Monthly Archives: March 2021

Somehow 18

Standard

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

File:Somehow 18.jpg

Somehow 18
(어쩌다 18 / Eojjeoda 18)
MyDramaList rating: 7.0/10

Hi y’all! Just thought I’d write a short review in-between!
If you’re following my reviews chronologically you know I just finished It’s Okay to Not Be Okay a few days ago. I said that now I’d be going back to my original to-watch list and take a break from watching K-Drama on Netflix. But the next item on my watch list just happened to be a web drama, which I already finished within 2 days. It’s going to be a short review for a short drama, but I still wanted to share it with you!
This drama has been on my list for a long time, probably since 2018 or something. The summary sounded interesting, and one of the themes was time travel, which is -as you might know by now- one of my favorite themes. So I really wanted to give it a try!
Note: I said in my last review that I was ready for some lighter content again, after being swept away in the emotional psychological whirl that was It’s Okay to Not Be Okay.
TW: this drama is about suicide.

Somehow 18 is a web drama, which means the length of the series itself and the episodes is quite short. I found it a little difficult to find it, to be honest. There are two ways to watch it: either in 10 episodes of each 15 minutes, or in two longer episodes of each 1 hour and 10 minutes (aka 5 episodes per 1 part). I was only able to find a low-quality version of the 10-episode variant on YouTube, but after watching that I also found the 2-episode variant on KissAsian, which has much better quality video and subtitles. So I would probably recommend the 2-episode version.
The story is about Oh Kyung Hwi (played by SHINee’s Choi Min Ho) who is an orthopedic surgeon. Despite his successful career he can’t stop thinking about when he was in high school 10 years earlier, the girl he had a crush on committed suicide. He keeps going back in his head to his final interactions with her in the days leading up to her suicide and he just can’t think of a single reason why she would take her own life.
The only people that have to listen to him go on about this are his older sister Oh Yi Do (played by Kim Bo Mi), and her husband, who happens to be Kyung Hwi’s childhood friend, Jang Seul Gi (played by Kim Hee Chan). Seul Gi used to be in the same class as Kyung Hwi and also knew this girl. Incidentally, he was the reason Kyung Hwi started to get bullied, because he always avoided problematic situations and was the kind of person who would hide behind anyone or anything in order to not get involved himself.
In flashbacks of his high school days, we see that Kyung Hwi was severely bullied by a group of troublemakers in his class and he himself tried to take his own life at school two times. Each time, however, he was stopped by this girl, Han Na Bi (played by Lee Yoo Bi). Looking back on it, it just doesn’t make any sense to him that she told him to live and then took her own life.
On the day that would be her birthday, Kyung Hwi hears a mysterious message on the radio, asking if he would go back in time if he could. Looking up, he suddenly sees Na Bi standing outside the window, like a mirage. He follows her and opens a mysterious luminous door – and when he wakes up the next morning he is back in his 18-year old body, back in 2007, a week before Na Bi is supposed to kill herself. And then he decides to stop it from happening.

Because he is now a 28-year old in an 18-year old body, he is much wiser and manages to stand up to his bullying classmates better, as he remembers many incidents and is able to avoid them. It seems that some things are just meant to happen, and they still do, but slightly differently than in the original timeline. Kyung Hwi is only interested in Na Bi and approaches her more directly, even if that means freaking her out a bit in the beginning. As he starts digging into her personal life, he discovers something that he believes had the biggest influence in her decision to take her own life. One year earlier, Na Bi had gotten into a terrible bus accident with her two best friends, of whom one died instantly while the other remains in a coma. Besides being crippled by guilt and trauma of not being able to help her friends out of the bus in time, Na Bi also has a bad relationship with her father. Around the time of her suicide, she was trying to get the guy her comatose friend liked to visit her at the hospital at least once, to no avail. All of these struggles combined, piling up with the bullying that occurred after she helped Kyung Hwi out at school, took its toll on her. As Kyung Hwi learns more, he starts to actively get involved. He goes to the guy and convinces him to try and understand how Na Bi feels, eventually causing him to visit the hospital. He talks to her dad and convinces him to have a meal with her and not just leave an envelope of money on the table for her birthday. And he convinces Na Bi not to commit suicide in a very heartfelt way. He succeeds in taking her mind off her guilt for a while, and they actually become friends, together with Seul Gi, who also stops being a coward as a result, inspired by Kyung Hwi’s newfound courage to stand up for himself.

While we see the story in this drama mainly from Kyung Hwi’s perspective, as soon as he goes back we also get a glimpse in Na Bi’s experience of what happened, including flashbacks about her friends. Seeing how she went through what she went through, it’s not hard to understand that, under the amount of sorrow she’s already in, every tiny thing that adds to that sorrow can be fatal. This becomes blatantly obvious when, even after Kyung Hwi manages to calm her down and makes her feel good about being alive again for a moment, it all fades away instantly when her comatose friend passes away. As the girl’s mother yells at Na Bi that it’s all her fault, you can just see how she slips back. And that really made me realize that for these people, happy moments are just temporary distractions that ultimately still don’t outweigh the unhappy ones. Fortunately, in Na Bi’s case, Kyung Hwi has saved her at this point and she still decides to keep on living because of him, even after slipping back for a moment. By then, Kyung Hwi has become the light in her life that’s strong enough to keep on living for.

But, as is usually the case with time travel, events always find a way of happening anyway, even if they differ slightly from the original scenario. In this case, for example, even though Kyung Hwi manages to avoid most of the bullying himself, the events he remembers still happen, but with different people, including Seul Gi. He realizes this quite quickly, just like he catches on fast that he has travelled back in time and that he has to save Na Bi.
In the end, he is able to save her, but at a price. After learning that Na Bi must have found out that her comatose friend passed away, he goes looking for her, scared she’ll still slip back. But then Na Bi calls him to tell him that she decided not to take her own life because of him. They meet and walk towards each other on a crosswalk to finally be united for good… and then a car comes out of nowhere and heads straight for Na Bi.
Basically, if Kyung Hwi hadn’t been there, and if he hadn’t been extremely alert for anything that was happening to her, Na Bi would still have been destined to die, or at least get into a serious accident right there and then. But it’s because Kyung Hwi realizes this, that he is able to push her out of the way – and then is hit by the car himself. A soul for a soul, apparently.
In the hospital, Seul Gi gives Na Bi a letter that Kyung Hwi wrote to her ‘in case anything would happen to him’. In this letter, he writes the truth about how he travelled back in time to save her.
The series ends with a travel back to the future 10 years later. We see the same opening scene as in the first episode, only now it’s Na Bi who’s an orthopedic surgeon. Kyung Hwi has been in a coma ever since the accident (note: he still looks exactly the same even after being comatose for 10 years) and she’s still taking care of him, believing what he wrote in his letter. Because of him, she now has a successful life, a good relationship with her father, and she has been able to put aside her guilt toward her friends enough to allow herself to live a happy life.
The drama ends on the day that Kyung Hwi originally went back in time, with the same mysterious voice on the radio saying that the next song they’ll play has been ‘requested by a caller who’s been waiting for a long time for someone to come back from a long trip’. In the final shot, we see how Kyung Hwi wakes from his coma with a smile on his face.

Even though his first thought after going back to high school was ‘ahh I should have watched a time travel movie’, I found that Kyung Hwi got used to his situation very quickly. He came to terms with the time travel in itself and also immediately connected the dots with the message he’d heard on the radio and that the reason must be Na Bi.
It also doesn’t take him too many incidents to realize everything still happens, in a way, and even takes it upon himself to humiliate his bully publicly, because Na Bi did that for him in the original timeline.
The only way he can know for sure that his actions change anything, is through Na Bi’s diary. He took her old diary from the original timeline with him and as he starts effecting Na Bi’s life in the new timeline, she writes new things in her diary that replace the original content. This is how he can see, even for a little, what she is thinking and if his plan is working, even if it’s slightly privacy-violating.

The only time where I went ‘uh-oh’ for a moment was when he didn’t tell her about the phone call. They are on a boat together at that point, on her birthday, one day before she is supposed to commit suicide. Na Bi goes to the bathroom and Kyung Hwi answers her phone to learn that her comatose friend isn’t doing well and probably won’t have much longer. Realizing that this must be the phone call that originally drove Na Bi to kill herself, he decides not to tell her about it, since he wants to make sure she lives through the next day.
I personally think that, even if she had taken the call at that point, with Kyung Hwi by her side, she would have still been fine. Although it might have effected the mood enough to stop them from having their first kiss that evening.
In the end, luckily they didn’t make a big deal out of the fact that he hid this from her. Having watched too many dramas, I was just instinctively scared she’d find out that he had taken the call and didn’t tell her and would get mad at him for not allowing her to say goodbye to her friend for the last time.

Because it was a short drama, I get that there was no time for the usual g r a d u a l build-up in relationships, but I still think Na Bi let Kyung Hwi into her life pretty swiftly. After he kept running after her to make sure she didn’t do anything reckless, continuing to stand up for her while she didn’t ask for it and fixing her bad relationships for her, I understood why she was initially very suspicious of him. But still, after he pulled down that bully’s pants and ran off with her as she’d done in the original time, it seemed like she’d accepted him as a good person. The three of them (incl. Seul Gi) even went to an amusement park right after, and the next day Kyung Hwi was already like ‘am I your boyfriend now?’, so it went quite fast.

The bus accident was terrible (I’m weak for big tragic accidents), and my K-Drama instinct told me it was going to happen, just like how I just knew there was going to be car coming when they started walking down that crosswalk in slow-motion at the end. But what I did think was inconsiderate of Kyung Hwi was that, when he took the hit of that car knowing he was going to get seriously hurt, he literally put Na Bi through the exact same experience of what happened to her friends. I was really worried that, seeing the next person she’d opened her heart to get into a traffic accident AGAIN ‘because of her’, she would be triggered back into her trauma immediately. Once again she would have to sit next to a comatose patient, hearing his parents blame her for everything… I was positively surprised that she was able to stay optimistic for 10 years after that.

I’ve seen Choi Min Ho in two other dramas before, To The Beautiful You and Hwarang. I remember he got a lot of negative comments on his acting in TTBY, but I like Hana Kimi and all its adaptations so it didn’t bother me that much.
I didn’t really like Hwarang that much, but that didn’t have anything to do with him in particular.
As for this drama, I found his acting quite alright. His transformation from high school geek with big round glasses and poofy hair to his adult look was funny, lol. It was cool to see how he could pull off both an adult and a kid with the same face, although he definitely acted a bit younger in his flashbacks of his original high school timeline.

Watching Min Ho in this drama now hits differently, of course. As many people will know, his fellow SHINee member Kim Jong Hyun committed suicide only a couple of months after this drama aired in 2017. Even though this series tries to keep it light and eventually has a happy ending, it definitely shines a light on young people facing so many fears and doubts and pains in their lives that they just want to get away from it all. Even though all you want is to scream at them not to give up and to keep on living, some people just can’t handle the pressure. It is highlighted in this drama that many young people don’t even take their own lives because they want to die, but just because they want to escape or take away the pain. I can’t even begin to imagine what Min Ho and his fellow members must have felt like. I just want to take this moment to remember Jong Hyun and many other young and talented people who couldn’t take this life any longer. May you find some rest, peace and quiet where you are now, beautiful souls.

I realized as I looked her up that I know Lee Yoo Bi from her role in Pinocchio, where she was the second female lead. I saw she was also in Uncontrollably Fond, but I don’t remember her from there (admittedly, it’s been 5 years since I watched it). I also saw her in the movie ‘Twenty’, although I don’t remember much of that either, except for the fact I watched it (I thank my mind for giving me the idea to write reviews so I’ll actually remember people). Anyways, I liked her performance here a lot. She was the embodiment of someone who looks strong and doesn’t show any ‘outer signs’ that she’s struggling with life. But when she had a scene alone, there was plenty of space for her to show the layers to her character. She made me feel sorry for her without becoming ‘pathetic’ and that isn’t as easy as it seems. So I think she did a great job portraying both strength and fragility as Na Bi.
(By the way, I love how the way Kyung Hwi said her name sounded like hanabi, the Japanese word for ‘fireworks’. But in Korean her name means ‘butterfly’ so that’s equally pretty.)

I’ve seen a few dramas with Kim Hee Chan such as Producer, Cheese in the Trap and School 2017. He has a very familiar face. I found his character interesting, because he was such a blatant coward but you could still see that he didn’t want to be one. He wanted to have the courage to help his friend but he was just so scared for himself. At least he told Kyung Hwi in his face why he acted like that. I had people like this in high school who would just disappear from my side when a bully appeared without a single explanation or apology afterwards. Those are the real cowards. At least Seul Gi had the common sense to owe up to his cowardice, haha.

The woman who played Kyung Hwi’s older sister also looked really familiar to me, and after looking her up I think I remember her mostly from My Love From Another Star, where she played Yoo In Na’s stylist. She was very feisty in this drama haha. In retrospect I would’ve liked to see a little more of the romance development between her and Seul Gi, because now it really seemed as if Seul Gi just married her because he felt indebted to Kyung Hwi after how he’d treated him in high school. I really hope there was at least some real romance between them!

I could find really little info on the rest of the cast, even though it was a really small cast. Still, I think everyone involved should be credited. I want to know who the voice on the radio was, haha.

All in all, it wasn’t the worst drama I’ve seen, it was intriguing enough that I wanted to see it through. I really wondered how it was going to play out and I’m glad it ended in a happy ending, even if it was a bit unrealistic. Apart from the fact that being considerate of people and ‘you never know if someone might be suffering’, I’m wondering if there was any additional message to the story besides raising awareness. I actually felt a little sad as well, thinking ‘so many people may have been saved from this fate if there had been someone to talk to them like Kyung Hwi talked to Na Bi’. But on the other hand I think a lot of people may still have faced the same end, even after being talked to like that, because in the end, the other person can never fully understand what you’re going through. Healing from depression/trauma is a long and rough process and you have to stick it out to the end, otherwise the urge to give up will bring you crashing down with no one to catch you.

However! I don’t want to end this review on a sad and dark note! I just hope everyone is taking care of themselves, I’ve been talking to some friends lately who are also facing some difficulties at the moment and I’m really proud to see people take some distance to recharge and choose their own (mental) health above their stressful jobs or other outward factors. It’s important to take care of yourself, because even though your body may physically warn you, your mind sometimes has the tendency to keep going beyond its limits. I hope everyone is able to take plenty of rest, these are stressful times, and I will keep writing reviews for your entertainment, haha. Being unemployed isn’t all bad, I’m currently also taking a lot of time to rest up 🙂

The next couple of dramas on my list are several that I’ve really been looking forward to! I’ll be back with another review in due time! Bye everyone! ^^

It’s Okay to Not Be Okay

Standard

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

It’s Okay to Not Be Okay
(사이코지만 괜찮아 / Saikojiman Gwaenchana / I’m a Psycho But That’s Okay)
MyDramaList rating: 8.5/10

(Surprised to find a new layout on WordPress, hope there’ll be no big changes in the actual post)
Hello everyone! It’s time for another drama review. I finally watched this and I knew from the start that it would be difficult to write a review about, haha. But I’m still going to give it a try! Rather than a descriptive summary like I usually do, I think I’m going to write about the overall themes and how (I believe) this series dealt with them.
One of the reasons that I find it difficult to write a review about this is because there is so much more to it than just the story. I’m just worried I won’t be able to construct my words and thoughts properly in one go. But that’s okay, if need be I can even spend more than one day on it, haha. Because it’s worth it. Let’s see how I do!


To start with a short summary: It’s Okay to Not Be Okay is a 16-episode Netflix K-Drama, each episode a little over an hour (as seems to be the trend). The main story is about Moon Gang Tae (played by Kim Soo Hyun), who works as a caregiver at a psychiatric hospital. He has an older brother, Moon Sang Tae (played by Oh Jung Se), who has autism spectrum disorder. Gang Tae has been taking care of his older brother his entire life, especially since they lost their mother when they were still children. Although there have been moments where he hated his brother for being handicapped since it limited Gang Tae’s personal possibilities in life, he loves his brother very much and he is willing to take care of him forever, even if that means suppressing himself for the rest of his life. To add some darker background: Sang Tae actually witnessed their mother’s death. She was murdered. Due to a cognitive error, Sang Tae has associated this incident with a butterfly. Ever since then, he has been having recurring nightmares about this butterfly coming to kill him as well. That is why, every year when the spring comes (and with it the butterflies), they move away to live and work somewhere else. They are constantly running away from this ‘butterfly’.
Then there is Go Moon Young (played by Seo Ye Ji), a famous author of childrens’ books who actually has an antisocial personality disorder. She was raised in seclusion by her obsessive mother in a castle and she has been so used to being on her own that she doesn’t know how to interact with other people. In fact, she always comes across as a sociopath – or even a psycho. What’s unique about her stories is that they’re not ordinary fairytales ; on first impression they’re actually quite morbid with grotesque illustrations. Despite the controversy around her books, she is very popular as there is always a deeper meaning behind her stories – and the fact that she’s beautiful herself probably also plays a part in it.

Gang Tae and Moon Young meet for the first time when Moon Young has a reading for the children patients at the hospital Gang Tae works at. As if their first encounter wasn’t bad enough, not soon after there is an incident where a dangerous patient escapes and ruins the reading. When cornering the patient, Moon Young ‘accidentally’ stabs Gang Tae in the hand with a knife when the latter tries to protect the patient she’s targeting.
After this encounter, Moon Young becomes fascinated with Gang Tae, this boy with ‘beautiful eyes’. Gang Tae, on the other hand, wants nothing to do with her. He is appalled by her way of treating people and handling things and wants to keep her as far away from his brother as possible. However, as it happens his brother is a big fan of her books. He’s also very gifted in drawing and he uses the illustrations from her books as drawing practice as well.
When Gang Tae reluctantly accompanies his brother to one of her book signs, they get involved in a row with other people waiting in line and he is confronted with Moon Young once again.
(Just as an in-between comment: this scene made me so angry!! Gang Tae left Sang Tae standing in line for just a moment while he took a phone call, and Sang Tae got all excited when he saw a kid in a dinosaur costume – he loves dinosaurs – and he goes there to examine it. When he starts talking about how much he loves dinosaurs, the kid’s parents literally grab his hair – which he dislikes very much – and push him away, yelling at him that he’s a freak and that he’s harrassing their kid. Moon Young comes down and, in her way of standing up for him, cusses at the parents, who then start pointing fingers at her ‘did you all hear what she called us?!’ and the thing went viral and Moon Young’s reputation blew up etcetera. And I was just sitting there, all like, ‘seriously?! NO ONE is going to say anything about how those parents assaulted a mentally challenged person and THREW HIM TO THE GROUND while he didn’t even do anything? He didn’t even touch their kid, he was talking about his freaking dinosaur plushie. This just proves that, when it comes to someone who is deemed ‘not normal’, people don’t even bother listening to what they’re saying, they just assume they’re a lunatic and point fingers. It was sickening, I felt so bad for Sang Tae.)
Gang Tae is forced to quit his job because of the first incident at the reading, actually taking the fall for someone else. When his friend Nam Joo Ri (played by Park Gyu Young) visits him in Seoul she suggests he comes back to their hometown Seongjin City, as they have an opening at the psychiatric hospital where she works as a nurse as well. Her ulterior motive is that she has a crush on him.
Gang Tae and his brother decide to go back there. Moon Young follows them, leaving behind her very stressed publisher Lee Sang In (played by Kim Joo Heon) and moves back into her own childhood home, the so-called ‘cursed castle’.
Through flashbacks we learn that Gang Tae and Moon Young actually knew each other when they were kids, and Gang Tae even had a crush on her, but because of her antisocial tendencies he got scared and ran away from her.
This first encounter between them is shown at the start of the first episode, in the form of an animation.
After a while, Lee Sang In goes after Moon Young, together with his quirky assistant Yoo Seung Jae (played by Park Jin Joo). This also goes for Gang Tae’s friend Jo Jae Soo (played by Kang Ki Doong), who has always moved along with the two brothers no matter where they went. All of them end up staying at Joo Ri’s house in the end.

Through the series we see how both Gang Tae and Moon Young struggle with their lives. They are both stuck in how they were raised, and unable to escape from their pasts or from what ties them to their pasts. I think the most important thing here was that they are both trapped in a way, forced down by someone or something, raised to believe they could never have an independent life in which they can do whatever they want. And while Gang Tae has his brother, Moon Young has always been alone. As soon as she moves back into the castle, her nightmares about her mother and all of the traumatizing things happened in that house come back to her. The part where her mother’s ghost was hovering above her bed, paralyzing her with fear… yikes.

This is the 3rd K-Drama in a row that I’ve watched on Netflix and also the 3rd that was completely different from what I expected. Again, I didn’t exactly know what I expected, but I was still surprised. Honestly, after the first episode I found myself thinking ‘this is pretty dark… and kinda creepy’. But as I continued watching, I found that it was very unique in its kind. I’ve never seen a K-Drama like this. Even though you might think that the story of two people finding each other and helping each other heal isn’t that original, this series sets itself apart by its way of storytelling. Because at the foundation of it, it’s a story about a story. The story that Moon Young and Sang Tae make together that sets everyone free at the end.

I find the use of fairytales really interesting in this drama, especially because it criticizes them and uses them in such an unorthodox way. Moon Young is a writer, but she interprets classic fairytales very differently than other people and children would. People like to find the romantic and the positive in stories, and Moon Young is the opposite of that. You might call that pessimistic, but it’s also very realistic and down-to-earth. Of course, she is made to think like this because of the mindset based on her traumatic experiences as a child. She has lived a dark fairytale of her own, locked in a castle, her every move influenced by her psychotic mother. After following Gang Tae to Seongjin City, she gets herself a job at the hospital he works at to teach a class about fairytales to the patients. However, the class mostly ends in heated discussions and hurt feelings because she refuses to address the stories as fairytales with romantic messages and happy endings.
There are a lot of stories depicted in this drama. Apart from the storybooks that Moon Young has written, there are mentions of many others, and there are several animated sequences as well. I think they did a really great job in visualizing these. Every single story was packed with deeper meanings and they all had a function within the drama. It definitely put things into perspective and made me think about how they could be interpreted in different ways than I was used to.
Even the animation in the beginning, telling of how Gang Tae and Moon Young first met as children, comes back in the end, as the way Moon Young and Gang Tae are depicted in the animation looks a lot like how they turn out in Sang Tae’s illustrations for the final book they make together.
I also liked how a lot of episode titles referred to actual fairytales and stories (The Red Shoes, King Bluebeard, The Donkey King, The Boy Who Cried Wolf, etc.) and in each case there was a referrance to this fairytale in the episode. They weren’t always a 100% apparent (at least to me), but they were definitely there.
Also, the whole opening sequence is refers to the fairytale-aspect of the series as well, both in imagery as in song.


There was once upon a time
And all people have stories
Their own

Let her take all she wants
Set him behind
It’s not your fairytale, no

Have him take all he wants
Don’t be afraid
All these are part of you
Of you


— ‘Sketch Book‘ by Janet Suhh

Looking at these lyrics, I really wouldn’t be surprised if they were written especially for this series.

For the title, I was surprised to see the original Korean title was basically ‘It’s Okay to be a Psycho / I’m a Psycho But That’s Okay’. I wondered if they softened the ‘psycho’ part into ‘not okay’ to make it sound friendlier, but the phrase ‘it’s okay to not be okay’ is actually a slogan inside the hospital director’s office. So I like how they took the English title from there. Also, the word ‘okay’ or ‘OK’ (‘gwaencha (na) in Korean) also comes back a lot, even in the name of the hospital, as it’s called OK (Gwaencha) Psychiatric Hospital. However, I did wonder who the ‘psycho’ in the end referred to. I suppose Moon Young, but she wasn’t really a psychopath. That’ll be interesting to discuss, I think!
One more word play thing: I loved the contrast that was made of the two meanings of the word psyche. When talking about butterflies and trying to help Sang Tae face his trauma, the hospital director tells him the Greek word for butterfly, psyche, also has the meaning of ‘to cure/to heal’. We later see a flashback of Moon Young’s mom telling her daughter that the word psycho was originated from the word psyche/butterfly.
I guess each interpretation just depends on the way you look at the world!

What also set this drama apart was how it shone a light on mental health issues and gave an insight in the daily business in a psychiatric hospital. I don’t think I’ve ever seen it depicted so elaborately in a K-Drama before. Psychiatric hospitals in movies and series usually bring with them a kind of eerie asylum vibe, with flickering lights in dark hallways and people tied to their chairs and stuff.
OK Psychiatric Hospital looked like a super nice play to stay. The interior was light, they had a beautiful garden, lots of place to sit outside and enjoy the beautifuls seaside view, a big cafeteria with good food, friendly staff… completely different from how they’re usually depicted. I liked that they picked a scenic spot like this rather than the busy streets of Seoul as the main setting. The patients in the hospital also aren’t aggressively inclined at all. The only occasional exception being Moon Young’s father, Go Dae Hwan (played by Lee Ul), who has been at the hospital for 20 years because of his dementia. Moon Young never goes to visit him because she has no familial feelings towards him at all. As she states at one point, ‘Isn’t it interesting? My father’s body is still alive but his spirit is gone. Meanwhile, my mother’s body is dead but her spirit is still around’. When he meets his daughter around the hospital one time, he attacks and chokes her, yelling that she should be dead and that she’s a monster. The speculation is that he mistook her for her crazy mother, but he also attempted to choke Moon Young when she was a kid, so it’s not certain.

The stories in this drama don’t just unfold, they also change. In the beginning, we are led astray about certain things and characters. At least this was the case for me. If I had an impression about someone in the beginning, in most cases at the end of the series I felt differently about it/them. We are led to believe something as it’s shown through one person’s eyes, but we’re consistently proven wrong when the whole story is revealed. And this is why I believe that this drama is also about the different truths about people. About the double-sidedness and deeper layers of stories. And about the danger of first impressions.
For instance, we are led to believe from the beginning that Moon Young’s father is a monster. From the way Moon Young treats him from the start as we are introduced to him, we are led to believe that he must have been a terrible father. We are granted one flashback, in which he tries to strangle Moon Young as a child. We are led to believe that he is the evil King Bluebeard who murdered his wife.
But just before he passes away, he is lucid and he tells the story from his perspective and I was so glad that he did. I was glad we got to see what truly happened. Not that it made it better what he had done to Moon Young, but at least I was able to understand him better. I still believe he cared a lot for his daughter, but that he was so scared of her mother and of the influence she would have on her. He was terrified that Moon Young would turn out the same, because she’d already been influenced by her mother too much. I mean, when you see how her mother was, I’d find him foolish for not being even a tiny bit worried, seeing how much time they’d spent together.
By the way, I thought they would just go for a younger actor of Moon Young’s father in the flashbacks, but they used the same actor and the way they made him look 20 years younger/older with make-up was amazing!

Returning to topic, the second example I have is Gang/Sang Tae’s mother. From the flashbacks we see from Gang Tae’s point of view, we are led to believe that their mother really neglected Gang Tae as a child. We see her often scolding him for not considering his brother enough, she keeps leaving him behind while tending to Sang Tae. We see young Gang Tae craving his mother’s warmth and attention and simply indulging in it when she finally hugs him. And when she finally gives him attention, she just says things like, ‘You have to always take care of your brother. That’s the reason I gave birth to you’. Like, what? Would a mother say that to her precious child? Seriously? You can’t help but feel so sorry for young Gang Tae.
However, as it turns out, this really was just Gang Tae’s point of view. He later learns from Sang Tae that their mom would always take them to this restaurant because she knew Gang Tae loved the food there and she would just lay awake and smile at his sleeping face, adoring the heck out of him while feeling guilty about making him feel like he mattered less than his big brother. It was so touching when Sang Tae ultimately told Gang Tae that ‘Mom loved you a lot and she didn’t just give birth to you so you could take care of me’, almost as if he could read Gang Tae’s mind and he remembered everything their mom had said and done to him in the past.
Moon Woo Jin, who played the young Gang Tae, is going to be the next big child actor hype, I just know it. This kid is only 12 years old and he just acts everyone away. He is a star. To be able to portray such dramatic emotions at such a young age is really incredible. We gotta keep an eye out for him, people!!
Lee Kyu Sung, who played the younger Sang Tae, also did an amazing job! Love seeing these young talents!

As for Moon Young’s mother, we are led astray multiple times: who was she? Is she alive? Is she a ghost? Is one of the hospital’s patients actually her mother in disguise? We are led to believe Moon Young’s father killed her, but then it turns out she’s still alive? Is the reason they’re not revealing her face in the flashbacks because she’s someone we know?
In any case, Gang Tae and Moon Young have both been imprinted with a certain image of their parents, and this image has traumatized them. In the end, they both find peace with the good memories they have of them and they are able to let them go, even Moon Young, whose only good memory of her father is when he read her a story one time.

Ill go back for a bit to the hospital and its patients. There was a small group of patients, all with a different reason for being there, who were highlighted one by one. There was an older man with PTSD, a younger guy with alcohol addiction, a girl with depression caused by an abusive relationship, a woman with borderline personality disorder, a woman with DID who had been a victim of child abuse, a manic patient, and a woman with psychotic depression caused by the death of her only child.
Each of them had their own story, and they all had their own purpose in the story. I really liked that they used their encounters with some of these patients in their final story, because each person had, in their own way, inspired them or confronted them with how stuck they were in their lives.
I especially liked the special appearance of Kwak Dong Yeon as the manic patient. This is by far the most energetic role I’ve seen him play, haha. I loved the scene where he ruined his father’s political rally and danced around trying to escape the security guards, and how Gang Tae for a moment saw himself dance like that, free to scream and shout and let it all out.

One thing that stuck with me was the conversation between the PTSD patient and Sang Tae. The old man said that they were both searching for an ‘exit’, a way out of whatever tied them to their past and trauma. For Sang Tae, it was the butterfly, for the old man it was the war he’d fought in. I loved how at the end, this patient received a pair of new shiny shoes from the director, who told him to walk out of the hospital in these shoes and go out there to search for his exit door. Sang Tae also chose to search for his door when he decided he would try to draw butterflies instead of running away from them.
The young alcoholic guy and the depressed girl fell in love and I really liked how mature they were. When the girl was released and the guy was determined to finish his treatment properly so he could be with her for good after he was fully rehabilitated. I was so proud of him when he spit out a drink one time, all like ‘this is alcohol’, and that he told her he knew he wasn’t done with his treatment yet because it still cost him a lot of effort to resist the alcohol. Admitting your own problem is a really big part of it, and it made it so much more worth it when they were reunited at the end.
The depiction of child abuse is always something that makes me nauseous. But the interesting thing about this case was that the issue lay more with the parent who had turned a blind eye rather than the parent who had actually hit the child. It still took on a different angle, which was also good, because people who turn a blind eye often get away with it because they weren’t the ones who actually committed the crime. If you ask me, they’re equally guilty.
I’m glad the series didn’t shy away from these topics, as they are still so very important.

Undoubtedly the biggest storyline in this drama is the relationship between Gang Tae and Sang Tae, or The Tale of the Two Brothers, as I’ll call it in accordance to one of the episode titles. Their relationship in itself is enough to build a story on. It’s beautiful but heartbreaking at the same time. You can tell that they care so much for each other, but when you find out about their past and how they have actually become forced to live together like that, always on the run for some invisible threat, it becomes kind of strained and painful as well You can’t help but feel for them.
The scenes where they fought in particular were very bad for my heart. You could see that Gang Tae was sucking it all up because he knew his brother couldn’t help it and that he would calm down eventually and he just needed to be patient with him. But then that one time when they fight and he yells back at his brother because he finally starts enjoying what it’s like to push back in his life – it was just F E E L S all the way.
The worst thing that happened between them is that, when they were children and they were playing on a frozen river once, Sang Tae fell through the ice and Gang Tae hesitated and even walked away for a bit before coming back to save him after all. He jumped into the water and pushed his brother out. After getting out of the water, his brother ran away and left him in the water. He was eventually saved by Moon Young, who had been watching them from a distance, and this initiated Gang Tae’s crush on her. But anyways, this happened and neither of the two brothers have forgotten about this incident, although they never speak of it. It’s just something that makes their past together so fragile, because it is so much more than just brotherly love. They’ve been through so much together, they hated each other’s guts so many times, but they still end up stronger than ever.

I found Gang Tae a very relatable character. Not that I would know how it feels to live like that, but his character was just explained so well that I could really understand his position, helped of course by Kim Soo Hyun’s amazing acting. He has been keeping the promise to his mother for so long that he’s started to lose himself, the essence of who he is and that he might have another purpose besides caring for his brother. He doesn’t even think about deserving a life of his own, he has already surrendered to the idea that he’ll always have to suppress himself.
Even though he has some deeply buried grudging feelings towards his brother and how his mother neglected him as a child, he’s always reminded of the fact that his brother is everything to him and he could never leave him.
Based on his personality and background, I guess it is both fitting and ironic that he would become a caregiver, because while he does it because he cares, it also shows that he’s literally devoting himself to only taking care of others and it only stimulates how much he suppresses himself.
But what I also loved was how Sang Tae, even though he knew that Gang Tae was taking care of him, kept saying that he was the older brother and that he was supposed to take care of his younger brother rather than the other way around. In the meantime, he learned so much from Gang Tae. One of my favorite parts was when Sang Tae was on a bus with the PTSD patient I mentioned before. This patient receives a day off from the hospital and they end up in the same bus. The old man at one point is triggered by some construction noises and gets flashbacks from the Vietnam War that he fought in. When this happens, Sang Tae copies what Gang Tae always does to calm him and manages to calm the patient down, putting a coat over his head, telling him it’s okay while hugging him.
That was so touching, especially because Sang Tae wasn’t one for hugging strangers, and it really made me realize that he was aware of so much more than people probably gave him credit for. He kept proving that he was able to care for others as well, that he wasn’t just the person who had to be cared for.

At some point when they had just had a big fight, there was a switch in which Sang Tae started turning the tables. It was usually Gang Tae who would check up on him, asking if he’d eaten already, etc. But then he started doing that to Gang Tae. He also allowed Moon Young to become a part of their family even though she wasn’t related to them and started treating her like his younger sister. It just showed that he had learned so much from other people around him and he really was a proper adult. He wanted Gang Tae to know that he wasn’t bound to him forever.
I can imagine it would be very difficult for Gang Tae to let go of his older brother after they had been leaning on each other for so long. But that made it extra touching when Sang Tae told him to let go, to let him go his own way, so that they could both go and find their own exit doors.

The next topic I wish to address is the fact that almost every single character in the series was stuck in their ways at the beginning, and managed to get out / find their door / cut off their leash at the end. It really made the final episode so wholesome to watch.
Besides the three main characters, there is Lee Sang In, Moon Young’s publisher. In the beginning of the series he is just a shallow man concerned mostly with money and keeping up his business and reputation. He knows about Moon Young’s personality and tendencies, but he still is more interested in the books she writes and the money he can make off them. When Moon Young leaves to Seongjin without a word, he goes after her, but when he is unable to convince her to come back and write a new book, he sticks around after meeting Joo Ri, as he is immediately attracted to her. Throughout the series he goes through a major metamorphosis, starting from the outside when he shaves off his moustache. After shaving it off he literally became a different person, haha. Spending more time in the countryside eventually turns into ‘taking a break’ and he comes to really appreciate things and people. He starts caring about Moon Young’s wellbeing more as well, rather than the profit he can make off her. At the end of the series, he decides to stay in Seongjin City to start his own new business rather than go back to busy Seoul and try to fix the mess they left behind.
Secondly, Joo Ri. I wouldn’t describe her as a typical second female lead, but she does start off with that kind of vibe. She’s interested in Gang Tae, she gets him to come back to their hometown and work at the same hospital as her… But Moon Young gets in the way by continuously distracting him. Joo Ri has an initial dislike for Moon Young, as they went through something when they were kids – Moon Young once pit their classmates against her because Joo Ri was her only friend and she didn’t want her to hang out with other kids. This hit hard because before becoming friends with her, Joo Ri was actually bullied, and after this happened she was ostracized again just after she started getting along with her classmates. Because of this past event, Joo Ri is initially stuck in her prejudice about Moon Young being a bitch. After she is rejected by Gang Tae (her acting in this scene was beautiful by the way), she initially falls into a habit of regular drinking to vent her frustrations. But after that she slowly starts accepting the fact that Gang Tae and Moon Young were drawn to each other because of their wounds and she and Moon Young slowly become more friendly with each other again. In the end, even though only Sang In expresses his feelings out loud, it is suggested that Joo Ri reciprocates his feelings.
Jo Jae Soo, Gang Tae’s friend who always follows him and his brother wherever they go, trying to become a part of their family, learns that trying to force yourself into something doesn’t work. He has devoted a lot of time into being a loyal friend to the two brothers, always moving with them and then opening a new business wherever they end up. Gang Tae ultimately tells him that he doesn’t need to keep following them anymore, that he can live his own life just like them, and he obliges by finally calling him ‘hyung’. You could say that Jae Soo was stuck in always sticking with the two brothers, trying to become a part of their family as well, rather than going his own way.
Lastly, in her own dorky way, Seung Jae does the same. She’s quite a mysterious character, you never really learn her true intentions and she also acts and presents herself way younger and less smart than she actually is. From the start, she is, very reluctantly, stuck under Lee Sang In’s regime, she keeps getting pushed around by him and even though we see how much it annoys her, she still sticks by him. In the final episode, she finally expresses how she’s had it with him, which was oddly satisfying.

Before I go on to next topic I need to address a couple of more people.
First of all, Joo Ri’s mother, Kang Soon Seok (played by Kim Mi Kyung). I’ve expressed by love for this woman multiple times already in earlier reviews, but I’m going to do it again. I was so happy to see her appear in this, I didn’t know beforehand she was in this drama. As Joo Ri’s mom, she only had one child but she ended up being literally everyone’s mom, haha. Everyone came to stay at her house and she would make food for everyone. She also took care of the food at the hospital because she was old friends with the director. Their friendship was so funny. She was such a nice presence, so warm, and it was really nice to see her and Kim Soo Hyun act together. When they hugged at the end, it almost looked like Kim Soo Hyun was just thanking her for existing haha. I also got teary-eyed when she got a free copy of the final book and Sang Tae had written her a message saying that he loved her like she was his own mom and she got all emotional #myheart

The director, finally, haha! I’ve already mentioned him several times but I really want to talk about him.
Director Oh Ji Wang (played by Kim Chang Wan) was so great. This actor acted with Kim Soo Hyun before in My Love From Another Star and he is just such a precious being. Seeing him and Kim Mi Kyung act together was a pleasure to watch. I really loved his character here, he was the perfect director for a psychiatric hospital. While you could see he really cared for all patients, he also had this mischievous streak and he used very witty ways to get people to face their traumas. He came up with the idea for Sang Tae to paint a mural in the hospital and then, very subtly, was like… ‘I would like there to be some butterflies’. In the end, this became a successful tool to get Sang Tae to face his trauma, face the butterflies and draw them rather than run away from them.
I really loved the scenes where he would just spy on people and record people on the CCTV, haha. There was this stupid guy who slapped Gang Tae in the face in his office and afterwards the director was like ‘…I caught him on camera’, lol. He constantly cracked me up.

As my bridge to the next topic, I have to introduce Head Nurse Park Haeng Ja (played by Jang Young Nam). She was Director Oh’s most trusted nurse and Joo Ri’s superior. There were a couple of more nurses/doctors that were supporting characters, but she was the most important one. Because she’s not who she seems to be.

I am a bit anxious to write this, but what I’m about to describe is the only thing in the drama that I didn’t like.
As we’ve established, Moon Young’s mother (played by Woo Jung Won in the flashbacks) was a psychopath. She raised her daughter in the spitting image of herself, to remain locked up because she was too pretty to go into the world.
To make matters even worse, she’s also the one who murdered Gang/Sang Tae’s mother, after the latter made one concerned comment about Moon Young’s worrying behavior as a child. After stabbing her in the throat with a fountain pen, she threatened a paralyzed Sang Tae that she’d come after him too if he were to talk. The only thing within his line of gaze was the butterfly broach on her jacket, which caused his cognitive error.
Moon Young’s dad, shocked to see his wife smiling and humming a song even after killing someone, pushes her so hard she tumbles over the railing and rolls down the stairs.
Up to this point in the series we have seen enough of Moon Young’s mother to understand why Moon Young is terrified of her, and even of her memory after she’s gone.
But then, weird things start happening at the hospital. Moon Young’s father keeps hearing someone hum the same song as his wife (‘Oh My Darling Clementine’) and the books that she wrote (Moon Young’s mother was also a writer) keep popping up. We are led to believe that in some way, somewhere, even if she’s just a ghost, Moon Young’s mother is still around, somehow. The next big shock comes when Sang Tae arrives to work on his mural and finds that someone has drawn a huge butterfly over his painting, the same butterfly that he saw the night his mother was killed.
And then it is revealed that the Head Nurse is actually Moon Young’s mother, still alive and with several layers of plastic surgery done to her face. She was also responsible for inciting several patients into doing something for her as part of her plan, including stirring up the dangerous patient in the first episode. Which is weird, because that took place when they were still in Seoul. Did she come to Seoul in order to do that? Also, didn’t Moon Young’s father dump her body in a river? How the hell is she still alive after that fall? It’s not explained. She’s just there, suddenly. ‘Hi, I’m still alive’.
Apart from shock value, I honestly don’t understand what the whole point of it was. It just had a big ‘It Was Agatha All Along’ effect on me (any WandaVision watchers?) and I couldn’t really take it seriously because I found it so far-fetched. It felt like they just really wanted a confrontation where Gang Tae learned why his mother was killed, and that was the only reason why they fit her into an already present character so she could still tell him in person.
But honestly, they already knew she was the one who killed his mom. Telling him the reason why she did it was just to stab Gang Tae even deeper in the heart, knowing that it really happened for no reason at all.
The only other explanation I can think of was that they had to create an event that brought Gang Tae and Moon Young back together, as they were apart at that point exactly because they found out her mom had killed his.
For me, it would’ve been enough if her mother had just remained an evil spirit or memory that Moon Young learned to get rid of. Because it was the trauma that she needed to heal from, not her mom being still physically around to keep tormenting her. It just seemed unnecessary to me. In the end, even after visiting her one last time in jail, it was merely to confirm that although she wouldn’t be able to fully erase her, she could just paint something new over it, just like Sang Tae painted over the butterfly on his mural.
It also didn’t make sense to me because they made the Head Nurse turn into a psychopath overnight, including the wide eyes and manic laughter (because that’s a stereotypical psychopath, right?). The worst part: the whole build-up to the confrontation between Psycho Mom and her daughter and Gang Tae, the whole big reveal and ‘look at me I’m psycho mom and you’re never getting rid of meeee’ – and then she’s literally knocked out by a freaking book and arrested the same day. So much for your big comeback, lady.
Not that I didn’t enjoy Sang Tae hitting her over the head, that was great, what a hero. But I mean, the whole thing with her was just so lame? I was so disappointed with this turn of events, it seemed so weirdly unrealistic and out of place in a series that, up to that point, had been such a deeply realistic portrayal of human healing.
Also, I still don’t get why they went to the whole thing of hiding Moon Young’s mom’s face in the flashbacks. It’s not like she already looked like the Head Nurse there or that we would recognize her from something else. If you’re keeping something hidden, I expect the reveal to have at least a tiny ‘oh my god’ effect. But now, when they finally revealed her face, it was just like ‘… oh. Okay.’
I don’t know if this is an unpopular opinion, but I needed to put this down because I can’t lie about how I felt about it. This is just my personal opinion. I’m sure there are people out there who think it was the best plottwist ever. But even though I did have a slight gut feeling that there something up with the Head Nurse, it still wasn’t enough to make it an exciting plottwist for me.
Then again, this really was the only thing I didn’t like about the drama.

Before going on to some cast comments, I wish to make one more remark about the relationship between Gang Tae and Moon Young. I saw some pretty destroying comments of people saying that Moon Young is just a spoiled brat who forces Gang Tae to be with her by using his autistic brother. I don’t agree with that. These people clearly didn’t pay enough attention to what was happening and they didn’t fully understand what this series was about. It sounds like they just got annoyed with how aggressive Moon Young was in her pursue of Gang Tae in the beginning, and then never bothered changing their opinions even when her true character was revealed.
I personally didn’t find Moon Young annoying in the least. On the contrary, she was a very refreshing and unique kind of character. She is funny, sassy, but she also sees through people, she’s smart, she stands her ground, she is strong. She is a child that has seen too much darkness. She is scared. Her fascination with pretty things that leads her to Gang Tae is, in essence, a cry for help. She reaches out. And that is extremely brave for someone standing all alone in the world. Maybe she doesn’t even realize it because she is just instinctively drawn to him. But she definitely chooses to keep reaching out to him because despite her own issues and yearning for comfort, she also sees that he needs help. That he has locked himself up in his shell and is unable to come out on his own. So I agree much more with the people that say she ‘used’ his brother to get Gang Tae out of his shell, to make him see he does deserve a life of his own.
Two people, each with a lot of personal baggage, offering each other help in lifting this baggage. Not as a charity case, but because they can genuinely help each other. In the end, Gang Tae and Moon Young heal each other in multiple ways, they literally provide each other with their respective exit doors / they cut each other loose from their leash.

Moving on to cast comments! I’ve been looking forward to this because if there’s anyhing that made this show for me, it was the cast. Honestly, the entire cast of actors made me so incredibly happy, from the first episode on.

KIM SOO HYUN
I make this no secret, and I know I’m one of many, but Kim Soo Hyun is one of my favorite actors out there. Not just because he’s so good looking, but because he’s a genuinely good actor. He falls in the same category as Lee Jong Suk for me, although I would never go so far as to compare them with each other. I’ve seen a lot of Kim Soo Hyun’s dramas, of which there are less than you’d expect, but this just proves that he chooses his projects very carefully. I believe that I’ve seen everything he’s done from 2011 on. The first drama I saw with him was The Moon That Embraces The Sun, still one of my favorite historical dramas. I believe this is the first review I am writing on a drama with him! This is his first drama since he returned from the army, and I’m really excited about his future work.
I think he portrayed Gang Tae very well in this drama. There are so many layers to his character, he really has a mask on to hide his true face. When he is genuinely hurt by a situation, it seems like he only reluctantly lets the tears out, as if he doesn’t even feel like he has the right to cry. It was really beautiful to see how slowly but surely Moon Young inspires him to look at his own worth and makes him realize that he does deserve to jump out from his vicious circle.
In the meantime, he is also inspired by a lot of people at the hospital. Seeing him struggle with letting himself go was really heart-wrenching but he did it so well. The scene where he punched an abusive visitor in the face for attacking Moon Young and he came to her all smiley like ‘I got suspended! Let’s go on a trip :D’ was so adorable, you could see how good it did him to punch even the tiniest dent in his suppressing shell.
Although I expected nothing less from him, he still managed to surprise me. His awkward laughs, the tenderness in his eyes when he looked at his brother, his tears that made me cry with him every single time… Once again he managed to portray a completely unique and genuinely human character. It was so nice to see his character development.

SEO YE JI
Honestly, I’ve only seen one drama with her before this and that was Hwarang (which I didn’t like that much). I didn’t really have any clear impression of her, but she was amazing in this drama. She was an absolute QUEEN.
In the beginning she reminded me of IU’s character in Hotel Del Luna, this mysterious, bewitching, beautiful, secluded princess locked in her castle, doomed to be alone and pushing everyone away (also, her outfits?!).
She portrayed such interesting layers to the character! I loved how unpredictable she was, how her face could change in a split second and her smiles were extra powerful because her face literally broke with a joy she usually never felt.
She was a spoiled child that got angry whenever she couldn’t get her way, but she was also a heavily traumatized girl with nightmares of a witch she couldn’t escape from. She portrayed the different emotions so well, I couldn’t dislike her even for a second. Plus I thought she had really good chemistry with Kim Soo Hyun. Those kissing scenes?! Damn.
Also: she can read me fairytales any freaking time because her voice is perfection. I’m in love with her voice.
I hope to see more of her acting in the future!

🙏🏻OH🙏🏻JUNG🙏🏻 SE🙏🏻
I believe I already mentioned I really liked him in my review of Touch Your Heart, and I have liked him in basically every drama I’ve seen of him. But man oh man. What can I say. He more than received the Best Supporting Actor Award he got for his role in this series, without a doubt.
Truthfully, I don’t even know if the way he portrayed the autism spectrum disorder is realistic or accurate (I haven’t seen any criticism about his portrayal), but honestly, the way he performed it was just so incredibly endearing.
The thing about Sang Tae is that you just can’t hate him. Even when he lashes out and starts beating his brother and gets mad and hides in the cupboard, he just loves Gang Tae so much and he wants for him to have his own life so bad. A part of him probably always felt guilty that Gang Tae wasn’t able to go to school because of him. He never wanted that for him. In-between watching the same children’s show over and over again and collecting dinosaur figures and drawing, he has always been aware of how their mother neglected Gang Tae. At the end he is actively trying to get Gang Tae to become more independent without him, he gives him and Moon Young space to be together (‘a kiss is better than a fight’), he ends up leaving them alone on their trip, he reminds Gang Tae that he belongs to himself…
The part where I really bawled my eyes out was in the final episode, when Moon Young and Sang Tae publish their collaboration storybook and he goes to read it out loud to their mom’s tree, crying with joy… My god, you could wipe the floor with me right there and then.
Oh Jung Se was absolutely amazing. He didn’t break character once, he never did anything out of character, he was consistent in his acting. There were a few moments where it felt like he became a little comical, but then it would always become clear that that was never the intention of his character.
Seeing the bloopers at the end of the final episode, and the one part where Gang Tae fantasizes about what it would’ve been like to have a normal life and go to school, I was amazed to see how well he switched. He’s definitely going up in my list of favorite actors.

PARK GYU YOUNG
I still cannot believe I never noticed this woman before. She’s in several of my favorite dramas, but I only got to know her in Romance is a Bonus Book. And honestly, if I hadn’t seen her name in the opening credits, it would’ve probably taken me a much longer time to recognize her as Joo Ri because she literally looked like a different person.
Her acting was so natural, she was this really calm and subdued person but she could really act out when she was stressed or frustrated. Despite her simplicity I never found her boring. I really liked her in this drama and I really want to see more of her amazing versatile acting! (After watching this I even started following her on Instagram, lol)
This is only the second drama I’ve seen of her and she’s already becoming one of my new favorite actresses.

KANG KI DOONG
This guy deserves a medal. Also, he’s suddenly in everything I watch, lol. I was so happy to see him and Park Gyu Young act alongside again, they were also the most hilarious couple in Romance is a Bonus Book.
I really liked that even he, as a mainly comical supporting character, had layers. Really, the scene in the final episode when he’s talking with Gang Tae and the latter finally calls him ‘hyung’… his acting there was brilliant, so integer. He is probably one of those actors who (when he isn’t cast as a secretary) gets mostly comical roles while he’s actually a really good actor. I hope he gets lots more chances to show his acting to the world after this 🙂

PARK JIN JOO
I’ve seen many series with her, but never has her character been such an enigma to me as in this one. Honestly, even after finishing I’m still wondering what the real purpose of Seung Jae’s character was. It’s not that I was bothered by her or anything -I loved to see her in this- but I just didn’t really understand what her character was about in the end. However, I liked that they still put some layers in her character, as she was deliberately dumbing herself down to be accepted into the industry better, which was kind of sad, in a way. She’s the kind of actress that gets a lot of cameo roles, so I was glad to see her as an actual character again!

I loved the Choi Daniel cameo! I love Choi Daniel, haha. I saw that the series’ screenwriter also worked on Jugglers, where he was the main character, so maybe that’s how the connection was established, haha.
I am living for these surprise cameos of my favorite actors, keep ’em coming!

Also, random comment, but who knew deer could be such cockblocks??😂😂

I’ve spent most of my day on this by now, but I’m finally nearing the end!
Let me just say this: when I started this series I knew there would be mental health issues involved and I had prepared myself mentally that I was definitely going to cry. In the end, I didn’t cry as much as I expected I would, but I definitely cried. As I mentioned somewhere, the final episode was just so wholesome. Moon Young and Sang Tae finishing their book together, that story about the three of them finding their real faces, them going on a trip, everyone being whole and happy again… I laughed and cried on repeat.
Side note: I started watching this at the same time as Netflix series Behind Her Eyes, which is also quite heavily focussed on the psychological. There were several similar references, such as tapping your own shoulders/counting your fingers/counting down to calm yourself, etcetera. I’m not sure if it was a good decision to watch two quite heavy-themed series like that at the same time, haha, but I survived. Though I am looking forward to watching something lighter again now.

This drama is definitely not for everyone. It deals with heavy emotional issues and it’s not a light watch. I also stuck to watching just one episode a day, sometimes even skipping a day. It may not be your thing, and that’s okay.
But I just want to say make a note here. I’ve seen comments of people saying things like, ‘this drama is so overrated’ and ‘thanks for wasting my time’. People. There is literally an entire ocean of K-Drama out there. You can find anything you’re looking for, in genre, in theme, in story, there is something for everyone.
Just don’t go ruining it for other people. If you don’t like something you watched, that’s fine, but there are people who might still like it. People go on drama database sites like MyDramaList to search for interesting stuff. Your comments might as well scare people away from something they would actually like if they give it a chance. You can always state that you didn’t like it, but you don’t have to publicly throw trash on it as if your opinion is the only one that’s true.
This is why I always make sure to write ‘I thought/ I found / In my opinion’ in my sentence, so it won’t sound as if I’m saying ‘this sucked and no one can tell me differently’.
Because of the heavy theme, I would personally not watch it a second time. It was different than I’d expected and I was surprised by it, but I’m glad I watched it. That’s my opinion.

Now I’m going back to my to-watch list again, taking a break from Netflix. For some reason I find watching K-Drama on Netflix quite intense, haha, almost draining. But I have to admit that the ones I did watch on Netflix were all very unique and one of a kind, so I’ll probably go back to that platform after a little break.
Thanks so much for reading through this long review – it took me an additional day to completely finetune everything and give it one last polish haha – and see you at the next one! ^^


Itaewon Class

Standard

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Itaewon Class
(이태원 클라쓰 / Itaewon Keullasseu)
MyDramaList rating: 7.0/10

Hi everyone!! Being jobless has given me a lot of free time to watch a lot of series very fast, lol.
I admit I was in a bit of a rush to watch this series and I finished it within a week. Since this was one of the most hyped 2020 Netflix K-Drama and I was really excited to finally start on it.
In stark contrast to The King: Eternal Monarch, which I watched before this, Itaewon Class was as much a breath of fresh air as it was a snap back to reality. It took me the first couple of episodes to really get into it, anxious for the actual story to start. But all in all, I found it quite good and refreshing and mostly very interesting for reasons I will elaborate on in this review.
Because I knew it to be such a hyped and popular drama I was initially a little hesitant to state some more critical opinions I had about a couple of issues depicted in this series, but after reading some fellow reviews on MyDramaList, I was stimulated to still write them down. That is, after all, why I started writing and uploading drama reviews.

I do find it important to note that when I started watching, I had no idea what was waiting for me. If I had a notion of what the story would be about, I was completely wrong about it. It surprised me in more than one ways, and I will try my best to write a good review that’s not just one big summary (which I have a tendency to).

Itaewon Class is a 16-episode series on Netflix, each episode a little over an hour long. The story is about Park Sae Roy (played by Park Seo Joon), a slightly odd but very determined and just guy, who loses everything because of his ill connections to the Chairman of a very influential company, Jangga, and his son. When he tries to build his life back up from scratch, this Chairman keeps making things hard for him, determined to eventually get him on his knees. The main storyline revolves around Sae Roy’s plan to take revenge on this Chairman, his son, and his company Jangga, which is the biggest national food supply company. It’s a long and hard road, because the Chairman is a powerful opponent and he can pull strings like a puppet player. The issue of ‘bringing someone to his knees’ poses a recurring thing throughout the story, because it is the most conservative way of admitting defeat to one’s opponent and the two main leads are very traditional in their ways and principles.

Okay, just to get into a little more detail: Sae Roy grew up with his father (played by Son Hyun Joo), who was an employee at Jangga. As a teenager, Sae Roy wants to become a police officer, and he has very strong moral principles, due to his father’s upbringing. When he transfers to a new high school, he finds out that he’s in the same class as the son of Jangga’s Chairman, Jang Geun Won (played by Ahn Bo Hyun). What’s more, Geun Won is a big bully who can just go around harrassing people at school and do whatever he wants without getting reprimanded by the school staff. He is the Chairman’s son after all. Sae Roy doesn’t stand for this behavior. On his first day at his new school, he sees Geun Won bully a classmate and he goes to him to tell him off. When Geun Won scoffs and pushes him away, and when their teacher blatantly ignores what’s happening, Sae Roy loses his temper and punches Geun Won in the face.
As a result, he and his father have to face Geun Won’s father, Chairman Jang Dae Hee (played by Yoo Jae Myung). He tells Sae Roy that he will revoke his suspension from school if he gets on his knees and apologizes for punching Geun Won. Sae Roy refuses, sticking to his principles, saying he doesn’t feel sorry for punching someone who bullied a classmate.
So Sae Roy ends up getting expelled on his first day of school and his father resigns on the spot in front of the chairman, expressing his pride for raising such a just son. Even without the job at Jangga, he has enough money to start his own restaurant, and they start their new life together, father and son.
On his way back from deliveries one night, Sae Roy’s father is hit from behind by a car, falls with his scooter over a railing down a steep cliff and dies almost instantly. As fate has it, the person driving the car is no one other than Geun Won, who was driving under influence. Even though he didn’t mean to kill anyone, let alone Sae Roy’s father, Chairman Jang stops his son from turning himself in and tells him he will ‘take care of everything’. In the end, someone else ends up in prison and Geun Won never even has to testify. The detective in charge of the hit-and-run, Oh Byung Hoon (played by Yoon Kyung Ho) is forced to drop the case as his superiors have all been bribed by the Chairman.
When Sae Roy coincidentally finds out it was Geun Won driving the car that killed his father, he goes to the hospital and beats Geun Won bloody. For this, he is sent to prison for 3 years.

The series is divided into different parts. The part I just summarized is the first part, a flashback to 15 years ago from the point in the present where the series starts, when Sae Roy is in high school. It then skips to 2 years later, when he gets out of prison early for being an exemplary inmate. After that, it skips to 7 years later when he has managed to secure a building to start his own pub. After that it skips to another 4 years later I believe, when he manages to franchise his pub and creates a company for it. I may be missing one time leap, but anyhow this is how the series is structured.
When Sae Roy gets out of prison, his high school friend and first love Oh Soo Ah (played by Kwon Na Ra) invites him to come to meet her in Itaewon, a very lively district in Seoul with lots of clubs and pubs which is also very popular among foreigners. When he arrives there during Halloween night, he is amazed by the joyful atmosphere. He decides there and then that he wants to start his pub in Itaewon. He meets Soo Ah, who is about to start a job at Jangga. She knows what the company means to him as she went through a big part of his past with him – she was also very fond of his father since he managed the orphanage where she grew up. However, it’s still a great job opportunity. We only find out at the very end of the series what Soo Ah’s ultimate goal is for working there, but until then she gradually climbs up to becoming one of the Chairman’s most trusted employees, almost family. She was in the same class as Geun Won (and Sae Roy for that one day) and Geun Won has had a crush on her ever since, even though she’s not in the least interested in him.

The relationship between Sae Roy and Soo Ah is very interesting in itself. They seem to like each other, but Soo Ah keeps pushing and pulling and playing hard to get with him. Sae Roy very openly tells her he likes her multiple times, and knowing this gives her a certain confidence, but for some reason she never reciprocates his feelings, she keeps waiting. When they meet in Itaewon she jestingly says she likes rich men, and then Sae Roy promises her that one day he’ll become rich and make her quit her job at Jangga. But Soo Ah’s position is very complicated. Even though she cares a lot about Sae Roy, she is also part of Jangga and she also has to participate in Chairman Jang’s schemes to get in Sae Roy’s way. I think in the beginning we are led to be cautious of Soo Ah, since we really don’t know what her exact intentions are – why is she working at Jangga? Is she really on Sae Roy’s side? So in that respect she is a very interesting character in my opinion.
Sae Roy tells her that in 7 years, he’ll start a pub in Itaewon, and to get there he will first work his ass off in all kinds of jobs from fishing boats to factories. What he also does, and this is very characteristic of Sae Roy’s character, is read Chairman Jang’s (auto?)biography. To get a better understanding of him and his business. I think this was really good because it showed how serious Sae Roy was about his revenge plan and how far he was willing to go. Even though he wanted to bring the Chairman down, he still agreed he was a great businessman and he thoroughly read his book, not out of spite but to actually learn from him. Sae Roy was just an amazingly mature character, he didn’t just barge in screaming ‘REVENGE!!’, no, he really made a plan to slowly but surely catch up with Jangga and beat the Chairman in the thing he was most proud of: business.
When Sae Roy and Soo Ah meet again by chance 7 years later, Soo Ah is baffled to see he actually secured a building to start his pub in Itaewon.

When he first starts out, Sae Roy has two employees, Choi Seung Kwon (played by Ryu Kyung Soo) and Ma Hyun Yi (played by Lee Joo Young). Seung Kwon used to be in prison with Sae Roy. He used to be a thug, and he thought Sae Roy was really annoying. But after Sae Roy showed him that being an ex-convict didn’t mean your life was over, he came to work for him and now serves tables at his pub. Hyun Yi used to work in a factory that Sae Roy worked at and is hired as the cook. Seung Kwon and Hyun Yi have a friendly but bickering kind of relationship.
The pub’s name, by the way, is Dan Bam, or ‘Honey Night’. When asked about this apparently ‘lame’ name, Sae Roy explains this is a reference to his father. In the flashback when he has just been expelled from school, he drinks his first glass of soju with his father and when he says it tastes sweet, his father notes that ‘that means that he’s had an impressive day’. The whole notion of soju tasting either sweet or bitter depending on the situation you’re in when you drink it is also something that keeps coming back. With this name, he wishes to turn everyone’s night from bitter to sweet. I thought it was a lovely way of showing respect to his father.
When it’s just the three of them, they don’t have a lot of business. It’s hard to bring customers in and the inside of their pub looks like nothing, plus the food isn’t that great.

Just as they’re pondering what to do, they meet Jo Yi Seo. Yi Seo (played by Kim Da Mi) is a young genius high school student who is also a very famous blogger. She earns a lot of money with promoting small businesses and places on her social media and has a lot of followers. As she’s gifted in athletics, music, studies, anything, she’s accepted into several good universities. Her best friend is Jang Geun Soo (played by Kim Dong Hee). Geun Soo is Chairman Jang’s illegitimate son who has broken away from the Jang family because he was always treated as an outcast. He now lives a freer life and he has a crush on Yi Seo. When the two of them plus one other friend go clubbing in Itaewon one night, they try to get into a pub even though both Yi Seo and Geun Soo are still minors. Dan Bam is the only pub that lets them in, and only because Seung Kwon doesn’t want to turn away the handful of customers they got that night. When the plus one friend starts making a fuss over the measly quality of the pub and its food and gets into a semi-fight with Seung Kwon, the night seems already ruined enough. However, it turns out someone spotted Yi Seo through the window of the pub and reported the pub to the police for serving minors. In addition to Yi Seo and Geun Soo feeling bad, Dan Bam is forced to suspension for two weeks.
In these two weeks, Yi Seo offers her skills to the pub. Instead of going to college, she requests to become the pub’s manager to help them out with their marketing and redecoration. She starts coaching Hyun Yi on cooking and promotes the pub through her social media, causing it to become more popular. Geun Soo also starts working their part-time, partly because he feels guilty for indirectly causing the pub’s suspension. The team is lastly joined by Kim Tony, a half Korean half Guinean part-timer. With this team, they start working hard so that they are able to open the new and improved Dan Bam after their suspension period ends.

Yi Seo was a very refreshing and eccentric character. She seems like the kind of friend that’s super fun to hang out with, loves to party and have fun and not worry too much about the future. But at the same time, there’s a deeper layer to her that is kind of bored with life and will probably ditch you once she’s bored of you. Maybe that’s the reason she lives so freely, going her own way. There’s not a lot that actually genuinely interests her and she feels like ‘life’s a chore’. As a child, teachers and others have worried that’s she apt to become a sociopath, and she kind of is. She doesn’t seem to care if she comes across as inconsiderate or unfriendly to others, even people she’s close with. Despite his feelings for her, Geun Soo often remarks how mean she can be.
However whimsical Yi Seo may be, her interest is piqued by Sae Roy and his persevering big dreams. She initially declares him a fool when he says he wants to franchise the pub and become bigger than Jangga, but as she spends more time with him and the team, she finds herself falling for him and his ideals. She becomes determined to help him achieve his goals. I don’t find it hard to believe that Yi Seo is a popular character with viewers, exactly because she’s so non-mainstream. I have to admit I found her very refreshing and cool, despite the occasional dip in my sympathy for her. I do have to point out a couple of moments where my respect for her plummeted, though.

As I said, there were some themes and issues in this series that I’ve never seen a K-Drama deal with before, such as racism and gender identity. Although I appreciate they went for an inclusive concept, I couldn’t help but think that these particular themes could’ve been dealt with way better. Introducing Hyun Yi as transgender and Tony as half-Korean was exciting, I really hoped they would make a point of normalizing this, allthemore in the environment of a district like Itaewon. But after they were introduced as such, it seemed like that was all there was to their roles. They each had one ‘arc’ in which they got their own little struggle and after that they just disappeared into the background again. Which was a pity, because Hyun Yi was an absolute pearl and Tony deserved more than just being ‘the foreigner’. The way his role turned out, I find myself wondering what the purpose of it was at all.
Maybe I take it this way because I’ve had a similar experience when I was studying in Japan. I participated in two performances of a college theatre group and in the second play I was given the role of ‘foreign exchange student/part of the protagonists’ friend group who started studying Japanese because she liked samurai and ninja’ but I didn’t really get any character development besides just being the funny foreigner using old-school Japanese samurai words. Tony felt like this to me. He only got some nods in agreement and whenever he was feeling down, the significance of his feelings was kind of dismissed by all the other ‘more important things’ that were going on. Even though he was fluent in Korean, and he was legally half Korean since his father was Korean, his dark skin labelled him as a foreigner and no one could ever see him as Korean, no matter how good everyone’s intentions were with him. Also, for the racism theme, I’m talking about things like everyone immediately turning to Tony when some foreign people walk in, because they just assume that he speaks English. Turned around, that would be like working in a restaurant and two Chinese people walk in and you just turn to the nearest Asian-looking person to say ‘You’re Asian, you probably speak Chinese right?’ So that really didn’t sit well with me. Not all western-looking people speak English, y’all! Stop being negligent and get your facts straight. Just ask around the team and ask ‘anyone who speaks English here?’ It’s not that hard.
N O R M A L I Z E. Sorry, haha.
For Hyun Yi, of course I was apalled by how she was treated when people found out she was transgender – come on people, these aren’t the middle ages, gender identity is an actively discussed topic at the moment. I was really proud of her for finding the courage to still step up in front of people and come out proudly, but afterwards it just kind of disappeared from the story altogether. After she herself had proudly stated ‘I am transgender’, suddenly all the tension and weirdness people had toward it was gone and it went back to the main story as if to say ‘we got that part over with, back to the real story now’.
BUT. The point I wanted to make was how disappointed I was in Yi Seo’s character when it came to these two cases. The way she was introduced as a free-spirited open-minded modern girl, I couldn’t believe how racist and discriminating she acted towards them. When Tony wasn’t allowed inside a club because he looked African, and he tried to plead that he was Korean, she didn’t help him get inside or even stand up for him, she just straight out told him ‘Dude, how can you be Korean, you have dark skin’. And when they found out Hyun Yi was transgender, the first thing Yi Seo pointed out was ‘having a transgender as a cook will make people uncomfortable’.
Like, I couldn’t believe she of all people would belong to the group of people who frowned upon things like that. And when she eventually ‘apologized’, it didn’t come across as sincere at all. She just got away with a quirky ‘Eonni~ You’ll forgive me right~ You know I love you~’ and she literally just elbowed Tony casually like ‘Oh btw sorry’. The second thing that bothered me was that she actually promised Tony that she would help him look for his father (which was the reason he came to Korea) and then she didn’t even lift a finger. A little later it’s revealed that Sae Roy is spending months hanging up flyers to search for Tony’s dad and even helps him get a visa to stay in Korea (!) and Yi Seo never did a single thing to help Tony with anything. After agreeing to hiring him she didn’t even glance back at him. Things like that really pissed me off about her. She was able to get away with a lot because she was ‘just a kid’, but at some points things she said were really hurtful and she just wouldn’t take responsibility for them or reflect on them.
When she starts developing a crush on Sae Roy, Soo Ah naturally becomes her rival, and Yi Seo just starts treating her like a jealous child. When Soo Ah is about to kiss Sae Roy one time, she literally jumps in and grabs Soo Ah by the mouth, being all like ‘You can’t kiss someone without consent, that’s against the law’ —- while she literally kissed Sae Roy herself “without his consent” when he was passed out drunk after a drink one night. Girl….

In fact, this was one of the few K-Dramas I’ve watched where I actually didn’t need romance. The story in itself, of Sae Roy in his journey to revenge, was strong enough to stand on its own. Sure, let Yi Seo have her one-sided crush on Sae Roy and let him stay oblivious to her feelings (and female attraction in general) because he’s not paying attention to it. I wasn’t even that into him and Soo Ah getting together, because she’d already been keeping him waiting for forever.
But in the last few episodes, especially with the kidnapping at the end, I really felt like the series could’ve done without. Soo Ah could’ve just gone to the police with all the materials she’d gathered at Jangga throughout the years and it would still have happened without Yi Seo getting kidnapped for no reason and Sae Roy having to bend the knee to the Chairman for no reason.
Honestly, I felt like the series was just getting to where it was going and then the whole kidnapping thing came and it got me all confused, because this suddenly added a whole new angsty dramatic plotline which was so different from the entire vibe of the series up to that point.

Before getting ahead of myself, let me explain. So, at one point, Chairman Jang is determined to get Yi Seo on board at Jangga. Geun Won hears about this and slips in, determined to convince her himself to prove his worth to his dad for bringing her in. Instead, Yi Seo manages to get his confession of killing Sae Roy’s father on record. She releases it online and Geun Won is trialed again for what he’s done 15 years ago. Chairman Jang chooses the Jangga Before Son card and literally throws Geun Won under the bus, claiming in a national press conference that his son was guilty of everything, leaving himself out of the equation. Geun Won is then sent to prison for 7 years, but he gets out earlier for being an exemplary inmate, just like Sae Roy. Even though I really hoped he would’ve seen the light while he was there, getting back out he seemed to have turned into an even bigger idiot and monster than he was before. He actually kidnaps Yi Seo in order to lure Sae Roy out to kill him. As in, he actually attempts murder.
Just when I was so glad to watch a fairly safe contemporary drama with no murder attempts like in The King, this part threw me off so much. It was like suddenly the whole series changed into something else. He manages to hurt Sae Roy badly and takes Geun Soo (who followed Sae Roy) hostage together with Yi Seo. Then he threatens to kill Yi Seo ‘for causing him to go to jail’.
I mean, this guy was either getting his facts completely messed up or he was just soft in the head. No matter how aware he was of how his father had fed him to the lions, he still wouldn’t accept his father to be the source of his misery. In the end, his plan fails, Sae Roy beats him again and he’s just sent to prison again. Fat lot of good that last attempt was, my friend.

Despite being a jerk, I did find Geun Won a very interesting character. Because at some points you couldn’t help but realize that this is how his father raised him to be. He wasn’t evil to the core. When he hit Sae Roy’s father with his car as a teenager, he came to his father because he did feel guilty and terrible about what he had done – he was willing to turn himself in.
But he was raised by a father who had always let him do whatever he wanted. If he made trouble, he never had to apologize or do anything because his father would ‘deal with it’. That’s how he was raised. So part of me also felt kind of sorry for him. He was a buffoon, and made fun of a little because everyone knew he wouldn’t be able to take over the company. He was literally not smart enough. But there were such interesting layers to his character. When he wasn’t hissing through his teeth to hide his own embarrassment (or just to seem intimidating), there were moments where you could see him realizing what was happening to him and how his father was treating him. I believe he was just stuck in a position he couldn’t get out of and in an attempt to either break out of it or prove his worth he just made things worse.
The scene with the chicken was one of the most blatant examples of this. Right after Sae Roy is sent to prison, his father takes him to their livestock farm and tells Geun Won to twist a chicken’s neck, imprinting on him the idea that Sae Roy is like livestock and that they shouldn’t be hesistant or ashamed to eat livestock (his favorite saying being ‘the strong prey on the weak’). You can clearly see in this scene how much this messes Geun Won up. He initially doesn’t want to kill the chicken, but then his father’s words fill him with this crazy rage and he twists the chicken’s neck. The ‘Sae Roy is livestock’ quote is so clearly imprinted in his mind that he keeps repeating this several times when he lashes out, like some sort of mantra. And on the other hand, during a blind date one time he is hesitant to eat chicken because ‘he isn’t so fond of it’, which also suggests that he’s still not completely okay with what happened in the chicken coop.

When Geun Won goes to jail the first time, Geun Soo suddenly steps up. Yi Seo has rejected his feelings, said she’s in love with Sae Roy. However, her words, ‘If you really want me, take over Jangga’ keep him determined to win her back. At the time, it was a really mean comment, allthemore because she knew about Geun Soo’s relationship with his ‘family’. But for some reason he has taken those words seriously and actually attempts to get into Jangga in the hope of getting her affection, even though it was obviously a mean joke.
Even though Geun Soo used to work at Dan Bam and was close to the team and fond of Sae Roy (and vice versa), he suddenly starts working for Jangga and pulls some mean tricks to thwart them.
Honestly, I’m not entirely sure what he was playing at. I first thought he joined just to spite his father, but then he actually started doing backhanded stuff and I was like, ‘Uhm… what?’ But I never truly believed he would follow in his father’s footsteps, I kept thinking he had some kind of plan. It was just incredibly naive of him to take Yi Seo’s words seriously, I couldn’t believe that was the real reason he started working there. But what was interesting was that he seemed way more fitting for the job than Geun Won, he seemed way more like his father than Geun Won. And this only pissed off Geun Won even more – it’s also probably why he took Geun Soo hostage as well, even though he still wouldn’t hurt him because he was family (way to be ambiguous, bro).

Having listed a couple of double-sided characters, let me just get straight to what I found most interesting about this drama. It was by far the ambiguity of people. The fact that no one is either good or bad, black or white. Every single character in this drama had good and bad traits, some of which were hidden better and deeper than others.
Sae Roy is depicted as the ultimate good guy. He has a strong sense of justice and follows his moral principles, but the fact remains that he’s out for revenge. He loses his temper. Although the reasons for these eruptions are always justified by what has been done to him, being vengeful (wrath) is still one of the seven sins.
Chairman Jang is depicted as the ultimate bad guy. But his initial reason for starting his company came from a very good place: to feed his family. As his business started growing bigger, he became more greedy and ambitious and he started to lose sight of his base purpose. Heck, he even ends up discarding his whole family for the company. Apart from that he is a petty old man, and despite being probably the oldest character in the show, he acts the most like a spoiled little child.
As much as I didn’t like him, as much as I didn’t respect him, I kept looking at him thinking ‘isn’t there even a shred of humanity left in this man?’ He used to be good. He used to care about his family. He treats his mosted trusted people well. That’s it.
The most pettiful thing he did was make Sae Roy go on his knees just for information on Yi Seo’s whereabouts after Geun Won kidnapped her. After all those years of their cat and mouse game, he settled for this petty excuse to get him on his knees? I was so happy when Sae Roy pointed this out to him, like ‘I can’t believe I wasted so many years of my life plotting revenge against an old grouch who would use the kidnapping of my loved one as an excuse to get me to my knees’.

There is something to say for every single character. I liked how the series played with human morals, how every single person is a complicated being. Because it made everything so much more unpredictable and exciting. I’d think I knew a person and then the next moment they suddenly did something that made me go ‘…wait what?!’

In the end, Sae Roy gets his revenge, but I still think they could’ve done without the whole kidnapping thing. Because Soo Ah literally had everything in hand to bring Jangga down. Soo Ah, not Yi Seo. Soo Ah revealed that, in her ten years working for Jangga, she had been gathering evidences for everything that could prove the Chairman’s corruption: borrowed-name stacks, embezzlement, slush funds, illegal requests, bribery… She gathered everything and brought it to the police. And then Jangga was done for – but then Sae Roy was in the perfect position to take over the company.

Oh my, I’ve forgotten a major thing: the title. ‘Itaewon Class’ is the name they come up with for when they start franchising Dan Bam. Taking the initials IC, they build an overarching company and ultimately lift it so high it can rival to Jangga. As the CEO of IC, Sae Roy ends up taking over Jangga, but not after bringing the Chairman to his knees.

I need to talk about two more important characters before approaching my conclusion.
Kang Min Jung and Lee Ho Jin. Kang Min Jung (played by Kim Hye Eun), was the daughter of Chairman Jang’s former business partner and as such she was like a daughter to him. She used to be on good terms with Sae Roy’s father as well when he was still alive, expressing her concern for when Jangga decided to stop funding the orphanage he was managing and offering to try and change the Chairman’s mind about it.
She was a director at Jangga, but she starts working with Sae Roy in secret to bring him down. Aware of everything the Chairman has done, and out of respect towards Sae Roy’s later father, she is willing to put her faith in Sae Roy and they make several attempts to undermine him, but they fail. When the Chairman finds out she’s been working against him, she’s exiled to Pajin, and that’s where she literally passes the baton to Sae Roy. While in Pajin, she becomes acquainted with Oh Byung Hoon, the detective that used to be on Sae Roy’s father’s hit-and-run case. After this incident he quit the police force and is now living in the countryside with his 10-year old daughter, supplying food exclusively for Dan Bam as a way of settling his debt with Sae Roy since he still feels very guilty about how he was forced to drop the case. He and Min Jung become closer at the end of the series, and I thought it was cute how the little daughter kept trying to push them together, haha.
Lee Ho Jin (played by Lee David) was the classmate that Geun Won was bullying when Sae Roy punched him in the face. He grew up to become an asset manager and he ends up working with Sae Roy and Kang Min Jung as their financial manager. Even though he’s still somewhat scared of Geun Won, I thought it was really nice he became such a big person and didn’t let the fact that he was bullied define him. I didn’t even realize this, but as he said in the end, he’s important because the feud between Sae Roy and Geun Won started with him. And he was just a very loyal and likeable character.

So the ending is very wholesome, Sae Roy’s revenge is wrapped up, everyone makes up with everyone, everyone gets their own closure. Soo Ah quits Jangga and finally starts living her own life as she’s always wanted. Ho Jin visits Geun Won in prison to get his own closure and to also basically tell Geun Won to suck it, I really loved that. It was like, ‘Hi, remember me, I’m the nerd you used to bully in high school. I’m now a financial manager for the guy who took over your dad’s company. Have a nice day.’
And Sae Roy and Yi Seo end up together. As I said before, I would’ve been fine if this didn’t happen. It doesn’t occur a lot, especially in K-Drama, but in this case I really didn’t need there to be romance. The story wasn’t about romance. And it felt a little forced at the end that Sae Roy ‘suddenly’ realized that he loved her too, after rejecting her for 4 years straight.
I also was a little annoyed by it because some part of me didn’t want Yi Seo to get to him like that. I really liked their dynamic as a business team, and her occasional flirtiness was fine as long as he just kept dismissing it, but I don’t know, it just felt like she got everything she wanted and I kind of didn’t want that, haha. She was already rejected quite harshly one time, which was mean because Geun Soo basically made Sae Roy reject her in front of the whole team out of jealousy that she hadn’t chosen him. And as awful and hurtful as that was, I still couldn’t help thinking it was a lesson for her. But she kept blatantly telling Sae Roy she loved him, flustering him until ‘suddenly’ he felt the same way. So it felt a little forced to me. Also, I didn’t ship them. But I just felt like, if they went for pushing them together, there would inevitably be a kissing scene at the end, which there was.
But I just didn’t feel it. I’m sorry if that offends anyone, but I need to be honest about it. The romance part between Sae Roy and Yi Seo, along with the whole kidnapping/attempted murder arc could’ve disappeared as far as I’m concerned, because it just distracted from the main storyline being wrapped up. Geun Won should’ve just stayed in jail. It didn’t do his character any good that he was let out and then went mad and was sent back again. It felt like they just wanted to fill up the final episodes.

I think one of the most important quotes of this series was ‘children will follow in their parents’ footsteps’, because this was what shaped the characters of both Sae Roy and Geun Won. They were both guys of the same age, but because of their upbringings, they couldn’t have been more different. And I also think it came back even with Detective Oh and his young daughter. He felt so guilty about being forced to drop a case, but he eventually decides to tell his daughter about this because he doesn’t want her to think of him as perfect when he’s done something like that, and also to just be honest to her – because he wants her to grow up without shame for her father.

There were two parts that made me cry. The first was when Hyun Yi was representing Dan Bam in a cooking contest and Geun Soo released the fact that she was transgender to the press to make her vulnerable before the final round. The scene where she and Sae Roy were sitting together and she broke down and Sae Roy hugged her… And then I also cried when she won after still showing up despite all the bad press.
The second time was when Sae Roy, after Geun Won’s murder attempt, was in a coma for a while and in his subconscious he meets up with his dad. When they’re at the edge of a bridge (it’s always a bridge, isn’t it?) and his father is about to cross it (presumably to the afterlife), Sae Roy says he’ll stay. The conversation they have there, until the point where Sae Roy wakes up from his coma and just starts crying uncontrollably… G O O S E B U M P S.

Park Seo Joon made this series for me. His modest acting as the simple and slightly naive but still determined Sae Roy was so endearing! I actually prefer these kinds of roles for him. I also really liked him in Fight for my Way, and though I just adore him in anything he does, I think this kind of role fits him the best. A humble guy strengthened by life experience in the real world rather than academic studying, finding and making his own way in the world. He is such a good actor. I’m really glad I got to see him in this drama, he was so real and engaging. The way he stroked over his head like that when he was flustered. The way he didn’t keep his emotions to himself and wasn’t afraid to cry like a man T^T You couldn’t help but root for him, as he was some sort of tragic hero. I subconsciously starting referring to him in my head as a male Candy Candy; the most pure and just guy ever who just keeps meeting bad luck on his way. But the most important thing was that he never backed down. He was the embodiment of ‘what doesn’t kill you makes you stronger’. He kept coming back, stronger than before, and the way he ultimately left the Chairman on his knees was just ENDBOSS.

Kim Da Mi is a film actress and this apparently was her first drama. I think she handled the whimsical role of Yi Seo very well, it came very natural to her. I’m wondering if, like Kim Go Eun, she’ll start appearing in more dramas from now on. Anyways, she really portrayed the multi-layered character well – I’m even using a screenshot of her from the series as a reference to a new portrait drawing I’m making.

I believe I have seen Yoo Jae Myung in more dramas (according to DramaWiki he’s in eg. Hwarang and Strong Woman Do Bong Soon), but I don’t remember him. He did seem familiar, though. For some reason he reminded me of Marvin ‘Krondon’ Jones III (who plays the bad guy in Black Lightning). I’m not sure why, maybe it’s the expression on his face or something. I felt like at the end, when he had to play the Chairman sick with cancer, he started overacting a little, being all over-coughing and making his face tremble and stuff. But he did manage to make me dislike him throughout the whole show, so I guess that’s a job well done, haha. What I did appreciate about him was that he was able to acknowledge his own pettiness. He really started acting like a child sometimes, and whenever he was flustered by something he would just sort of laugh it away as if it was nothing. He just didn’t want to admit to his own weakness, to the possibility that he could be beaten. But when he heard that Sae Roy was hurt in a hit-and-run, just like his father (before he finds out it was Geun Won’s doing), he doesn’t laugh or anything, he was just surprised. So I do think that he wanted to settle things with Sae Roy through business as well, and not by physically hurting him.

I’ve seen Kwon Na Ra in multiple things and she’s starting to grow on me a little as an actress. I really liked her performance in My Mister, and she was also the second female lead in one of my favorite dramas ever, Suspicious Partner. I thought she portrayed the double-edge of her character very well in this series. I was constantly wondering which side she was on. In the beginning it seemed like she would actually sell Sae Roy out, but in the end she really was loyal to him until the end. Even though it hurt when she found out Sae Roy has shifted his feelings for her to Yi Seo, she got over it like an adult and wished him lots of happiness. When she goes her own way at the end of the series, she starts her own restaurant and isn’t fazed by Yi Seo when she comes to spy on the place. Also, when Yi Seo is all like ‘Me and Sae Roy are dating now’ in her face, she was just like ‘Girl, you don’t faze me, as if I didn’t know that already, just take care of him’. And then there was that PARK BO GUM CAMEO!!! I swear, I’d seen it briefly before when checking the casting list on DramaWiki but I’d forgotten about it. I was so excited to see him, he’s such a puppy. I am loving these cameos, first Kim Soo Hyun in Crash Landing on You, now Park Bo Gum in this one… Love it.

Apparently Ahn Bo Hyun was also in Descendants of the Sun, but I don’t remember him from there (in my defense, it’s been 4 years since I saw it and it was way before I started writing reviews). Anyways, I was impressed by his performance. He gave the evil bully such layers, he was both pathetic and pure and naive and a buffoon. He was clearly born into the wrong family. I really believe that with at least one loving family member, he would’ve been less ill-behaved and less attention-deprived. I mean, the scene where his father hugs him right before exposing him… the look on his face when the Chairman is suddenly like ‘I’ve never given you a warm hug’. Geun Won actually looked scared there for a moment. As in, you could see in that second just how afraid he actually was of his father. And then he hugged him and you could see him soften into a boy who never got any attention from his father until now. And then these feelings are completely crushed. And he’s STILL not able to see his father for what he is. Or maybe he is and he’s in denial. Anyways, I found his character very double, very interesting, well done.

I didn’t know Kim Dong Hee, but for some reason he kept reminding me of Jin from BTS, lol. He’s only 21 years old, but he was able to portray a quite mature character as Geun Soo. I really liked his integer acting, and although he started doing some mean stuff to his former colleagues at Dan Bam, I never stopped having sympathy for him. I feel like he understood more than what others gave him credit for. I just wished he wouldn’t get hung up on Yi Seo, knowing how she was he should’ve known he wouldn’t stand a chance. On the other hand, I think Yi Seo treated him very unfairly, but he manages to keep his head up. Props to this young new talent!

I hadn’t seen Ryu Kyung Soo before, but I really liked Seung Kwon. Once you got to know him past his intimidating looking face, he was a really loyal friend and I think he was the first one to really get along with Tony and still kept in touch with Geun Soo after the left Dan Bam. In the end he proved himself a really cool director, staying behind while Sae Roy and Yi Seo escaped from the kidnappers. He even managed to beat his own former gangster boss – that just goes to show that he really ‘followed in Sae Roy’s footsteps’ as Sae Roy ‘raised’ him to be more than just an ex-convict.

Ma Hyun Yi was my absolute bae in this series. I was so happy to see Lee Joo Young again after Weightlifting Fairy Kim Bok Joo! She’s so gorgeous! I just wish she would’ve gotten a little more depth in her story. The whole ‘transgender’ thing was great, but it was only mentioned in words and we don’t get to see her perspective on anything, or even on how she grew up feeling she was in the wrong body or something. It was all just expressed in words, and when the little chapter was over, no-one mentioned anything about it again. I felt like introducing the theme of gender identity in a K-Drama – which is rare – could’ve been a little more of a breakthrough. Now it just felt like they put it in just for the sake of putting in some contemporary theme to make it interesting. The same went for Tony. Don’t just put in a foreign character if you’re only going to give him one line in each team meeting, and always just ‘I agree with it.’ It just felt forced. I was happy when he turned out to be the grandson of the grandma lady who turned out to be a big investor who even stood above the Chairman, but then it felt like they only created his character to make that link.
I really wished that, when choosing to address these issues, they would’ve stuck with it as one of the main themes in the story, and not just as a passing case before putting it away again. If that was their intention with this ‘inclusivity’, it wasn’t as successful as it could’ve been. Still, since it was one step in the right direction, I do appreciate that they tried. Just try even better next time.

I kind of wished the romantic relationship between Seung Kwon and Hyun Yi would have been more dug out. Like I said, the story didn’t need romance, but for them I would’ve been fine if it would’ve just happened in the background. It happens, though, because Seung Kwon is clearly fazed by Hyun Yi when she publicly comes out and he even tells Tony ‘Hyun Yi transcends the standard laws of nature by being who she is’. I’m not sure if this would be considered a compliment for a transgender person, but at least he made it clear in his own clumsy way how special he thought she was.

All in all, it was an interesting series to watch. I didn’t like it as much as I thought, though. Going by the recommendations I got from people to watch this because it was ‘so good’, maybe I was expecting a little too much of it. But it was still very good. I really liked Park Seo Joon’s acting and how unique the series was. It definitely set itself apart from other, more mainstream series. It was really educational as well, as it shows the makings of a business and what kind of tools you need for promotions and marketing and getting funds. The revenge plot as the main story through which the main character learns, rather than just lives in wrath, was very unique. And I think it was also mainly about friendship, loyalty, teamwork, and most of all: hard work pays off.

I’m not going to take some more time for the next drama, because I believe it will be a tear-jerker to say the least. You can maybe already guess which one is next. Anyways, I’ll see you again with the next review! Bye-bee!! ^^

The King: Eternal Monarch

Standard

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

File:The King Eternal Monarch.jpg

The King: Eternal Monarch
(더 킹: 영원의 군주 / Deo King: Yeong-wonui Gunju)
MyDramaList rating: 10/10

Hello everyone! It’s been two weeks since my previous review, but I’m already back with a new one! #thelifeofadramaddict
Even though it’s only been two weeks, I did take my time with this drama, starting with only one episode a day since the episodes are quite lengthy and the content is very dramatic and intense.
I put this on my to-watch list because I saw it on Netflix and was surprised I never heard anything about it, even though it had a pretty well-known main cast. Reading the summary I didn’t really understand but I saw time travel and fantasy so I thought I’d check it out, since I don’t usually watch a lot of scifi/fantasy K-Drama. Let me tell you: it exceeded my expectations. It blew me away. It’s one of the best series I’ve watched in a long time. I actually rated it with a 10 on MyDramaList. And I have no idea how to write a review about this, because it’s so incredibly complicated to explain with just words. So I’m going to refrain from too many details, stick to the main story, pick out the most important characters (mostly the ones on the poster) and then just list every single thing I loved about it. Let’s go.

Okay, so first of all, let me start with the basics. The King: Eternal Monarch is a Netflix K-Drama with 16 episodes, each episode lasting about 1 hour and 10 minutes. It deals with the theme of parallel worlds. First of all, there is this magical/legendary bamboo flute called the Manpasikjeok, which according to legend has the power to open up portals to other worlds. This flute has been in the possession of the Royal Family that resides in the Kingdom of Corea. In this world, Korea has remained a monarchy, the North and South were never divided, and it’s basically a maelstrom of both traditional historical and modern Western influences. The Royal Family still lives in a palace, their most traditional staff still wears traditional garments, etc.
The story starts in 1994, when Imperial Prince Geum, real name Lee Lim (played by Lee Jung Jin) commits a coup against his brother, the King, in order to steal the Manpasikjeok. Just as he kills his brother, his little nephew the Crown Prince comes in. The little boy manages to cut the Manpasikjeok in half before his uncle attempts to strangle him. Before Lee Lim is able to kill the boy he is obstructed by a mysterious figure, dressed all in black, who enters the room and starts shooting at them. Wounded, Lee Lim is able to escape, and the mysterious figure kneels down at the little Crown Prince. Just as he gets up to leave, he drops something and the little Prince grabs a hold of it.
The object he drops is a police ID card issued in 2019, which belongs to a female police lieutenant.
25 years later, the Crown Prince is now King Lee Gon (played by Lee Min Ho) and he is still searching for the woman on the police ID, but she doesn’t seem to exist in the Kingdom. Apart from that, he is busy enough with running his Kingdom, including a necessary partnership with Prime Minister Goo Seo Ryung (played by Jung Eun Chae), who makes it obvious she’s interested in more than just being his Prime Minister. The people he is closest with are Head Court Lady Noh Ok Nam (played by Kim Young Ok) and his most faithful friend and bodyguard Jo Yeong (played by Woo Do Hwan). Yeong has been by his side ever since they were kids, they met right after Gon was crowned King when he was 8 years old.
Some time after the coup, Lee Lim’s body was found, and he has been pronounced dead since then.

However, nothing is less true. Lee Lim managed to escape the coup and stumbled upon a portal formed by two obelisks in a bamboo forest. Amazed by how the stories about the Manpasikjeok must be true, he goes through the portal and finds himself in a parallel world: the Republic of Korea (aka South-Korea as we know it in real life). Shortly after entering, he meets a man with the exact same face as his brother, whom he just killed in the Kingdom. Realizing this must be the parallel version of his family, he goes and kills his brother’s entire family, including his 8-year old song (Gon’s parallel), and himself – Lee Lim’s parallel in the Republic is in a wheelchair, unable to move by himself. He ends up using his parallel self to fake his death back in the Kingdom.
He only keeps his brother’s wife alive, Song Jeong Hye, the parallel of Gon’s mother. To use her in his future plans, he keeps her as a hostage, and she always has someone keep an eye on her. She attempts to kill herself multiple times, but Lee Lim is determined to keep her alive for some reason – this becomes apparent at the end of the series.
Lee Lim then continues to travel between the two worlds and starts creating an ‘army’ of parallel versions that all become interested in taking over their counterparts’ lives. He starts smuggling people from one world to another as children, he manipulates and blackmails people into killing their own parallels. All the while, even though 25 years have passed, he hasn’t aged at all due to the power of Manpasikjeok, and he wishes to remain immortal like this.

Lee Gon eventually ends up in the bamboo forest as well, following a strange, flute-like sound only he can hear. He finds the obelisks and goes through them, ending up in the Republic. And the first person he meets there is the woman he’s been looking for, the female police lieutenant Jeong Tae Eul (played by Kim Go Eun). He’s ecstatic to have finally found her, but she has no idea who he is. And so their love story begins. Since Lee Gon’s parallel was killed by Lee Lim when he was 8, his identity is not registered in the Republic and he’s initially locked up by Tae Eul, allthewhile trying to convince her he’s the King of the Kingdom of Corea. He even meets Yeong’s parallel, Jo Eun Sup (also Woo Do Hwan), but he doesn’t know him either.
It takes a while for Tae Eul to get used to Gon, but as she keeps discovering things about him that just don’t add up, she slowly starts opening her mind to the fact that he really might be something special. After a while, Gon is able to take her with him to the Kingdom and she’s able to see for herself. As they finally come to see eye to eye, their romance blossoms quite smoothly.
But, as Lee Gon quickly realizes Tae Eul couldn’t be the one who saved him as a child herself, he wants to find out who dropped her ID card from the future in his past – and as more and more people seem to be tied to Lee Lim in one way or another, he becomes more determined to stop his uncle from whatever he’s trying to do.

Okay, so I’ll go this far for the summary. If you’ve watched it you’ll understand how difficult it is to explain in words the intricateness of the story, since almost all characters have parallel counterparts. The drama strings it all together so brilliantly, but to write out everything in the same detail is just impossible. I really hope that I can convey the greatness of this drama properly, even if it means having to omit some minor details. Because mind you: literally EVERYTHING is important. Every single person that appears, however minor, every single person strung along by Lee Lim in this drama is important. Every single person manipulated into taking over his/her counterpart’s life, every child swapped with their parallel without being aware of what was happening; every single character in this drama is important and relevant. I’ve never seen a drama before where every single character was this important to the story. Because it really illustrated Lee Lim’s strategy. He took away seemingly insignificant people from around more significant people. He managed to convince people to give up their parenthood in order for their kids to get a better life in the other world, even if that meant being separated from them. And that is how dangerous Lee Lim was. That is how he was the ultimate bad guy, for committing the worst crime of all: literal identity theft. He violated every single rule in existence regarding identity and people’s private lives by just literally taking people out of their own lives and planting them in a different one, in a different world. Sometimes he would only correspond with one counterpart and the other one would just be killed or kidnapped or swapped into another life (the one of their parallel) without knowing anything that’s going on.
I remember especially feeling this when this pregnant lady, one of the Prime Minister’s ‘friends’, went through this. In the Republic, she was living in poverty with an abusive husband, and it didn’t take long for Lee Lim to convince her to take her parallel’s place in the Kingdom, where she was the daughter of rich pharmaceutical company’s owner or something and lived a glamorous life. In return, the rich version of her was dropped in her counterpart’s life of poverty without a single warning – she literally wakes up one day in a shabby house, wearing shabby clothes, the world around her nothing like the one she knew. That is some scary shit and no one should have the power to be able to do something like that.

As it turns out, Tae Eul does have a parallel in the Kingdom, however, as fate has it, her counterpart is a criminal who’s also terminally ill. Lee Lim gets this criminal parallel, Luna, to take over Tae Eul’s life in the Republic where she has a father and a better life. In the Republic, Luna even attempts to murder Tae Eul, but luckily she’s saved before it gets life threatening.

The love story between Gon and Tae Eul is very turbulent. Gon regularly has to travel between worlds, and their goodbyes are always hard on both of them, especially when he has to stay away for a longer time. Also, they are both remotely aware that their relationship is difficult since they are ultimately from two different worlds and Gon cannot stay in the Republic forever. There are multiple times when either one crosses over to the other’s world, voluntarily or not. When Luna crosses over to the Republic, Tae Eul finds herself drugged and kidnapped into the Kingdom, where her life is in danger either way because the police knows her face as that of a criminal’s. There were multiple scenes where I was literally on the edge of my seat, scared to bits that someone would get shot or killed – but Tae Eul is always rescued just in time, either by Gon or by someone else, luckily.

I cannot stress enough how amazingly complicated but at the same time genius the story is. After watching the first episode, I was all ‘WHAT THE FUDGE IS GOING ON’. I didn’t understand a thing. Everything from the flute to the coup to the parallel worlds is shown in such a hurry without any spoken explanation, it really felt as if I fell right in the middle of something.
However, the great thing is that everything, EVERY THING, is explained throughout the series.
Even when you would fast forward to some situation and you’re like ‘huh wait what, how are these people here’, you just had to wait a little longer and it would be shown how they got there in a flashback. It was so satisfactory to slowly but surely grasp more and more of what was going on. The way everything gradually came together was genius. The writers did an amazing job, I’m going to write their names down for any further projects they might work on because I believe they are geniuses. The whole thing, from begin to end, is wrapped up and comes full circle at the end and that is the best thing. To go from ‘What is happening’ to ‘Omg now everything makes sense!’ – they stretched everything neatly over 16 episodes and it was enough time. Honestly, it felt longer than 16 episodes, and maybe that’s what they went for: that it would also feel like a lifetime, haha. On several occasions I was so overwhelmed by the amazingness of it all I literally said to myself, ‘This series is killing me, I can’t go on’, haha. It has been a long while since a drama had this effect on me.

Because in the end, what it all comes down to, is that Gon realizes that it was him who saved himself from that coup when he was 8. He, his adult version from the future, was the one who dropped Tae Eul’s ID card with his younger self to lead himself to her. And even though that seemed to be such a obvious plot twist, it didn’t occur to me at all. Not until the point when he got the black jacket from Tae Eul and went ‘Hey, this looks familiar’ and then I was like OMG WAIT.
Also, and I’m quite proud of myself coming to this conclusion – I’m not even sure if it’s true because it’s never truly mentioned, but it has to be true: the case of the weird scars that some people would get on rainy days with thunder. We first see the scar appear on Gon’s shoulder and Lee Lim’s face, so we are led to think it has to do with crossing worlds. However, some people like Yeong/Eun Sup and Tae Eul, who also cross worlds, don’t get the scar. And then suddenly even the Prime Minister has the scar.
And at some point – literally, I had just finished an episode and was doing something else and then suddenly my mind went like ‘THAT’S IT. The scar only appears on people whose parallels/counterparts in the other world are dead.’ Because by then, they had just found the body of the Prime Minister’s counterpart.
I don’t think it was even explained in the series in the end, but it just has to be true because it was the case for every single person that got the scar. I was a bit proud of myself for figuring that out, haha.

I feel like I’m still skipping things, but you have to believe me, I’m trying to write down everything that I remember coming to my mind while watching it. I really just advise you to watch it – everything will make sense if you just watch it yourself, haha.

I’m not sure why the scars started appearing on people, except that it had to do with the Manpasikjeok. The one consistent thing was that time stood still whenever either Gon or Lim would cross worlds. And only the two of them were able to tell time stood still. So it became a constant warning of danger when there was a scene and suddenly time froze and you would be like ‘Uh oh, that means Lim crossed over again.’ What was great was that Gon figured out that each time this happened, time froze for a little while longer. As a skilled mathematician, he started cracking the code and counted the seconds of each ‘freeze’. That’s how he ultimately calculated the time when time would freeze long enough for him and Lim to come face to face: he cracked the code of the time freezes.

Let me talk a little more about Prime Minister Goo Seo Ryung. She was with reason one of the main characters, so I feel like I need to do her a little more justice. As I mentioned, she is initially kind of a ‘female second lead’ kind of character, just because she seems interested in marrying the King, but things do not go her way. As Gon discovers the other world and occasionally disappears from the Kingdom (he supposedly ‘locked himself up in his study’), she becomes more frustrated and we get to see how greedy she is. She comes from a low background, her mother sells fish at the market, and she’s paved her own way from assemblywoman to Prime Minister, dreaming of eventually becoming Queen. In her way to the top, she was even married for a while, her husband being the Chairman of KU Group, a very influential place that had access to a lot of intel on people. I’m actually not sure what exactly KU Group was, but it certainly had lots of information. Her now ex-husband is in jail, but she still visits him sometimes if she needs information since he still has contacts at KU Group (not sure how that works). Anyways, she doesn’t always play things clean, let’s keep it at that.
And then, she too is approached by Lee Lim, slowly but surely. It begins with him leaving his umbrella at her mother’s fish stall. Her mother tells her that she saw a man that looked just like Lee Lim, but of course she doesn’t believe her. Then, she starts getting strange newspapers stating the USA president Trump visited North Korea. As North Korea doesn’t exist and Trump clearly isn’t the USA president in the world of the Kingdom, Seo Ryung is puzzled by this. All the more when she spots her parallel self in one of the newspaper pictures. When she eventually meets Lim, he tells her about her other version and kind of manipulates her to take action because ‘she wouldn’t want her parallel version to take over her life, right?’ They don’t show exactly what happens or how, but at some point Tae Eul finds her parallel version in the Republic in a morgue, and we have to assume that Seo Ryung had something to do with that. But then her life starts to crumble. Her ex-husband in jail suddenly releases audio recordings of his meetings with her, in which she says things that cause her to be demoted as Prime Minister. She is suspended from her job and she doesn’t get Gon’s affection either, making her useless in even Lim’s eyes.

In the final episodes of the series, before Gon realizes he has to go back in time to revert everything, everything in the Kingdom seems to crumble down. People keep on disappearing and dying and the time is ticking: something has to be done.
First, Gon goes back in time to the coup in 1994, just to follow his own destiny of planting Tae Eul’s ID card with his younger self. Lim realizes at the same time that it had to be Gon himself back then, and he goes back to warn himself before committing the coup to kill the young Gon first, but his past self doesn’t take him seriously and even kills him #bigfail.
After Gon manages to fulfill his ‘destiny’, he still isn’t able to stop Lim from escaping and he realizes he’s stuck in 1994 as the Manpasikjeok is now with his younger self. So he has to travel through 26 years before being able to meet up with Tae Eul again. When he finally does, Tae Eul has just been stabbed by Luna and is in the hospital. They spend some wonderful time together, but then he has to go back as he’s realized nothing has changed and Lim is still able to cross and threaten people in the Republic.
Gon has to go back to even before Lim manages to get to the portal – however, this would result in a world where Lim never got to the Republic and it will therefore remove all Tae Eul’s memories of Gon, since he’ll never end up coming to the Republic either. Both aware of this, Gon has to promise Tae Eul that, when he succeeds, he will open every door in the universe to find her and come back to her again.
So the series ends with Gon succeeding in his mission – he kills Lee Lim right before he’s supposed to go through the portal for the first time and both worlds are restored to how they should’ve been without Lim’s influence. However, for some reason, Tae Eul still remembers everything. Gon travels through several parallel universes, all with their own version of Tae Eul under different names, but when he ultimately finds his way back to her he is surprised by the fact she still remembers him.
Their love story ends happily, as they meet up every weekend to visit a different world and time together (now that Gon has the Manpasikjeok in one piece) and this is how they truly live happily ever after until they’re old.

It’s time to talk about my absolute favorite character of the entire series, the man that has broken and healed my heart, and who gave me more feels about any character I’ve had in a long while: Kang Shin Jae. Shin Jae (played by Kim Kyung Nam) is Tae Eul’s friend and police colleague. He seems a bit stoic, but it’s clear from the start that he has feelings for her. But he’s so much more than just the ‘second male lead’. Shin Jae grew up in a less than desirable family, his mother gambles a lot and his father is in jail. Apparently, as a child he was in an accident and in a coma for a while before he miraculously woke up – but he doesn’t really remember anything about this.
When Gon starts frequenting Tae Eul and their work space at the police office, he starts remembering things that he can’t place. He remembers seeing Gon as a child on television crying in his royal robes. When he confronts Gon and Yeong about this, Gon quickly realizes that Shin Jae must have originally come from the Kingdom. As it is revealed later on, the person we get to know as Shin Jae throughout the series is actually the real Shin Jae’s parallel from the Kingdom, named Hyun Min. The real Shin Jae – the boy who got in a coma after an accident – was not going to wake up anytime soon and Lee Lim made a deal with the boy’s father that he would get him a replacement for his son in return for the use of a care center. So the real Shin Jae was kept hidden in a care center that was monitored by Lee Lim’s people, while Hyun Min was taken from his mother in the Kingdom (with her approval) to replace him. The real Shin Jae’s mother wasn’t even aware of this plan, she always lived under the impression that her comatose son one day magically woke up. Hyun Min’s mother in the Kingdom, also in a deal with Lee Lim, got to work as a palace worker under a different name. Lee Lim kept sending her pictures of her son in secret, but when he finally sends her poison to attempt murder on the King as her final mission, she chooses to drink the poison herself since she doesn’t want to be a part of Lim’s plans anymore. She survives, fortunately, and confesses the truth to Gon. In the end, Gon even lets her meet with Hyun Min one more time.
But honestly, Shin Jae/Hyun Min has stolen my heart. I really have never seen this actor before, but he robbed me of my heart. At some point I had it so bad that I would just start crying whenever he appeared on screen because his life was just so unfair. He literally lived another person’s life for as long as he could remember, in fact he didn’t even remember otherwise. He forgot who he used to be, his whole life turned out to be a lie. On top of that, the woman he loved didn’t love him back and he had to arrest his own mother and… ugh, do I need to keep going? His whole existence was so pitiful but he was such a good guy and it just broke my heart. Even when Lim approached him he refused to work with him, risking his own life. I was so scared that he would be killed somewhere at the end of the series, but luckily his whole life was put back together as it should have been.
Gon even ended up saving young Shin Jae from getting into that accident, even though it was by coincidence! In one of the trips Gon and Tae Eul make when they’re travelling together he meets young Shin Jae and talks with him for a minute and then suddenly that car crashes right behind him and I went ‘OMG SHIN JAE WAS SUPPOSED TO BE IN THAT ACCIDENT AND GON SAVED HIM’. Meine Gute, my heart.

When Gon puts the world back how it should be without Lim’s influence, we see most clearly how Lim messed up so many people’s lives. People that used to be dead are still alive and families are back together. Shin Jae never got into the accident and becomes kind of a big shot (we see him stepping into a car with his own driver). Hyun Min is back in the Kingdom where he actually seems to have a chance at romance with Tae Eul’s parallel Luna, who is now Goo Seo Kyung since she was adopted by Seo Ryung’s mom as a little girl (after she attempted to steal something at her fish market). Seo Ryung is in jail because she robbed people of taxes when she was an assemblywoman. (I liked how the guy who used to be her secretary was now still by her side as her correctional officer at the prison.) Eun Sup is married to Na Ri while Yeong in the Kingdom is having a secret relationship with Seong Ah (I forgot to mention her! Na Ri/Seong Ah (played by Kim Yong Ji) was a person that existed in both worlds, Na Ri was one of Tae Eul’s friends who ran a milk tea shop in the Republic and Seong Ah was a Public Affairs Officer at the palace in the Kingdom – Na Ri and Eun Sup & Seong Ah and Yeong are interested in each other in both worlds). People who commited crimes as a part of their allegiance to Lee Lim ended up still committing the crimes, but received proper punishment for it – Lim wasn’t there to cover their tracks or help them get away with it. Press Secretary Mo became Prime Minister – she was one of the most loyal people at the King’s side, besides the Head Court Lady.

The only thing that still remains a little bit of a mystery to me is the boy with the yo-yo. In both worlds, Lee Lim’s people had their secret hideout in a bookshop. In front of this bookshop, there was often a young boy with a yo-yo. He seemed to know a lot about what was going on. He is seen talking to several random people, from Luna to Song Jeong Hye, saying that there is only one of him and that he too travels worlds to ‘warn people and restore balance’. In the end, when all is restored, we see how his parallel is restored as well and his adult version is a guy who has appeared sporadically in the background in both worlds, both in the Republic and in the Kingdom. I still don’t really understand who he was or how this worked, because the things he said were always a little mysterious and he appeared as different people through time and world. But in some way I also like that he remains a bit of an enigma. It’s one of the reasons I liked his character, because you don’t really know who he is, he’s just ‘the boy with the yo-yo’.

I would like to make some special mentions now. First of all, for actor Woo Do Hwan, who played both Yeong and Eun Sup. The only other role I’ve seen of this actor was the male lead in The Great Seducer and in this series he played two completely different characters. It made me respect him so much as an actor, because he was also completely different from the role he played in TGS. He was amazing. I was a little surprised to Yeong’s stoicness since he was shown to be so expressive with his emotions as a child, but he pulled it off so well, especially in moments when he had to pretend to be Eun Sup or was caught off guard in some way. He was able to play Yeong pretending to be Eun Sup and vice versa and that was amazing. He gets full marks for his performance in this drama, I’m really starting to like this actor.

Grandma Kim Young Ok!!! I love how she’s still alive and kicking and her role in this drama was so beautiful. She was the grandma that everyone needed. I love how her part in the story became so important, and also when it was revealed that she too had travelled worlds: Gon’s grandfather (while using the Manpasikjeok) had saved her from the Korean War in 1950 in the Republic by taking her to the Kingdom, a place without wars. And she had devoted her whole life to serving his family after that. It was so beautiful that she seemed to be this old lady who only just worried about Gon, while in reality she knew much more of what was going on, when he started disappearing she must have known he was travelling worlds as well as his grandfather had with the Manpasikjeok. And when she came to terms with Tae Eul in the Kingdom, she even asked her what had come of the Korean War, causing Tae Eul to realize she was from there as well. Everything was just so beautifully intricate, I really loved her character.

PRINCE BUYONG. Speaking of lovable grandparent figures, Prince Buyong, or Lee Jong In (played by Jun Moo Song) was a relative of Gon whose whole family lineage was crumbled after the coup. I believe he was Gon’s uncle, but I’m not sure if he was Lim’s older brother or if he was from another branch of the family. Anyways, he ended up having to banish his whole family from having any right to the throne, except for his granddaughter who was only mentioned by name. His own son actually turns out to be a traitor, as Gon discovers he is the one who helped Lim escape on the night of the cup. But Prince Buyong always remained loyal to Gon, even when it became clear that he knew the truth about the body that was found that everyone thought to be Lee Lim’s. He realized, as a doctor, that it wasn’t actually Lim, but kept it a secret and he accepted his punishment for that.
I was so angry when Lim killed him. He was the nicest grandpa ever and he and the Head Court Lady basically raised Gon by themselves. His friendship with the Head Court Lady was also really lovely. I was so happy when, when Gon restored the world, he was the one to stop Hyun Min’s mother from committing suicide along with her son and offered to help them (in the original version Lee Lim was the one to stop them and manipulate Hyun Min’s mom into sending her son to the Republic to take Shin Jae’s place).

Apart from the interesting genre and themes of this drama that prompted me to watch it, I also really liked the fact Kim Go Eun was in it. After Cheese in the Trap and Goblin I’ve really come to like her as an actress (plus she’s gorgeous?!?!) and I also really liked her character in this series. I also liked how, when Gon visited multiple parallel universes, he kept meeting different versions of her, meaning she got to play a lot of different characters, not just two. I am definitely keeping an eye out for more of her projects, she’s a great actress. Again different from characters she played before, she showed yet another side to her and it keeps amazing me how versatile the actors in this drama were. I think it’s quite a challenge to play multiple double roles.

Honestly, and I’m probably stating an unpopular opinion here, I’m not a big fan of Lee Min Ho. I never really warmed up to him, I mean, I didn’t particularly dislike him or anything, but I just don’t have a very strong opinion about him. In Boys Before Flowers and Personal Preference, he was okay, but he was completely ruined for me in The Heirs and after that I couldn’t watch anything with him for a while. His character there was the epitome of toxic masculinity and it made me physically nauseous watching him. After that, I saw Legend of the Blue Sea, another very good drama in which he didn’t bother me as much, luckily. But the main problem I have with him is that he’s always casted in the same kind of male lead role, always excuding a kind of over-confident dominance (especially towards the female lead). And I think I was able to stomach his character in this series because of its strong female lead. Tae Eul was more than able to stand her ground and Gon didn’t have to constantly protect her, he knew she was able to take care of herself and that’s why he was also able to give her space. Within the amazingness of this drama as a whole, I really didn’t have time to be bothered by him at all, but I did realize I still sometimes had difficulty keeping my eyes fixed on him for a longer time. I don’t know, I guess I’m still not completely over my allergy of him. I just feel like I haven’t seen any real versatility of him as an actor in the several things I’ve seen with him. He’s always casted as someone from a rich background, or at least someone with a high social status, nobility even. He wouldn’t be casted a guy-next-door person, and I find that a little bit of a bummer. I would like to see him in a completely different type of character role. I understand that with his appearance, and since he’s also very tall and stuff, it would be weird for him to play a very inferior introverted character, but nonetheless I’m still waiting for the drama where I can see a different side to his acting.
It was nice to see him acting alongside Kim Young Ok again, she was also the head maid of his role in Boys Before Flowers.

By the way, on AsianWiki the list of characters and counterparts is listed very clearly, per time period and world and group, so if you’re curious to see more faces to the names and how they differed in appearance, please check it out!
It’s really helpful, haha.

All in all, this was one of the greatest dramas I’ve seen ever. And not just among K-Dramas, among series I’ve watched in general. It was great in story, plot, character development, design, cinematography, acting, dialogue, construction, build-up, balance… I can keep going. I can’t think of a single thing I disliked about it. And that’s rare because I always seem to find something, haha. But really, BRAVO. It had everything. Science fiction, parallel worlds, time travel, doppelgangers, and at the same time suspense, romance, drama, thriller. I really love how they came up with the idea of the Kingdom of Corea and how much it differed from the Republic. They thought of everything, they made political decisions as to why they moved the Royal Capital to Busan instead of Seoul, and where in history the two worlds had started to grow apart. They made up an entire fictional society with its own rules and political system. It was like a multiverse haha, showing there were even more parallel universes out there in the end. The versatility of the story and the themes was really unique.
In one of the earlier episodes, there was this really serious sequence where some Japanese military boats trespassed on Korean waters and they had to drive them back with warning shots. During that part it felt like a completely different kind of series, as the political and military sides of the Kingdom’s society were highlighted.
And at some point I even understood the intro sequence, which I never skipped. I finally saw how it wasn’t just a sequence of beautiful graphics – it actually tells the story of the Manpasikjeok and the parallel worlds in just images. They thought of everything. It’s absolutely genius. It was written exactly so that everything would fall into place at the end. It literally comes full circle.
I really enjoyed every single moment of watching this, the plot twists had me gasping for breath and clapping my hands and I cried and laughed and everything. I’m a little sad it’s over, but I’m also glad to start on a new drama, a new adventure.
This story has reminded me once again why I love watching series: you never know when you’ll come across a hidden gem like this that completely blows your mind. I’m so glad I watched it. It’s going to the top of my favorites list and I very much recommend it to everyone.

I’ll be back with a new review. Just a hint: I’m sticking to Netflix for a while 😉

See you! ^^