’re STILL not going to be honest with him?! He gained the most damage out of this whole process, she was only worrying about how hard it was for HER to stay away from him. All the other people just had to deal with their own feelings.
And then finally, in the last two episodes, after Mi Ka successfully completes her musical adventure, they ultimately decided not to worry about the time they’ve got, they cover their respective life clocks and get together again and enjoy their time together. As Madame Oh had been telling her from the beginning, don’t worry so much and just enjoy the time you have together. They finally do that, they spend the night together, and he leaves the room for one second and I said out loud to my screen, ‘yep aaaaand she’s going to look at her clock’. Aaaand she looked at her clock. She panics, and the next chance she has, she sneaks away. Literally, they are in the supermarket together, they are briefly separated by a trolly, and she takes her chance and sneaks away without saying a word. Leaving Do Ha in panic and worry to look for her. In the meantime she just went to Madame Oh and is having a calm conversation with her while Do Ha is worrying sick. Like, what is wrong with this girl? Does she really have no notion of the fact that you can’t just sneak away without an explanation? Especially in the case where you’re with someone else who’s going to wonder where you went?
This is what I mean by selfish. She just made matters so enormous in her mind while she could’ve stayed calm and asked for help. But no, she keeps lying, even about the fact that she still looked at her clock even though they promised not to. She just kept running away from things, and when people finally found out (never through her honest personal explanation, tho), she would suddenly be the bigger person and comfort the people she would be leaving behind. Honestly, Seong Hee seemed more upset than Mi Ka about Mi Ka’s situation.
Mi Ka actually comforted Seong Hee saying stuff like, ‘take care of my family and yourself, eat well, be healthy, live a good life and join me later on’. Like, WHAT? You think it’s in Do Ha’s advantage that you’ll disappear but you don’t stop to think about how your mother will feel about you dying in a couple of weeks? What is wrong with you, Mikaela?!

I will keep it at that for my frustrations regarding Mi Ka’s character. I would like to lastly talk a bit more about Beth and Seong Hee.
On a general note, except for Madame Oh, almost all the women in this series displayed traits of selfishness.
First of all, Beth. Beth is the second female lead character in the series, so I have to cover her no matter what. Beth is a very whimsical and interesting character, not to mention slightly twisted. I think it’s easy to say that she’s been a princess all her life, daughter of a rich family and used to getting her way. She has been playing coy to Do Ha’s proposal attempts, but when Mi Ka enters the picture and Do Ha’s attention switches to her, Beth realizes she should’ve accepted his proposal when she still had the chance.
Instead of admitting her defeat, she uses (or abuses) the influence and power that she has to create situations that will be hard on Mi Ka. She sends people by Mi Ka’s house with a suitcase of money to make her family persuade her to stop seeing Do Ha (the classic Hana Yori Dango move), she buys Mi Ka gifts and tells her she can have everything she wants if she just stays away from Do Ha, she brings in Do Ha’s first love as a tool to create tension between them, and ultimately she starts sabotaging the musical production to get her revenge. She literally tries to force marriage onto Do Ha, even until the point where their parents meet and everything. She became very childish in her greed. She was a little girl that didn’t get the doll she wanted so badly and so she wanted to make sure that no one else did. She resorted to trying to break Do Ha as a way of revenge and when he officially rejected her, she suddenly didn’t know what to do anymore and just headed for the rooftop. She couldn’t handle a single rejection, and that alone already made her want to commit suicide. I say dramaqueen. And when she was crying her eyes out afterwards all I could think was, get over yourself girl. This is not the end of the world, not the only doll in the store, and definitely not something you should even consider taking your own life for. Have some more self-respect. She seemed like a strong enough character, I mean, the lengths she went to? She even managed to manipulate Do Ha’s father into threatening his son into marrying her. She learned her lesson the hard way. And then, in the last episode, she suddenly saw the light I guess, and she came to see Mi Ka’s performance and afterwards she was like supernice and I was just like… only one episode ago you literally threatened to ruin the lives of every single actor in the musical and now all is forgiven and forgotten? People are being forgiving to an unrealistic degree. Anyhow, her selfishness first seemed to come from an innocent place, because she genuinely didn’t know any different than to use her wealth to treat people. But after Do Ha fell for Mi Ka, her selfishness came purely from her jealousy. She just had to have Do Ha, and I don’t know why because I didn’t even feel like she was actually in love with him. So there were some twisted moments there.
Secondly, Seong Hee. Seong Hee got herself an upgrade from just being the female lead’s best friend when Mi Ka’s younger brother starts expressing romantic interest in her and she gains her own love story. However, even though it’s clear she has the hots for Choi Wi Jin (played by Kim Ro Woon), she keeps denying it and she keeps pushing him away as well. In the end it apparently only had to do with the fact that he was younger than her and didn’t have a job yet, because as soon as he got a job she was all like ‘let’s do this’. Anyways, she acted quite selfishly without a clear reason. Why take so much time to waste it on irrational worries like ‘I can’t fall in love with this person’. Dude, if you fall, you fall. You can try to stop it, but you can’t. That’s how feelings work, they do what they want.
I did find Seong Hee and Wi Jin cute together, I actually rooted for them more than I rooted for Mi Ka and Do Ha at a certain point.

One last frustration concerning Mi Ka and then I’m going to conclude my review.
At a certain point it occurred to me that it could be considered unfair for Mi Ka to have this power. She can see other people’s remaining time but she never tells anyone, while at the same time she knows her own time and is able to fully organize her life so that she can have no regrets before her time runs out. Isn’t that kind of selfish as well? I mean, of course, people maybe wouldn’t like to know what time they have left, but the fact that she had this power and had the power to decide what to do with it herself, seems kind of unfair to me in retrospect. Why not give other people the chance to plan the last couple of days/weeks/months before their time runs out?
One particular example lay with one of Mi Ka’s fellow actors in the musical. She was running against this lady in the auditions for the understudy and she won, even though Park Hye Ran (I think that was her name) was a better singer in my opinion. At a certain point Mi Ka spots Hye Ran’s clock and sees she only has 29 days left. However, she doesn’t do anything with this information, she doesn’t even tell Hye Ran to go be checked out at a hospital or to take a break – she just looks at it and then just goes on smiling as if nothing’s wrong. All the while leading up to the main performance, and especially when Hye Ran is cast as Mi Ka’s understudy, I was wondering what was going to happen to Hye Ran. Her time must be running out, why is Mi Ka not bothered by this. It almost seemed as if Mi Ka forgot about it or something. We even meet Hye Ran’s adorable little daughter who also mentions that her mother has been going to the hospital a lot.
On the day of the first performance tryouts, Hye Ran passes out on stage and is brought to a hospital… and that’s it. Apparently she just died like that.
Afterwards we only see Mi Ka walking home saying things to Do Ha like, ‘yeah, I knew she had little time left but I at least thought we’d make it to the performances together’ as if it were NOTHING. I’m sorry, was it just me or did Mi Ka show ZERO empathy for Hye Ran after she suddenly passed away? Compared to how her character was established in the beginning I thought at least she would be worried about Hye Ran throughout the rehearsals, but she did nothing and even after she’s gone she’s like ‘oh well’.
It made even less sense to me because in the end, after Mi Ka loses her ability to see the life clocks, she tells Madame Oh about the ‘positive’ sides of seeing the clocks. She says, ‘they enabled me to comfort people in their last moments’ or something. Well, while that might’ve been a positive and joyful experience for you, I can assure you the people dying had no idea you were comforting them, and I think it didn’t have real value to them either because they were in shock and panic. And this power she had to ‘stand by people in their last moments’ didn’t seem to occur to her in Hye Ran’s case. I don’t know, sometimes there were these weird unrealistic moments that completely went against the characteristics of the characters in my opinion.
The only thing I liked about this was when Hye Ran’s husband and daughter came to see the performance and the little girl saw her mother’s spirit dance along with the other actors, smiling happily.

The only moment that gave me watery eyes in the series was the flashback at the end which explained how Mi Ka and Do Ha’s fates got entertwined. Mi Ka’s grandmother passed away protecting young Mi Ka from getting hit by a car, which turned out to be Do Ha’s father’s car. Do Ha was in the backseat. From this moment on, Mi Ka became able to see people’s life clocks and she became able to see her own after unknowingly being bumped on the street by Do Ha in a crowd of people before they officially meet each other.
Anyways, little Mi Ka crying her eyes out about her grandmother and little Do Ha crying with her, apologizing and holding her hand was very heartwrenching. It gave me the most feels out of anything else that happened in the whole series.

I want to give a special shoutout to Kang Ki Doong, who played Do Ha’s assistant. I’ve seen him before in Moonlight Drawn by Clouds, Tomorrow With You and Fight For My Way, and I really like him. He was kind of victimized by Do Ha in this drama, though, poor guy. But I had a lot of sympathy for his character.

Lastly, a shoutout to two underrated characters of this show: Do Ha’s doctor friend Park Sung Bin (played by Tae In Ho) and Mi Ka’s mother Jin Ra Hee (played by Na Young Hee).
First of all, Doctor Park didn’t have a lot to do in this drama and I genuinely wonder about the meaning of his character. He was shown as Do Ha’s doctor in the beginning, but after a couple of episodes we never really heard about Do Ha’s ‘anxiety syndrome’ again (until he collapses from shock after Mi Ka pushes him away for the fiftieth time). Honestly, he didn’t have a real purpose in my opinion. And one time I questioned his credibility as a psychologist when he just picked up the phone because Do Ha was calling him, even though he was in the middle of a session with a severe case patient. Like, I don’t think you are allowed to do that as a professional? And even though he knew this patient was borderline, he still didn’t anticipate he would snap? Like, it was obvious to ME in one glance, but not to the person who had been treating him for who knows how long?
Just another little badly written thingie.
And I wished Mi Ka’s mother would’ve had a little more priority in Mi Ka’s life. I actually liked how she was portrayed as a spoiled woman who had to figure out how to survive by earning her own money and taking care of her two grown kids like that. I felt sympathy for her as well and she also didn’t deserve to be treated less by Mi Ka. I mean, one time she found Mi Ka’s bankbooks and she got all sentimental, thinking that Mi Ka had been saving up money for them and she spent a little of it to treat her as a thank you. And Mi Ka just lashed out at her. Of course, she saved that money for after she was gone, but how the hell was her mom supposed to know that? She didn’t have the right to scold her mother, if so she should’ve told her from the start. And in the end she was even going to just disappear from her family without even saying anything and it was Seong Hee who couldn’t bear keeping the truth from them. Quite the daughter you are, Mi Ka.
You think what you are doing is the best for everyone, but you don’t stop to actually ask them what THEY think is best before you make a decision. Taking it on yourself can sometimes be considered courageous, but in this case I just found it cowardly and selfish. Making these kind of decisions about your LIFE for god’s sake, it’s not something you should be allowed to do without considering other people’s views, especially the ones that are closest to you and care about you the most.

One more thing I have to note, the use of product placement was no joke as well. I know Lee Sung Kyung is the new face of Laneige beauty products, but to actually showcase them so obviously like this really started to stand out. Sometimes when using the product they would even emphasize ‘Oh, what’s that new product?’ ‘Oh, my skin feels so soft and hydrated after using it!’ as if it were an actual commercial. Holding these moments against the already weakly story, it just made it worse for me.

Anyhow, what I did like about the drama was that the title was very well chosen. ‘About Time’. Despite all the dramatic events that occurred, the story was generally about time. About time, and how to spend it.
The message to me was conveyed the strongest when Mi Ka lost her ability to see the clocks and returned to being on the same page as everyone else: we don’t know how much time we’ve got left, and it’s up to us to spend it wisely and enjoy every minute of it. The mysterious thing about time IS that we don’t know how it works. It’s a very relative concept and we fill it in as we choose. I would consider it unfair if there were people who knew about everyone else’s time, I don’t know if I’d want to know about my own life clock. So it’s best to keep it hidden for everybody. That’s the thing about life, it’s special because we get to decide how we fill it up ourselves. The fact that everyone has their own view on time and how to spend it is what makes it so special.

I hope to be able to write more honest reviews from here on and I hope, despite the occasional frustrations and criticisms, my reviews will continue to be insightful and relatable. If you disagree with me, feel free to leave comments but let’s please respect each other’s opinions 🙂 I’m not here to quarrel or anything, just to share insights and opinions.
I will still keep watching Lee Sung Kyung’s dramas because I know she’s a great actress and she can do way better than this! Stay strong, queen!

On to the next one!



100 Day Husband

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

100 Day Husband
(백일의 낭군님 / Baekilui Nanggunnim)
MyDramaList rating: 7.5/10

Hello hello! I’m back with a new review, this time for a historical drama. It’s been a while since my last historical drama and I believe it’s the first one since starting to write reviews, so here goes!
First of all, I’d like to add that I’ve had a bit of a rough week, my contract with my brandnew job was broken before I even finished my trial period, so I’ve been dealing with some things, partially emotional stuff. I need to get my stuff together before I can find something new, and finishing this drama helped me calm down a bit. So that’s it for the background story, on with the review!

This drama was on my list ever since I found out Nam Ji Hyun would appear in a new one – Nam Ji Hyun is bae, I am striving to watch all her dramas because she’s one of my favorite actresses. Also, I hadn’t seen anything from D.O. before but I heard that his acting is very good, so I was curious. And I also like historical dramas, so all in all I was interested.
It turned out to be a nice and enjoyable drama, with all the standard tropes, but still some intense events and surprises.

The story is about a fictional Crown Prince named Lee Yeol (played by EXO’s D.O. /Do Kyung Soo). He is a very cold and apathic, and doesn’t seem to care for anything. This wasn’t always the case. As a child (played by Jung Ji Hoon – who plays almost every male lead’s younger version these days) he would always play with his best friend and pretend to be a general and bully the kids from lower statuses. One day he is scolded by a young girl (played by Heo Jung Eun), a general’s daughter. Although their initial meeting is as enemies, they get closer and Yeol falls in love with her.
One fateful night, his father the King forbids him to leave the palace. Mischievous as he is, he escapes to give this girl a present, only to be disrupted by a sudden ambush of soldiers. The girl and her brother are forced to flee while having to watch their father being stabbed to death by Vice Premier Kim Cha Eon (played by Jo Sung Ha), the King’s trusted advisor. Yeol is shocked to see that this man his father trusted kills the father of the girl he likes and tries to go against him but he’s just a little boy and he’s only scolded for leaving the palace while he was forbidden to do so. Not long after, Yeol’s mother mysteriously passes away and he is forced to marry Kim Cha Uhn’s daughter. Since then, he starts becoming colder and colder until his current state.
The girl he loves and her brother are believed to be dead, however, this is not true. Now 28 years later, Yoon Yi Seo (played by Nam Ji Hyun) is living in a lower village called Songjoo as Yeon Hong Shim. After she escaped when she was little, her brother left her alone in the woods to protect her and she was found by Mr. Yeon (played by Jung Hae Kyun), who raised her as his own daughter. Although she remembers everything of her heritage and previous life, Hong Shim is happy with her life in the village.
The two grow up not knowing what became of the other. Crown Prince Yeol is now married to Kim Cha Eon’s daughter So Hye (played by Han So Hee), but has no love for her at all and refuses to consummate the marriage.
For So Hye, this is a problem since she is secretly pregnant with another man’s baby and needs to consummation as a cover to prove it’s the Crown Prince’s. On the other hand, there’s a serious drought going on in the land and as a means to satisfy the gods, Yeol gives the command for all singles under 20 to get married immediately. This also stretches to Songjoo Village. Hong Shim, being the oldest maiden in the village, is one of the few to be selected for this arrangement, but she holds it off claiming she’s promised herself to a boy from another village, Won Deuk, who is currently fighting in the army. She hopes this story will keep the officials off her back, but they’re not very patient.
While already facing several happenings at once, Yeol still has to deal with facing Kim Cha Eon every day, knowing fully well that he is evil. One time, Yeol is forced to go to a rain ritual and is ambushed on the way by mysterious soldiers dressed in black. He has to flee for his life and agrees with his best friend Dong Joo (played by Do Ji Han – had to mention him despite his minor role) to switch clothes and attempt a diversion. This fails, Dong Joo is killed wearing the Crown Prince’s clothes, and Yeol is injured and left alone hidden in the bushes unconscious.
He is found, what are the odds, by Mr. Yeon, Hong Shim’s father. At that very moment, Hong Shim is being punished by the officials for disobeying the Crown Prince’s orders of getting married. When Yeol comes by, he has no idea who he is or what happened – he has lost his memory. In a moment of desperation, Mr. Yeol convinces him that he is Won Deuk, Hong Shim’s ‘fiance’ who has returned from the army and has him save her from the official’s.
Despite this save, Hong Shim and Won Deuk are still forced to marry and this is how their marriage arrangement starts. They will be married for a 100 days until they both discover who they really are and are faced with the truths of each other’s fates.
One more important detail, even though Yi Seo hasn’t heard from her brother in 10 years, they made a promise to meet every 15th of the month on a bridge in Hanyang. Despite the fact that he has never showed up once, Yi Seo still persistently dresses up and travels to Hanyang once a month for this occasion. It is on one of these nights that she is seen both by Yeol (who is strolling around town with Dong Joo) and by Magistrate Jung Je Yoon (played by Kim Sun Ho). Yeol recognizes her immediately (or believes what he wants to see) as Yi Seo, and Jung Je Yoon is struck by love at first sight.

I have to say, it felt like watching a K-Drama like I used when I just started. There are 16 episodes that each last more than an hour, there are all sorts of plots and events that are somehow all connected to each other, the romance tropes like slowmotion hand-grab-turn-around movements… I’m secretly glad that not all the oldschool style dramas have disappeared yet.
The pace was nice, and the intense events were all postponed to the end of the series, followed still by a happy ending in which everything was (more or less) solved.

I would like to discuss the different storylines first, then give some comments on the casting and then point out some specific points of criticism.
As I said, I liked the story. It was easy to follow, and of course the development of the romantic relationship between Won Deuk and Hong Shim blossomed after taking its sweet time. The last couple of episodes suddenly took a turn for the intense, and for a moment I feared a Scarlet Heart Ryeo like turns of events, but it didn’t take too much time to be fixed, luckily.
The title ‘100 Day Husband’ or ‘100 Days My Prince’ as it is also called, refers to the time period that Hong Shim and Won Deuk are together. The whole story about how they knew each other as kids and all that follows afterwards not included, this is the period in which they literally both have a fake identity and get to know each other from scratch. In some way, you could say it’s the most important phase of a relationship in general. Therefore I think it’s a good name for the series. It’s not that the series is just about the 100 days, but these 100 days are key to their relationship. If it weren’t for these 100 days together, their relationship wouldn’t have developed as it does.

So, to talk about the several storylines this series offered. Apart from the events in Songjoo Village between Hong Shim, Won Deuk and their friends in the village, there’s a lot going on in the palace and around throughout the whole series.
First of all, there’s the story about Vice-Premier Kim. It is revealed that he is a cruel, ambitious man, who grew up in a lower family. His parents were unfairly brought to their ends, and he swore that he would not end up like them. He build his way up to the Royal Court and even got his daughter to become the Crown Princess. He is the evil advisor secretly planning a coup to dethrone (or in extreme case kill) the King and Crown Prince. He incapacitates, in one way or another, everyone posing a possible threat to his plans. He is the one who established the plan to ambush the Prince’s company on their way to the rain ritual, and in continuation to that silences everyone able to prove that Yeol was not killed. While Yeol is alive as Won Deuk in Songjoo Village, he keeps exercising his plans under the grief-striken King.
Then there is Jung Je Yoon, the second male lead of the story. As the son of a concubine, he was denied many privileges but still managed to become a magistrate. He falls in love with Yi Seo/Hong Shim the second he sees her in Hanyang one night and continues to pursue her. At one point he is sent to Songjoo Village as the new official and they meet again. He also meets Won Deuk there, but due to his incapability to recognize people’s faces, he doesn’t recognize him even though he has met the Crown Prince before. Despite his romantic intentions towards Hong Shim, he never crosses the line and remains a loyal friend and ally to the end.
Then, we have the story of the King’s current wife and Queen (played by Oh Yeon Ah) and their son Prince Seo Won (played by Ji Min Hyuk). The Queen is plotting her own strategy against Yeol, since she wants her son on the throne. However, she does not work together with the Vice-Premier, who attempts to silence her as well (no murder, just forcing laws and such).
The King at one point discovers Kim Cha Eon’s true intentions and tries to go against him, even though the whole court of officials is on his side.
Then, we have the Crown Princess and her secret lover. Although married to Yeol, she is secretly in love with one of the assassins working under her father, Moo Yeon. He is also the father of her baby. Moo Yeon later turns out to be Yi Seo’s brother Seok Ha.
Going on to his story, after escaping and leaving his sister behind in the forest, he hid his identity and started working under the man who killed his father in order to protect Yi Seo. He was able to distract the Vice Premier from looking for her, although he did have to cooperate in the ambush and attempted murder of the Crown Prince. Moo Yeon was the one who killed Dong Joo dressed in his royal garments and he also killed other people. Despite making a promise to his sister about meeting every month in Hanyang on the 15th, he never showed up in front of her, only to watch her from a distance. They only meet coincidentally when he is in Songjoo Village to search for the Crown Prince. After this encounter, he promises that soon he will be able to take her with him for good.
However, after Kim Cha Eon finds out he is his daughter’s secret lover, when the two try to run away together at the end of the series, Moo Yeon/Seok Ha is fatally injured and then killed by Kim Cha Eon himself.

I did find this scene to be particularly intense. I had mixed feelings about Seok Ha the whole time because on the one hand you ‘know’ that he’s a good guy, or he’s supposed to be – but I still couldn’t understand why he’d starting working for the man that killed his father and most of all why he’d agree to kill for him. Unless it was some sort of thought-out plan to gain his trust and then stab him in the back, but it didn’t come to that. So on the one hand I was like ‘bro you know you don’t wanna do this’ and on the other I couldn’t believe that he’d still continue to try and kill the Crown Prince, even after discovering his relationship with Yi Seo.
However, I was constantly curious as to how the relationship between him and the Crown Princess came to be. How and where did they meet? When was there an opportunity for them to sneak out together and conceive a child? We only see a couple of short scenes between them in the palace where they either pretend they don’t know each other or have nothing to do with each other or don’t speak to each other at all.
And then, when Yeol finds out the truth, he attempts to help them escape and transports So Hye out of the palace so that Seok Ha can meet her in the woods and for one moment there, when he suddenly appears in front of her and holds her while she cries, I finally felt that love between them.
And then it’s cruelly taken away by her father, who suddenly appears and stabs him in the heart while she’s watching.
I mean, I had mixed feelings but this seemed especially cruel and intense to me. I wasn’t prepared for Seok Ha to die like that. This scene really brought back some Scarlet Heart sentiments for me. I really wanted them to escape together and after this I really felt sorry for the Crown Princess. She wasn’t the standard historical drama second female lead who wanted the Crown Prince for herself even though he didn’t love her, she was actually a victim of her own father as well. I’m just glad she turned out okay and safely gave birth to her baby and named him Seok Ha (sob).

I would like to talk a bit about the casting.
As I said, Nam Ji Hyun is one of my favorite actresses. I really like the energy she always puts into her characters, she always gives this cheerful and hands-on mentality energy (gosh I’m on too many job vacancy sides lol). I’ve only seen Shopping King Louie and Suspicious Partner with her, but I liked them both and Suspicious Partner even made it to my top 3 list. I discovered that she’s starred with a lot more famous actors but it seems like she’s still a little underrated, which makes me appreciate her even more. To be honest, this role wasn’t the most spectacular role I’ve seen her in, but it certainly gave her opportunities to show much emotional variety. Hong Shim/Yi Seo has a lot of confrontations and personal obstacles to overcome. I would also like to simultaneously give a shoutout to Heo Jung Eun, the child actress portraying her younger version: this girl is going places. I’ve yet to see Oh My Geum Bi, but I’ve heard that she stole everyone’s hearts in that show. She’s going to be the next Kim So Hyun, I bet.
Also, as I noted before, Jung Ji Hoon, the younger version of Yeol, he’s going to be evolving as well. I see him now in almost every drama, even in the drama I watched before this one, Clean With Passion For Now, he was also the younger version of the male lead. I hope both kids’ futures are bright and full of opportunities.
I hadn’t seen any acting from D.O. before, but I think he did very well. He always seems like such a boy to me when I see him in EXO-related stuff, I think he has a very ‘young’ smile. But to see him in such an intense, cold figure as Yeol, it definitely changed my view of him a little. I heard from friends who are more familiar with EXO that his fellow members teased him after seeing him in this drama, but I think he did admirably.
There were not a lot of actors I knew, except for some villagers and the King, so in that respect it was very refreshing as well.
Kim Sun Ho made a very sympathetic second male lead. I genuinely liked his character. I saw on Dramawiki that he actually hasn’t done that many dramas yet, so I hope to see more of him in the future. What I liked about Je Yoon was that he always remained nice, even to the bad guys or people he didn’t agree with. So even if Hong Shim would’ve responded to his wooing attempts, I wouldn’t have blamed her, lol. He has a very kind face, I think.
I also didn’t know Han So Hee who played the Crown Princess. When checking Dramawiki I saw she also played in Reunited Worlds, which I saw, but I don’t remember her from that. Anyways, it’s nice to have a second female lead who isn’t a bitch for a change. Even though I didn’t have a strong opinion about her in the beginning, once all became clear about her relationship with Moo Yeon, I started rooting for her independent happiness. I think the actress did well, especially in the scene where Moo Yeon was killed in front of her. In the beginning she seemed to be clenching her jaws the whole time, but that was the one time she really let out all kinds of emotions and it had me teary-eyed in front of my screen.

There was one character that I really liked but who suddenly disappeared. This is Ae Wol, the gisaeng (played by Han Ji Eun) who kept making advances on Je Yoon. I would’ve really liked them to end up together. She was a nice side character and I would’ve liked to see her get a part of the action as well, as she was also helping Je Yoon get information before. But she suddenly wasn’t there anymore and they didn’t show her again in the end as well. I found that a pity, I would’ve liked to see her make a final appearance in Je Yoon’s life before the series was out. She was cool.
Another character that I liked he did make a comeback was Eunuch Yang (played by Jo Hyun Sik). He always plays a eunuch in historical dramas as far as I know, lol. I remember he was a eunuch in Moonlight Drawn By Clouds, too. He had a familiar face and so I expected him to have a more prominent role. He was the eunuch closest to the Crown Prince. His main feature was that he didn’t accompany Yeol to the rain ritual and therefore lived as a liability to mis-identify the prince’s body. He eventually gets suspicious because of a minor detail (he clipped the prince’s toenails not long ago and the corpse’s toenails don’t look the same), and he is foolish enough to entrust Kim Cha Eon with his detail, who then slits his throat and leaves him to die. However, Je Yoon brings his body to a healer outside of the capital and later brings Yeol to him. Eunuch Yang completely recovers from his near-death experience and continues to be a solid figure at the Crown Prince’s side. I liked that at least one person came back from the dead. He was too innocent to die.

Something else that amused me in this drama was the occasional references to modern-day customs. I’m not entirely sure how the people in the Joseon period really spoke to each other, but I often heard them talk in the same way as in regular modern-time dramas. One time there was even an occurance where Je Yoon made the ‘heart’ symbol with his fingers, which is of course really of modern times.
Maybe because of this, it sometimes felt like an extra big contrast when they discussed things such as the position of women in this old time period. I felt like the women in the village were all pretty progressive when it came to expressing their opinions. On the other hand of course women were talked about as the weaker sex, they should get married and have children early in their lives, etcetera. Hong Shim was mocked for being a single virgin lady at age 28, while she kept standing up for herself. As far as I know, women behaving like this in Joseon were being suppressed more. So there was a funny shift between the old-fashioned ways of the Joseon period and yet the progressiveness of women. I’m not sure if that’s what they were going for, but I found it amusing nonetheless.

Overall, the casting was nice and it was a nice story. I don’t have any major criticisms, except for maybe the way they ended it – but this might just be me. The ending felt kind of abrupt to me. After Won Deuk is brought back to the palace and slowly starts to regain his memories and get back into exposing the Vice-Premier, he realizes Kim Cha Eon has already put a trap in motion that causes a war that spreads to smaller villages as well.
After Moo Yeon is killed, Yeol challenges Kim Cha Eon to a duel and when he injures him, he tells him that he’ll be locked up in prison and be punished for all his crimes. However, the archers kill Kim Cha Eon when he makes another move. In his last moments he hands Yeol a letter from which becomes clear that a war is actively going on already and Yeol needs to go there himself to help. Then suddenly we switch to a scene that the series begin with – Yeol going off to war on his own. Until that point, I hadn’t considered that scene at all, I just figured it was a scene to introduce Yeol as the Crown Prince before going back to the flashbacks of when he was a child. Anyways, we see Yeol fight in the war and then suddenly BAM – there is a time jump to 1 year later. So the last thing we see is Yeol fighting and the Crown Princess being caught in an attempt to escape the palace.
1 YEAR LATER
And there we have Hong Shim’s friends from the village laughingly talk about the events after the war as if it is some juicy gossip. This abrupt switch from intense to light comedy was very sudden for me. Also, they said something about the Crown Princess having committed suicide and for a moment there I was like, ‘seriously? they’re just going to mention what happened to her in some light gossipy way? i was actually rooting for that woman’. In the end, fortunately, it turns out that this didn’t happen and she’s living hidden in the forest somewhere with her child and her loyal handmaiden. But still, I was surprised to hear it.
And the last part of the last episode suddenly just went back to that casual, comedy genre and I was still coping with the intense situation from 5 minutes earlier. So that was a bit weird, lol. But anyways, I’m glad that there was still a regular happy ending. I was a bit worried about what Yi Seo would do, because first she rejected Yeol’s offer of regaining her old status and name and live her old life again, but then suddenly she did get reinstated and I was thinking ‘I thought she said she didn’t want to?’ and she still kept Yeol at a distance. In the end it took reading his journals in which he described his love for her to get her to accept she couldn’t be without him, but I didn’t really understand what kind of final impact those journals had because he already told her his feelings for her so many times and she kept saying no. So Yi Seo’s capriciousness in the end confused me a little as well.
But apart from that I enjoyed watching it!

This series really put me back into the historical drama mood so I moved another to-watch historical drama up on my list, lol. I still need to see some more classic ones such as Sungkyungkwan Scandal etc.
Anyways, the next one on my list is another one I’ve been looking forward to a lot, starring another favorite actress of mine. I’m really psyched 🙂
I liked this drama for at the same time it’s refreshing aspects as its familiar aspects. I still can’t let go of the 16 episode series, even though the back-to-back ones are slowly taking over. It was nice to have the predictable tropes, but I still enjoyed waiting for that moment when they’d finally realize who they were and all truths would come out eventually. Korean dramas continue to entertain me, no matter the predictability.

Please bear with me until me next review! Bye-bye!


Clean With Passion For Now

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Clean With Passion For Now
(일단 뜨겁게 청소하라!! / Ildan Tteugeopge Cheongsohara!!)
MyDramaList rating: 7.5/10

Helloooo and welcome back to a new review! If I hadn’t held myself back a little I would’ve probably finished this way sooner, but in combination with my new job I am trying to discipline myself a little and limit my drama watch activities mostly to my off days.
This series was on my list because it looked cute and I knew both main leads. It turned out to be a very cute romantic comedy, it grabbed me from the beginning and after the slight anticlimax my previous drama gave me, it was a nice refreshing series to watch.

The story is mainly about two people. On the one hand we have Mr. Jang Seon Gyeol (played by Yoon Kyun Sang), the director of his own cleaning company called Cleaning Fairy. He is suffering from severe mysophobia, which means he can’t touch anything or anyone without having to thoroughly clean it first. This makes it hard for him to be in places with lots of people or enjoy daily life activities that are common for ‘normal’ people. He has been this way ever since he was a child. His grandfather was slightly OCD and when Seon Kyeol’s mother left him for a while to go to the States, he was constantly pressed to keep himself clean, otherwise his mother wouldn’t come back to him. This has resulted in how he is today.
On the other hand, we have Gil Oh Sol (played by Kim Yoo Jung), a messy but bright and energetic girl who gave up being an athlete for trying to find a job and live a stable adult’s life. However, life hasn’t been so kind to her, as she lost her mother in a construction accident 9 years earlier and she can’t seem to land a proper job. As mentioned, she is a bit messy and doesn’t really take care of her appearance except for her mother’s death anniversary, when she cleans the entire house and dresses up nicely to show her mother they’re living on well and clean.
Seon Gyeol and Oh Sol meet a couple of times by coincidence, and Seon Gyeol is initially digusted by her – someone so dirty in how she acts, eats, and presents herself. However, after Oh Sol ends up working at Cleaning Fairy since she aces the physical test, he feels drawn to her more and more. Oh Sol is attracted by him as well and after a few pushes and pulls, they get together.
On the side, there is Mr. Choi Ha In (played by Song Jae Rim), a doctor in disguise who becomes Oh Sol’s rooftop neighbor but turns out to have more connection to both her and Seon Gyeol than he reveals.

As I mentioned in my introduction, this drama grabbed my attention from the first episode on. Right from the bat it was funny, crazy, cute. I was positively surprised by Kim Yoo Jung’s growth in acting, I’ve seen her grow since The Moon That Embraces The Sun and Moonlight Drawn By Clouds. Actually I’ve only seen these two historical dramas of her before, so it was very nice to see her as such a modern young lady. She handled the role very well, although sometimes it was very obvious that she was a lot younger than Yoon Kyun Sang. They differ 13 years in real life. Kim Yoo Jung is only 19 years old(!!), yet she pulled off a mature young lady trying to fit in adult society. As for Yoon Kyun Sang, this was the first leading role I saw of him. I did see a couple of his dramas before, such as Pinocchio and Doctors, but he was always a side/secondary character so it was nice to see him as the lead for once (I mean, he has had other leading roles so I guess it’s not ‘for once’, but for me it was).

I think it was a very interesting idea to highlight cleaning as a main topic. At first I was afraid it would be focussed to much on the practice of cleaning, but they managed to keep it as a consistent theme while the romance between Seon Gyeol and Oh Sol played out. I’ve seen other dramas that at a certain point just let go of their theme as the romance took over, and that’s a pity because it’s usually an important asset of the series. For example, in Jugglers, when they made the fear of fire so important for the male lead in the beginning and then after the romance started it was never mentioned again until the last episode and everyone was like ‘oh right, he was afraid of fire, totally forgot about that’. In this case, Seon Gyeol’s mysophobia remained consistent to his character so that was good. It also seemed natural to me that while he tried desperately to get better when he fell in love with Oh Sol, he relapsed after they broke up and it became worse than before. This somehow reminded me a little of I’m Not A Robot, where the male lead’s allergy also had to do with lack of trust in people and once betrayed again, it would come back stronger than before. It almost felt like that with Seon Gyeol as well. Once he fell for Oh Sol, he cared less and less about her messiness and tried to deal with it.
On the other hand, Oh Sol’s character changed a lot. At a certain point, in the latter half of the series, she no longer was that messy girl from episode 1. She started cleaning herself up more, dressing more nicely, behaving more politely… While in the beginning she was a walking mess. She would get completely drunk at night, she would occasionally bother Seon Gyeol and invade his personal space etcetera. But her whole attitude towards him changes when she finds out about the severeness of his mysophobia and immediately tries to adapt to it. In some way I found this a shame, because I really liked her character in the beginning. She went through a similar kind of change as the female lead in Radio Romance – in the beginning there is this unique, individual kind of style to her, and halfway through she kind of remodels/restyles herself to a typical drama female lead.

Also, and this is one of the few things I disliked about this drama – the way Oh Sol treated Seon Gyeol when she found out his family was partially responsible for the accident her mother died in. They were in a solid relationship at that point, they adored each other, and I just found it really hard to believe that she wouldn’t talk to him right after she heard. Because he didn’t know about it either. I was really frustrated by how she handled this on her own. She just told him that she wanted to break up with him because suddenly ‘she was sick of everything’ and refused to talk to him. In the meantime, Seon Gyeol didn’t know shit (pardon my language). Nobody would tell him anything. Everyone suddenly turned on him and he didn’t even know why. In this moment I just felt really sorry for him because he genuinely didn’t deserve to be treated like that.
I found it really unlike Oh Sol to suddenly start acting like this. When you’re in a relationship like that, and you find out something like that, wouldn’t be normal to first confront your partner, see what he knows/has to say about it? It was so obvious from his reaction that he didn’t know anything about it, and I found it really unfair that they would blame him for that.
But I guess that’s how dramaland works, some truth about someone’s family comes out and then automatically the entire family is to blame for it, even the people who weren’t even personally responsible or didn’t even know about it. Anyways, that frustrated me a lot. She just threw him aside, wouldn’t even tell him the truth, and then, worst of all, used his mysophobia as an excuse and a lie to break up with him, just as he was starting to get better. Someone else had to tell her ‘but you know it’s not actually his fault and he’s suffering a lot too’ before she calmed down.
In short: the whole reason for their break-up was invalid and I just couldn’t understand why she kept lying to him and kept holding her feelings back from him even when they’d already made amends. There was no reason at all for them to break up. So the whole drama between them in the last few episodes felt a bit over the top for me, even for a K-Drama. It just wasn’t realistic for me. When you find out something like that of course it puts a strain on your relationship, but that’s exactly why you should talk to your partner and try to figure things out. Using the tactic of instantly and selfishly breaking up just makes me question their genuine feelings for each other. It shouldn’t be so easy to break up with the love of your life. Try to work things out first, please. Don’t just break up, talk to each other and try to figure it out. Because when you do, you’ll find your love is strong enough.

I would like to point out a few characters and their storylines, both to show compliments and critiques.
First of all, Oh Sol’s father Gil Gong Tae (played by Kim Won Hae). He also played the female lead’s father in my previous drama, but in this drama the bond between father and daughter was much more loving in my opinion. For instance, in the issue I mentioned above, Oh Sol’s father’s reaction seemed very legit to me. You find out the family of the guy that’s dating your daughter is connected to the death of your wife, your first reaction would be to tell your daughter to stop seeing him. For some reason, thinking from a traditional mind, I can see that this would happen. But the truth is, everyone just needed time to process it. I think that her father also knew that Seon Gyeol wasn’t to blame and that he was a good guy, but in that moment he was connected to that family and that was all that mattered. But he really did calm down after a while, he still saw how much Oh Sol missed Seon Gyeol and in the end, after consulting his wife (loved this part), he allowed her to start seeing him again. And this is when it becomes clear that the only thing holding Oh Sol back from Seon Gyeol was the permission of her family. I was wondering the whole time why she was still forcing herself to lie that she didn’t like him anymore, but it turns out she needed her parents’ blessing, and mostly her mother’s.
In any case, I really liked her father, he was a really nice guy and he cared really much about his kids.
Oh Sol also has a little brother, Oh Dol (played by Lee Do Hyun), who is a promising taekwondo practicioner who’s striving to make it to the national team. He loses credit one time when his father is attacked and in his anger he punches the assailant, leading to nervewrecking disciplinary meeting which initially goes wrong (it’s also AG Group that’s responsible for this). However, in the end he doesn’t give up and keeps practicing taekwondo and ultimately qualifies for the national team. I liked how Oh Sol encouraged him with her story of how she always regretted giving up athletics.
I also liked Oh Sol’s best friend and later Oh Dol’s girlfriend Min Ju Yeon (played by Min Do Hee). She was a really interesting character. She seemed casual about a lot of things but really cared about her friend’s family and she had good advice. I loved how one time, when Oh Sol spent the night at Seon Gyeol’s she had to lie to her dad that she spent the night at Ju Yeon’s and when calling her Ju Yeon automatically confirmed her story without even knowing what this was about. #friendshipgoals

Now I will switch to the characters connected directly to Seon Gyeol’s cleaning business Cleaning Fairy. I think the concept of this business was that it was a group of good-looking young people who came to clean your place and that’s why it was very popular.
The three guys that Oh Sol becomes close with at work are Lee Dong Hyun (Hak Jin), Hwang Jae Min (Cha In Ha) and Joon Young Shik (Kim Min Gyu), the latter being also a friend of Oh Dol. Dong Hyun is kind of a mysterious character, and this is being stressed by the fact that he sometimes gets phone calls that make him all serious and he needs to take the call somewhere by himself. However, and this was a bit of an anticlimax to me, in the end it turned out he would get calls about his grandmother who was in the hospital. Seon Gyeol had helped him take care of his grandmother after Dong Hyeon was mistakenly arrested and put in jail for a while.
Now there’s nothing wrong with this backstory, but the fact is that this backstory was only a plot tool to make Oh Sol aware of what a good person Seon Gyeol was. Because the story of Dong Hyun’s grandmother wasn’t used for anything else. After hearing how Seon Gyeol helped him out, Oh Sol is suddenly like ‘omg he really is a good person’. So it didn’t really contribute anything else to the series, just to bringing Oh Sol and Seon Gyeol closer together – and there were already a lot of things that were bringing them together.
Hwang Jae Min was kind of the clown of the group, because he was always second-best to Dong Hyun but he still worked his butt off to become an actor and ultimately achieves this goal. Even when being made fun of in the beginning, he keeps going until he makes his dream come true.
Young Shik was also the typical loyal friend who always had Oh Sol’s back.
And then, and this was one of my favorite characters from the series because she was just so humane, Seon Gyeol’s secretary Ms. Kwon (played by Yoo Sun). For years she has been a loyal companion to Seon Gyeol, the only person who was able to handle his mysophobia. In the end it turns out that her own son has a case of OCD and she met Seon Gyeol’s grandfather at a lecture about treating children with OCD. They got to talking and after Seon Gyeol’s initial nanny passed away, his grandfather asked Ms. Kwon to work for Seon Gyeol, which she did. When Oh Sol appears in Seon Gyeol’s life, she tries to bring them closer. When the truth comes out about how the redevelopment accident connects the two of them, she feels genuinely sorry. I don’t know why, but I just found her an incredibly sympathetic person. I couldn’t get mad at her for keeping things from Seon Gyeol, also about his company being secretly funded by his grandfather, because it was clear that she never had any ill intentions toward him.
I did wonder why they only revealed her son’s OCD and her connection to the chairman in the very last episode, up until that I just thought her child was a bit sickly.

On that note, there’s another thing. The Redevelopment Accident in which Oh Sol’s mother died. I’m not sure why, but it’s never explained what exactly happened. They just talk about it in a way as if it’s common knowledge to everyone what happened (which I guess, in the series it is). But I would’ve liked to know what happened exactly. What was going on with the demonstrations Oh Sol’s mother participated in and what exactly was the accident, did something collapse. I mean I don’t even know what the ‘accident’ was. I could only guess. They showed a couple of flashbacks in which Oh Sol’s mother was protesting with some other people, probably protesting against the redevelopment of some building (no idea why or what) and at a certain point, to make a deadline, the chairman sped some things up which led to a collapse and Oh Sol’s mother became badly hurt because she went inside to get her daughter’s medal to safety. This is what I got from different people’s stories about it, but I still would’ve liked more clarity. Because now it really seemed like Seon Gyeol had nothing to do with it. If they could’ve at least clarified something to show that Seon Gyeol was in some way involved, okay, but now? I was just wondering what all the fuss was about.
Also, especially when he discover that Choi Ha In was one of the construction workers at that time. I was confused by this. He refers to himself as ‘one of the assailants’ in the end, so that must mean that he carries feelings of guilt towards Oh Sol’s family as well. Yet he doesn’t say anything about that, he only jumps in when Oh Sol blames Seon Gyeol. He tells her the truth about a lot of things, even the fact that he knew her before and that was the reason why he moved to their neighborhood – but that he was participating in the redevelopment, he lets that part out. Which seems convenient.
But this is why I have mixed feelings about his character. Because he seems like a nice guy who means to do well, when Oh Sol falls for Seon Gyeol he accepts it, even though he still tries to troll Seon Gyeol with forcing his therapy on him and turning up at his place and stuff.
But at the same time, it seemed like he immediately took his chance back when Oh Sol breaks up with Seon Gyeol. He was there to hold her as soon as she was alone, and I couldn’t help but feel a little suspicious about that.
Because he was also one of the people who could’ve helped Seon Gyeol by telling him the truth about why Oh Sol suddenly took her distance -he knew everything that was going on- but he didn’t. Everyone was just like ‘I don’t have to explain anything to you’ while Seon Gyeol had the most right of everyone to know what was going on because he was suffering the most. It had to do with HIS family, HIS relationship, HIS trust.
I’m sorry, I really can’t get over this, lol.

One last comment about Seon Gyeol’s family, first his mother, Cha Mae Hwa (played by Kim Hye Eun). This actress was also in my previous drama but here she was a much more likable character. I really liked her attempts to make amends with her son, including the awkwardness she had because she didn’t really know how to treat him as she had always left his mysophobia to his nanny. She did leave him for a while, but now that she’s back she really tries to make it up to him and her happiness when Seon Gyeol comes back cured from the US in the end was really heartwarming.
Also, I can’t end without saying something about Seon Gyeol’s grandfather, played by Ahn Suk Hwan. Even though he seemed like the typical evil grandfather chairman who only cared about his legacy and wanted his grandson to follow in his footsteps even if that meant going to the lengths of making his grandson’s girlfriend suffer to stay away from him, the fact that they ended his illness as a tool for urgency and the fact that he hid his guilt and sadness about the tragedy of the accident behind his pride made him a character worthy of at least SOME empathy. And especially when he did come around and took the occasion to formally apologize for the accident (though 9 years late) showed maturity and responsibility. In the end, he wasn’t so much a bad guy as a figure who never dared to face the emotional consequences of his actions before. I don’t know, even though I still didn’t like him that much, he still seemed human enough to take responsibility for the things he’d caused in the end and show how much he actually cared about his family.

The very last thing I will say is about the kissing scenes, because I’ve seen a lot of K-Drama kissing scenes and some are really good and some are really awkward, but WOW. The kissing scenes were actual kissing scenes. I approve. No dry fishes pressing lips together, actual kisses. I was kind of anxious because Kim Yoo Jung and Kim So Hyun are on the same level for me when it comes to child actresses I’ve seen grow up and that now start having their own lead roles – I was underwhelmed by Kim So Hyun in Radio Romance but I was very impressed with Kim Yoo Jung in this series. Even though sometimes, especially when they were standing, she had to bend back her neck so much it almost looked painful, the kisses were definitely convincing. I’m proud.

Overall I enjoyed this drama. It was nice to have another typical 16-episode romcom to watch with a refreshing theme and interesting characters. It really highlighted how underestimated cleaning is as a job, but at the same time how much fun it can be. Of course, if it’s not your thing and you’re not interested in cleaning, I can imagine this part to be of less interest to you.
This was the case for me with Oh My Venus, I wasn’t really interested in the whole healthness theme, so that part of it made it less interesting to me. And I’m not even that interested in cleaning, but still this drama was interesting enough for me because the cleaning theme continued in the background while the rest of the story unfolded. In Revolutionary Love for example, the cleaning theme was present so much that it made me less interested because it was more about the cleaning than the storyline.
I just mean to say, the balance in which they kept all the themes of the series was very well kept. It was about cleaning, and at the same time it combined really well the romance story that developed between the two main leads. There were some typical things that were a bit of a downer (I will never get over sudden selfish break-ups and people not talking to each other when they really should), but I guess I’ll have to accept that that is a drama trope that will always be there.
I think the story was also about acceptance and striving to achieve your goals, even when life kicks you down. Find your moment to get back up and try again. Maybe even take Oh Sol’s story about the hurdle obstable course as a metaphor. You always have to get back up to get over the next hurdle in life.
I will keep an eye open for more dramas with Kim Yoo Jung because I really like watching the progress of the child actors turning into their own lead actors and actresses. It really feels like I’m growing up with them as they advance and develop their drama skills.

I’ll be back with another review soon! Until then!


Are You Human Too?

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Are You Human Too?
( 너도 인간이니? / Neodo Inganini?)
MyDramaList rating: 7.0/10

Hello! I’m back with another review. I didn’t take me very long to finish, but I did take breaks in between because I also started my new intensive job, so my drama watching activities will be limited to the weekends for the coming months.
Are You Human Too? was on my list for a while, mostly because of Seo Kang Joon, but I also knew the female lead and I generally like stories about robots and I was interested in what way this would be different when compared to for example Absolute Boyfriend and, the robot-themed drama I watched previously, I’m Not A Robot.

First of all, let me give a summary of the story.
The story starts with Dr. Oh Ro Ra (played by Kim Sung Ryung), an well-established professional in brain science and artificial intelligence. She is working on a new project that involves creating robots that are identical to humans and she’s trying to raise interest from the public for this. One day, her then 7-year old son Nam Shin is taken away from her. Ro Ra’s husband, who was living apart because his company demanded that of him, is reported to have committed suicide and Shin needs to be taken to his grandfather immediately to be raised as an heir. Although Ro Ra struggles and actively tries to stop this, she is inevitably separated from her son and not allowed to see him again.
In her despair and longing for her son, Ro Ra starts her personal project and creates an android after the direct image of Nam Shin. She calls him Nam Shin I. As her son grows up in real life, she keeps updating the robot’s growth and visual changes as well until she reaches his adult version, Nam Shin III (played by Seo Kang Joon). They live together in Czech Republic.
In the meantime, we are introduced to Kang So Bong (played by Gong Seung Yeon), a tough girl with a past in boxing. Due to an injury she had to stop boxing and this took away the one thing she knew she could do. After feeling like her life was taken away, she became casual about everything and figured she might as well make money out of whatever she can. So while acting as a bodyguard for PK Group’s heir Nam Shin, she also accepts money to take secret pictures of him. When she is found out by Nam Shin himself, he publicly slaps her in the face and this goes viral, resulting in her profound disliking of him.
To be clear, the original human Nam Shin grows up to be a royal prick. He treats everyone like garbage and only shows some affection to his assistant and brother-like figure Ji Young Hoon (played by Lee Joon Hyuk).
One day, Nam Shin manages to escape his security and flies off to Czech (later it’s clarified that he’s tracing after a lead about his father’s ‘suicide’) and he accidentally meets his robot version. Petrified from shock, human Nam Shin is run over by a truck and falls into a coma. Ro Ra and her friend David (played by Choi Duk Moon) take him home to care for him before they return to Korea. In the meantime. Nam Shin III is prepared by Young Hoon to take Shin’s place in the company until he wakes up. When Nam Shin III returns to Korea to take Shin’s place, the first thing he has to deal with is Kang So Bong, who still has the urge for revenge after being publicly humiliated by him.
Eventually, she finds out about him being a robot and their relationship changes. Nam Shin III is, unlike his human counterpart, very polite and friendly to people, despite his lack of emotions or senses. It’s difficult to dislike him. Just as So Bong’s feelings start to bloom, the real Shin wakes up and everything is shaken up again.

The funniest thing about this drama, and one of the unique things, is that the actual main male lead is initially the bad guy. We don’t get any empathy for Nam Shin, at least I didn’t. Even after being reunited with his mother, he isn’t willing to just accept that she’s back in his life again. I personally found this a bit weird, because he was the one who made his mother leave him in the first place (he was forced by his grandfather to chase her away) but still he treated her like she left him out of her own free will. He only changes for the better at the very end of the series, but the first half he is unconscious and when he wakes up he’s only just mean to everyone and tries to sabotage everything. I think this might have been the first time in a K-Drama that I didn’t have any sympathy for a main character. Of course, Nam Shin III on the other hand is the ideal son-in-law. Especially after the real Shin wakes up, it really puts things into perspective since Nam Shin III turns out to be a better ‘person’ than the human Shin.
This is of course used to confront Shin with his ridiculous behavior and makes him even more agitated.
Also, the main couple of the drama is Kang So Bong and Nam Shin III, not Nam Shin himself. Whatever problematic issues this may cause, and no matter what people will think, So Bong seems to be eventually okay with the fact she fell for a robot and doesn’t even care about anything. She even says something like ‘I don’t care that you’re a robot, you’re the best man I’ve ever met’. I mean, of course, love should be limitless, but it did puzzle me a little bit at the end, with regards to the realistic possibilities of the couple in the future. I know it’s all fiction, but I did find it funny. It was like an ‘uhm… okay I guess?’ kind of ending for me.
But I am glad that they didn’t start forcing some kind of love triangle including the real Nam Shin because it wouldn’t have made any sense for him to suddenly start showing interest in So Bong, especially after how he treated her before. And Nam Shin did have a fiancee, after all.

To get to this fiancee, I first need to cover the real bad guy from the story, Mr. Seo Jong Gil (played by Yoo Oh Sung). He used to be a close friend of Nam Shin’s father, but he betrayed him because he was after the shares for the company belonging to chairman Nam Gun Ho (played by Park Young Gyu), Nam Shin’s grandfather. Seo Jong Gil is constantly trying to get the chairman discredited and he is actually the one who arranged for Nam Shin to be killed in an accident in Czech Republic.
His daughter Seo Ye Na (played by Park Hwan Hee) is Nam Shin’s fiancee. She’s a spoiled little princess who has no respect for anyone who is below her in social rank. To the people above her, she only kisses up. Her forward and blunt way of speaking has made her liked by the chairman, but disliked by a lot of other people.
She was one of the characters in the series that I genuinely disliked, in the end she made a turn for the better but only because she realized she was surrounded by bad people and then her conscience finally won over her ambition to be the next CEO’s wife. She discovers all the bad things her father has done and how much of a jerk Nam Shin is and provides the good side with evidence of her father’s involvement. Before that, she acts like she owns the world. When she accidentally finds out about Nam Shin III, she treats him like trash, holding his arm in public and when the people are gone she tells him to go stand in a corner and not speak to her.
What annoyed me most in this first part was that none of the things happening were actually ANY of her business, but as soon as she got involved, she made everything her business. Suddenly the whole thing with Nam Shin III being a robot had to do with HER, was being done to HER etcetera. I didn’t have a lot of empathy for her either. But as I said, in the end, she did the right thing by turning her father in.

Now that I’ve made some first remarks about some of the characters, I would like to elaborate a little further on some characters and my opinions on the choices that they made/how their personalities were established and things like that.
First of all, female lead character Kang So Bong. As I’ve mentioned before in the summary, she was previously a boxer but after an injury she found out her managers were only just betting money on her and she caused a scene and was ousted of the boxing ring (literally). The only people left in her life to support her were her dad Kang Jae Shik (played by Kim Won Hae, who is growing on me with every drama I see of him), and two neighborhood guys (I think?) nicknamed Joint and Robocop (played respectively by Oh Hee Joon and Cha Yeop). Her mother passed away when she was little and she only has a necklace left of hers which she starts touching whenever she feels nervous. It’s established from her first appearance that she’s a tough cookie, she’s a bodyguard, she’s a bit aggressive in the way she speaks to her peers and is clearly not from a very wealthy family. If you would put her next to Ye Na, you would be comparing apples and pears.
In the beginning, because of her casual attitude towards life and making money, it makes sense that it’d take a while for her to warm up to someone new. She’s been betrayed by people before, has a small circle of people whom she’s close with and doesn’t seem to really have any friends outside of that small circle. And even within that circle, there are sometimes frictions. For example, her reporter friend Reporter Jo (played by Kim Hyun Sook) who sometimes still betrays her when she’s offered enough money for it. However, even Reporter Jo in the end teams up with the good guys to help bring Seo Jong Gil down.
Anyways, even though it seems like So Bong is kind of a tomboy, she can’t help but fall for the innocent kindness that Nam Shin III displays. And in her case she is fully aware of the fact that she’s falling for a robot so we can see in the beginning clearly her feelings of denial, but eventually she gives in to it simply because she stops caring. This is what her heart is pointing her to, so that’s what she has to follow. And in some way her simplicity is really endearing. After she allows herself to fall for Nam Shin III, she also starts opening herself up more to other people and starts showing that she cares more.
It seems that her initial stubbornness is inherited from her father, who is the tough love kind of dad. He cares so much about his daughter, and he feels really bad for what has been done to her and he feels guilty that he let it happen. But he’ll still slap her on the back and scold her before he’ll hug her.
In any case, I just wanted to say that So Bong’s character development made sense to me, it was natural and gradual and there were no sudden changes in behavior that made it weird. Falling in love made her a better and more caring person who wouldn’t just do anything for money anymore.
I just remembered she actually started out as a spy for Seo Jong Gil, when she still thought he was a nice guy and he’d pay her money for reports on Nam Shin’s actions (so before she knew he was a robot). After discovering the android thing, she wondered whether or not she should report it, but in the end she chose the right side.

Then there’s Oh Ro Ra. She’s the first person we meet in this series, so that immediately makes her important. In the beginning we feel for her because she suddenly is overwhelmed by AND the news that her husband committed suicide AND the fact that her child is taken away from her without any argument possible. It’s therefore not difficult for the viewer to understand why she would feel the need to create a robot version of her son, to ease her own grief and longing.
(Note: I actually thought before I started watching that she’d make the robot after her son had fallen into a coma, because that’s also how the summary on DramaWiki was phrased, but this was not the case. The robot already existed when Nam Shin fell into a coma – I edited this in DramaWiki as well.)
Anyways, we don’t really know what her plans for the future are with this robot, only that for the time that she’s separated from her real son, she raised a robot son in his place. Her close friend David also affectionately calls him ‘my son’.
When she is suddenly confronted with her real son being run over by a truck in the Czech Republic, she temporarily seems to lose attention for Nam Shin III. It was a bit unclear to me what her ultimate feelings for Nam Shin III were, because for a while there it seemed like he was no more than a substitute until she would be reunited with her real son. Then when Nam Shin fell into a coma, he became the only possible substitute to avoid suspicions and keep up appearances at the company. However, when Nam Shin woke up, even though he was insufferable, she kept trying to make amends with him and she talked about Nam Shin III as a disposable product who was meant to be destroyed as soon as Nam Shin woke up.
It took her a while to determine her real feelings about her robot son, I think. I wasn’t sure what her intentions were. I mean, even for a robot it seemed kind of harsh that the person who created and raised him so lovingly, the person he called ‘Mother’, would suddenly turn out to be this cruel person who would just flip his kill-switch button when he wasn’t needed anymore.
This kill-switch by the way, was an important plot tool in the end. Because Oh Ro Ra kept it a secret from Nam Shin III that he had one build-in and no one could know that there was a way to destroy him, especially not Seo Jong Gil or Nam Shin himself. In the end, of course, they do find out and Nam Shin makes an attempt to kill-switch his robot version. Oh Ro Ra, however, has already used her brilliant brain to make a back-up to reverse the kill-switch. This all happens in an abandoned warehouse and Seo Jong Gil turns up without anyone noticing and drops a bunch of barrels and metal bars on them from above, killing Oh Ro Ra who protects Nam Shin III who is still unable to move because of the newly initiated back-up chip.
And in her last moments, she admits that it would’ve made her the happiest to see her ‘two sons’ get along and that she might continue being a mother to both of them. But it was unclear to me for quite some time, because in the beginning I thought her reasons for creating Nam Shin III suddenly became very selfish. And I wondered why she wouldn’t allow herself to also think of Nam Shin III as her ‘son’ in a way. David was the one who kept standing up for him, and it took a while before he persuaded Ro Ra. So her intentions and motives were a bit vague.

I honestly didn’t expect anyone to die in this series. I thought it went a little far to actually kill Oh Ro Ra. And also the lack of emotional response from Seo Jong Gil was so inhuman that I didn’t find it realistic. Surely, you feel SOMETHING after you’ve murdered someone? This brings me to another point I wish to make, and I’ve mentioned this before but this series really put things into perspective when it came to emotional responses in regards of humans versus robots.
I thought it was funny how they played with the concept of ‘humanity’.
On the one hand you have Nam Shin III, an android unable to feel any emotions but who still has the nicest personality. And then you have people like Nam Shin and Seo Jong Gil, who are human but only think about themselves and don’t even seem to have empathy for others, even their own family.
Although Nam Shin breaks and changes after his mother’s death and then it suddenly becomes clear how much he actually cared for her, Seo Jong Gil doesn’t even care about his own daughter anymore, he just tries to lock her up or send her away so she doesn’t see any of it.
So what are we looking at here? Questions about humanity? Does being human automatically mean that we’re better because we’re capable of feeling and thinking things that machines can? Does being human qualify us for anything? Because there’s still people out there that do things that ‘normal’ empathic people can’t even begin to understand because ‘it’s not human’. While in this scenario, a robot was being more human than the actual human being. I don’t know, I found it very interesting but I don’t quite know what to make of it. I’m a bit lost when it comes to the message this series means to give, if there is any (’cause it’s still fiction, of course).
It’s interesting to think about, though. What makes someone human? And is there a possibility that something that’s not human can also display human behavior?
The series ends a year after Nam Shin III is shot by Seo Jong Gil and falls into the water. So Bong still isn’t over his ‘death’, but suddenly he appears again and it turns out that Nam Shin, together with Young Hoon and David, have tracked Nam Shin III down and fixed him. Even though he has lost almost all his robot abilities, the series ends with a single tear falling down Nam Shin III’s cheek – suggesting that somehow he has acquired some form of human emotional ability.

I realize suddenly that I have to say a bit more about Young Hoon, since he is a very important character, not just as Nam Shin’s assistant.
Young Hoon is possibly the only friend Nam Shin has ever had. He has been with him for years, and most importantly, he has had to answer for all of Nam Shin’s misconduct. Nam Shin’s grandfather punished Nam Shin by taking it out on Young Hoon. Young Hoon, from the beginning, had better leadership qualities and potential to become the next CEO than Nam Shin, but he has always remained loyal and never stepped up to his own ambitions. Until, of course, things escalate and he finds Nam Shin acting like a total jerk. I have to say, in the beginning I genuinely wondered if Young Hoon and Nam Shin were somehow secretly romantically involved. Just the way that Young Hoon spoke about Nam Shin while he was in a coma, the dreamy look and slight smirk on his face when he thought back about him… I mean, it’s a K-Drama so of course it wouldn’t be the case, but it actually wouldn’t have surprised me if there had been a plot twist there.
Throughout the whole series, Young Hoon is one of the main active characters, from the start aware of the android issue, teaching Nam Shin III to act like Nam Shin, and afterwards to keep everyone who finds out quiet etcetera. He protects Nam Shin III but always wants Nam Shin to wake up, but once Nam Shin wakes up he also thinks he’s being too much and starts taking the side of the robot, eventually resulting in him becoming the CEO of the company instead of Nam Shin.
Even though he mistreated Young Hoon before, the chairman believes that he has the right qualities, so it should be either him or the robot taking over because Nam Shin is just not fit to lead the company.
And then there’s this whole extra plotline that the chairman knew about Nam Shin III from the beginning and he’s actually the one who sponsored Oh Ro Ra’s research and project from the shadows, and Nam Shin III’s whole server is hidden somewhere in the company itself etcetera… Yeah, some plotlines didn’t really have to be added in my opinion because it didn’t really add a lot to the story for me. The same with the chairman’s dementia which was first faked and then it turned out to be real after all… They just needed a way to make him old and senile and in need for a directly available heir, I guess.
Also the side story of Nam Shin’s aunt and her young son who was sickly and afraid of grandpa because grandpa didn’t like weak people… The kid was only used as a plot tool to blackmail the aunt at some point and that was it. So there were some minor story lines that they could’ve done without in my opinion.

Another thing I found interesting and unique about this story was that, unlike the usual K-Drama, the main relationship (between Kang So Bong and Nam Shin III) meant that the genuine feelings of love only came from one side. Since Nam Shin III isn’t capable of feeling passion or love, although their relationship was sweet, it still lacked urgency and passion. It also wasn’t the same as for example with Absolute Boyfriend, where the robot boyfriend for some reason develops human feelings by himself.
Nam Shin III is consistently unable to experience human emotions. He can generate if a person is nice or not, and that’s what he acts on. He has no initial indication of what is good and bad behavior, he only acts according to his in-built rules (such as hugging someone when they’re crying). It was a different kind of robot story than the ones I’ve seen in K-Dramaland so far, so in that way it was quite innovative how they explored a relationship between a human and a machine in an as natural as possible way. Of course, the tear at the end suggests some developments and new possibilities in that area…

Lastly I’d like to make some final comments on the casting before I conclude. It hasn’t been a long review I’m afraid, but I think I covered most parts that jumped out to me that I wanted to comment on.
Seo Kang Joon I have only seen in Cheese in the Trap and an episode of Busted! where I equally liked him. It was nice to see him play two different characters, double roles are always demanding but he did a good job. The way he would just suddenly change when he was Nam Shin pretending to be Nam Shin III or the other way around was very natural and credible.
I knew Gong Seung Yeon from a couple of things, mostly Circle where she played an alien, and I have to say that although she acted okay, her character didn’t really impress me that much. She fell a bit flat in comparison to what I’d seen of her before. Not because she acted badly or anything, but just because her character wasn’t very original.
I knew Park Hwan Hee from Descendants of the Sun and Jealousy Incarnate, and her characters there were at least more likeable than Ye Na. She’s still stuck in the female side character roles, though, so I’m curious if she’ll make more appearances in dramas from now on.
Yoo Oh Sung was also the jerk father in Uncontrollably Fond, so I’m sensing another typecast actor here. I wonder what it would be like to see him as a kind man (still quietly boycotting typecasting on my own here).
I think the only actor I didn’t know was Lee Joon Hyuk (Ji Young Hoon), but I liked his character, stuck between how he was raised and his own opinions he was never allowed to express.
Looking at it like that, there might be a parallel between Young Hoon and Nam Shin III. They were both stuck in their own rules and they both learned how to free themselves from those rules and display their individuality more.

Overall, it was an interesting drama but it wasn’t the best I’ve seen. It was interesting to see a new take on the robot theme, and how humans are always seen as better than machines. When something happens, it is always the easiest to accept that the robot snapped and did something bad than it is to believe that it was a human being who did it. Machines are often used as scapegoats and excuses why things go wrong. In this scenario, the robot was the good guy being abused by the bad human guys and the nice thing was that this robot didn’t turn on the humans.
However, except for the few tricks that Nam Shin III is seen to be displaying such as projecting things on billboards and hacking into traffic lights to make the light go green faster, I didn’t get as strong of a feeling that we were dealing with a robot here as for example in I’m Not A Robot.
In the end, the love story between Kang So Bong and Nam Shin III kind of made way for the plotline in which Nam Shin III is freed from his boundaries that come with being a robot and only obeying standard rules. He learns to let go of his rules, he creates new ones, and he starts to accept himself, almost like a person. This happens in a very unique way and it was fun to watch. In the end I had more empathy for the robot than for most of the human characters, haha. And maybe that was what they wanted to show, as well. Humanity is also relative.
Also, I want to visit Czech Republic now because it looked amazingly beautiful.
Overall I thought it was alright, I enjoyed myself but as I said it wasn’t one of the best dramas I’ve watched. It was a nice breather after the intensively long My Mister, though.

I will keep on watching new things in my spare time, so please keep following me! I’ll be back~

Summer Pirates

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Lyrics: Mizuki Nana
Composition: Mitsumasu Hajime (FirstCall)

3. Summer Pirates

Stand up, ready! (come on)
Picture a victorious smile
Emphasize that eye line (make-up)
I will eliminate the moderate aesthetics just for today

Chances always come at a fast pace
Knock on wood? No, no! Out of the question
Life is a surprise! Paradise, realize
Pre-established harmonies are just boring

With surging passion and throbbing DNA,
let’s move! OK? Greedily
This world only has one way to the future,
everyone needs to enjoy the best route!
(Don’t look back) It’s now or never (Don’t stop)
until you seize your own initiative
(Frankly) I don’t care if it’s because it’s summer (instinctively)
You can start whenever! Just take your own timing
You’re right!

Stand up, ladies! (Alright!)
Don’t just long for the right thing
Boldly (Tune up!) pretending to be good people and cry, let’s stop it already

It becomes more complicated the more we review
Time is money! Go, go! Rush madly ahead
Life is colorful! Joyful, careful
Isn’t it okay to be willful once in a while?

With tension that bursts into flight, always DIY,
let’s boost! (Do it!) Don’t run away
There are lots of obstacles in this world
wouldn’t it be just right to do a little too much?!
(Let’s break through) let’s fling it off! (let’s dominate it)
If we can’t customize it to our personal taste,
(let’s try it out) I’ll leave it to summer (let’s challenge it)
Good fortune is always on standby just around the corner, savvy?

Take my hand! Let’s dance!
We’ll go over the top, it’s okay even if it’s
a little lame, it doesn’t matter
Don’t you want to meet your unexpected self?
See, entrust yourself to the beat without fear

With savagely throbbing DNA,
let’s move! OK? Greedily
This world only has one way to the future,
everyone needs to enjoy the best route!
(Don’t look back) It’s now or never (Don’t stop)
until you seize your own initiative
(Frankly) I don’t care if it’s because it’s summer (instinctively)
You can start whenever! Just take your own timing
You’re right!

If it’s because it’s summer…Yeah!
I’m ready!

Born Free

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Lyrics: Yoshida Takumi
Composition: Minamida Kengo

2. Born Free

It seems like ‘the real self’, being yourself,
is an eternal labyrinth where no-one reaches the end

How am I reflected in your eyes?
Will I be able to keep playing the ‘me’ that everyone wishes for?

Unknowingly, we only care about valuation
Behind the proper mask of manners and behavior we’ve taken on
In the inner, inner depths of our hearts,
there is a crying voice

No one has correct answers
about their reason to live
But even so, we desperately live on

What do we throw away, what do we acquire,
what are we searching for?
Embracing our regrets, we continue to walk
our endless journey, now and forever

It seems that ‘the real freedom’, the way it is,
is something no-one reaches, like eternally lost children

Your voice continues to support me
I want strong power that will never break

For whose sake do ‘I’ exist?
Time and time again, we’ve been asking ourselves
All people, not knowing who they are,
are playing themselves

For example, even if tomorrow
there would be pessimistic rain
Before long, the madder sky
will cast a rainbow

‘Strength means accepting your weaknesses’,
this is not a saying,
It’s what you taught me

‘The real self’
isn’t actually anywhere
The answer that lies in my heart
is always unchanging, undecorated
No matter how many times you fall
If you could laugh one last time, where would it be?

Unknowingly, we only care about other people
Discard the proper mask of outward appearances we’ve taken on
and one more time, with real words,
let’s make a vow

No one has correct answers
about their reason to live
But even so, we desperately live on

Stand up again and again
Cast a rainbow towards tomorrow
Let’s play all of it, both joy and sadness
Now and forever
On an endless journey

Metanoia

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Lyrics: Mizuki Nana
Compositions: Agematsu Noriyasu (Elements Garden)

1. Metanoia

Live, live your life now!
Can live freely!
Live! Live your life now!
Can live freely!

What do we believe, what do we choose?
People are always like that, in their freedom
Longing for freedom, holding themselves back
Without being able to catch the truth

(We’re wandering) gently wrapping (pulling closer) the palm of this hand
(Glistening) searching for a piece of love
(Selfishly) rather than changing the passing present (chasing) into regrets
(Try) connect (Try) to tomorrow

(Live, live your life now! Can live freely!)

Is my heart’s song there?
This beat that is born and that keeps repeating
For whom is it made to resound?
I will pierce through the path
Roar, if you are prepared
Come on, release the unequalled melody

(Live, live your life now! Can live freely! Live, live your life now! Can live freely!)

The lament of justice, painting over a jet-black moment
Grieving imperfectly, unable to erase the impact of tragedy

(Quietly) fingering the wounds, the short-lived wish (from that day)
(When I noticed) spreading like poison
(The more I protect it) hope becomes distant (each time I run) despair sidling up
(Why) Where is (Why) tomorrow?
‘Wrench open that cell called the past’

(Live, live your life now! Can live freely!)

Oh, unstoppable song, I deliver it to you
Lay bare all your faults and weaknesses
I want to be able to feel all of that
with the heart I was born with
(Cry) strongly… (Cry) strongly…

Going on ahead, going around in circles,
meeting dead ends, coming to a halt,
Facing the confrontation is my beginning

Even if the world returns to nothing
Even if this body is reduced to dust
That single song that I played with you
(can you hear it?) show me (can you hear it?) the light (can you hear it?) and reverberate
‘Live this time with all your might’

Is my heart’s song there?
This beat that is born and that keeps repeating
It’s made to resound for you
Piercing through the dream of two people
Roar, if you are prepared
Come on, release the unequalled melody

The sound of life…

Live, live your life now! Can live freely!

Rebellion

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Rebellion is Nana Mizuki’s 2nd digital single which was released on January 23, 2019.

Underneath, you will find my translations of the songs from Rebellion. Because English is not my mother tongue, please kindly let me know if there are any grammatical errors: I am open for corrections and like to learn from my mistakes 🙂

1. Rebellion (theme for anime online RPG Hangyakusei Million Arthur)

Blue Rose

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Blue Rose is Nana Mizuki’s 1st digital single which was released on July 19, 2017.

Underneath, you will find my translations of the songs from Blue Rose. Because English is not my mother tongue, please kindly let me know if there are any grammatical errors: I am open for corrections and like to learn from my mistakes 🙂

1. Blue Rose (theme song for smartphone RPG game ‘Mareless’ series of Quiz RPG Mahotsukai to Kuroneko no Wiz)