Monthly Archives: December 2022

Koi wa Tsuzuku yo Dokomademo

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Koi wa Tsuzuku Yo Dokomademo
(恋はつづくよどこまでも / Love Lasts Forever)
MyDramaList rating: 7.0/10

Hiya! Back with a new review before the end of the year. The reason my review of this came later was because I watched it twice – not just because I liked it so much but because halfway through the first time I realized I was actually supposed to watch it in combination with the special episodes belonging to the spin-off “Mada Mada Koi wa Tsuzuku yo Dokomademo”. So then I decided to watch Dali and the Cocky Prince first and then get back to watching KoiTsuzu a second time the correct way, with one special episode after each main episode. I really recommend people to watch it this way as well, since it will make much more sense and you actually get more information on the love stories playing out in the background that aren’t featured as much in the main story. All in all, I did not regret watching this a second time. I’d been looking forward to watching it for a while and I was not disappointed. Now I can’t wait to share my thoughts on it. Let’s go!

Koi wa Tsuzuku yo Dokomademo is a 10-episode J-Drama, with episodes lasting about 50 minutes (each special episode lasts about 15 minutes). The story starts when Sakura Nanase (played by Kamishiraishi Mone), originally from Kagoshima, is on a graduation trip to Tokyo. She makes a wish at a local shrine to meet her romantic match one day, as her family has a history of men that are lacking in one way or another. She buys a cute cat strap charm from that same shrine and just as she makes her way back, she sees an old woman collapse on the street. Without hesitation she runs over, and when she realizes she doesn’t know what to do to help her, she starts shouting for help in a loud voice. Fortune has it that it doesn’t take long for someone to come to the rescue – a very handsome man at that. Not only that, he actually turns out to be a doctor! Tendo Kairi (played by Satou Takeru) works at Hiura General Hospital and just happens to be jogging nearby when he hears someone shout for help. Because of their teamwork, the old woman is brought to a hospital safely, and Tendo thanks Sakura for shouting for help. The smile that he gives her before he leaves impacts her deeply – not only does she feel like she’s just met her soulmate, she also realizes that she now knows what she wants to do with her life: she wants to become a nurse.

I just want to comment from the start that I was happy that Sakura’s determination to become a nurse also started here. It wasn’t just that she fell in love with Tendo on the spot and that was her whole reason for pursuing nursing, she also fell in love on the spot with the idea of becoming a nurse, with as a bonus that she could work together with Tendo in the future. It just made her desire to become a nurse more genuine, unlike for example in ItaKiss, where Kotoko becomes a nurse purely because Irie becomes a doctor and she doesn’t want to be separated from him. I also liked how realistic Sakura was from the start, she came into action immediately after she saw the woman collapse and she immediately put her scarf under the woman’s head for support. She thought about trying to reanimate her, but she realized she didn’t exactly know how to do it, and that’s why she decided it would be better to call for help. This was so smart of her, honestly, not to just try something and fail as it may have had a bad impact on the woman’s situation. I don’t know, it just made me think positively of Sakura from the start, the way she was so smart and determined in her own way.

By the way, I will be calling the characters by the names that are used to address them most in the series. It just feels weird and unfamiliar to call someone by their first name while their first name is rarely or never mentioned in the show. While Sakura’s first name Nanase is mentioned several times, and Tendo also starts calling her that more at the end, she’s still called ‘Sakura’ most throughout the show so I’ll stick to that.

Sakura proceeds with studying to become a nurse and gets admitted to Hiura General Hospital five years after her fateful encounter with Tendo. However, when she meets Tendo on her first day, he’s nothing like she remembers. He’s harsh and cold, and he immediately puts her in her place as a rookie. He even calls her a ‘useless boulder that keeps the river from flowing’ (referring to newbies that only get in the doctors’ way). Sakura is shocked, especially when she learns from her fellow nurses that Tendo’s nickname at the hospital is ‘Maou’ (‘Devil’). His kindness only extends to his patients, and he doesn’t even treat his fellow colleagues amiably most of the time. Sakura’s brazen confession to Tendo on her first day immediately makes her fellow nurses see her in a favorable light, though, and it instantly earns her the nickname ‘Yuusha’ (‘Hero’). They can only admire her for facing the ‘Devil’ like that from the start.
After making multiple mistakes, mostly in front of Tendo, and even being discouraged by him to continue nursing as an occupation a couple of times, Sakura still decides to enter the Cardiology department after her rotation period ends, the department where Tendo works. She is joined by her fellow rookie Sakai Yuika (played by Yoshikawa Ai), who in contrast to Sakura, is ambitiously driven to become a doctor to follow in her mother’s footsteps. Sakai makes it clear that she finds Sakura’s reason to become a nurse (driven by love-at-first-sight) quite irresponsible. Other than that, Sakura’s fellow nurses and the other doctors all really seem to like her and she’s welcomed into the team with open arms. They all support her in her feelings for Tendo and encourage her to win his heart, which is really sweet. One doctor that’s actively willing to help Sakura out with winning Tendo’s heart is Kisugi Koichi (played by Maiguma Katsuya), Tendo’s peer and one of the Cardiology’s most popular doctors. In contrast to Tendo, he’s very social and loved by everyone he encounters because of his likeable personality. Even Sakai can’t stop herself from falling for him at some point. While Kisugi initially wants to help Sakura get closer to Tendo, also because he wants Tendo to open up more, he does find himself falling for Sakura as well, but he never forces himself on her, and even after she rejects him, they keep being very close and friendly with each other. He becomes one of Sakura’s closest friends and allies within the hospital.
Sakura and Tendo even find out they live next door to each other, in an apartment building close to the hospital where many of the hospital residents live as the rent is so cheap. The landlady of this building is Tendo Ryuko (played by Karina), Tendo’s older sister. She is the opposite of her brother in personality, although she also used to be a resident doctor at Hiura. She’s very outgoing and she loves booze. She even tells Sakura she quit being a doctor because she wasn’t allowed to drink on night shifts, lol. She eventually gets her own love story with Sakura’s fellow rookie in pediatrics, Nishi Ryusei (played by Watanabe Keisuke).

The series basically depicts Sakura’s journey, both in becoming a nurse and growing in her occupation, but also in obtaining Tendo’s favor and affection. In the end, as we know from the start, Tendo will fall for her and Sakura will be able to melt away his cold and harsh exterior with her genuine brightness and kindness. Apart from that, there’s the love stories between Ryuko and Nishi and Kisugi and Sakai in the background, but these are mostly established in the MadaMada special episodes.

I will try to incorporate the events of MadaMada in this review as well, because as I explained earlier, they provide a lot of background events and development between side characters that don’t get highlighted as much in the main series. It’s a nice way of adding more layers to the main series, as you won’t be able to understand some references made in the main show if you haven’t additionally watched MadaMada. Especially in the final episode, when the protagonist of MadaMada appears in the main show for the first time, you won’t get that if you haven’t seen MadaMada. I also feel like the final MadaMada episode is the real final episode to the main story, as it wraps up the show much more neatly than the main show’s final episode.

I will elaborate a bit on the main characters first and talk about their individual character development throughout the story. Although it’s only 10 episodes, I still think they managed to balance all the events and the characters’ respective growth pretty well. Let me start by our Heroine, Sakura herself. Honestly, I really liked Sakura’s personality. She is so genuine in her work and she never gives up, no matter how many times she is scolded. The only time her spirit breaks is when one of her patients unexpectedly passes away, and this just proves how incredibly empathic she is. She may still have a lot to learn when it comes to practices and actually medical treatment, but if there’s one thing that comes natural to her, it’s bedside manners. Because of her empathy and genuine kindness towards others, she has no problems putting the patients’ minds at ease. She’s excellent at small talk, she talks with the patients and makes them feel comfortable and special. She even makes helpful notebooks for the patients to take with them when they get discharged. She pays a lot of attention to each and every patient, and she always writes extensive nurse notes in their digital files. More than once these notes actually solve a problem to a patient’s condition that otherwise wouldn’t have been noticed. So you can’t say she has absolutely no aptitude for being a nurse. She seems to be the embodiment of what Department Head Doctor Koishikawa Rokuro (played by Yamamoto Koji) describes in the first episode: within the kanji of ‘patients’, ‘病人’, the doctors take care of the ‘病’, aka the sickness part, and the nurses take care of the ‘人’, aka the people part. While it does take her some time to get over her own insecurity when it comes to her professional potential as a nurse, for example in terms of assisting in surgeries and emergencies without panicking etcetera, the moment does come when Sakura decides she’s going to put her heart and soul into nursing and when the seeds of her effort start bearing fruits, we can see that Tendo’s attraction to her becomes more effortless. She truly grows into her potential and this doesn’t go unnoticed, and we see Tendo growing towards her most in the moments when she’s not even trying to get his attention. That’s also probably why, when Tendo finally starts reciprocating her feelings, it initially comes as a shocking surprise to Sakura, and for a while she can’t seem to believe that it’s actually happening, especially because there doesn’t seem to be an immediate change in the way Tendo treats her at work. But it becomes more obvious when more situations arise in which Sakura’s confidence is shaken, or when other people try to get in the way of their relationship. Tendo keeps confirming how solid he is in his feelings for her, and this ultimately makes Sakura become more confident in their relationship as well.
I get that people have their opinions about Sakura’s initial motives to become a nurse. I could understand that for someone like Sakai, it could be considered a luxury to have ‘first love’ as a key motivation to pursue a career while she herself is doing it purely with professional success and financial stability in mind, and also because she wants to make her mother proud. Sakura herself comes from a small place in Kagoshima, she grew up with her grandparents, parents and older brother in one house, so a lot of familial warmth. As romantically-inclined as she might seem, she really takes her chosen path seriously and she doesn’t purely live through her fantasies about Tendo (again, unlike for example ItaKiss’ Kotoko). She is very good at snapping herself back to reality, into working even harder and becoming a useful asset to the Cardiology team. Tendo occasionally warns her not to get too invested in each patient’s story, but she just can’t help herself as the natural empath she is. She may see herself as a rookie without much world knowledge or professional experience, but her personality just always lights up whatever room she enters and people are drawn to her bubbliness effortlessly. I mean, she even gets to Tendo, even though he initially tells her that there wouldn’t be more than a 0,0001% chance that something would ever happen between them, so I guess that says something.
Let me quickly go through the patients that Sakura gets involved with, to establish an analyzed summary of some ‘arcs’ that happen in the story, and to go through the development Sakura goes through because of these patients. I liked that this series didn’t really adapt a case-by-case format, but that all the patients’ stories continued throughout the entire show, some even from beginning to end.
First of all, there’s Shirahama Anri (played by Sumida Moeno), a young girl in the pediatrics department that’s under Tendo’s direct care. Her discharge keeps getting postponed as her heart transplant keeps falling through and at one point she almost jumps off the hospital roof in desperation, but Sakura manages to calm her down. It isn’t until the very final episode that Anri finally gets the surgery she needs; a mechanical heart transplant. In any case, it is because of an earlier one-on-one talk she has with Anri that Sakura realizes how sad the girl must be, despite always keeping herself strong and smiling in front of the other kids in pediatrics who all depend on her. This is something that Sakura notices because of her emotional capacity to connect with Anri, and this ends up saving the little girl’s life. After this, Tendo decides to officially give Sakura another chance at his department.
The second patient to make a big impact on Sakura is Kanda Mitsuyoshi (played by Kaneko Daichi), a young man who works at an electric appliances store. He longs to go back to work and take out the girl he likes to tonkatsu after his discharge. However, just as he is about to go into surgery, he collapses and during the emergency surgery he unexpectedly passes away. Sakura, who is supposed to observe in his surgery, finds herself unable to move in the chaotic operation room and seeing this person pass away has a huge emotional impact on her. She talked with him, she learned about his plans after discharge, and now suddenly he is gone. After this, Tendo ends up comforting her when she gets so emotionally drained she collapses at home.
Other patients include Mr. Sugamo Manabu (played by Okabe Takashi) who can’t honestly face his wife during his hospital time, Mrs. Tsuruoka Keiko (played by Miho Jun), a middle-aged lady who desperately needs heart surgery but doesn’t want to as it would disable her from going to her estranged daughter’s wedding ceremony, a patient-turned-stalker called Tazawa (Mori Ren) who takes Sakura’s empathy as a bit more than just patient care, and the son of the main sponsor of Hiura General Hospital, a young man called Kamijo Chikashi (played by Kiyohara Sho) – I will get to him later.
During the caretaking of all these patients, Sakura proves her worth as a nurse more and more and Tendo starts taking notice of her skills, potential and nature more and more as well.

Even though this series is fairly uncomplicated when it comes to the romance part, there are several occurrences of a love rival.
In order to get to the major one, I will first discuss Tendo’s back story.
It’s revealed by some of his colleagues that Tendo underwent some sort of emotional change during his career as a doctor. It’s mentioned that ‘he used to smile more’ and we also see a picture he keeps with his fellow residents in which he smiles happily.
And then we learn that Tendo went through something really harsh. He used to have a girlfriend, Wakabayashi Minori (played by Renbutsu Misako) who was his fellow resident. However, she eventually became a patient as her heart condition deteriorated and she passed away. Losing her has been incredibly hard on Tendo, and you could say he closed himself and his heart off from anything but taking care of his patients after that. When Sakura finds out about this, she feels like even though she won’t be able to erase those painful feelings from his heart, she does wish for him to get over his grief and she really wants to help him with that. She keeps telling him that she will take care of him, that she will cherish him, and he gradually starts accepting that.
However, at some point, Minori’s younger sister Miori (played by the same actress, Renbutsu Misako) starts working at Hiura as well and she manages to make a dent in Sakura’s confidence. She actually makes Sakura feel like she’s less of a match for Tendo just because she is more closely connected to Tendo’s past with Minori. As a matter of fact, Miori even confesses her feelings to Tendo. Sakura initially just assumes that Tendo will be swayed by her just because she looks like her sister and she believes he’s not yet over Minori. This is the only time in the series when Sakura is discouraged in her feelings for Tendo and even basically tells him she gives up. After which Tendo (for good reason) tells her off because ‘what the heck are you talking about after all this time’. After literally being won over by her feelings for him, now suddenly she starts saying things like that? I couldn’t blame him for his disbelief there. Anyways, they both leave no room for other people that want to take over their relationship. Miori also ends up accepting her defeat. Sakura may be the opposite of how Minori used to be, Miori can’t deny what the two of them have.
And then there is Kamijo Chikashi. As I mentioned before, he is the son of the main sponsor of the hospital, and that’s why he gets a very exclusive VIP room and the privilege to choose which doctor takes care of him. Sakura meets him for the first time outside, before his take-in, and there he already starts flirting with her, but she brushes him off by saying she has a very handsome and skillful boyfriend. When he is taken into hospital care and sees Sakura and Tendo for himself, he keeps criticizing Tendo for not cherishing Sakura enough. Honestly, while he can be seen as quite a petty person, it all stems from a place of loneliness. He’s from a rich family, he has a lot of money, and you can bet that most of his ‘friends’ are only around him because he treats them very generously. There’s this one scene when his friends come over to hang out in his hospital room and he gives them all tickets to Universal Studios. They just happily accept it, telling him they love him, but not one of them expresses sadness about the fact that he won’t be able to join them. They’re really just in it for the benefits he provides and that is sad. Sakura, again, being the watchful empath that she is, notices this and this is why she can’t bring herself to dislike Kamijo, even though he keeps calling on her for no reason and is clearly out to seduce her and take her away from Tendo. He even sues Tendo at some point, causing him to be taken off Anri’s mechanical heart surgery, and tells Sakura he will only drop the lawsuit if she comes with him to the overseas facility he’ll be transferred to next. Seeing as this is the only way to clear Tendo’s name and enable him to participate in Anri’s surgery, Sakura tells Kamijo that although she can’t come with him, she will leave Tendo. Luckily it doesn’t take Tendo long to track her down in Kagoshima and he brings her back to Hiura after meeting her family.
And I guess there was also Kisugi, even though he was never truly a love rival to Tendo. I was really touched when he told Sakura that he was rooting for her because he just really wanted to see Tendo smile again after what happened with Minori, he just wished for him to experience love and happiness again, as a real friend. Kisugi was a really nice guy, even when he confessed his love to Sakura he was okay with being rejected, and when it seemed like it would become awkward between them after his confession, he was immediately able to be as friendly with her as he had been before, making her feel like nothing had changed between them. When he starts recognizing Sakai’s advances towards him when she tells him she wants to help him get over Sakura, he eventually opens up to that possibility – in the final episode he invites her out for a meal, just the two of them, for the first time.

I guess these were the main really ‘dramatic’ events in the series that posed a temporary ‘threat’ to the main leads’ relationship, but still nothing ever really stood in their way because there was nothing that could make their feelings for each other waver. I always like it when at least in that department there is barely any room for misunderstandings, because both leads just make their mutual feelings so clear. True, in the beginning Tendo doesn’t express his affection for Sakura that much, but as soon as he senses she is starting to have doubts, he starts confirming them to her more and more. He doesn’t want her to doubt his intentions and his feelings, so he always finds a moment when it’s just the two of them to reassure her, and these scenes are always very thrilling as they are the only moments where he openly expresses his affection (and physical attraction) to her.
Honestly, as much as I loved their intimate moments, I was also super frustrated because they are literally interrupted EVERY. SINGLE.TIME. Every time Tendo starts kissing her, especially that time when things are getting heated as she expresses she doesn’t feel sexy enough for him, what the heck was with that random interruption?! How did those two people barge into Sakura’s own house like that?! Apart from just being frustrated because of the interruption itself, I just didn’t see the reason why they had to be interrupted like that every single time. Even at their wedding in the final episode, why was it necessary to suddenly make one of the guests collapse to cut off their vows like that? Honestly, I lived for their moments together so I really would’ve liked to see at least one uninterrupted make-out scene. It was a rare occurrence to see Tendo get so soft!
Especially when they are at her parents’ house (although it does end cutely when Sakura insists on sleeping under the same blanket as him) and come on, THAT CREAM BREAD KISS. I squealed out loud when that happened but OF COURSE just at that moment people come barging in. Seriously, at least give them ONE single uninterrupted kissing scene! Just ONE! T^T

As I mentioned, in the MadaMada special episodes, we get to see more than just Sakura and Tendo’s relationship play out. In the MadaMada episodes, the figure that stands at the center is Nekota (played by Kuroba Mario). Actually, he isn’t mentioned by name at all, but this is how he’s mentioned on DramaWiki. Nekota is the Cat God from the shrine that Sakura makes her wish at in the first episode, and in the MadaMada episodes he’s disguised first as an izakaya waiter and then as a bartender, both in places that the hospital residents frequent after work. His gimmick is that he tells people’s love fortunes, and these consist of him doing a funny little cat dance before he writes a wise quote on a piece of paper to give to the inquiring person. These quotes are usually not very direct, but they always play out in one way or another, sometimes not even to the person it’s given to. The main message he passes on is that love works in mysterious ways, that sometimes things don’t happen the way you expect them to, they may even happen to someone else instead, but still there’s never a shortcut to love and things will happen the way they will. He is basically someone who keeps appearing in the background to check up on people’s romantic relationships. In the main story, he only appears in the final episode as a new hospital rookie, and when one of the nurses recognizes him, he just smiles and says he wants to keep an eye on everyone, or check out their workplace or something. This is what I meant when I said earlier that you won’t understand his appearance if you haven’t been following the MadaMada episodes.
In any case, he helps out a lot of the side characters without them even being aware of it. For example, Sakai’s crush on Kisugi. In the main show, it just seems like at some point she becomes more interested in him, but MadaMada shows the actual moment her crush on him starts, and from then on her behavior in the main story starts making more sense as well. The fortune she receives from Nekota is ‘Don’t tuck away the fluttering of your heart’ (or something along those lines). While Sakai initially doesn’t even believe she has the luxury to think about love, this changes when Kisugi tells her off for studying and pushing herself to work until she faints and urges her to take better care of herself before she takes care of her patients. Impressed by the way he addresses her so strictly as no one at the hospital has actually scolded her before (she’s the most requested rookie by all departments after her rotation period ends), she immediately accepts that this feeling is more than just admiration. In her own way, she starts doing her best to win his affection, and in the final episode she manages to get him to invite her to dinner by being really strict with him as well. Even though she’s sceptical of Nekota’s fortune-telling, she does accept it as soon as she realizes this feeling, and from then on she doesn’t attempt to ‘tuck the fluttering of her heart away’ anymore.

And then there’s the story of Ryuko and Nishi. Nishi is first introduced as one of Sakura’s fellow rookies, together with Sakai and Kano Misa (played by Hotta Mayu). Nishi and Kano move to Pediatrics while Sakai and Sakura go to Cardiology, but the four of them keep hanging out regularly after work, sometimes at Nekota’s izakaya, sometimes at Sakura’s house. Nishi is a very sensitive guy, who initially has difficulty dealing with blood when it appears in front of him without warning, but he gets better at it. He meets Ryuko when he’s at the movies, and falls for her at first sight. Their bond is initially kind of mysterious, as they keep meeting coincidentally a couple of times before they even really know each other’s names. When Nishi finds out that she’s not only Tendo’s older sister but also Dr. Koishikawa’s ex-girlfriend, he gets very discouraged, retreating into his own insecurity while Ryuko is waiting for him to actually make a move and sweep her off her feet. It takes a while for him to get his act together and still pursue Ryuko, and both of them go through periods in which they first want to figure themselves out – first Ryuko tells Nishi that she’ll date him after he becomes more mature but then realizes she herself also needs to mature. In the end they are reunited when Nishi applies to work at Ryuko’s family’s hospital that she ends up taking over as director.
Truth be told, I didn’t really feel this pairing. Not necessarily because of the age gap (Nishi is 22 and Ryuko 35), but just because I didn’t really feel their ‘click’. As much as I liked Nishi as a character, as Sakura’s good friend who was also maturing in becoming a nurse in his own way, I couldn’t help but feel he was a bit spineless, especially opposite Ryuko, who was such an independent strong woman. I was surprised that they made these two an actual couple and didn’t just make it Nishi’s one-sided crush or something. I have to admit that the MadaMada special episodes that focussed on them filled in their love story a bit more and gave them a bit more depth, but still I felt like they weren’t a perfect match. Of course, Sakura and Tendo also didn’t match each other in personality, but at least they had chemistry and intimacy, and I missed all of that in the Ryuko/Nishi pairing, so that was a pity.

Apart from these pairings, I just want to give a shoutout to the side characters, aka the other nurses and doctors, the ones that got highlighted more in MadaMada, because they actually grew on me so much they became my favorite characters besides the leads.
Starting with the doctors, I’ve mentioned him before, but the head of the Cardiology department is Dr. Koishikawa. I loved him from the first episode on, when he came into the rookie’s orientation and plain forgot the cool thing he wanted to say and ended up saying, ‘we have a really good bakery!’ haha. And then after that he came with the whole ‘病人’ thing. In the MadaMada episodes, he uses this same reference to describe ‘lovers’ or ‘恋人’, stating that younger people sought more after ‘恋’, the love aspect, and adults sought more after ‘人’ the people aspect. Honestly, if I didn’t love this man enough already in the main story, he KILLED me in the MadaMada episodes. There’s this situation where he gets involved in a misunderstanding regarding Nishi’s feelings for Ryuko, and he ends up believing Nishi is interested in HIM instead. His extra acting, his facial expressions, just everything he did made me laugh out loud. And the most beautiful thing was that he just accepted it, like he was actually prepared to go along with it if Nishi really felt that strongly about him. This guy really cracked me up every single time he appeared, he was awesome.
Then there were the nurses in Sakura’s department. By the way, I loved that they normalized male nurses as well, and there was never any mention of it being a feminine job or anything. I remember that in ItaKiss, there was one male nurse and he was depicted as being super feminine, so it just set a kind of tone for how male nurses were perceived or something? In any case, I liked that there was no generalization in this drama concerning that whatsoever.
Sakura’s team leader (if I can call her that) is Negishi Mariko (played by Hiraiwa Kami). She is always very sympathetic to Sakura’s situation and always goes easy on her subordinates. There is one ‘arc’ in which her son is admitted for an ablation, and she asks Tendo specifically not to include Sakura on his case. Even though she is rooting for Sakura’s progress as a nurse, when it comes to her own family she has to admit she doesn’t fully trust Sakura’s skills. I think this was a very tricky situation, because I understood both sides. I understood how, when personal relations are involved, one might have different feelings towards who they’d feel comfortable taking care of them. I’m just glad it didn’t create a dent in the bond between Sakura and Negishi, and Negishi also ends up apologizing to Sakura, who of course doesn’t make a big deal out of it. Negishi is really sweet and supportive to Sakura from the start, she really feels like a mom.
Then there is Numazu Yukito (played by Miki Kousei), a kind of comical character who is respected by his team mates nevertheless. He has a funny bond with Kisugi, whom we works with closely, and Kisugi always teases him. I liked that they also didn’t make a stereotype of him, despite the fact that he may not have been perceived as generally ‘handsome’ and that he was a little chubby, he still has a girlfriend (I did find it rude no one believed him in the beginning) and there is nothing amiss in his confidence. He was funny without trying, and that made me like him. In the final episode, his younger brother makes an appearance. I just found out that these two brothers are a comical duo in real life, so that’s probably why they let him make a special appearance, haha.
Which brings me to Ishihara Kozue (played by Takiuchi Kumi). Kozue is one of the nurses that gets highlighted a lot in MadaMada, and for me this actually caused her to become one of my favorite characters. She’s one of these women who’s very active in marriage hunting, she really wants to find a guy and is one of the few people who’s willing to take Nekota’s fortunes seriously as they do somehow tend to have an effect on her. I just liked her personality, she was so funny and bubbly and didn’t care what other people thought of her.
Apart from Kozue, there are two other nurses in the Cardiology department, Nakano Ai (played by Eren) and Takatsu Wakana (played by Mikami Ai). These two appear in the background mostly, but they make some additional appearances in MadaMada. They are a fun bunch who always love to gossip during lunch break over a box of sweets.
In the Pediatrics department, there is Yuuki Sayoko (played by Katase Nana). It’s suggested that she used to also have a crush on Koishikawa when he was dating Ryuko in the time the latter still worked at the hospital, but she’s still friends with both of them. She’s a very friendly figure to have around, someone who also always really supports Sakura as well. There’s one other nurse from Pediatrics, Hara Shizuka (played by Ando Sei), who also gets more screentime in the MadaMada episodes.
I want to tag everyone’s actors because everyone deserves a shoutout. One of the reasons I didn’t mind watching this again is because it truly felt like being part of a big family, everyone was so comfortable and pleasant with each other and I loved everyone’s dynamics.

Apart from that, there are two other nurses (or matrons?) that appear mostly in MadaMada, but also occasionally in the main show. These are Ofuchi Tomoko (played by Hara Fukiko) and Kobayashi Fumie (played by Horimoto Yukie). I loved that, while these characters’ names aren’t even mentioned in the series, they are still written as individual characters, and MadaMada also gives them the opportunity to shine, be it just briefly, to give more insight into their respective personalities. I liked the MadaMada special where Ofuchi accidentally puts on Kobayashi’s pants and lives in the assumption that she’s lost weight for like half an hour, lol. It was nice that they also gave her that whole scene with Sakura about the spicy and salt squid, haha.

The reason why I feel that the final MadaMada episode should be considered the final episode of the whole series is because it literally picks up right after Sakura and Tendo’s wedding. The main series ends there, and then MadaMada still continues a little bit further. After Sakura returns from her one year abroad in Sweden and the couple gets married, Sakura walks into Nekota, who’s now a new rookie at Hiura, and she recognizes him. I loved how she was telling Tendo how useless his fortune-telling was at the time because it didn’t help in any way to make her get closer to him, and Tendo was like, ‘what are you talking about, we’re married now, it definitely must’ve helped in some way’, haha. I also liked that the MadaMada episode ended at the shrine where Sakura prayed at in the first episode, near the street where they met for the first time. And that they managed to work Nekota’s fortune-telling ritual against him and wrote ‘koi wa tsuzuku yo, dokomademo’ on the sheet of paper as their final fortune-telling. It just felt like a much more neatly wrapped-up ending, in which we see that these two are going to be just fine.

I knew this wasn’t going to be a long review since the series is relatively short, but since the MadaMada special is also included it still feels quite lengthy what I’ve written up till now, haha. I think I’ve mentioned most of what I really liked about the series. I’ll just insert a few things that may have bothered me a little bit before I continue on to my cast comments.

Honestly, as much as I have grown to love this series, the MadaMada episodes definitely added some points to my ranking for it. I cannot deny that the series in general (including MadaMada) has some serious cringe tendencies. I wasn’t really bothered by it as much in this case because it really helped that all the actors completely went for it, but I did see a lot of comments saying that they found it cringy and even embarrassing to watch at times. I mean, it’s a J-Drama, it’s bound to get cringy. I have to admit I had it multiple times with Tendo. He was supposed to be this really cold and distanced handsome guy who didn’t express his feelings, but when he would start expressing his feelings to Sakura, sometimes it came out really cheesy, but that was all the more because you just wouldn’t expect to hear these words from him. When they were getting intimate, and the ways in which he kissed her (I repeat: THE CREAM BREAD KISS), yes they were cringy, but they still made my heart beat faster. It did help a lot that it was Satou Takeru, of course, but seeing him in this kind of role just made me feel all kinds of ways, haha.
So yeah, I mentioned before that I was a bit frustrated/disappointed by the fact that they kept interrupting Sakura and Tendo in their intimate scenes. They managed to build up these scenes so well, and then just as they were getting it on for real, usually Ryuko (either alone or accompanied) would barge in and ruin the moment. After a few times it’s just not funny anymore!
Something that I mainly had while watching the main show for the first time was that it felt like they suddenly had the urge to add in a couple of repetitive dramatic events. I have to admit I was a bit distracted at the time because I’d just found out about the MadaMada special and was preoccupied with the question whether I was even watching the show correctly, so it may have been caused by that. But, for example, the fact that they made Sakura get involved in an accident two times. Admittedly, the first time was not that big of a deal, despite the fact that there was this whole dramatic ‘I wish I could’ve spent more time with you’ moment in the ambulance – she ended up walking out of there that same night with just a single bandaid. But then that time when they jumped in to push some kids out the way of an approaching car and Sakura got hit instead and then suddenly half the people present were lying wounded on the street? Like, what was that? As far as I could tell, the car didn’t even get that far, but somehow all the people walking in front of them had also gotten hit by the same car?! Thinking about it, I just didn’t see why they suddenly came up with this serious accident in which a lot of people got hurt, just to make Sakura collapse into a coma for three days. Especially after watching it again and thinking, how are all those people on the ground when the car didn’t even reach them o__o
I mean, in a way I get it, because each dramatic event that happened ultimately led to one of the leads expressing their true feelings in the heat of the moment, but sometimes I found it pretty extreme. I will only stay nice about this one because it ended in Tendo summing up all the reasons he loved Sakura, the reasons he wasn’t able to put into words before when she and her family asked for it. This was one of my favorite moments because it really showed how much he’d been watching her, and how he’d truly seen the kind of person she was.
“How you always give your best effort for everything. How, no matter how much I scold you, you never get dejected. How you constantly observe your patients. How you trust people blindly. How you were raised with so much love. How you don’t realize you’re sexy. You sing your weird song when you’re drunk and you can’t eat ice cream without making a mess. You can’t do any chores, and you fall asleep too easily, but when you laugh you are the cutest in the world. If these words make you happy, then I’ll say them whenever you want. I love you.”
Lastly, I found it a very interesting choice to confront Tendo with his past connection to Minori by making the exact same actress play her younger sister. This really weirded me out from the start, because I actually thought it was Minori herself and it was like, SURPRISE SHE DIDN’T ACTUALLY DIE or something. I get that the whole point was that Miori was the spitting image of Minori, but seriously, using the same actress was pretty unexpected. And also the fact that Miori just went there to poke her nose into Tendo’s business and that she started involving herself in his relationship with Sakura because she felt like she had the right to, what was up with that? It felt like she just expected him to come to her immediately only because she reminded him of Minori. I didn’t really understand this logic.

Oh, before I forget, I am downloading that ending credit song, ‘I Love…’ by Official HIGE DANdism, I really liked it! And I also realized that an instrumental piano ballad version of the same song was used in several dramatic scenes, that was a nice twist. 🎵IRREGULAR~🎵

Let’s move on to the cast comments! This is going to be quite extensive, I imagine, as I have so many people to give shoutouts to besides the main characters. I liked that the majority consisted of actors I didn’t know before, but this also means that I can’t really make comparisons to previous performances I’ve seen of them. In any case, let’s go!

First of all, Kamishiraishi Mone. So Kamishiraishi Mone initially gained fame (I believe) because she voiced the female lead character in that super hyped animated movie ‘Your Name’. At least that’s what I knew her name from. She’s also the older sister of Kamishiraishi Moka, who played Kageyama Reina in 3-nen A-gumi which I recently watched. They really do look alike!
On a more personal note, I actually studied at the same college as her in Japan! This was the year that ‘Your Name’ came out and I remember hearing rumors that she was in the same campus as me at the time. I never actually saw her in person myself (I didn’t even know what she looked like, I just knew her by name), but it’s kind of cool to think I was actually studying in the same building as her for a year, haha.
Anyways, this was the first thing I’ve ever seen of her acting in real life (besides voice acting, that is). I see she’s been doing a lot of dramas since 2017 and she’s getting more and more main roles as well, good for her. I really liked her in this drama. Her acting was so genuine and I loved how she just went for it in energy and zest, especially the (slightly) cringy scenes, she really didn’t hold back. It just seemed to come so natural to her, the scenes in which she was socializing with patients and just her general dynamic with every other character felt so natural, almost as if she wasn’t even acting. From the first moment on I felt myself rooting for her. I hope she’ll get more and more opportunities to shine as an actress because she was really good here and even though this was kind of a typical Japanese manga-adapted romantic comedy, she still managed to set herself apart from other heroines.
By the way, I loved that they incorporated that when her colleagues called her ‘Yuusha’, she suddenly appeared in the next shot wearing a hero’s attire including a scarf, head wear, sword and shield, haha. I just loved how they managed to fit these in so casually while everyone kept being serious, because those moments made this series all the more humorous. I really liked her performance! I didn’t even think about this until the very end, but there is a pretty big age gap between her and Satou Takeru, she was 21/22 when this show aired and he was 30 I guess. Looking at it the second time around it does look more obvious, but still they acted it out so naturally that it didn’t really bother me. They didn’t make their age gap get in the way of their on-screen chemistry, in any case, and I really admire that. I can imagine it can be quite scary to act out a romantic relationship with someone 10 years older than you.

I haven’t even seen that much from Satou Takeru before, I just realize that he was in Mei-chan no Shitsuji (this was ages ago, damn) and I’ve also seen him in the movie Kanojo wa Uso wo Aishisugimasu, which I believe should be left to exist on its own without its crappy Korean remake The Liar and his Lover (sorry not sorry). Anyways, I’m bound to see more of him, I can’t wait to watch him in his latest series First Love, for example. Anyways, I don’t really remember the kind of acting I’ve seen of him before, but as I mentioned I did sometimes struggle a bit with the way he expressed his affection to Sakura. It just seemed to be so out of character for him to utter phrases like ‘I’m not going to let you sleep tonight’, lol. But on the other hand characters like this are also my weakness, because I’m a big fan of the ‘seemingly detached but actually devoted boyfriend’ type. I would’ve liked to get a better insight to his psyche, though, because in the moments when he didn’t make his intentions clear, sometimes I really found it hard to determine what he was thinking. After we learned about his backstory and past with Minori, I was hoping that through those flashbacks, we would get to see more of how Tendo used to be, the time when he ‘used to smile more’, but because that wasn’t really explored, it was also hard to imagine the switch he must have made in personality.
What I did like was that, even though he was perceived to be very handsome by mostly everyone, he wasn’t made into an Irie-type character. It wasn’t that he became popular wherever he went and that Sakura had to deal with tons of love rivals. His personality kind of worked in her favor, if you look at it like that, lol. It was just nice to have a character that seemed quite typical for a Japanese drama, but still not THAT typical. That’s what I loved about all the characters by the way, the way they were all really unique and stood out in their own way without becoming stereoypes.

I also didn’t know Maiguma Katsuya from anything, so it was nice to ‘get to know him’ through his performance of Kisugi. I liked how down-to-earth he was, and that he just had this genuine sympathy for everyone. It was really touching to hear him say that he just really wanted his friend to smile and love again, he was such a nice guy. Even though he became kind of the second male lead, I believe that he already knew he didn’t stand a chance against Tendo, but he just couldn’t stay quiet about how he felt. It was all the more characteristic of him that he just continued treating Sakura the same way as before, because her rejecting him shouldn’t make things awkward between them. It just proved how comfortable they felt around each other as friends, and he remained an ally to the both of them until the end. I liked how genuinely kind and caring he portrayed Kisugi, and that he also opened himself up towards possibly accepting Sakai’s feelings at some point. He had a mischievous streak to him, which came out in for example his treatment of Numazu, but he always remained a very likable and dependable senpai to his colleagues. I liked how he revealed there was this thing going around where people called him and Tendo ‘Brad Pitt and Leonardo DiCaprio’, lol. The quirkiness of his character always appeared at such the right moments, and they were balanced in so well with this more serious behavior when it came to work and patients for example, and I think his character was just very well written.

I kept thinking that Yoshikawa Ai looked familiar, and I got kind of a shock when I looked her up because I actually know her from some really unexpected stuff, haha. Under her real name Yoshida Riko she appeared in Hotaru no Hikari and Mei-chan no Shitsuji and she was the younger sister in Minami-kun no Koibito! And then I realized she was EtoMika in Hajimete Koi wo Shita Hi ni Yomu Hanashi, which I only watched really recently. Like, how did I not recognize her?! Even looking at EtoMika’s picture now I’m having a hard time accepting that it’s the same person, lol. To think that a hairstyle and a smile can really make that much of a difference! I liked how, as down to earth as she appeared in the beginning, she was able to set her prejudice against Sakura aside and open her mind more to other people’s feelings and situations. I believe Kisugi also helped her realize that nursing wasn’t just about become better through studying and working harder, but also about connecting and empathizing more with people. One time I was really impressed by her scene was when Sakura was in that coma and she was alone on the night shift and she just started crying. It was really endearing how she told Sakura that she needed her around because she was her only peer at Cardiology. She may have been a bit awkward in socializing, but she definitely grew a lot as a person, also because she met Sakura and all the other doctors. I also liked to see a bit more of her vulnerable side in the MadaMada episodes. I still can’t get over the fact that she was EtoMika, seriously, she was a completely different person and now I already respect her acting even more.

I hadn’t seen Watanabe Keisuke in anything before, but I found him an interesting choice for the character of Nishi. I can’t really explain why, and I don’t mean anything negative by it either, but he just stood out to me for some reason. As I mentioned before I didn’t really feel his chemistry with Karina, and again here, just like with Sakura and Tendo, we were talking about an age difference of 10 years, but the other way around. When this drama aired he was about 27 while Karina was 36. I wondered if this was all casted deliberately, haha. Anyways, I did like that, while he was quite sensitive, he still proved to be a good fit for a pediatrics nurse. It was nice to show that he really progressed, in the beginning he would freak out when faced with unexpected blood loss, but in the final episode he managed to deal with it without even a squeak. What I just generally liked about this drama was that everyone was just living their own lives in the meantime, and not everything was focussed on the main couple. It made it all the more relatable to see different hospital workers dealing with their own struggles, and I thought that was really nice.
I have to admit that he did crack me up in that misunderstanding with Dr. Koishikawa, because he just didn’t realize how the fact that he didn’t clarify that he was talking about Ryuko only made everyone extra confused. I still think the whole situation could have been resolved if he’d just put ‘Dear Ryuko’at the beginning of the letter, but it still made for some good comedy, lol.

I’ve seen Karina in Watashi ga Renai Dekinai Riyuu and Kirawareru Yuuki, and in both cases she played non-typical female lead characters that weren’t really interested in finding love. I mean to say that this was the first time I saw her as a really feminine character. I did like to see this side of her, because she can be so alluring and fun. I loved that she also wasn’t just Tendo’s older sister but had this whole history with the hospital as well, all in all I think they managed to establish and fill in their characters very well. It was nice that they gave her specific quirks, like getting people’s names wrong, and later revealing that her mother was just like that. It was funny overall that Ryuko was most like her mother and Tendo was exactly the same as his father, haha.
I found it a bit hard to determine in what way she was exactly attracted to Nishi, because she didn’t really seem to be her outspoken, booze&party-loving self whenever she was around him. Also, when she said she was attracted to him because she just needed someone to tell her directly that he liked her, I didn’t really feel it. They still ended up together, but all the intimacy they showed was a hug in the end, and it still looked more like a friendly hug. Like, it was nothing compared to the hug between Sakura and Tendo when Sakura came back from her year abroad. If they were going to make Nishi and Ryuko a couple, I would’ve liked to see Ryuko, as the more experienced person, act a bit more in character. For example, I could imagine her teasing Nishi when he’s too shy to be intimate or something. But it remained to be a bit ‘dry’ between them, more words than deeds, so that was a pity. Still, I love Karina so it was really nice to see her in this.

Yamamoto Koji looks so familiar to me! From stuff I watched I only see that he was in The Quiz Show but I doubt I remember him from that. In any case, he was one of my favorite characters in this show, especially in MadaMada. He cracked me up from the first time he appeared, as he was just such an easygoing and likeable Department Head. He may have been the boss and higher in rank (so possibly less easy to approach), but he really cared about each and every employee and patient. He may have been a bit clueless but he was also very wise. I couldn’t really picture him and Ryuko as a dating couple, but it was a nice thing that they were still on relatively good terms. What I really liked about him was that, in MadaMada when Nekota offered to read his fortune, he instead asked if he could read his ex’s fortune, because he cared about her ending up in an arranged marriage while she clearly didn’t want to. Just the fact that he wanted to make sure she would end up well even thought it wasn’t him just made him really sympathetic to me. He SENT me during the misunderstanding situation with Nishi, why did he suddenly become so extra?! Seriously, those random moments he would just gaze into the camera all dramatic, and then the English, ‘What? Letter’ and ‘Bittersweet’, I COULD NOT EVEN. He really made part of the show for me, loved his performance.

I see that Katase Nana appeared in Ikemen Desu Ne, but just as with the above, I can’t believe that’s the only thing I recognize her from. She looks so familiar as well! I really loved her character too, especially when her silly side came out in MadaMada. She was the main nurse in pediatrics, and she was just a very comfortable character to have around. I liked her dynamic with Ryuko when Nishi introduced her as the woman he liked and she was just like, ‘NO. NOT HER’, lol. It seemed as though they had been really close but somehow Sayoko had taken a distance from Ryuko after she quit the hospital? In any case, Ryuko seemed more affectionate towards her than the other way around. But then later on in the series they suddenly appeared all outgoing and drunk-partying together (crashing Sakura and Tendo’s intimate moment >_<) so that suggested they were close. She was also very friendly with Koishikawa, she joins him at Nekota’s bar regularly in MadaMada. It was funny when she fell for Nekota on the spot and threw him off in his cat dance because she was so enthusiastic about it, lol. That whole spring performance piece about Cleopatra was random as heck, but I still found it funny as it was a way to deflect from her painful memory of being rejected by Nekota, lol. They sure came up with pretty bizarre scenarios! In any case, I liked her.

Hotta Mayu was one of the students from 3-nen A-gumi, so that’s where I recognize her from. I liked that, even though Kano didn’t appear as much as her fellow rookies, she was a really solid side character in that whenever she appeared she was really well established. She went for pediatrics, and that’s where she stayed and belonged. In the final episode she also mentioned her ambitions to grow in her occupation. She was just a very positive person to have around, even though she was the only rookie who didn’t really get her own storyline, she also didn’t exist purely as a supporting figure to her friends.

I don’t know Renbutsu Misako either, although in her case too I feel like she looks familiar. Why do all Japanese actors look so familiar?? In any case, as I mentioned, I was a bit weirded out by Minori and Miori being played by the same actress, and the fact that that was reason enough for Miori to approach Tendo and just expect him to fall for her next after her sister or something. I didn’t really see the necessity of making her, of all people, a new love rival for Sakura, because she really didn’t need to be threatened by anyone. It was good that this only proved that, even though he’d loved Minori first, it didn’t mean that someone who looked like his ex immediately made her ‘his type’. She was not Minori, and just because she looked like her and shared a past with her didn’t mean like she could just claim him in memory of her sister. It just seemed a bit weird to me. Luckily she didn’t turn out to be spiteful person or anything, and she had no other choice than to back off in the end, which she did gladly after being assured that Tendo would be left in good hands. She was a good person, although I still have mixed feelings about what her initial intentions were upon meeting Tendo and reminding him of Minori.

Takiuchi Kumi just completely made MadaMada for me. This woman is amazing. I don’t know her from anything else, but she really blew me away here. Just the energy and devotion of her acting, she really didn’t hold back, especially in the silly scenes, for example when she thought Kisugi had a crush on her. She was just so herself that she didn’t even care about looking stupid to anyone else, haha. She was a really fun character and I fell in love with the energy and fun that she brought in her character, especially in MadaMada, she really got to shine there. It was funny that she just went straight for Numazu’s brother too, haha. I loved her.

Miki Kousei was also a nice character to have in the nurse’s team as well. I am not surprised that he’s a comical duo with his brother, because he was funny without trying to be too funny, if you get what I mean. His comedy was never over the top, but really nicely dosed. What helps and makes a character funny is when their character is dead serious about it and he really got that down. I loved how every single character was just so unique and not afraid to be themselves and Numazu just took himself as seriously as everyone would, which made him effortlessly funny at times. He was the person who came up with the name ‘Yuusha’ for Sakura and he also supported her from the start. The scene where she made him promise not to tell anyone that Tendo had hugged her tightly and he was like ‘Okay. GUYS HE HUGGED HER TIGHTLY’, lol. I just loved how effortless his comedy was.

I loved how Hiraiwa Kami was such a collected motherly figure who was always on Sakura’s side, and that her request to get her removed from her son’s ablation was really nothing personal. I just liked that they managed to input a situation regarding one of the nurse’s family members and that this created a kind of tension regarding who got to treat him. I believe it’s a rule that doctors aren’t allowed to operate on their own family members because of their emotional attachment, and it was fine for her that she didn’t get to do it herself, but she still wanted to make there were no mistakes made whatsoever. In the end, Sakura’s observational skills regarding her son again solved a problem and she was allowed, with Negishi’s permission, to participate in the surgery and they were able to save him. Negishi was a very humane character, her request really didn’t make her affection towards Sakura any less genuine, and there was no tension between them whatsoever. She seemed to have a really nice bond with her son, as it became clear she’d told him about ‘The Hero and the Devil’ at home so he knew immediately who was supposed to be who. I liked her, she was a very sweet character and very fitting to play a nurse.

And then finally, Kuroba Mario aka Nekota! I just see on DramaWiki that he’s married to another actress who’s also 6 years older than me (this drama has all kinds of ties to age gaps in relationships, lol). Anyways, I cannot even begin to imagine how cringy it must have been for him to keep dancing all those cat dances and making all those ‘nyan nyan’ sounds, but he definitely pulled it off. Just like what I’ve been saying about other characters, I just really admired how seriously he took himself. I liked that they actually made a whole separate story about the Cat God and turned him into a mysterious supporting character that was secretly watching over everyone’s relationships. It was funny that they added to the final MadaMada episode that he was supposedly the one that made sure Sakura’s voice reached Tendo when she was shouting for help with that old woman. He had been watching over her ever since she bought the cat strap charm. He really cracked me up at some points, haha. When the flashback was shown of Ryuko and Nishi’s predecessors ending up together and the quote on the paper that he wrote turned out to be a pun of words, the way he was standing there in the back pointing at that piece of paper like ‘ 😀 😀 :D’ and when he witnessed Sakura and Tendo meet for the first time, like he was watching his life’s works come into bloom, haha. It was a very fun idea to make this special and add him as the quirky humanified Cat God. I particularly liked it when he did his cat dances in the bar because the whole crowd just went YASSS whenever the music started haha, he really got the other bar customers on his side.
It was also funny that his last cat dance in the final MadaMada episode turned into one big group dance in which all the characters joined him, lol. He was funny.

So with that I have finally reached the end of this review! I repeat, I really liked this drama. I can imagine myself watching it multiple times as a kind of comfort series because it’s so easily digestible and I feel like it will always continue to crack me up. Although the setup of the story is so simple, a story of a woman becoming a nurse while chasing her love-at-first-sight guy to the hospital he works at, it still sets itself apart from similar series like ItaKiss, as I mentioned. It was made very original by its characters and I won’t stop emphasizing how much I liked the fact that they created MadaMada besides this because it is so much more than just a spin-off, it really adds depth and story to the existing main show.
I found it funny because as someone who has watched Grey’s Anatomy, I couldn’t help but think how kind and calm everyone remained in all sorts of situations. When someone makes a mistake, their ‘scolding’ always includes a tap on the back and a smile with something along the lines of ,’everyone makes mistakes’, while in GA they would be reprimanded really harshly in some cases. There is just a really easygoing vibe at the hospital, even when there is an emergency it just feels like everyone is able to remain so composed, even when a person dies they manage to make it into something positive, something to learn from, without ever diminishing the fact that a person had died. It was really touching when the girl Kanda liked came to visit Sakura to give her that catalogue of rice cookers, as he’d promised he’d recommend one to her. Every story just has a deeper meaning, and all cases are equally important and valuable.
It’s been a while since I wholeheartedly laughed out loud while watching a Japanese series, it was a true joy to watch this. Despite several minor cringy or illogical moments, I don’t really have anything critical to say about it. It was really fun and sweet and I really lived for the scenes in which Sakura and Tendo shared intimate moments. Their actual kissing scenes (despite getting interrupted), the way he ran his fingers through her hair, his sneaky kisses, their staring contests (which also usually ended in a kiss), their (back) hugs, the way he sat behind her to dry her hair for her, the way she snuggled up behind him to sleep under the same blanket as him, the way he ate that cream bread out of her mouth…. Okay, I’ll stop now, haha.

I’m really looking forward to my next drama, and I will keep improving my review writing skills next year as well! I hope this was another worthwhile review to read. Who knows when I’ll be back! You will know when I do. ^^

Happy Holidays in advance, everyone!

Bye-bee!

Dali and the Cocky Prince

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Dali and the Cocky Prince
(달리와 감자탕 /  Dalriwa Gamjatang)
MyDramaList rating: 7.0/10

Hey ho hello! Just in time to share with you my review of my final watch of the year 2022! It’s been a crazy ride of dramas, I can’t believe I actually watched 25 dramas in total this year. Time flew by! So I’m glad I finally got to watch this one, it had been on my list ever since I saw the trailer, and it really proved to be an unexpected surprise. I have to admit I was preparing myself for a bit of a disappointment, because I’d talked about it with friends and they didn’t seem super enthusiastic about it, but I still wanted to give it a chance since it had two faves as the main leads, and I can now say I’m really glad I gave it a fair chance because I ended up liking it more than I’d anticipated! It’s so nice to go into something with no real expectations and it manages to exceed those expectations. I will of course go into more detail about it, but I just wanted to clarify from the start that this is a fairly positive review.

Okay, so let’s get to it! It will be a bit complicated to write a summary since there are so many important things happening at the same time, but I will try my best. Chances are my summary will again become a bit more detailed than what I try these days, but it can’t be helped as every event is equally important in understanding the situation of things.
Dali and the Cocky Prince is a 16-episode drama series with episodes of each 1 hour and 5 minutes. It tells the story of the unexpected love between two people from respective wealthy families, that still couldn’t be more different from each other. On the one hand, there’s Kim Dali (played by Park Gyu Young – I’ll just call her Dali because she was actually named after Salvador Dali), the daughter of Kim Nak Cheon (played by Jang Kwang), the well-respected Director of the Cheongsong foundation, that had the Cheongsong art gallery as its main pride. I can’t really remember what kind of foundation or franchise Cheongsong actually was, but it just seemed like the art gallery was its main legacy that had been passed on for several generations. The art gallery was Kim Nak Cheon’s life’s work, in any case, it meant everything to him. He was also a sincerely good-hearted man, as he donated a lot of money to orphanages and other organizations to ensure less privileged people also got the opportunity to enjoy art. It was his motto that with this gallery, he wanted to create a place of comfort for all people, regardless of their backgrounds or social statuses. At the beginning of the series, Dali is studying in “The Netherlands”, where she’s working/interning at a gallery while she’s studying art. Dali has basically been studying her entire life, living her life through study books, but she never learned much about the real world, or what the reality of the art business really entails. She’s been living a princess’ life of luxury as her father let her study whatever and wherever she wanted, as long as she got all the opportunities she needed.
On the other hand, there’s Jin Moo Hak (played by Kim Min Jae), the son of the Chairman of Dondon F & B, a big restaurant conglomerate that specializes in gamjatang, which is a kind of pork bone soup. Moo Hak is often out and about to participate in food tastings of different restaurants and he has been brought up with business strategies and the importance of money. One day, his older stepbrother Jin Ki Chul (played by Lee Je Yeon) persuaded him to donate an amount of 2 million won to the Cheongsong gallery, and to keep it a secret from their father. I honestly don’t really remember why he wanted to do this and keep it a secret, but anyways, Moo Hak did so. However, their father found out after Director Kim sent them back an art object as a ‘thank you’ for the donation, and gets super mad at Moo Hak. Just before he manages to flee on a business trip to “The Netherlands” himself, Moo Hak tells Ki Chul to talk to Director Kim to get the donation back. As he slips away on his business trip and leaves his brother to deal with it, his father still blocks all of Moo Hak’s credit cards to punish him.
Dali and Moo Hak meet for the first time in “The Netherlands” as Dali is supposed to pick up a famous art critic from the airport to join her at an exclusive party hosted by one of the main sponsors from the gallery she’s currently working at. Dali mistakes Moo Hak for this art critic, and Moo Hak mistakes her for his escort to the pig farm he’s meant to visit and they end up completely busting the art party. However, this doesn’t result in them blaming one another or getting annoyed with each other. On the contrary, they seem to be quite taken with/interested in each from the start. They are both quite eccentric in their own way, and as Moo Hak can’t check-in to any hotels with his credit cards blocked, Dali even lets him stay over at her place for the night, even after having met just that same day. It is obvious that there is already a spark between them from the very first day they meet.
When they bid each other farewell the next day, Moo Hak even gives her his incredibly expensive watch, as a reason that they should meet again so she can give it back to him. However, before he can ask her for her contact information, he sees her leaving in a taxi, suddenly completely distraught and crying. As it happens, Dali had just gotten a phone call that her father passed away.

The story resumes after the two get back to Korea, where Dali holds her father’s funeral and consequently proceeds to take over the Cheongsong gallery. However, as soon as she gets herself into the position of newly appointed Director, she finds out that the gallery is in way worse financial state than she’d anticipated. Apparently her father had built up a lot of debts and took out several loans to donate money to charities and he still had to pay a lot of people back. To make matters worse, all her father’s loyal sponsors and even artists that provided art works for the gallery, suddenly all withdrew their support. It seems that, after Kim Nak Cheon passed away, no one believed the gallery would be able to withstand, and no one was willing to take a chance on Dali, leaving her completely vulnerable and alone. The handful of employees working at the gallery remain mostly loyal to her, but there is only so much they can personally do. Dali is left in a very critical and desperate position.
In the meantime, Moo Hak has also returned to Korea and he is now determined to get back the 2 million won from Cheongsong gallery by himself, as his brother wasn’t able to regain the amount after talking to the Director, and now the Director is dead. When he makes a scene with his restaurants’ employees and secretary Yeo Ma Ri (played by Hwang Bo Ra, who by then has managed to convince him that Dali must have been a swindler who seduced him even though he knows very well deep down this can’t have been the case), he meets Dali again in the gallery – the two are reunited. After realizing what kind of trouble Dali is in, Moo Hak agrees to help her out in the financial aspect of the problem until she’s able to pay him back the 2 million won. Their relationship becomes one of creditor and debtor – that is, of course, initially.

During the situation of insecurity in which Dali tries to get people back on her side to support the gallery, her ex-fiancé Jang Tae Jin (played by Kwon Yool) suddenly pops up. Dali and Tae Jin were once betrothed to be married and they were very much in love, but then Tae Jin dumped her one week before their marriage and broke her heart. Tae Jin is the Director of Segi Group, another very powerful conglomerate that owns several big department stores (as far as I could tell). After 5 years of being apart, he suddenly appears again to pay his respects at her father’s funeral, and although she appreciates his consolation, she doesn’t want to accept his further help. He offers multiple times to help her out, but it all comes down to his own personal needs – he just wants to start over, forget that he dumped her 5 years ago because ‘it had been a mistake’, and still get married to her. I will mention this more than once in this review, but seriously, the audacity of this guy baffled me until the end. Even though Tae Jin may be the only influential person who could rid her of all her debts, Dali still has her pride and doesn’t give in to him.
As mentioned before, Dali only has a small core of people that remains loyal to her, including Moo Hak and the gallery’s employees, but she also has Joo Won Tak (played by Hwang Hee), her brother-like childhood friend who also happens to be a police officer. From the start, we see that he is the only person at Kim Nak Cheon’s funeral who cries sincere tears about his passing while the rest of the guests are mainly business-related contacts. Dali’s father took care of Won Tak, who grew up in an orphanage, as his own son. Won Tak has always been like a younger brother to Dali, and he’s always had her back. As it happens, he and his team are also put in charge of investigating the circumstances surrounding Director Kim’s death when it’s revealed there may have been more to it than meets the eye.

As more and more information comes to light about the circumstances of her father’s death, as well as the fact that both Tae Jin and Dali’s cousin Kim Si Hyung (played by Lee Jae Woo) have something to do with it, it becomes increasingly harder for Dali to determine who she can trust. When even one of her gallery’s interns ends up betraying her, she really comes to the conclusion that besides Won Tak, Moo Hak is the only person who is on her side for the full 100%. Especially when it’s revealed to the world that Dali herself was adopted by Kim Nak Cheon and therefore has no real blood relation to the Cheongsong foundation, rumors and scandals just keep piling up and even her own family starts working against her.

It was really such a relief to me that, even during all these cases of being let down and betrayed, Dali never stopped standing up for herself. She may have been incredibly good-hearted and sympathetic, and therefore too innocent and naive for the harsh reality of business, but she never let herself get pushed into a situation where she would have to sacrifice something she cared about just to get money. I really loved that about her. Even when people were trying to manipulate her to break things off with Moo Hak, and it seemed like she might go along with it because she was so desperate, I kept being positively surprised by her decision to turn them down, because what she felt for Moo Hak wasn’t worth giving up over that. I really liked this characteristic of her.
Honestly, everyone did Dali so dirty. I wholeheartedly believe that she genuinely wanted to take over Cheongsong gallery, her father’s legacy, out of nothing but the goodness of her heart. She knew how much the gallery meant to her father, she even refers to the gallery as her father one time, and she didn’t want it to be lost after he passed. She really just wanted to honor her father’s, her family’s legacy by taking over the Director position, and all she got for it was hate and spite from people who didn’t believe in her. It was really unfair. All these influential guys started playing their little games of power while they knew she was vulnerable, but they never held back – they were out to get her, even more because they knew she wouldn’t be able to defend herself, and that was despicable. This isn’t meant as serious criticism towards the series itself because it definitely had a purpose for the plot, but the way these guys went about their plans was just really frustrating and mean.
If it wasn’t already bad enough that they tried to take the last thing that remained of her father away from her, when the news got out that she was adopted, people began openly shaming her for that as well. Like, what the heck was that all about? Being an orphan is apparently seen as a really bad thing in Korean society, it makes you a minority. But if you just look at Dali and how she was raised by a man she wasn’t even tied to by blood, how could you shame her? They were closer than many blood-related families, especially several ones depicted in this series. This is something I particularly appreciated about the episode ‘What Runs Thicker Than Blood?’, because it wasn’t just the episode in which Dali’s adoption was revealed, but it also included a lot of important messages concerning family ties in general. It was all wrapped up in a really powerful monologue from Moo Hak at the end of the episode. In this monologue, he basically discussed every single parent/child relationship in the series and pointed out how all family members, blood-related or not, could have messy relationships. The fact that Dali was willing to go so far to save her father’s legacy after his death, even though he wasn’t even her real father, should have proven something, but people only chose to look at the situation with the mindset that she must be an ‘opportunist’ who wanted to take over the business even though she shouldn’t be allowed to legally inherit anything. Even her own uncle, her father’s brother, treated her like that in the beginning, that guy was even about to sue her for trying to make any kind of decision regarding the gallery.

As for Moo Hak, he was actually a fairly uncomplicated character, which was also nice for a change. Compared to romance dramas in which both main leads are somehow connected through a traumatic event in the past, or how they both have some emotional baggage, Moo Hak simply grew up with a chip on his shoulder. Ever since he was a child, instead of going to school, his father had made him help out at restaurants and even though this may not have been a recommended way of upbringing, it did lead to Moo Hak becoming a successful businessman. He may have been blinded by money in the beginning, but as soon as he meets Dali, he has no real trouble accepting the love he feels for her and he’s easily able to set aside his love for money. He becomes a much more empathic person because of Dali, so that just proved to me that his upbringing didn’t necessarily ‘ruin’ him. Money never made him delusional, it never made him obsessive to the extent of losing sight of his personal relationships.
Let me go into a bit more detail regarding Moo Hak’s family. His family consists of his father Jin Baek Won (played by Ahn Gil Gang), his stepmother So Geum Ja (played by Seo Jung Yeon) and his stepbrother Jin Ki Chul, whom I’ve mentioned before. Ki Chul is Geum Ja’s son from an earlier marriage/relationship, so he himself isn’t actually blood-related to Moo Hak and his father, but he has still been accepted as Moo Hak’s real brother and Baek Won’s real son. There isn’t any tension in their family regarding that, the only thing is that stepmother Geum Ja definitely favoritizes her own son. Actually, in the beginning I suspected that stepmom and stepbrother might have been secretly plotting to get Moo Hak disinherited so that Ki Chul could become the next Chairman of Dondon, but that may not have been the case. Despite some occasional pettiness, like stepmom giving Moo Hak a painting of a duck for his office, allegedly to wish him good fortunes while actually it was more a symbol of misfortune, there is no actual evil working against Moo Hak within his own family. Although the more he gets involved with Dali and her situation, the more he starts drifting away from his family, ultimately breaking with them temporarily when he finds out they contributed to the redevelopment plans that would lead to getting Cheongsong gallery to be sold and destroyed. He does choose Dali in the end, but he never ends up breaking with his family for real. He even manages to solidify his relationship with his dad in the end, which was nice as they really didn’t see eye to eye for a while throughout the series.
Ki Chul was a whole story an sich. As it happens, he witnessed the death of Director Kim that night he went to talk to him about getting the 2 million won donation back, as Moo Hak had asked him before he left for “The Netherlands”. They didn’t get to finish their conversation because Director Kim got a visitor during their talk, and as Ki Chul was waiting in the next room, he was alarmed by some tense voices. He managed to keep his presence hidden as he secretly filmed what happened in the next room on his phone. In other words, he has a really big card to play. He mentions this a couple of times, that he still has a trick up his sleeve, but he never ends up telling what exactly that trick is. It turns out to be the most important leverage over Tae Jin ever.
I never really knew what to think about Ki Chul. He seemed to be a major coward, for one. But I didn’t know for sure what exactly his intentions were. I got the feeling that he would definitely be willing to take over Dondon instead of Moo Hak, and that he still felt threatened by Moo Hak even though he was older than him and held a higher position at Dondon, even as the Chairman’s stepson. But the way he reacted to Moo Hak getting stabbed in order to protect him against Tae Jin’s men, the way he broke down outside the surgery room like that, crying to his father about what would happen to his brother now, that just proved to me that he really cared about his younger stepbrother and that he never wanted him to get hurt. So that did make me see him in a slightly better light. Doesn’t take away the fact that he was still a coward, and that he set the whole involvement with Cheongsong in motion because he was the one that urged Moo Hak to make that 2 million won donation and then never even took responsibility for that and just let Moo Hak deal with his mess. But he wasn’t a bad person.

There are a lot of characters in this series that all turn out to be connected in one way or another, and I thought this was written pretty well. At least it made sense to me how they were all involved with each other and it didn’t leave many plotholes or loose ends. In order to deal with that in this review, I just want to talk a bit more about several important side characters that ended up playing a critical role in the plot.
First of all, Kim Si Hyung, Dali’s cousin – or more specifically, the son of Director Kim’s brother. We meet him for the first time at Director Kim’s funeral, where he very dramatically meets the press and emphasizes how HE is the official eldest next-in-line family member of Cheongsong. After that, he just kind of disappears. Dali is very eager to meet him and ask for his help, but when she finally gets a hold of him, he’s nothing but super mean to her. This already weirded me out, since I didn’t see any reason for him to be so mean to her. Anyways, this guy is a manic in the most literal sense of the word. He is the kind of guy who is just always wide-eyed and foul-mouthed, cussing everyone out wherever he goes. I first kind of disliked his acting, I thought it was very over the top – until the truth about his situation was revealed. The truth that he was a drug addict. And then it just all made sense, because the guy was just a major addict and was probably constantly under some kind of influence. Si Hyung was used as a pawn in order to help yet another scandal into the world: the scandal that Director Kim had a drug addiction. As soon as this news came out, Si Hyung suddenly appeared before the press, his hair bleached and all his other body hair removed, all that so that they wouldn’t be able to take DNA from him or something (he looked ridiculous in my opinion). Anyways, it doesn’t take that long for the police to figure out he was responsible for smuggling drugs into the gallery and he’s still locked up after he’s caught mentioning that Director Kim ‘died because of him’. When the full truth about the events of the night of Director Kim’s death are revealed, it’s also clarified that he was the person that paid him a visit while Ki Chul was talking to him.
In summary: Director Kim had discovered a package of drugs in one of the newly acquired paintings’ frames and confronted Si Hyung. For Si Hyung’s own benefit, Director Kim wanted him to come clean about it and fix the mess he’d made. No matter how much he cared for his nephew and how well he had always treated him, he just wanted Si Hyung to own up to his own crime.
And then it’s revealed that Si Hyung was being manipulated by Tae Jin and Assemblyman Ahn (I’ll get to him in a moment). These two had threatened to reveal his drug addiction to the world and made him agree to this drug trafficking to ultimately put Cheongsong in a bad position when the scandal would come out. Si Hyung was too weak to go against them, and even got one of the gallery’s interns – on whom he also had some leverage – to help him out with swapping real paintings with imitations that contained the drugs. Which enables me to move on to Na Gong Joo (played by Song Ji Won), the intern in question. She grew up in an orphanage, just like Dali and Won Tak, but she initially didn’t do so well for herself. She was working at a hostess bar where she met Si Hyung, but got kicked out and when she stumbled into Cheongsong gallery one day, she took a job interview on a whim. Director Kim was really nice to her and she grew fond of him, but Si Hyung still knew her as a former hostess, and held that information over her head while he ordered her to help him out with swapping the paintings. After the truth of the drug scandal is revealed, Gong Joo conveniently disappears from the gallery, and when Dali goes in search of her, Gong Joo only spites her – she was the only gallery employee who was sceptical of Dali’s appointment as the new director from the start, although we never got to see why. She just felt like Dali looked down on her because they were from different worlds. I couldn’t really understand why Gong Joo remained so spiteful, to be honest, but in the end Dali does manage to reach her and bring her back to the gallery because she still had really good work skills. They even became friends in the end.
Anyways, let’s move on to Assemblyman Ahn (played by Park Sang Myun). Although he initially appears as a devoted politician, his true nature is revealed harshly when we see him losing his temper and slapping his own daughter at home. He was the embodiment of a wealthy influential figure who was blinded by greed and money. He made a deal with Tae Jin to organize the redevelopment of the land that Cheongsong gallery was on, and kept trying to persuade Director Kim to sell the land to him, but was constantly rejected. He then started manipulating Si Hyung and one thing led to another. He is one of the main figures that profits from the downfall of Cheongsong, and he relishes in it. Despite his influence, I couldn’t see him as anything but a really pitiful guy. Honestly, he went to the most extreme low points in order to torment Dali and the gallery. He actually went to emotionally blackmail two of her most trusted employees to report to the police that Director Kim had been acting weird before he died, in relation to the earlier revealed news that he was a drug addict. He really thought he could buy everything and everyone over with money, it didn’t even occur to him that people would choose their loyalties over money, and if that’s truly the way he was raised then I have nothing but pity for him. He really thought he could get anything he wanted with money.
And then, finally, Jang Tae Jin. I said it before, I thought it from the start but all the more, in hindsight, I could not believe the audacity of this guy. He orchestrated everything. He was out to get his hands on Cheongsong, to steal it away and then just sell it or destroy it, and when the Director – his former almost father-in-law – didn’t agree to it, he didn’t hesitate and just went and created an entire drug scandal just to push him over the edge and agree to it. At the night of Director Kim’s death, he turned up at his house together with Si Hyung and when the director got a heart attack at hearing how his own nephew had been using his precious gallery to traffic drugs for who knows how long, Tae Jin was the person who stopped Si Hyung from getting Director Kim’s medicine that could have saved him. He literally left Director Kim to die. And then everything he does afterwards, the way he turns up at his funeral, the way he approaches Dali again to freaking get her to marry him again, makes it all the more despicable. The shamelessness of this man! I’m glad Dali called him out for it as well, seriously, even after she found out his involvement in her father’s death he STILL tried to make her listen to him say that it was all a mistake. Yeah right, dumping her a week before their marriage because he found out she was adopted and he couldn’t deal with society’s opinions about that, it was a mistake that he could fix. Leaving her father to die, it was a mistake she could just forgive and understand him for. Seriously dude, how twisted is YOUR perspective on reality? He may have been a successful businessman who could string along people of influence with money, but when it came to dealing with people in terms of social behavior and emotions, he wasn’t even at elementary school level. And that’s also what set him apart so much from Moo Hak. Because Moo Hak had the best of both worlds – he didn’t only grow up with the reality of money and business, but he’d always had to deal with people socially as well, and you could say that that is even more important than just knowing how to manipulate people with money.

I also want to mention Si Hyung’s father who appeared at some point. I mentioned Dali’s uncle before, Kim Hong Cheon (played by Lee Do Kyung) was Director Kim’s brother and Si Hyung’s father. He is the person who, as soon as he arrives in Korea, reveals the news to the press that Dali is adopted and therefore not the rightful heir to Cheongsong. He initially spites Dali for not being legally related and still trying to take over the gallery and even proceeds to sue her. However, then he is bribed by Tae Jin to drop the lawsuit if he just persuades Dali to go back to Tae Jin. This was such a lame attempt, and I’m glad Dali immediately realized that Tae Jin himself must have been behind it. Luckily, after being faced with Si Hyung’s self-declared involvement in Director Kim’s death, Uncle Kim apologizes to Dali and tells her that he would now take his brother’s words to heart that Cheongsong is passed down in spirit rather than in blood. Still, he was kind of a stubborn old man in the beginning. Just because he distanced himself from his brother, he didn’t have to treat Dali like some sort of outcast.

I just want to give a shoutout to the loyal gallery employees that always had Dali’s back. Song Sa Bong (played by Woo Hee Jin), Han Byung Se (played by Ahn Se Ha) and Hwang Ki Dong (played by Yoo Hyung Gwan). They were the employees who were the most loyal to Director Kim, and never left Dali’s side when she took over. They may have had their doubts about her abilities at first, but they never judged her and always gave her the benefit of the doubt. Despite their own family situations, and the crisis that they ended up in when all those sponsors took back their sponsorships and the gallery was even completely raided one time, they never betrayed Dali. When Assemblyman Ahn met up with Curators Song and Han privately to make them deals concerning their families so that they would give fake statements to the police regarding Director Kim’s drug addiction, I was really scared that they would take the deal. I didn’t expect they would, and I would’ve been incredibly disappointed in them if they would, but as the gallery was in such a dire situation at the time, I was just really anxious as to what they would do. Imagine my relief when they both went to the police and honestly reported that Assemblyman Ahn had asked them to say those things – with their honest reports, Won Tak and his team were able to get a better picture of the Assemblyman’s involvement and it only sped up the process of their investigation around Tae Jin. I respected them a lot for being honest and sticking to Dali’s side until the very end. I also just liked them as a team, they were all so friendly with each other and I liked how Mr. Hwang just had this gut feeling about Dali and Moo Hak’s romantic involvement while the others were still like ‘nahhh those two would never end up together’. They were really nice side characters.

Finally, I’ll just have to mention Chak Hee. Ahn Chak Hee (played by former Momoland member Yeon Woo), was Assemblyman Ahn’s daughter. She knew Moo Hak because they’d been set up on a blind date before, and although Moo Hak rejected her, they still are sort of friendly with each other. Chak Hee still has feelings for Moo Hak and is a typical spoiled rich girl, you could say. She also starts acting a bit petty towards Dali when she finds out about her and Moo Hak’s relationship, but she never becomes truly spiteful. We see that she actually doesn’t have it so easy at home as her father hits her. I don’t know if this was just a one time thing or if it happened more frequently. Anyways, she may not have been in the direct position to do anything about her father, she doesn’t even know that he’s actually such a bad man capable of such things, but she still tries to stand up for herself in her own way. She may be young and naive when it comes to the business world, kind of like Dali, but in the end we do see her making an effort to stand on her own two legs by challenging herself to live on her own. She also wasn’t a bad person, and I’m also relieved they didn’t make her into a typical second female lead bitch character that got in the way of Dali and Moo Hak’s relationship.

I think that I have now covered the most important characters, so I now would like to go a bit deeper into the relationships between the main characters, starting with the main leads. I really loved Dali and Moo Hak’s relationship dynamic. I loved how it was so unconventional and original and set itself apart from other main lead relationship dynamics. Again, there was no destiny element between them, they really just met by coincidence, and I also liked that they didn’t even incorporate standard tropes like enemies to friends or something. The only coincidence had been that when Moo Hak had talked to Director Kim when donating the 2 million, Director Kim had actually suggested he meet with his daughter one time, as he felt like they might get along. As Moo Hak was under the impression that his daughter would be very unattractive, he had rejected the proposition, but as he told Dali about this afterwards it felt like Director Kim had already given them his blessing even before they met each other, so that was kind of nice. I am convinced that the two fell for each ever since the first day they met in “The Netherlands”, at least in Moo Hak’s case. They really had such a cute dynamic. I have to admit that Dali gave me a real fright when it suddenly seemed as if she would go back to Tae Jin’s side after her uncle had requested that of her. Instead, she just told Tae Jin ‘no’ and went back to Moo Hak, stating that she only wanted to break up with him as his debtor, and start dating him for real as equals. Seriously, my heart in that scene when she first was like, ‘Sorry, I can’t remain by your side’ and then added, ‘not as your debtor, that is’, I went GIRL DON’T DO THIS TO ME, haha. I really got a scare there, but it only made it better, because thank the lord that they didn’t create any additional drama between the main leads. I loved that their relationship just remained so solid from beginning to end, nothing could break them apart. They even did it to us again at the end, when we are led to believe that they broke up because Moo Hak’s dad asked her to break things off with his son after he got stabbed. There’s a time jump to 1 year later and it seems like they’re suddenly super tense with each other – and then it’s revealed that they literally just spent ONE week apart and they had been together all this time. The revelation of this in combination with the flashback of her going after Moo Hak’s father and telling him that no, she wouldn’t break up with Moo Hak because they loved each other, that was the best ending plot twist. I was so scared that they suddenly added this dramatic element to their relationship that they needed to overcome in the final episode, but I’m glad that it was again a misunderstanding and Moo Hak actually even proposed to Dali.
The way the series kept surprising me in positive ways definitely added to my fondness of it. Also, I can’t forget to add that I was really not disappointed by their expression of physical intimacy! Their chemistry was really adorable and I loved how they would just find ways to kiss each other and then try to hide it when they were busted by people they knew. I also really liked how affectionate Dali became, she seemed to be so prim and proper but the second they made their way to the bedroom she just ripped his clothes off, haha. That was an unexpected side to her personality to say the least, haha.

I also really loved Dali’s dynamic with Won Tak. I can’t tell you how anxious I was that they would make Won Tak another love rival, that he would also secretly be in love with Dali, but fortunately that wasn’t the case. He really was just like a brother to her and I loved him. He may have been my favorite character of the show, besides the main leads. He was just the best person ever. Just his whole history with Dali and her father, and how he had become such a just person because of them and even ended up becoming a cop. And I really loved his dynamic with Moo Hak as well. One of the first coincidences occurs when it’s revealed that Moo Hak and Won Tak are actually neighbors. Moo Hak owns a building, and Won Tak lives in the rooftop apartment of that building. Dali also ends up living with Won Tak in that rooftop apartment, so Moo Hak starts visiting a lot, and every single scene in which they were trying to be intimate and Won Tak would just silently appear behind them flexing his muscles ready to tear Moo Hak away from his sister were gold. What else can I say, Won Tak was just so great. Despite the fact that he was introduced as kind of a sloppy guy living in a dirty house, he really stopped at nothing to get behind the truth of Director Kim’s death and when Ki Chul finally released that video in which Tae Jin was revealed to leave Director Kim for dead, Won Tak was shown actually breaking down crying. He had such a good heart and he was just the best person. I loved him.

In the end, I think it’s safe to say that ‘family’ is a very big theme in this series, in all kinds of ways. If it proved anything, I think it was the fact that being blood-related doesn’t define anything. A family is a family. Just like the gallery, it’s something that’s passed down in spirit rather than blood and I think that was a very meaningful message. I really appreciated how this series avoided several standard tropes such as one lead pushing the other away in order to protect them, and creating unnecessary drama by not communicating with each other properly. I loved how stable the relationship between the main leads was until the very end, that it never wavered even though sometimes they just needed some time to get it across to the other person. I liked that Dali took her own time and pace to figure things out, that she deliberately took some distance from Moo Hak at some point, not to avoid him or push him away, but just to clear her thoughts. She was never going to break away from him, but she was just in a very delicate position in which she couldn’t always just follow her heart blindly so she needed to think it through. I loved that, even though she appeared to be so soft-spoken and faint-hearted at times, she proved to have such a strong spirit. She didn’t let people walk all over her (that time she slapped Si Hyung in the face was so satisfying) and one of her main strengths was that she was consistently so sympathetic towards people, even people like Gong Joo. Even when Curators Song and Han came clean about those propositions they’d received from Assemblyman Ahn, she expressed her gratitude while also mentioning that she would have completely understood if they had taken the propositions as it would have really helped them out personally. She was that empathic.
I think she may have been misjudged as a privileged princess while no one realized she too was originally an orphan. It’s just that she was fortunate enough to be picked up by such a good-hearted person like Kim Nak Cheon and was able to receive all the possible benefits from that. That others were less fortunate was not her fault, but still everyone just seemed to want to blame her for everything. I got really mad at Moo Hak’s dad when he blamed Dali for what happened to Moo Hak, because it was such BS. Moo Hak was literally on his way AWAY from that place, Dali was the reason he would NOT have ended up in that situation. He just happened to see those men following his brother and went after them out of his own volition. Also, Ki Chul was the whole reason that Moo Hak got involved with Jang Tae Jin, not Dali. If Ki Chul hadn’t asked him to make that donation to Cheongsong, he would’ve never even had to deal with Dali and the gallery. So Moo Hak’s father’s accusations were very misplaced and I really hoped Dali also wouldn’t take them to heart. And even when he admitted that it wasn’t her fault, he still wanted her to break up with Moo Hak because he himself couldn’t deal with the shame Ki Chul had brought upon his family, like what the heck does that have to do with Dali and Moo Hak’s relationship? The fact that he couldn’t deal with his own feelings of shame had nothing to do with Dali and Moo Hak being in love, so he didn’t have the right to ask her to leave his son. He also knew better than anyone how miserable it would make Moo Hak if Dali would suddenly leave him in that situation. I’m just glad Dali stood her ground and stood up for their relationship until the end, despite the attempts of so many people trying to emotionally manipulate her into breaking up with Moo Hak. Their love was just that strong.

I also want to make a mention of the fact that I liked the in-between parts in which Dali’s team had to convince a certain artist to come back and participate in their exhibition after Moo Hak had insensitively offended her art. I just liked that they gave some examples of how important all the sponsorships and loans, both from banks and from artists themselves were for the gallery. They really shone a light on the struggles of local galleries and that was interesting to see. I personally have little to no knowledge of financial stuff or bookkeeping or whatever, but this series made it pretty easy to understand even to someone like me.
It’s funny because I recently watched Her Private Life, in which a small art gallery was also the backdrop of the main events, but I feel like Dali and the Cocky Prince went into a bit more detail when it came to actually running the gallery as a business, trying to come up with additional activities like art camps for underprivileged children as well as their own exhibitions and contracts with artists. It was interesting to get a bit more insight in that kind of business.

Finally, I just need to note why I’ve consistently written “The Netherlands” between quotation marks. I just found it so funny that The Netherlands would even appear in a K-Drama, as it’s such a tiny country. So I was kind of excited, I went like, ‘omg they filmed in my country?’ But then “The Netherlands” came on and I just laughed out loud. Just so everyone knows, and I hope that people automatically realize this, but “The Netherlands” depicted in this series is not actually The Netherlands. I can tell you as a Dutch person who’s lived in The Netherlands all her life: my country doesn’t look like that. The sceneries depicted in the show looked more like Noddyland than Nederland, haha. It was funny to me because as soon as they showed it, I was like, ‘wait, is this what people expect NL to look like?’ If so, I’m here to burst your bubble. The gallery that Dali worked at in the series was based on the Kröller Muller Museum (I believe it was called St. Mueller Museum in the series), but it also really doesn’t look anything like the real thing. To be honest, when they hadn’t yet mentioned which country it was in the first episode, I expected it to be somewhere in Italy or France, with all the cosy streets and colored houses. Anyways, for the people that may not know for sure: I can assure you that nothing, from the streets to the houses to the airport, was actually filmed in The Netherlands.
What I did appreciate was the proper use of foreigners in the first episode. I’ve expressed my dislike for the use of foreign extras in Asian dramas, especially in Chinese dramas as I feel they’re often used as figures to make fun of, but in this case, the people actually got to act properly. They weren’t random people that were just given some lines in broken English to show that they were foreigners, but they really got a chance to shine of their own, and I appreciated that.

Finally, I want to comment on the English title of the series. So the Korean title is actually ‘Dali and Gamjatang’, but I am really curious why they chose to turn the gamjatang part into ‘Cocky Prince’. I feel like, if they needed a word or expression to highlight Moo Hak’s contribution to the series, they could’ve just stuck to Gamjatang, or Pork Bone Soup or something. Why did he became a cocky prince? I just wonder what made them go for this particular translation, haha.
I have to mention that I also really liked the OST for this series. The songs really complimented the vibe of the series, even with the kind of French and artsy feel that the gallery depictions provided. I used Shazam a couple of times and I will probably look up several songs later on.

Now I want to go on to my cast comments, since this is something I’ve been looking forward to from the start. I really liked the cast. I might actually mention every single actor because there are just too many enjoyable performances that need shoutouts.

I will keep saying it, but Park Gyu Young is one of my favorite actresses. First and foremost because of her versatility. One of the reasons I was a bit anxious to start this drama was because I’d heard that her performance in this might not have been her best, and I didn’t want my opinion of her to be diminished by a slightly less impressive performance of her. However, this turned out to not be the case. Again, she proved to me a new side of her acting. I can still say that every single performance of her I’ve seen so far has been different, including this one. I haven’t even seen that much of her, I only started noticing her after watching Romance is a Bonus Book, and then she also appeared in The Third Charm and It’s Okay to Not Be Okay. Only after that I saw she was also in Suspicious Partner and Just Between Lovers, two of my favorite shows, but I don’t even remember her from there.
It was the first time I saw her as a main character, and she was such an elegant and composed lady. Before watching it I kind of expected her to be kind of a snob, but she really was anything but a snob. She was so kind, so emphatic towards others, but still maintained her spine. She was never brought to her knees, she kept fighting for what she believed in, and she never let anyone break her away from the people she loved. I loved how humane they made her despite her privileged life, also in for example how it was so hard for her to accept that Tae Jin was such an evil bastard. She had loved this man, she’d been engaged to him, she’d planned a future with him and trusted him for so long and he’d always been so benevolent to her, it was only natural that she had difficulties accepting the truth about his intentions. But she still managed to accept the truth, she didn’t cling onto the memory she had of him and let that cloud her judgement. She was very open-minded and quirky in her own way.
I saw people hating on her hairstyle a lot in the comments, but seriously, if that’s the only thing you’re going to bitch about, just keep your opinion to herself. I personally thought that her eccentric style of hair and fashion only added to the originality and uniqueness of her character. She never changed the way she looked for anyone, she remained true to herself in that way too. I personally thought she rocked that hairstyle, she was really such a doll. I really liked Park Gyu Young as Dali and it’s made me even more curious to her future performances.

Kim Min Jae, or as I sometimes call him, Kim Min Bae. I never use the word ‘bae’, so he can be grateful for the exception I use for him, haha. Anyways, he really impressed me in this drama. I haven’t seen that much with him either, apparently he was in The Producers, but I recognize him mostly from Romantic Doctor Teacher Kim and The Great Seducer. He also played Lee Dong Wook’s younger version in Goblin. In any case, this was the first main role I’ve seen him in, just like with Park Gyu Young. I really loved his performance, he didn’t hold back and showed all kinds of different sides to his acting. He really made Moo Hak’s character so endearing and relatable. Even when he was money-obsessed in the beginning, he just always had something so humane and sympathetic about him that I never disliked him even for a minute. He also seemed to have a radar for untrustworthy people, and the way he was just automatically attracted to Dali and didn’t even remark on the way she dressed or whatever was really nice, it just showed how he didn’t judge people for their appearances and was very open-minded. I loved how he comforted Dali after she initially distanced herself from him because she thought he would shun her for being an orphan too, and he was just like, ‘why the heck would you think that, my own brother isn’t even blood-related and he’s basically running our family’s company’. It was nice how they created his character development, how he really couldn’t care less about art in the beginning but gradually started to understand more and more what made the gallery so important, and that it was about the feelings with which the art was made. Even though he never became as invested in the world of art as Dali, he did become really sympathetic towards it, and he fully supported Dali in it. I love how they recreated the scene in the final episode, where he was standing behind her as she was watching a painting and they both cocked their head as they were examining it. In the first episode, he was still completely in the ‘what the heck is she looking at, what does she see in this’, but in the last episode his gaze was much more open, like ‘huh, this does look interesting’.
I really want to see more of Kim Min Jae’s acting now, because he’s so good. He really nailed this role, he was so quirky but always remained so likable in his own way. I just love how the main leads maintained their personalities so well throughout the whole show, no one ever did anything that felt out of character or that made me lose credibility in their character. And I really loved his chemistry with Park Gyu Young, he really didn’t hold back – as soon as they started dating he just went and kissed her without restraint and I lived for it.

Okay, so I’ve really been looking forward to this one. Hwang Hee. I’ve only seen him before in Arthdal Chronicles, where he played Mugwang and in that review I talked a lot about how much I wanted to like his character but felt so conflicted because he was such a jerk. Well, he definitely redeemed himself as Won Tak in this series. I loved him so much!!! I was so happy that he was casted as this role, because he literally showed all the sides to a person that I would have liked to see in Mugwang, and I don’t know, it just kind of redeemed him for me. I mean, literally his first appearance is of him getting super emotional over Director Kim’s death and it already grabbed me by the heart seeing him portray those emotions. I really, really liked him. His character was so good, so just. I was so relieved that they didn’t make him another love rival, too, he really was just there as Dali’s faithful brother, her rock and pillar who would always fight for her. He had such a good heart and was also so funny without even trying. Apart from the scene where he almost died of food poisoning by Dali’s cooking, he never ever over-acted his funny scenes, just deadglaring Moo Hak off his rooftop was enough to entertain me. Won Tak for the win, seriously. I loved him so much.

I’ve only seen Kwon Yool before in one other series, Let’s Fight Ghost, in which he was also the bad guy (or rather, the guy possessed by an evil spirit). Oh my god, wait, I just realized I also saw him in Lie To Me as the main lead’s secretary! I never realized that was him, but I do for some reason remember that secretary even though it’s been ages since I watched Lie To Me, lol. Back then he was still acting under his real name Kwon Se In, apparently. He was the type of bad guy that was always super composed and calm until something happened and when he screamed his whole face just sort of exploded and it was seriously scary. I kind of hoped that he would be more mature, as I didn’t doubt his love for Dali for a second, I really do think he didn’t mean for her to get hurt, but as his true colors were gradually revealed, he just became really intimidating and unpredictable.
The one time I found him plain pathetic though was when he came out with that drug scandal just because he was jealous of Dali and Moo Hak getting together. One moment he was actually trying to protect Dali when the news of her adopion went viral, and it seemed like he wanted to shield her also partly because he felt guilty for dumping her for that same reason 5 years ago, but then he saw Moo Hak comforting her and he just went ‘never mind, just publish everything’ and I went, seriously dude, is that how fragile your masculinity is? It was just so lame and I’d expected more maturity from him. Even when he seemed to be nice in the beginning and even helped out at that art camp event, every nice thing he did just disappeared when it was revealed what he’d done and I just couldn’t believe how he honestly didn’t seem to care about what he did. He kept gaslighting Dali, that she didn’t understand, that she was talking nonsense, that it was all a misunderstanding and she just needed to come to him so that he’d decide her whole life for her. I was really glad that Dali didn’t let her initial trust in him cloud her judgement when he started acting like that. I guess he’s a good casting choice for a bad guy. The only thing I didn’t agree with in the end was that he didn’t get locked up, he was still vindicated and that was BS as the video proving his involvement in Cheongsong’s leader’s death was still out there for everyone to see. There was no denying his ill intent, but I guess some rich people can get away with anything.

I’m a bit surprised to see that Yeon Woo is in the main cast section on both DramaWiki and MyDramaList while I don’t really see her as that big of a character in this series. Apparently she had a cameo in The Liar and His Lover and she was also in The Great Seducer, although I don’t remember her from that. Anyways, Chak Hee was the only character of whom I didn’t necessarily see the purpose in the show. It’s not like she bothered me or anything, but in hindsight I kind of wonder what she contributed, really. I did like how, even as a side character, she got her own development and closure, even after her father went to jail she didn’t end up in the dumps but she started becoming more independent and mature and even ended up working at Cheongsong gallery as well. It was funny how a connection between her and Won Tak was suggested at the end of the series when she took over his rooftop apartment, but I didn’t necessarily need to see them ending up together. The suggestion itself was funny, but I’m glad they didn’t actually force anything between them throughout the series.

I’ve seen Jang Kwang in several dramas before, but never as prominently as here. Out of series I’ve watched, he appeared in Fated to Love You, Pinocchio, Moonlight Drawn by Clouds and About Time. He was such a sweet old man in this series, I liked that despite the fact that his character died in the first/second episode, he still appeared in flashbacks throughout the whole series, so his story really didn’t end after he passed. I think that was really nice, because that way it also felt like his legacy was being passed on. People were constantly talking about him and digging up new truths about him even after he was already gone, and in some cases it really made me shake my head in disbelief at how far people would go in scandalizing someone who wasn’t even alive anymore. It was nice to see that he was good to the core, though. He had been nothing but good to anyone, from Dali to Si Hyung to Gong Joo, he never judged anyone. It was unbelievable that people would taint the memory of such a good man only to gain personal favor or get money out of it. They really did him dirty, and part of me was glad he didn’t get to see the aftermath after already having been hurt like that by the truth that Si Hyung and Tae Jin brought him the night he died. I think he was a really good casting choice for this role, I really felt for him.

I wondered what I recognized Woo Hee Jin from, but she was in Healer and Moon Lovers: Scarlet Heart Ryeo, so I probably recognize her from the latter. She has such a familiar face. I really liked Curator Song, she was so loyal to Dali from the moment she walked into Cheongsong gallery. I was really glad that she didn’t go along with Assemblyman Ahn’s proposition to give her sickly mother better healthcare in return for betraying Director Kim, it only made me respect her more. If she’d let her greed get the better of her, there might have been a chance that she would have accepted the offer, but her decision to just come clean to the police only proved her loyalty to Cheongsong even more. And by doing so, she also contributed to Assemblyman Ahn’s downfall in a way. She was really innocent and a victim of everything that went down at Cheongsong as well after Director Kim died, but she never left her work team behind, she stood her ground and fought until the end, constantly looking for ways to still keep exhibitions going and to persuade artists to come back. She was a really nice ally to have around.

Same went for Curator Han. I’ve said this before about Ahn Se Ha, but I really like him as an actor. I feel like he usually gets roles that allow for him to be made fun of, so it was nice to see him be taken more seriously and less a target for jokes regarding his appearance. Because why would they? He’s such a good actor. I liked that he was established as a doting father as well, and that he remained loyal despite the fact that he sometimes also seemed a bit uncertain about Dali’s skills. I feared most that he might take Assemblyman Ahn’s offer to give his son a better musical education, but I’m extra happy that he chose to remain loyal as well. I’ve seen Ahn Se Ha before in God’s Gift – 14 Days, The Producers, High-end Crush, She Was Pretty, W – Two Worlds (cameo), Moonlight Drawn By Clouds, 20th Century Boy and Girl, I’m Not a Robot (cameo) and most recently in Abyss. He’s always a nice face to see in K-Drama and I liked his character too. It was interesting to see several people having to endure and make choices in this position when they didn’t have any particular wealthy relations to rely on. It just puts people in a position where they really have to choose what kind of person they are, and both him and Curator Song proved to be the best people Dali could have on her side.

I didn’t know Yoo Hyung Gwan from anything, I just see he was a recurring character in Rude Miss Young-Ae (which I haven’t watched but I’ve seen the name more than enough times to understand it must be a famous classic). I liked how they made his character such a romantic, haha, he was consistently on point with what was going on between Dali and Moo Hak even when they hadn’t even made their relationship public yet. He was a nice addition to the gallery crew, also because in his case, not even a single dent could be made that would waver his trust in and loyalty to Director Kim. When Curators Song and Han briefly disappeared after getting those propositions from Assemblyman Ahn, he was still at Dali’s side at the gallery, telling her they would inevitably come back. It was nice to see him being such a consistent pillar in the gallery.

Apparently Song Ji Won has only appeared in three dramas so far, but she looks so familiar to me. I think she brought a good balance in the team, as there had to be at least one member who would not immediately be on board with Dali’s automatic appointment as the substitute of her father. I hadn’t imagined her grudge against Dali to be so deep-rooted, though. I didn’t fully understand what exactly she had against her, apart from that she was just really judgemental about Dali and how she grew up so privileged while she’d had to crawl her way up to this job. But even if it was just that, I still didn’t feel like that justified her spiteful behavior towards Dali. I did like to see how she at some point really couldn’t stand Si Hyung’s orders anymore, because I do feel like she cared about the gallery. It was nice to see her turn a new leaf after Dali came to find her at that convenience store she ended up working at, and how she was validated in her work skills at the gallery enough to come back and even receive a big responsibility in the final episode of organizing that year’s art camp together with Chak Hee. It was for the better that she changed her mindset about Dali, but it did take a while and for a long time I didn’t have much sympathy for her.

Apparently, Lee Jae Woo appeared in Baby-faced Beauty (although I can’t find which character), but that’s the only thing I may have seen of him so far. His character acted so ridiculously at first that I really had to determine whether I just didn’t like this guy’s acting or that there must be some major screws loose in the character’s head. But yeah, the drug addiction definitely explained a lot. He was a real coward, though. Even though he felt bad about what he’d done, he never had the guts to come forward. Honestly, I don’t think anyone would’ve been truly shocked to find out he’d been committing crimes and that he was an addict because he was one big mess. Until the end I couldn’t find it in myself to have sympathy for him, he was just a manic cat driven into a corner and a very easy target, and even though he was put in jail, I don’t feel like he ever truly owned up to his deeds.

I was pretty impressed with Ahn Gil Gang’s performance in this drama, especially towards the end of the series. I feel like he’s always casted as a kind of comical character, but here he finally got to show a real serious and emotional side, for example when Moo Hak was in surgery at the hospital. I found him a bit superficial in the beginning, but that part really proved how much he actually cared for his son and how much he was aware of the fact that he did him wrong as a kid. So far, I’ve seen this actor in Dream High, Surplus Princess, Cheese in the Trap, Weightlifting Fairy Kim Bok Joo, Reunited Worlds and Gyeryong Fairytale. I definitely felt like he could’ve taken Moo Hak’s side more often in their family disputes, he really tried to keep Moo Hak on the ‘money’ side rather than the ‘follow your heart and love for Dali’ side. I’m glad they got to make up in the end, but I still don’t like that he went all out on Dali and even blamed her as the reason that this happened to Moo Hak. I get that he needed someone to blame, but he really misplaced his accusations there. Still, as I said it was nice to see this new and more serious side to his acting.

It just proves how much I love Seo Jung Yeon, because despite the fact that the stepmother was very annoying most of the time, I couldn’t help but appreciate her versatility once again. Honestly, this woman can play a serial killer and I’ll still praise her. She’s just so good in whatever role she plays! I’ve seen her now in Valid Love, She Was Pretty, Descendants of the Sun, Moonlight Drawn by Clouds (cameo), Bride of the Water God (cameo), Something in the Rain, Come and Hug Me, Melting Me Softly, The King: Eternal Monarch, Run On (cameo) and most recently in Our Beloved Summer. She’s played so many different characters, from composed to crazy, from rich to poor, from emotional to stoic, and there’s just no limit to her performance skills. I loved seeing her in this, although her character was one of the least likable ones I still loved what she did with it. Love this woman.

DramaWiki doesn’t even have a page for Lee Je Yeon, even though he’s done several dramas before according to MyDramaList. The only series I’ve seen that he also appears in is Reunited Worlds. He looks so familiar, though. Anyways, I ended up liking his duality more than I thought I would in the beginning. I still feel like he was a coward and that he wouldn’t actually be able to threaten Tae Jin like that so easily. He was quite naive to believe he would just be able to secure a contract like that and walk away unscathed after handing Tae Jin the biggest threatening piece of evidence that existed in the world, but I was also convinced that he wasn’t so stupid as to not make a single copy/back-up of that leverage video, and luckily I was right in that. I came to sympathize him a bit more when I saw how shaken up he got when Moo Hak got stabbed, that really made me go, ‘oh, I’m kind of relieved he actually cares about him so much’. I liked that they didn’t make him a solely greed-based character, but that he came to his senses after what happened to his younger stepbrother and that he finally reflected on his own actions. He and his mom also ended up doing pretty well working in that restaurant after being separated from Moo Hak’s dad. The scene in which the dad came barging and swept stepmom off her feet to come back to him was hilarious, lol. Anyhow, I ended up having a bit more sympathy for Ki Chul at the end.

The thing with Hwang Bo Ra is that I sometimes feel like she tries too hard to be funny. In this drama, I occasionally found myself wondering why she had to pull those faces with every single thing she said. She could’ve done way less and still be funny enough. I liked that there was at least one moment where she was acting ‘normal’, and I can’t say it ruined her performance for me at all, but sometimes I just thought that in her case, less was more. I haven’t seen her in that many shows, mainly in What’s Wrong With Secretary Kim? and she also had a cameo in Touch Your Heart and A Business Proposal. I’ve also seen her in an episode of Busted, I believe. Anyways, I liked her loyalty towards Moo Hak. She was the sole person who stood by him until the end, and I liked her interactions with those big restaurant guys as well. She always wore a pantsuit and had her hair styled backwards, giving her kind of an androgynous vibe. She didn’t really seem to have her own life outside of Dondon, at least nothing was revealed about that. In any case, she was a nice ally as she really helped Moo Hak out in a lot of situations and she did end up really supporting his relationship with Dali. I am curious to one day see a more serious and less comical side of Hwang Bo Ra’s acting!

Lee Do Kyung always seems to be casted as a grumpy and stubborn old man, haha. I’ve seen him before in Arthdal Chronicles and Extraordinary Attorney Woo. I was really appalled by Uncle Kim’s initial behavior towards Dali, treating her like an outcast like that, and also how he had the nerve to ask her to go back to Tae Jin if he would drop the lawsuit against her, like who was he to point her into that direction while he wasn’t even related to Tae Jin? I’m glad he came to his senses, and also reflected on how he’d treated his brother and son. I liked how mature he was when he told Dali that he would help her with the gallery and also that, when Si Hyung would sit out his punishment, he could always come back to his parents afterwards.

And then finally, the actor of my most hated character of this drama, played by Park Sang Myun. I have seen him in Mary Stayed Out All Night, Healer and Sensitive Boss (cameo). I feel like I know him from more since he has such a familiar face. Anyways, I was very surprised to find out the Assemblyman’s true colors. He first seemed to be a fairly friendly man and caring politician, but then he suddenly slapped his own daughter just because she was asking what he was planning to do to Moo Hak as she cared about him. Like, seriously, what was the reason? He was really just a money-obsessed creature, and he didn’t care about anyone ending up as collateral damage. People like him shouldn’t be put in charge, so I’m glad the reveal of his involvement cost him his career and he ended up on jail. I still wanted him to become jail buddies with Tae Jin, though. Anyways,

All in all, I just want to conclude that I was positively surprised by this drama. I thought the story, the character dynamics and the way they dealt with the events were really original. I can’t emphasize enough how grateful I am that they steered clear of some classical tropes, because I know for sure that if they had chosen to include those, I would’ve had much more criticism to give on it. It was just so nice to have a main couple that was just smitten with each other from the start and that nothing was able to make their love waver. It just relieves my heart so much when the main couple is sure about their mutual feelings for the entirety of the show and doesn’t let anyone tell them otherwise. I liked that the female lead was so strong-spirited despite her seemingly soft-spoken and naive nature, she really didn’t let anyone walk over her or make her doubt how she truly felt about things. It had a really touching message about family and loyalty, and the fact that even with just a handful of helpful comrades, it still can give you all the necessary strength needed to fight for what you believe in. I liked the majority of the main cast and I just thought it was very well written. It was nice to get a positive surprise, every plot twist just worked in its favor for me and I’m happy to conclude my year with a positive review.

So this will be my last review for this year! I was able to watch 25 dramas this year, that’s 5 more than last year (yes, I keep track, haha). I hope that I’ve been able to improve my review writing skills and that from next year on I will be able to provide many more worthwhile reviews for people to enjoy.
Thanks for the valued feedback and comments, I promise I read everything and I am glad that I am able to reach people with my reviews and that they find them entertaining to read as well. You guys make my day every single time!
So yes, I wish everyone a merry Christmas and a very happy 2023, may the force be with you all and all that!

Bye-bee!! ^^

Put Your Head on My Shoulder

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Put Your Head on My Shoulder
(致我们暖暖的小时光 / Zhi Wo Men Nuan Nuan De Xiao Shi Guang /
To Our Warm Little Times)
MyDramaList rating: 6.5/10

Hello~ Back with a new review and with this one I am welcoming the last month of this year. Isn’t time going by incredibly fast these days? We’re already starting 2023 in a couple of weeks! Anyways, I was worried that this drama would take me a long time (since Chinese dramas often tend to be quite lengthy) but it was actually a relatively short and very light watch. I watched it on DramaCool, even though the English subtitles aren’t that good. I guess I could’ve also watched it on YouTube, but oh well. So yeah, I’m finally officially finalizing my 2019 batch of Asian dramas, and this is actually the only Chinese drama I watched this year! Not to fret, there are many more to come!
I think I put this on my list after thinking something about it looked cute, and that’s really what it was, a simple cute love story, not too much drama or intrigues. It can be nice for a change not to have too much characters, storylines and plot twists in a drama. So let’s start this review right away!

Put Your Head on My Shoulder is a 24-episode Chinese drama series that focusses on the relationship between two college students who end up living together in the same house. Si Tu Mo (played by Xing Fei) is an accounting major who has a hidden ambition for advertising, but she never gets into any advertising jobs because of her irrelevant accounting background. She lives in a campus dorm with three other girls, and they are all quite close with each other. There’s Wang Shan (Zheng Ying Chen), Meng Lu (Gao Yu Fei) and Hu Niu (Chen Jing Jing). Amongst each other, they all call each other Mo Mo, Shan Shan, Lu Lu and Niu Niu (I found it easier to remember that way). Mo Mo is especially close with Shan Shan. At the beginning of the series, Mo Mo has a crush on Fu Pei (played by Tang Xiao Tian), and it’s shown that the two of them have had a crush on each other since high school, but for some reason nothing official has happened between them yet. Fu Pei told Mo Mo to wait until they’d graduated before they would date, and Mo Mo just went along with it, but even in the present, she keeps being let down by him. When they’re together, he tells her the sweetest things, he tells her he’ll always be there for her, but when she actually needs him to accompany her somewhere or look out for her, he never shows up. And it’s starting to eat away at Mo Mo – she’s losing her patience with him, for good reason.
Fu Pei also lives in a dorm on campus with three other guys, amongst whom Gu Wei Yi (played by Lin Yi), a science major. Unlike Mo Mo, Wei Yi is studying what he wants to pursue, he even gets a place in an esteemed professor’s experiment class despite being only a junior student. There’s only two other students in this class, and they are both seniors, so it’s a pretty big deal.
Mo Mo and Wei Yi meet for the first time when Fu Pei and Mo Mo crash into Wei Yi with their bike and when leaving, Wei Yi and Mo Mo incidentally swap bags (they’re both black with letters on it, it can happen in the chaos).
What already stood out to me from the start was that, even though Wei Yi already knew Fu Pei, the first thing he did when the crash happened was ask Mo Mo if she was okay. That immediately told me that he wasn’t a coldhearted guy who’d just walk away, he already had really good manners and from the start he was always kind to Mo Mo even when he didn’t even know her yet.
I just wanted to put that in there as a first observation.
Anyways, as Mo Mo is just on her way to a job interview and Wei Yi to an important exam (the one that would give him the chance to participate in beforementioned professor’s class), the bag swapping happens at a very inconvenient time. Mo Mo isn’t able to show her artistic work that she prepared for the interview, and Wei Yi isn’t allowed to participate in the exam without his student ID card. However, they don’t hold any specific grudge against each other, they swap their bags back and Mo Mo even helps Wei Yi to get another chance at proving he earns a place in that professor’s class, causing him to be admitted anyway.
They keep meeting on several occasions, and it keeps happening that whenever Fu Pei fails Mo Mo, Wei Yi always ends up appearing instead of him. In the first few episodes only, even when Fu Pei doesn’t ask him personally to go in his place, Wei Yi is always looking after Mo Mo, even when they’ve not developed feelings for one another yet.
Mo Mo is struggling a lot with her feelings for Fu Pei, because seriously, what was this guy’s deal. He kept acting like he was Mo Mo’s boyfriend when they were together, but then always let her down. He didn’t show up, he was supposed to go to this interview with her in a remote neighborhood but didn’t show up and then she went alone and got mugged and injured on the street. And for some reason, Fu Pei would always ask Wei Yi to go in his place when he couldn’t make it to something with Mo Mo, but still when he noticed that Wei Yi and Mo Mo were getting along better, he be like, ‘wow wow what’s happening here’. Like, bro, you literally pushed them together.
Anyways, when Mo Mo eventually gets an internship at an accounting firm, she keeps struggling because it’s very far from her dorm and she keeps coming back very late, to the dismay of the dorm manager. At one point, her mom calls her to say that a friend of hers has a house closer to her workplace where she can stay, if she’s okay with that friend’s child also living there. Assuming it’s just another girl her age living there (otherwise her mom wouldn’t have suggested it so easily), Mo Mo eventually agrees and goes to stay there for at least a little while. SHOCKER. The other person living there is actually Wei Yi. Turns out, their mothers are friends from way back and they didn’t even think about the fact that the other child was of the opposite sex, but then again, they also don’t really mind. Honestly, what is it with Chinese moms that just want their kids to get settled so quickly, lol. But yeah, stuff happens and Mo Mo also moves back and forth to the dorm a couple of times, but they ultimately end up living together in that house for good. And that’s what the whole story is about.

The story is about how they start living together, how they start getting involved in each other’s lives more, and how they gradually fall for each other. As far as we can see, Wei Yi is the first one to fall. I personally think it all started when Mo Mo’s mom came to stay with them for a few days and there was just this kind of ‘family warmth’ around the house, with the three of them eating together, there was chatter, there was bickering, there was laughter. Wei Yi didn’t have that kind of warmth in his own family, so you could see how much good that did him. When Mo Mo’s mom left, and then Mo Mo went back to her dorm as well, the house was just so quiet and empty, and he immediately decided that he wanted to have Mo Mo back in the house. I actually think that missing her presence there after having spent just a short time with her, was already the first sign of him falling for her.
And honestly, could this boy be any sweeter? He did so much for Mo Mo, even behind her back without her noticing. He always kept her company, he sacrificed stuff so that she could be happy, he pretended to be allergic to stuff just so she could have it instead. He tried to confess to her several times, and if only Mo Mo would’ve had his level of knowledge when it came to science, she would’ve known it was the sweetest thing ever, but unfortunately Wei Yi was kind of socially awkward and his message never came across. He even got help from his professor and fellow science classmate, they helped him come up with all these ideas, but it was never clear enough to Mo Mo. It’s funny how in these scenes, we see more from Wei Yi’s perspective and we don’t actually know for sure if Mo Mo is really that oblivious or if she’s just faking that she doesn’t see what he was trying to do. I think she did at some point figure out what his intentions were, even though she didn’t exactly get the execution of it. So imagine my relief when that scene came where they were having breakfast together and Mo Mo was just like ‘Yo, do you like me?’ Instead of continuing this endless cycle of misunderstandings and failed confessions, I was so happy that she just came out with it like that, and they were both like ‘Yeah, me too’ and that was that. It was pretty refreshing and simple for a confirmation of love, haha.

As Wei Yi and Mo Mo are getting closer, there’s still the issue of Fu Pei. Mo Mo is still mad at him, and this doesn’t get better when he almost kisses Shan Shan in a drunk state when the four of them are hanging out at Wei Yi/Mo Mo’s house. We see Mo Mo get properly hurt by his actions, she cries about it and properly processes it by herself. I liked the metaphor that was mentioned through Mo Mo’s narration, because it so clearly wrapped up her final feelings for Fu Pei. “Every product of glass will have a caution sticker on the packing. But not everyone will take caution of it. They’ll think it won’t be broken easily, it’s all right, it’s always gone well in the past. However, when they open the packing, they will find it broken. And then what do you do? You’ll have to throw it away.” She initially also is a little mad at Shan Shan, even though I thought that was a bit misplaced. Shan Shan was such a supportive friend to Mo Mo, even though she developed a crush on Fu Pei herself, she still tried to get the two to make amends first before following her own feelings. She kept hanging out with Fu Pei, she helped him study and eventually helped him through his official ‘breakup’ with Mo Mo, after which he realized he really cared about Shan Shan as well. But I will talk about that a bit more later. Anyways, as soon as Fu Pei and Mo Mo are officially not a thing anymore and the two couples are established, which happens in the first half of the series, the whole rest of the show focusses on how their relationships progress, the ups and downs, the tensions and the snuggles, etc.

What I found so refreshing about this series was the fact there was actually no drama. Normally, even in Chinese series, there’s at least one bitchy girl character with her eyes set on the male lead who will do anything to get in the female lead’s way, or there will be at least one another aggressive male character that’s also pining for the female lead, but even that didn’t happen here. Yes, Wei Yi had some admirers, for example that senior from his experiment class Xie Yu Yin (Zhou Zi Xin), but she never even got close to getting Wei Yi’s attention in that way, she was never a real threat. And she also wasn’t a bad person, because she never tried to get between Wei Yi and Mo Mo, even though she still had to get over him. In the end, hearing that they got married in Germany, she even smiled at them as she walked away, because she also just couldn’t deny that they were always meant to be.
Fu Pei, even though he may have been a kind of ‘love rival’ in the beginning, also didn’t turn out to be that bad. He definitely needed Shan Shan to be brought back to his senses, but after that these two were also a really cute couple and there was never any real drama between them and Wei Yi and Mo Mo.
And I guess there was that celebrity that Mo Mo worked with a couple of times, Lin Zhi Cun (Zhou Jun Wei), he could’ve been a possible love rival for Mo Mo, Wei Yi definitely eyed him suspiciously, but that never really went anywhere either.
So in that aspect, it’s a fairly uneventful series. There’s not much spectacle or drama, it’s just really fluffy and romantic and cute. That doesn’t necessarily mean anything bad, because as I’ve mentioned many times before it can be really nice to have a casual and light romantic story without too much drama, but in the end this also made it not so special for me. I still rated it as I usually rate cute stories without much depth, because I did like watching it, but that was pretty much it. It’s just really cute.

Let me first go by the characters one by one to get deeper into my analysis.
First of all, Si Tu Mo. Our girl Mo Mo is a very self-righteous girl, she’s not insecure and she really stands up for what she wants and believes is right. This becomes very clear when she manages to fulfill her dream of starting to work at an advertising company, and she’s put off by a scheme the company pulls. She and her fellow intern have entered an ad for a design contest and they win, but then find out that the company put their boss’ name on it. When they are determined to say something about it, they are cut off as their boss offers them a full employment, obviously to keep them silent. It was nice to see how, in the 6-months-after jump, it was shown that, even after being appointed employees of the month, both Mo Mo and her fellow intern resigned because they still didn’t stand for what the company did and how they tried to get away with it. Until the end Mo Mo was determined to get all the credit she deserved for her own work, and she wouldn’t let people get away with excuses anymore. Maybe she learned from her experience with Fu Pei, I don’t know, but it was very empowering.
Other than that, we can see she’s very straightforward, but also quite whimsical. It seemed like, even if she got the idea that Wei Yi might like her, as soon as he would do something confusing, she immediately discouraged herself again. I’m not sure if she was just playing hard to get, but she definitely gave Wei Yi a hard time trying to please her. When they officially got together, she still kept acting kind of awkward and got mad at him for the tiniest things. One thing that did annoy me a bit about Mo Mo at some point was her constant distrust of Wei Yi’s relationship with Xie Yu Yin. Like, as I said, there was literally nothing going on between them. Yu Yin may have had a crush on Wei Yi, but Wei Yi had always been very clear about his feelings for Mo Mo, even in his science class, so Yu Yin knew that she didn’t stand a chance. There was nothing to worry about there, but even when she would just see them talk to each other, Mo Mo would start acting super petty and childish, ignoring Wei Yi until he went through the dust to apologize to her (even though there was nothing to apologize for). I don’t know why she kept convincing herself to be intimidated by Yu Yin while everyone knew there was nothing to be suspicious about. So that put me off a little. However, Mo Mo’s mom also explained to Wei Yi at some point that Mo Mo would start acting weirdly when she got reluctant or anxious, so I guess that explained it. But it still didn’t stop me from going ‘Omg, come on girl, don’t be such a petty child’ every once in a while. Other than that, I didn’t really have any problems with Mo Mo’s character, I liked how straightforward she was.
I also really liked Mo Mo’s mom (played by Xu Mei Ling). The way she was just shipping her daughter with Wei Yi from the start was so funny, and how she literally made Mo Mo sign this contract of not being allowed to move out of the house and would just send it to Wei Yi to use it against her whenever Mo Mo was threatening to leave again. She kept sending Wei Yi stuff that would keep Mo Mo with him, haha. She may have been a bit fussy, mostly to Mo Mo, but she was a really friendly and lovely mother figure and nothing but supportive to the two from the start.

On another note, can we just appreciate how well this drama normalized things like periods and sexuality? I never expected to see these kinds of things in a Chinese drama, but even though overall things didn’t get too graphic (there was no skin shown whatsoever and the makeout scenes were all cut off pretty fast before it skipped to the next morning – which was kind of a bummer), they showed several instances in which Mo Mo was on her period, with all the physical and emotional consequences. After the bag swapping when they first met, Wei Yi was made to buy Mo Mo new menstrual pads as he incidentally lost the ones that were in her bag. The scene in which the store employee started to explain all those different kinds of pads to him, which ones were softer and such SENT me. I really never expected to see this kind of menstrual talk in a Chinese drama, that was really funny. Also, after the couple fails to have sex for the first time (Mo Mo’s ‘It’s okay. As you said before, theory is different than practice’ comment, I COULD NOT), Wei Yi very earnestly starts researching the female genitals online, even starts following international webinars. Like, the moment this image of the female sexual organ appeared on his screen I was like, “👀Is this even allowed in a Chinese drama??👀” I liked how they were so open-minded and didn’t make a big awkward deal about it.

I thought Gu Wei Yi was an absolute puppy. He seemed so certain of himself, but as soon as he started falling for Mo Mo he just kept getting so confused by her emotions and whimsicality that I felt sorry for him a couple of times, haha. She really didn’t go easy on him. And still he always remained this super patient, loyal and sweet boyfriend to her. It was so funny how serious he got about it, that he even went to have after-school gatherings with Professor Jiang (Jie Bing) and his senior classmate Zhou Lei (Zhang Hao Lun) and they’d come up with strategies together about how Wei Yi could confess his feelings to her in the best way. It was always just so sweet and respectful, and he never ever crossed her boundaries, except probably when he drunk-kissed her after her birthday celebration and forgot all about it the next day. Seeing him after Mo Mo had made him remember was very entertaining, because he was just so shocked and ashamed of himself, it was adorable. Anyways, the scientific ways in which he tried to confess!! Can we just admire his originality and sweetness in that?! He literally wrote out this formula that came down to the meaning of that Mo Mo was ‘the structure of this world’ and another one that, if you’d drawn the lines completely, it would form a heart shape. Admittedly, yes, he could’ve anticipated better that Mo Mo wouldn’t be able to understand science at his level, but they were still really cute gestures.
He may not have had a very close/warm relationship with his parents, but he also wasn’t on bad terms with them per se. His father was a renovator, so he spent a lot of time helping him out with dismantling stuff and putting things back together – which explains a lot of his behavior and love for science. He just has this genuine curiosity for things, whenever he doesn’t know something he immediately just looks it up, from emotional stuff to how to actually fix devices, I thought that was a funny and cute character trait that he had. His mom (played by Rong Rong) was clearly eager to get closer to him, but he never really felt that comfortable around her or maybe she hadn’t been very present in his youth because he got along better with his dad or something, I’m not sure. Anyways, it was nice that both parent couples were shown and how the mothers just immediately started planning their kids’ wedding and the dads were still just sitting there like, ‘Wait a minute, are you saying my kid is already dating someone?!’ But there was no real quarrel between them or anything, everyone was on board with everything.

I appreciated the limited number of characters in this drama. Sometimes, a lot of characters are created that are then somehow bound or connected to each other’s past and stuff, but in this drama, there was one small core of characters and that was it. There was Wei Yi, his family and people around him at college, and there was Mo Mo, her family and people around her at college, and eventually at her internship, but that number of people was also few. When she starts at Ori Advertising, she finds out her fellow intern, Tu Jie Er (Yi Sha) used to be her classmate in high school, a girl who also had a crush on Fu Pei. But even after finding out that Mo Mo and Fu Pei were still kind of seeing/hanging out with each other, the girl didn’t make a big deal out of it, she also didn’t become spiteful towards Mo Mo at work even though she was clearly been favoritized because of her background. It initially seemed like she wasn’t putting in as much effort as Mo Mo, even asking her to do stuff for their project by herself although Mo Mo was already swamped with both college and work-work, but in the end the two did stick together. I guess the only reason why they gave this girl the connection to being Mo Mo’s old classmate was that she could already know about Mo Mo and Fu Pei’s prior relationship, but otherwise, in my opinion, there wasn’t really a reason why she should’ve been connected to Mo Mo. It didn’t really matter anyway, and she was the only character that was revealed to have some sort of past connection with any of the main characters.

Fu Pei was definitely a bit of a tormented guy in the beginning. In the first half of the series, I referred to him as ‘a hot mess’. He just couldn’t make up his mind about Mo Mo, instead of talking about his feelings he went and got himself drunk all the time, it was a little pathetic. He was introduced as such a cheerful and sporty guy, and he kind of lost that side of him at some point. It’s only after he’s already gotten together with Shan Shan that we meet his dad and this puts a bit more clarity on the situation. His dad may have been wealthy, but he was the kind that was never there for his son as a father, and he was always seeing different women. He wasn’t faithful to Fu Pei’s mom yet he still felt like he had the right to tell his son what to do and how. He kept meddling in his life, setting him up on blind dates and actually got angry when Fu Pei told him he already had a girlfriend because even without meeting her, he already knew ‘she’s not good enough for him’. Well, let me tell you sir, Shan Shan was EXACTLY what Fu Pei needed. I really appreciated how the both of them stood up against his dad, and I believe in the final confrontation Shan Shan really did manage to impress him. Fu Pei shook off all the pressure he’d been feeling because of his urge to always please his dad, and he decided to start up his own company. He and Shan Shan stay together after graduation, he proposes, they manage to get a loan for the company, and all’s well with the world. It was nice to see how, once the ‘mess’ was lifted from his shoulders, Fu Pei quite easily went back to being his bright self, and I still believe it’s all thanks to Shan Shan.

I really liked Shan Shan. Like Mo Mo, she wasn’t the typical ditzy cutesy girl, she was really strong and just, and strict whenever she needed to be, especially towards Fu Pei. She wasn’t shy to tell him how she felt about him from the start, but she still told him to deal with his feelings for Mo Mo first before committing to her. She literally helped him through his lingering feelings for Mo Mo by just being by (and on) his side, helping him study and just being there for him and that’s what he needed. There is one moment where they do break up for a short while. If I understood correctly, it was because Shan Shan felt like she was forcing Fu Pei to study and take an exam while he didn’t actually want to, even though he kept telling her he did. He kept accompanying her to study but stopped doing what he loved to do, playing basketball, hanging out with his friends etc., and it was tiring for Shan Shan to see him pretend to go for something he didn’t actually want. All in all, I think her behavior during this situation also contributed to Fu Pei getting his act together, because that’s when he started thinking about what it was that he really wanted to do.
There was one scene that took place during this situation that bothered me. Of course, going through their break, Shan Shan wanted to talk about it to her friends. She wanted to talk about her feelings, about her reasons for being mad at Fu Pei, but no one had time for her. She kept calling and texting Mo Mo, but Mo Mo was busy getting it on with Wei Yi. At one point, Shan Shan just comes over to their house and kind of imposes on Mo Mo, even though the main couple was planning to have a nice romantic home date. I was actually bothered by all three characters at this point, even though I understood everyone’s perspective. Shan Shan really wanted to talk to her best friend and ended up imposing on her without seemingly caring if Mo Mo was available for it. Mo Mo went along with it, she took Shan Shan to her room but then barely even listened to her while she was talking. I believe she was just on her computer or writing/drawing something and even semi-falling asleep at some point because Shan Shan talked for hours. I thought that, even though Mo Mo wasn’t actually up for talking, once she decided she would hear Shan Shan out, she could’ve at least listened to her and give her some friendly advice, not openly acting so indifferent about it. It was so clear that she and Wei Yi just wanted Shan Shan to leave, but instead of just telling her ‘Sorry, I understand you’re in a tough spot and I really want to be there for you, but now really isn’t a good time, can we talk tomorrow?’ or something like that, they let her in and just sat there acting annoyed about it. Wei Yi too, he was just getting impatient and kept texting Mo Mo to get Shan Shan to leave, which, while I understood his feelings, still was a bit rude to Shan Shan in this situation. I don’t know, this whole scene was just awkward because it felt like every single person was uncomfortable in a different way. But luckily, Fu Pei managed to make it up to Shan Shan quickly enough after that and Wei Yi and Mo Mo didn’t have to deal with conflicted Shan Shan ever again.

I just want to talk a bit about some side characters before I move on to the final part of my analysis.
As I mentioned before, Wei Yi’s ‘crew’ at college consisted of three people, Professor Jiang, Zhou Lei and Xie Yu Yin. The dynamic between these characters was really funny. So Professor Jiang (who is incidentally married to the manager of Mo Mo’s dorm) is an elderly man and he is in charge of a special experiment project class that prepares only several students for admission to an esteemed university in Germany. Once you get into Professor Jiang’s class, you know you’re on the right path. He may be an elderly man, but he’s very friendly and easygoing with his three students, and even starts giving Wei Yi tips for getting closer to his girlfriend. He even lends him a super old-fashioned ‘How to Seduce Girls’ book that he used way back when he was wooing his current wife. As much as he supports Wei Yi, he still is professional enough not to actually favoritize him, even though it sometimes may seem like that. But Wei Yi is just that talented, and as his professor he just wants to support him as much as he can.
Zhou Lei considers Wei Yi to be his rival in science. He is the kind of senior who keeps wanting to prove that he is smarter than Wei Yi, but always fails. Not to mention that he is also talented enough, but he just keeps falling shorter than a junior student and that hurts his pride. Zhou Lei is generally a comical character, but I still felt for him, he was still a really nice guy. I thought it was really funny how panicky he would get when someone would start coughing or sneezing in the lab – that definitely made sense watching it during the pandemic. And I really laughed when Wei Yi had a slight cold and was working in the lab and Zhou Lei came to bring him some food from the cafeteria in a freaking hazmat suit. This guy was on a different level of cautiousness, haha.
I also liked Xie Yu Yin. She would’ve been this really obvious choice for a love rival, and although she did have a crush on Wei Yi, she never imposed her feelings on him and when he just put it out there that he was wooing Mo Mo, she silently resigned and didn’t bother anyone with the fact that she got a bit heartbroken by that. She never even approached Wei Yi with any romantic intentions after that, and she also didn’t get bitchy towards Mo Mo. When she and Wei Yi were both selected to go to Germany, it also wasn’t like she was excited for getting a chance to be alone with him or anything like that. I really liked it when the three ran into each other in Germany and that she was able to smile so genuinely after hearing that they’d gotten married. She never meant any evil towards their happiness and I appreciated that.
The only person I didn’t like was that other senior student that came by somewhere in the middle, Lu Jian Shi (Li Meng Fan). Like, what was her deal? She was so judgemental. She was actually the girl that Fu Pei was set on a blind date with by his father, and where he brought Shan Shan in to tell him that he already had a girlfriend. I don’t think Jian Shi was even into Fu Pei, but still afterwards she just went and badmouthed him behind his back, like he was such a loser and all that and I was like, girl… you literally met the guy once? Is that how hurt your pride was that your blind date already had a girlfriend? And she also just went and told Yu Yin that Wei Yi should be into her rather than Mo Mo, which, again, who the heck are you to meddle? She just went and poked her nose into other’s people’s businesses. I liked the scene where Wei Yi just told her off in the library, that was really satisfying. Seriously, some people really have nothing better to do in their lives or something.

As I was expecting Yu Yin to become a love rival to Mo Mo, I was expecting Lin Zhi Cun to become one to Wei Yi. There were definitely more opportunities there, but all those chances were cut off before they could even grow into some very serious. So when Mo Mo starts working for this advertising company, one time she has to work with a celebrity (I believe he’s an actor) called Lin Zhi Cun for an advertisement shoot. In the beginning he seems quite snobby, but he likes how down-to-earth Mo Mo is and although he seems not very intimidated by Wei Yi, he doesn’t put any further effort into approaching Mo Mo romantically. He even finds out coincidentally that she resigned from that advertising company in the last episode, and then he supports her by making her resignation letter go viral which says, ‘My boss was too ugly so I quit’. I mean, LOL. Was it really his place to do that? Mo Mo didn’t seem to mind it, so we’ll just let it slide. I guess he was just trying to remain on Mo Mo’s side by also exposing her company for what they did or something. Anyways, I couldn’t really dislike him because he didn’t do anything wrong, and I’m glad he didn’t become a love rival because it would’ve just been a waste of time. It was just Wei Yi and Mo Mo, all the way, always.

Also, can we please quit using western actors in Chinese dramas only to give them such awkward lines? There was this one girl in Germany that kept bothering Wei Yi because she was in love with him and it was just so awkward. Like, I feel the only times western actors appear in Chinese dramas (possibly with the exception of Christine in the Taiwanese ItaKiss) it’s just to show a westerner and make fun of the fact they don’t speak Chinese OR to show that the main lead speaks great English, it’s never actually to highlight the performance of the western actor. Sorry if I said something mean there, but I just always feel awkward seeing western people in Chinese dramas, they never contribute anything serious and they’re always kind of meh.

When Wei Yi heard that he was selected to go to Germany, and he and Mo Mo had to say goodbye, it was so sad because here I finally felt all Mo Mo’s true feelings for him come to light. She’d acted so coy and whimsical before, but now she really couldn’t stop herself from crying at not being able to meet him for six months. And Wei Yi… the fact that he took her favorite mug with him to have something of her with him T^T I was kind of scared that they might pass each other, because just before Mo Mo decided to go to Germany six months later, Wei Yi had mentioned already having bought a plane ticket back to China, but luckily that didn’t happen. The scene where he realized she’d come to visit him and he found her sleeping in his bed, the suppressed joy he showed there (only suppressed because he didn’t want to wake her) and the way he just kept saying her name was so cute T^T
Also, and this was a major heartpuncher for me, but Wei Yi was the only one to constantly keep calling her ‘Si Tu Mo’ while everyone else called her Mo Mo, and then during one intimate scene he suddenly called her ‘Mo Mo’ for the first time and that had me SCREAMING. That was just the cutest thing ever, all the more because that just showed she’d finally broken down all his walls. He’d always been nothing but respectful to her, even when she was being difficult he never vented his frustration on her but just went and tried to figure out by himself how he could fix it. He really was one big walking green flag and it was the cutest thing ever.
I do have to admit I was a bit disappointed by their marriage though. When they went into that church in Germany (btw why was everyone talking fluent English, I didn’t hear a single word of German lol), and that priest just started reciting those vows I was like, no wait, this isn’t actually already it, right?? I felt just like Mo Mo, I mean, there wasn’t even a ring or anything! In my head it just didn’t count, there was no record or signature or ring or whatever thing to prove they’d gotten married and she didn’t even get to wear a wedding dress! And then back in China they only went to register their marriage, which was also sweet but still not the whole thing. They did put on the wedding clothes for a photoshoot, but it wasn’t clear to me if they would actually have a ceremony or some sort of party with their family and friends. Either way, I kind of hoped for a nice ceremony, but oh well, haha.
By the way I liked that there was a short special episode that showed some brief scenes leading up to their marriage registration and Mo Mo’s pregnancy. This special episode is only 14 minutes long and it gives just a tiny bit more information on when Mo Mo supposedly got pregnant and some in-between dialogues they had that weren’t shown in the series, such as Wei Yi showing Mo Mo how to make a piece of glass harder than a diamond after she boasted about how Fu Pei proposed to Shan Shan with a diamond ring. The idea of Wei Yi making his own wedding ring was just so sweet. I would totally see him do that, too. He kept saying such sweet things to Mo Mo, he really loved her more than he could put into eloquent words.
So yeah, the series ends with Mo Mo and Wei Yi racing off in a car in their wedding clothes on their way to the photoshoot, and Wei Yi briefly reflects on his journey with his new wife, mentioning that he would always find himself getting into a fast car when she was driving and that was put so accurately. He got swept off his feet by this whirlwind that was Mo Mo, full of emotions and mood swings, but he still didn’t want to change it for the world. And in the final after-credit scene of the series and the special episode, they suddenly have this little bratty kid that orders them around, lol. Gu Mo Wei, a perfect combination of both his parents, and not only in name.

Before I go on to the cast comments, I want to mention something about the soundtrack and the series’ English title. It reminded me a bit of Something in the Rain, in which the original Korean title translated to something different than the English title. The original Chinese title apparently translates to something along the lines of To Our Warm Little Times/Moments. So I wondered what made them come up with ‘Put Your Head on My Shoulder’ as the English title, and then I noticed that one of the OSTs had this exact line in it, just like with Something in the Rain, where one of the OST tracks had this as the title. I wondered if they took this as inspiration for the English title. I personally think To Our Warm Little Times also fits the series very well, as it’s really a compilation of Wei Yi and Mo Mo’s lovely moments together. Put Your Head on My Shoulder also has a really nice and warm comfortable feeling to it, and as a matter of fact Mo Mo does put her head on Wei Yi’s shoulder a number of times so in that aspect it’s also not an inaccurate title, haha. Anyways, all in all, I agree with both titles. And I really liked the soundtrack in general, too, I saved at least two songs.

The thing with Chinese dramas is that I know very few Chinese actors, so I never have a lot of references to compare their performances to other shows I’ve seen them in, which can be refreshing since I just have to base my opinions on my first impressions.

Incidentally, I did know Xing Fei, I saw her in Master Devil Please Don’t Kiss Me last year. Again, I really liked her character. I just really like that she isn’t the typical apathetic heroine, but she always gives the female lead some spice and it’s nice to see that, especially in a Chinese drama since they tend to be a bit conservative sometimes. I liked that Mo Mo’s character was so realistic in her ambiguity and whimsicality. Like, I finally understood how guys sometimes say that they can’t figure out women – admittedly, Mo Mo was pretty hard to follow based on her actions sometimes, even for me as a woman. But she just has this quirkiness about her, she’s cute and small but she can also be really demanding, and I just liked how she could be so matter-of-factly about some things. I still appreciate the normalization of the menstruation thing, because I’ve only ever seen people get super awkward about this in dramas when it was mentioned or suggested. The way she talked about it was as I would do as well – for women, it’s a natural thing that happens every month and it’s freaking uncomfortable so please, men, don’t go all ‘EW TMI’ because you don’t even know how TMI it can get. We should be able to express our discomfort regarding this, so I was grateful that it was finally depicted as such. I believe I will see more dramas with her in the future, but so far I’m really liking her performances as a female lead.

I can’t say I’m actually surprised, but Lin Yi is actually 5 years younger than Xing Fei in real life. I kept thinking that he looked really young despite being so tall, so I can’t say I’m actually surprised. During this drama, he was 20 years old while his co-star was 25. I really liked his performance, from his confused puppy moments to the moments where he realized he had to step up his game towards Mo Mo. The scenes where he was able to express his love for her where the sweetest, because it just oozed from his face how much he loved her. I liked that the writers gave him specific habits, like looking up things and his genuine curiosity to take things apart and try and fix them by himself again. It made him a very realistic character, the tiny things that he did in-between, the quirks and the habits. And how some things just became habits to him, for example keeping a hair band of Mo Mo’s in his desk drawer so he would have one within reach whenever she asked for one and stuff. It was these tiny details that said more than words about how much he loved her. And I also loved how naturally it came to him too, once he realized he liked her he never went into denial, he just accepted it and moved forward with his new intentions. He was such a pure character, a loyal puppy to the end.

I see that Tang Xiao Tian is in another drama with Xing Fei where they’re actually the main couple, so I might try that one out as well, haha. Fu Pei started out as kind of problematic character but really just needed to be sorted out. I think that Shan Shan was responsible for a big part of his character development, but we have to give him some credit as well. I feel like the situation with his father was weighing more heavily on him then anyone would expect, and more than he himself would initially admit. But it could be that this is what caused him to be so indecisive about what he wanted, even in personal things like his relationship with Mo Mo. He was only able to see this clearly after he met Shan Shan and that’s when he just became better and better as a person. He got to show some different sides to his acting, both funny and silly and serious and messy. I’m curious to his performances in other things now!

I really liked Zheng Ying Chen as Shan Shan. She was calm and serious, but she really had her act together all the way. She took the right things seriously, but still created room to enjoy things like getting into a relationship. She first meets Fu Pei when he comes to the dorm looking for Mo Mo, but she keeps bumping into him a couple of times when things between Fu Pei and Mo Mo go sour, and then she just starts looking out for him. I liked how she and Mo Mo made up so quickly after the drunk-kissing thing, because honestly I didn’t see how Shan Shan was at fault, she was the one being drunk-kissed without having asked for it. Anyways, I liked the earnesty of her character, how she worried about practical things. No matter how much she wanted to spend time with Fu Pei, she also cared about him not giving up what he wanted to do just so he could be with her. She was really mature and I liked that a lot.

I’ve seen Rong Rong (Wei Yi’s mom) before in Love til the End of Summer, she seemed kind of familiar to me. I thought she and Xu Mei Ling (Mo Mo’s mom) had a nice dynamic as well, Rong Rong played a more serene mom and Xu Mei Ling was a bit more adamant when it came to getting their kids together. I liked them both equally as they both just fully supported their kids and their relationship. Mo Mo’s mom’s appearance in a scene always made for a funny moment and Wei Yi’s mom was always just really sweet. I liked how they portrayed these two women, and that Wei Yi’s mom was still able to get a little closer to her son.

I see that I recognize Zhou Zi Xin from A Love So Beautiful, but I don’t actually remember her from there. She is so pretty! I liked that they kept her as a nice character and didn’t make her into a jealous bitchy girl that wanted to sabotage the main couple’s relationship. It was nice to have so many mature characters in a Chinese drama for a change!
This also went for Zhang Hao Lun, I really liked his character Zhou Lei even though he started out to be a bit bitter towards Wei Yi, he didn’t succumb to his envy of him but only used it to work harder and get smarter and I appreciated that about him.
I could’t help but think it was funny how Professor Jiang and that dorm manager were married, especially when it became clear that the dorm manager was definitely wearing the pants in their relationship and still the professor was trying to give Wei Yi tips on how to approach Mo Mo, haha. I liked how Jie Bing made the professor appear so approachable, like the students were so at ease with him and even though he was still the teacher, they could really talk to him about anything. Even when the whole thing went down that Zhou Lei had to take care of a kitten but no one could take it, the professor even (albeit reluctantly) let him keep it at the lab and in the end he even took care of it after Wei Yi’s allergies didn’t allow him to take care of it at his house any longer (the fact that Wei Yi even brought it home despite his cat allergy again proved that this guy was too sweet for his own good). I liked all three characters as they all became really supportive people to Wei Yi.

So yeah, that’s about it for this review! I had a good time watching it, it wasn’t a very eventful series but it purely focussed on the romance between the two main leads. Sometimes happiness can be found in the tiniest of things, the tiniest attention to detail or the minimal effort to be there for someone. I really liked how this drama managed to address such details. Wei Yi was a true genius when it came to the details of taking care of Mo Mo and the other way around, although Mo Mo kept enjoying teasing him about it more, like how she confronted him with the fact that he pretended to be allergic to mantis prawns that one time at the beach. They really go through all sorts of situations together, taking care of a kitten, living with a vacuum robot (Circle was their official first child and no one can tell me otherwise), they comforted each other, they bickered with each other, they went through all their daily routines, but they always ended up on the couch together watching a scary movie. I liked the use of recurring themes and objects, like the mantis prawns, the stinky snail noodles that Mo Mo loved to eat and Wei Yi couldn’t stand because of the smell, these were all things that just added to their relationship. It was cute, funny and romantic. It may have lacked depth, but that didn’t take the fun out of it for me. Cute romantic stories are my go-to genre, after all, they’re the best pallet cleansers and the most comfortable kind of watches for me, so I’m not complaining. It’s uncomplicated and uneventful, but in a refreshing way, a true slice of life romance. The relationship between the two leads happens so naturally, and neither of them goes in denial after they find out how they feel, they both face their feelings head on, so there are barely any misunderstandings – the only misunderstandings happen because of Mo Mo’s occasional stubbornness, but that’s usually solved within a single episode. She always ends up with her head on Wei Yi’s shoulder and then all’s well in the world again.

For some reason I really like watching these kind of comfy romance series at the end of the year, as it just makes me feel all cozy and warm inside. So I’m just going to keep watching some more cute romance now! I hope everyone is keeping themselves (and others, maybe?) warm in these cold days at the end of the year, and I will be back soon with a new review. Thanks for reading!

Bye-bee~!