SF8: Blink

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Blink
(블링크 / Beullingkeu)
MyDramaList rating: 6.5/10

I’m really on a roll with these reviews now that I’m checking off to-do items from my deadlines list! It also helped that this episode had a very simple and straightforward story, so I didn’t even feel like I had to watch it again.
In this fourth (or second, still not sure) chapter, rather than being provided with a specific social setting like in the previous episodes, we are simply introduced to a main character who’s trying to live her life in a world that’s not even that different from ours – one that’s increasingly starting to lean on the assistance of AI. Honestly, if I’d have to make a timeline I’d say this episode is the closest to ours when looking at where we are now. In this episode, we see the specific application of AI within a context of public order maintenance – the police force. After all, what if human officers start becoming physically unable to keep up with artificial developments?

SF8: Blink is either the second or fourth episode in the SF8 anthology. It has a duration of about 51 minutes and was directed by Han Ga Ram. It’s based on the short story ‘Baekjung’ by Kim Chang Gyu.

In a world that’s becoming more and more dependent on artificial intelligence and assistance, police detective Kim Ji Woo (played by Lee Shi Young) is single-handedly trying to prove she can do it alone. Ever since she lost her parents in a traffic accident that involved an automated driving system when she was a child, she has sworn not to depend on automated systems and AI again. Which is hard, seeing as the times are a-changing and she’s not even able to escape it during her work at the police force. As part of the police detective initiation, all officers have a chip implanted in them that provides them with multifunctional vision, allowing them to calculate faster routes and see in the dark. Ji Woo frequently gets reprimanded for going against the recommendations of her AI chip. She just refuses to accept that computers will be able to replace humans, even though she’s noticing that technology is catching up fast, no matter how smart she is or how much she trains. After she gets another warning at work for letting a suspect get away (guess the chip wasn’t good enough to spot that stun gun), her superiors tell her that they’ll let her mistake slide if she just agrees to do a test run with a newbie. She happily agrees, only to find out that she’s being paired up with an AI partner. “It’s only for a test run”, and if she’ll “please just bear with it” for as long as necessary. Involuntarily, Ji Woo starts investigating a new case with her new ‘partner’, who, for convenience reasons, takes the form of a young man under the name Seo Nang (Ha Joon). As he’s in Ji Woo’s head only she can see him, and the two start a rocky partnership as Ji Woo is adamant on not depending on his skills, useful as they may be. While they embark on the investigation of a young woman’s murder, Ji Woo ultimately finds out that, as much as she hates to admit it, she has no choice but to depend on Seo Nang’s assistance.

They find out that the murder victim had been part of a secret experiment conducted by the military which used cybernetic technology to enhance the skill and strength of certain test subjects. Besides this woman, one other man, Captain Baek Jung, underwent this experiment and he lost his mind and started going after any human being who had traces of AI in their system. First his co-test subject. And now, because of this ‘temporary test run’, Ji Woo is next on his list. It doesn’t take long for Baek Jung to locate Ji Woo and as she witnesses his powers firsthand, she realizes she has no other choice but to let Seo Nang deal with him. After an action-filled climax in which Seo Nang infiltrates Baek Jung’s head and beats the evil AI in his system, the story ends with the end of the test run – Seo Nang will be returned to the lab as a piece of data. In the very final scene, we see Ji Woo as she starts on a new case, and it’s revealed that she secretly stole Seo Nang back.

Out of the episodes I’ve seen so far, I think it’s safe to say Blink has the most straightforward story. There aren’t any plot twists or hidden truths, it’s simply about a woman who, while initially refusing to accept to work with AI, ultimately comes to accept what positive assistance it is able to bring to the world, especially in terms of providing security. The story has quite an optimistic message, in which the main character ends up changing her mindset regarding AI assistance. Considering the recurring theme of the ‘dark side of technology’, I found myself waiting for the other shoe to drop, but in this story that didn’t happen. It was such a peaceful ending it almost gave me a false sense of security, haha.

Let’s talk a bit about the main characters.
As explained above, Ji Woo lost her parents in a traffic accident when they were driving in an automatic car and only Ji Woo survived. Her parents had set the automatic car’s settings to prioritize protecting Ji Woo in the backseat in case of an accident, and this sadly resulted in their deaths. Even though Ji Woo was protected by the system, naturally she could never see it as a blessing. Recognizing that AI was simple-minded like that, programmed to only ever do exactly as its told without being able to look beyond those settings, Ji Woo has always tried to avoid using the help of AI as much as possible. This can be seen most clearly from the way she insists on driving her own car – she refuses to let Seo Nang take automatic control over it. This also has a more direct link to her trauma, of course, as we see that she’s still plagued by nightmares about her parents’ deaths.
When she heads into the investigation with Seo Nang, she repeatedly ignores his suggestions and invitations to grant him access to speed the process in certain matters, such as conducting an on-the-spot forensic analysis of the victim’s body or physically taking down a group of drugdealing youngsters. As it happens, Ji Woo only resorts to granting Seo Nang access to her system when they’re in serious danger and she realizes she can’t take down the opponent on her own. After seeing what he’s capable of in terms of protecting her, she visibly warms up to Seo Nang and even regrets having to part from him when the test run is done.
From the way Ji Woo behaved, despite the fact that she had a more than valid reason to deny AI assistance in her life, it seemed to me like she’d also just become very stubborn in her convictions. It was like she was mostly denying the usefulness of AI to herself, even when she was very well aware of its convenience. I just couldn’t help but feel like she was desperately trying to hold on to her own worth as a human being in a world where everyone else had already completely succumbed to using AI. While that in itself was admirable, she still ended up surrendering to it in the end, and besides the fact that she got attached to Seo Nang as a partner who could lend his useful skills to her police work, I also can’t help but feel like she just wanted a companion. She’d been on her own for so long, not just in her life without a partner and seemingly no friends, but also in her stance against the integration of AI in everyday life.
It’s funny how the episode still has a bit of a fuzzy ending. Ji Woo seems happier than ever when she gets Seo Nang back as a partner, but we also can’t forget that this means that she’s also finally surrendered to the role that AI will continue to play in the world, which will undoubtedly go far and beyond what we already know.
I found it refreshing to have such a clear and transparent main character whose backstory was so defining for her behavior as an adult. It was more than easy to understand where she was coming from, but the typicality of this story really lay in the fact that everyone, even those who kept clinging onto the use of human skill, inevitably found no other choice than to succumb to the undeniable influence of AI technology.

Seo Nang is the provided name for the first male option of the AI partner Ji Woo is teamed up with. As Ji Woo goes for the first general options we don’t see what other forms it is able to take. In any case, he takes the shape of a cheerful young guy who doesn’t let his stubborn partner’s adamant rejections dissuade him from contributing to the case they’re working on. Since Seo Nang is AI, I find it hard to gauge him as a ‘character’ because it’s hard to say whether he really had any motives. I do find it interesting that they chose to bring humans and AI even closer by actually giving the AI a human form to create an even more familiar feeling between it and its user. I bet that if Seo Nang had remained just a blue circle in the sky, it would’ve probably taken Ji Woo even longer to get used to working together and she’d never even start considering it as a living being. So I definitely feel like it helped that Seo Nang took a human form. Still, I can’t help but feel like there was something unpredictable about Seo Nang. The way he kept asking her for access and how he immediately started suggesting to use his abilities to kill Baek Jung? He might have actually taken advantage of Ji Woo’s trust and done something that was beyond her control. In the end he didn’t actually do anything to harm Ji Woo, he didn’t turn against her or anything but it still seemed to me as if he would’ve been able to. When he infiltrated Baek Jung’s mind and stood eye to eye with his evil AI there was a moment where I genuinely thought they’d suddenly team up together against Ji Woo or something. I was just waiting for something to go sideways. Even when they ended up defeating the guy together and they both kind of reluctantly said goodbye, the way he looked all smug and triumphant when it was revealed Ji Woo got him back at the end also made me feel like this had been his plan. I don’t know, maybe I’ve just become paranoid haha, it just seemed a bit odd to me not to have any kind of sense of impending danger or foreboding of evil in this episode.

While there didn’t seem to be any direct references to the episodes I’ve seen so far, I did pick up on a few things that made me think of events from the previous episodes, although they might just be my interpretations and associations. First of all, and I believe I talked about this in my review of Manxin, I thought it was a very powerful moment when Ji Woo came to the realization that, just because she had a bad experience with the preciseness of AI, it didn’t mean that the technology was a bad thing an sich. It just did exactly what it was told based on its user’s needs. Getting angry at a machine for not doing something it wasn’t programmed to do in the first place won’t get you anywhere. The way Ji Woo described how her parents had set the automatic driving system to protect her first also reminded me of the nursing robots in The Prayer, who were only programmed to protect the people they were assigned to and wouldn’t reach out to anyone else, whether they needed saving or not. Seo Nang only emphasized the importance of the user’s influence by saying that AI has no way of even materializing without humans. It’s so easy to talk about AI as if they’re a separate being that has the ability to control people, but we sometimes forget to remember that we are the ones that enabled AI in the first place. It’s all human-made and user-generated stuff. I think it was an interesting choice to create a story about the pure relationship of codependence that exists between humans and technology. Seo Nang would’ve just remained to be a shapeless piece of data if Ji Woo hadn’t gone back for him. Ji Woo chose to go back for him because she realized she preferred companionship, but she also could’ve just as easily decided to discard him as ‘just another piece of tech’. These themes of interdependence also featured dominantly in both The Prayer and Manxin. As a character, Ji Woo also reminded me a bit of Seon Ho in the sense that they both initially reject the technology that’s taking over the world but are at some point softened in their convictions through the realization it’s humans who give the technology purpose. The only link I could find to Joan’s Galaxy was the automatic cars.

By the way, something that puzzles me a little bit is the title of this episode, Blink. While the titles of the previous episodes were all quite self-explanatory, I’m actually not quite sure what this title refers to. I’m assuming it has something to do with the eyes or vision, so maybe it refers to the special abilities the chip enabled to enhance human sight? It did play a role in solving the story’s murder case, after all. But all in all I feel like it doesn’t necessarily indicate the most important message of the story. I could be wrong of course, because this title must’ve been chosen for a reason, but I just mean to say that it wasn’t as straightforwardly clear as the titles of the previous episodes I watched.
What I also find interesting is that the poster for this episode shows Ji Woo positioned in-between the two figures in front of her, eyeing them cautiously. The two figures featured in the front aren’t shown very clearly, we can make out Baek Jung’s face on the left, but it’s not clear who he’s trying to choke. From the scene, we can assume it’s Seo Nang, as the background of the shot features the setting in which their final fight takes place. However, this particular scene does not appear in the story. We never seen Seo Nang and Baek Jung physically fight in the warehouse in front of Ji Woo – their fight takes place in a Matrix-kind of setting within Baek Jung’s mind. So yeah, I just find it interesting they decided to frame the poster in this way.

This is probably gonna be my shortest review within this anthology so far, but then again, I also found this the most simple story. There wasn’t much to unravel in terms of hidden agendas or plot twists. The only thing that remains debatable is whether or not Seo Nang truly doesn’t have any malicious intentions, whether he put in so much effort to win Ji Woo’s trust because he wanted to be freed. I mean, if that ‘farewell gift’ he gave her wasn’t meant as a bribe I don’t know what it was. The whole AI partner thing was still in development, and we saw what the military’s experiment of combining human and AI strength led to, so it can’t be guaranteed to be completely risk-free. While I did find it pretty refreshing to have a story without too many complications, even one that featured a bit of a comical dynamic between the main leads, I still would’ve liked there to be a little bit of an edge. The absence of a hidden evil actually gave me a false sense of security, haha.

Let’s do some cast comments before wrapping up! By the way, I don’t know why, but I found it hard to find a complete casting list for this episode. I wanted to credit the guy who played Baek Jung since he was quite a character presence – I thought he’d be credited prominently since the original short story this episode is based on refers specifically to him (🤔) but I can’t find him in any of the casting lists from any of my go-to drama source websites, and the same goes for the murder victim and the majority of the drug youth gang.

I was so excited to see something with Lee Shi Young again, she’s one of my favorite actresses and it’s been a while since I saw her in anything. I know her from Boys Before Flowers, Playful Kiss, Wild Romance, Valid Love and Lookout. I still want to see Grid and Risky Romance as well. I think the role of police officer suits her very well since she’s actually in really good shape (those abs?? 😳). I always appreciate when an actors’ real-life skills and attributes are used in a drama, and it was a funny aspect that despite her diligent and regular workouts, Ji Woo still lost out to the agility and speed of an AI. I feel like within the short span of the episode we still got to see many different sides to Ji Woo’s character, the distraughtness caused by her nightmares, her hesitancy and skepticism towards accepting Seo Nang’s help, and eventually the dependency and that accepting smile. The struggle she went through to change her mindset was very realistic as well. For all we know she could’ve been fooled by Seo Nang, but we can’t really blame her for it because she did doubt him in the first place and only ended up trusting her own human (and therefore subjective) instincts. Her character may have been simple to gauge but I do think she brought a nice clarity to Ji Woo’s decisions with her acting.

Apparently I’ve seen Ha Joon before in Radio Romance and Arthdal Chronicles, but I don’t have a clear memory of him from there (I might have mentioned him in my reviews before, though). In any case, I liked his performance in this episode. He remained quite an enigma and it was never revealed what the risks of his technology could be, but my red flags did go up when he started asking Ji Woo to give him control to actually cause physical harm to people, whether it was those youngsters or Baek Jung. The mystery surrounding him made him an interesting character, though. It also strangely became a part of his charm that you couldn’t really gauge him. He made the perfect charming yet unpredictable partner. I was kind of curious to see a darker side to Seo Nang, but in one way the fact that he remained ‘harmless’ for the duration of the test run only to emerge from his constraints also seemed to indicate a certain ominousness. It would make sense if his character was supposed to symbolize the familiarity people are meant to experience when using AI, the sense that it’s there to help them and guide them (similar to the Manxin app). I found myself curious to discover how Seo Nang would start behavior after Ji Woo gave him full access.

All in all, it was another enjoyable episode. I liked that it brought an element of humor to the dynamic of the main leads, and they made an even more peculiar team than the lead characters in Manxin. It also included the highest level of action and fighting I’ve seen so far in this anthology. Like every chapter, it brought a new perspective on the use of technology and the relationship between people and artificial intelligence. I’ve seen a lot of comments saying they’d like a whole series of this, and I’d agree, even if it were just to confirm whether Seo Nang wouldn’t actually turn out to be an evil AI entity, lol. While it was enjoyable enough, I still feel like I would’ve liked a bit more edge. That’s just my personal opinion, and it doesn’t take away the fact that it was still a very interesting episode to watch.

Now that I’m halfway through the anthology I’m wondering whether or not I’ll actually be able to finish the whole anthology before the end of the year, haha. I’m going to do my best, but no promises. Looking forward to the remaining four episodes!

See you soon! x

SF8: Joan’s Galaxy

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Joan’s Galaxy
(우주인 조안 / Ujuin Joan / Astronaut Joan)
MyDramaList rating: 7.0/10

It’s oddly satisfying to go through this anthology while I’m also working on my end of term deadlines – whenever I have a moment to spare I find myself continuing with it. I got some unexpected time to sneak in another episode and I started working on the review immediately after finishing it because again, the story turned out to be an absolute gem. To give a short summary of the setting of this episode: it’s 2046 and the world is covered in thick fine dust. The population has been divided into two categories of human: C (clean) and N (non-clean). These categories refer to the health differences between each person. Cs are people that were injected with antibodies at birth, which allows them a lifespan of a hundred years. Ns are people who did not have the chance or means to get vaccinated, and they have a lifespan of only thirty years.

SF8: Joan’s Galaxy is the third episode in the SF8 anthology. It has a duration of about 54 minutes and was directed by Lee Yoon Jung. It’s based on the short story ‘Astronaut Joanne’ by Kim Hyo In.

As the population has been distinctly divided into these two categories, it is to be expected that there is a clear difference in lifestyle between the people from both groups. This difference is mainly expressed through the way the people have adapted to the dire environmental conditions. Cs, although perfectly healthy, tend to be more cautious and fearful of the toxic particles in the air. They see getting soaked in the rain as something extremely risky, for example, and they make as little contact as possible with the outside air, wearing protective suits and masks and driving in automatic cars so they don’t have to touch anything. On the other hand, Ns seem to have a much more liberated lifestyle. Despite the ‘misfortune’ of their shortened lifespan, Ns tend to make the most of the time they have. As they are forced to become independent and plan their whole lives ahead from when they are teenagers, they find much more freedom and time to focus on things they enjoy doing. Ironically, the freedom of not having to worry about what will become of their future allows them to enjoy the little moments of their life more than Cs. As it happens, many talented and creative artists have sprung from N communities.

Besides the two main categories C and N, there are also subcategories. For example, there are NCCs (non-clean but clean). This group consists of Ns who strive to extend their lifespan by acting like they are Cs. They wear special purifying suits and try to blend into C communities.
There’s also a mention made of TNs (total non-clean), which seems to refer to Ns who are beyond any possible chance of extending their life spans, for example people who have an illness on top of their lack of antibodies.

It is within this societal setting that we are introduced to Yi Oh (played by Choi Sung Eun). Her parents are both scholars (her father is a biological researcher and her mother a college professor) and it’s established that she has quite a wealthy background. Coming from a family of consistent Cs, Yi Oh has grown up under the impression she was vaccinated as a baby and lived her life for 26 years believing she was a C. Imagine her shock when she got some very serious news a month earlier. As it happens, her doctor discovered Yi Oh had a tumor, and when checking her records it was revealed that she actually didn’t get any antibodies when she was born. Her antibodies were accidentally given to another baby – an N baby who wasn’t even qualified to receive it. To sum it up: Yi Oh finds out that, despite spending 26 years believing she was a C, she’s actually been an N all her life.
While Yi Oh tries to wrap her head around this, her mother remains very firm: no one has to know. They keep it a secret that Yi Oh is a C by making her wear an NCC purifying suit that will hopefully retain her current health levels and keep the tumor’s growth stagnant (it has yet to become malignant). Whenever she’s asked why she’s wearing an N-type protective suit, Yi Oh just has to say her mom is making her wear it for safety just in case.

So basically, at the beginning of the episode’s story, Yi Oh is an N pretending to be a C. She’s not allowed to share her secret or talk about it with anyone except her adamant mother. She can’t even tell her good friend Kyung (Yoon Jung Hoon), who is an N himself. Through her newfound interest in Ns and their way of life as she starts identifying with them more and more, Yi Oh starts to develop an interest in the only other N girl in her college class: Shin Jo An (played by Kim Bo Ra). Initially, it seems like Yi Oh wants to get closer to her in order to find a kindred spirit – after all, Jo An is the only girl her age she knows who’s also an N. Yi Oh eventually finds herself sharing her secret with Jo An, and Jo An agrees to help her find the N that received her antibodies in her place.

As they gradually become closer, Jo An continuously inspires Yi Oh with her determined mindset and carefree way of living. Despite the fact that she’s accepted she only has about three more years to live, Jo An shows incredible determination and goes after all her dreams without regrets. For example, she’s been applying for a job at the Aerospace Research Institute while they’ve never hired an N person before. She doesn’t even mind that she won’t actually be able to work there, but she just doesn’t leave any chance open to at least try, because it’ll be better than never even taking the first step. When Yi Oh reveals that she’s been hired by the Institute and admits she feels guilty about it towards Jo An, Jo An doesn’t even mind and is just as excited for her as she would’ve been if she’d gotten in herself.
As she starts hanging out with Jo An and gets attached to her more and more, Yi Oh gradually begins to accept her new identity as an N more and more as well, much to the dismay of her mother. She starts coming home after dark, starts wearing skin-revealing clothes and even deliberately gets soaked in the rain once. Her mother is extremely worried, especially when she receives the news that Yi Oh’s tumor has officially become malignant.

At some point during their search for the N who got Yi Oh’s antibodies, Yi Oh and Jo An visibly start to see how there’s so much more to the time they’re spending together than just that mission. It even starts to look as if they’re developing more than just friendly feelings for each other – a certain intimacy rises between them as they keep spending time together. On the day that they’re supposed to do a presentation in class together, Yi Oh doesn’t turn up as she has to undergo surgery for her tumor. She hasn’t told Jo An about this, as she fears she might not survive the surgery and she’d rather just quietly disappear instead of having to say goodbye. The real reason for this – the real reason for EVERYTHING – is revealed in the final scene of the episode, which takes place a year after Yi Oh’s surgery. As Yi Oh is recovering from her surgery (she survived, yay!) she’s zapping the TV when she suddenly comes across Jo An, who has been apparently been hired by the Aerospace Research Institute. As we see Yi Oh smile fondly at Jo An on the screen, we are shown through flashbacks how the real reason she approached Jo An in the first place came to be, and then everything suddenly makes even more sense. The day Yi Oh heard the shocking news, she was immediately given the information on the N baby who got her antibodies, and much to her surprise, it was someone she knew. It was Shin Jo An.

To be honest, I had a feeling from the start that it was Jo An who got Yi Oh’s antibodies. I just found myself thinking that could very well be the case, but since they made this whole deal about finding the person, I still kept an open mind in case it wasn’t what I thought. Even though I wasn’t that surprised by the revelation that it was indeed Jo An, the way in which it was revealed that Yi Oh had really known this all along and that her objective in approaching Jo An had been out of genuine compassion and interest to see the person with her antibodies live a fruitful life – that just got me all 😭😭😭. As soon as it was revealed I just knew I had to watch it again with that knowledge, and that gave the scenes between them and the endearing way Yi Oh looks at Jo An from the start such a heartwarming twist I’m glad I did it.
I’m not even lying when I say that this was the first episode in this anthology that actually made me cry at the end. Even while knowing Yi Oh did it out of pure compassion towards Jo An, I still believe that she didn’t actually expect her feelings for her to grow like that. There was still an element that hadn’t been part of the plan, but even so they both accepted it so naturally and warmly. I actually got butterflies during the observatory scene when they did the pulse experiment 😳, heck, that made my heart beat faster! 🦋 The way Yi Oh was like, “I can see the stars” 😭 and Jo An was like, “Me too” 😭. I loved that their relationship was made into something so pure and natural. There was no doubt or hesitation in either of them to just be together and enjoy life together. It was absolutely beautiful.

Let me elaborate on the two main characters in a bit more detail. I don’t know if it was just Jo An’s interpretation of Yi Oh’s name or if it was really the case, but I liked the planetary reference that Yi Oh was named after the planet Io, one of Jupiter’s fifth moon. I thought it was a nice little wink to the girls’ interest in space as well. We meet Yi Oh as quite a privileged girl, she’s from a wealthy family and has never had to worry about anything. Naturally, it’s only after her doctor’s announcement that she starts navigating between the life she’s lived so far (as a C) and the life she might now have to start living (as an N). Without knowing her true objective in approaching Jo An from the start, it might be seen as a bit snobby of her to just pat the only N person around on the back and be like, ‘hey, I’m going to have to live like you now, tell me all there is to know about being an N’. However, what’s so typical about Yi Oh is that she’s extremely compassionate and humble towards Jo An from the start. She doesn’t mean to offend or bother her in any way, and is just extremely relieved when Jo An accepts her. Watching the episode with the knowledge of Yi Oh’s objective, there’s not a single moment where I thought she was lying to Jo An or owed her an explanation. It was genuinely out of the goodness of her heart that she wanted to see with her own eyes how Jo An would live on to live out her full potential. From the start, there was never any sense of bitterness or betrayal that Jo An had ‘stolen’ her antibodies or anything (just saying, we know people get like that in K-Dramas 🤷🏻‍♀️). Whereas her mother may have demanded a compensation, Yi Oh actually found it in her to be genuinely happy for the N baby that got the chance to live. I feel like she didn’t even mean to actually get involved in Jo An’s life, as we can see from the beginning it’s obvious she’s content with just looking at her from afar. When she finds herself drawn to Jo An’s presence more and more it also becomes a bit sad in a way, because now she also knows that it will hurt even more to say goodbye to her. I think that’s why she ultimately decides to not tell her about the surgery and just quietly disappear from her life rather than tell her the truth. Although it was sad that they couldn’t stay together, it did ultimately allow Yi Oh to see for herself how Jo An got admitted to her dream job, and she went back to square one by fondly watching her from a distance. The way she was just so happy for her, even if she didn’t get to personally be a part of her life, that’s true love goals.

As the story is framed through Yi Oh’s perspective, we only see Jo An through her narrative as well. We don’t get to see any scenes of just Jo An, except maybe the one where she turns up alone at the presentation. Just like the majority of the people we see in the N-community (by the way did anyone else notice N-Town actually stood for Noble Town?🤔 I wonder if it was abbreviated to N-Town to give it a more derogative association for being a community of Ns😓). In any case, we see Jo An’s little ways of enjoying life through the way she smiles at the smell of the coffee she sells at her café and the way she gets excited about new adventures. Her lifestyle is representative of what Yi Oh is told about Ns when she visits N-Town for the first time: while knowing she won’t be able to live for much longer, Jo An doesn’t skip a chance to run after anything she’s interested in. Even if she can’t pursue her dreams, she might as well go as far as she can to give it a try before her time runs out. I loved how the difference in lifestyle the two girls grew up in were expressed in such subtle ways. For example, at one point they’re having a beer together after talking to the final person they thought could be the one who got Yi Oh’s antibodies, and while Yi Oh comments her beer tastes bitter, Jo An comments “I think it’s refreshing.” Not much later in that same scene, Yi Oh says “Don’t you think living becomes more bitter the more you know?” to which Jo An replies, “No. I like learning new things every day.” Comments like this just proved that, despite their differences, Jo An continuously managed to show Yi Oh a positive new outlook on life. The two girls were drawn to each other so naturally and this made their different lifestyles fit into each other in such a matter-of-factly way that it seemed like they were meant to be together. Whether they were soulmates or kindred spirits or twin flames or whatever you want to call it, these two were simply bound together by something much greater than those swapped antibodies.

Speaking of their relationship, I couldn’t help but identify some specific events that just made me believe those were the moments they fell in love with each other. I mean, they’d been close from the start, but there were certain events within their times together that jumped out to me and just made me go ‘LOOK AT THOSE HEART-SHAPED EYES’ 🤭🤭🤭. For Yi Oh, I definitely feel like it was the part where Jo An was singing to her. The way her face changed as she was watching her, as if she was suddenly realizing her true feelings for Jo An. You could just feel something shift in their energy everytime they shared an intimate moment. The pulse experiment was probably the most defining moment for the both of them. I don’t know about you, but don’t tell me I’m the only one who translated “I can see the stars” as “I love you” in their head. I feel like it started with Yi Oh, even from the scenes in which she was checking out Jo An’s ankles when she was walking up the stairs (I interpreted it as that she was watching her ankles, lol). When the subtle touches and displays of public affection through lying on each other’s lap and stroking each other’s hair became more apparent it seemed to me like they were officially on the same page.

All in all, it can be said that in the short time the two girls spent together, they both learned the most important lesson of all, and I also think this is the main message of the story. It doesn’t matter how much time you have, as long as you spend it doing things you love, as long as you find fleeting moments of beauty of joy that will last a lifetime because they make up something that will actually continue to live for a lifetime: a memory. I think Jo An truly realized this as she was trying to give the presentation by herself, and I wouldn’t even be surprised if that was the moment she actually realized Yi Oh’s truth as well. But I think it was predominantly that she realized Yi Oh wouldn’t be coming back, and she was okay with it because she would always remember their time together. The times they ran and laughed together, when Yi Oh stroked her hair as she lay her head in her lap, when she felt her pulse at the observatory and when they got soaked in the rain together. I think the most important thing was that they both peacefully accepted that they couldn’t be together and still managed to think about their times together with a fond smile. As Yi Oh says in her final line while she’s crying tears of happiness seeing Jo An living her dream, despite the accidental nature of the swapped antibodies-incident, “it’s the most valuable gift I can give.”

When Jo An appeared on Yi Oh’s TV screen and talked about her work at the Institute so far, I couldn’t help but think of what she told Yi Oh when they were in the observary. “Whenever I call your name, I’ll think of the vast universe. Io, the closest moon to Jupiter, and the fourth largest in the solar system.” It just hit me for some reason that she probably thought of this a lot after she got hired at the Aerospace Institute. I’m not crying, you’re crying.

Before I move on to the final part of my review, I just want to say a little bit more about Kyung, Yi Oh’s friend. He doesn’t appear that much in the story, but I still want to mention him because he is the person who ultimately remains at Yi Oh’s side after her surgery, and it turns out he was in on way more than was initially revealed. As it happens, Kyung is training to be a doctor, and he is the person who passes the information about the identity of the person who got her antibodies onto Yi Oh. It was also during Kyung’s mom’s funeral that Yi Oh encountered the name Lee Hyun Soo, the person she told Jo An was the one who got her antibodies. Kyung is also the person who persuades Yi Oh to undergo the surgery. Yi Oh initially doesn’t want to waste the little time she has left on receiving treatment, but Kyung tells her that her condition isn’t hopeless and there’s still a chance she might live. All in all, Kyung is basically the person that ‘introduces’ Yi Oh to Jo An, so I’m grateful to him, haha.
To be honest, I first was exactly. I first thought he was Yi Oh’s brother because she once mentioned him in the same breath as her mom and dad, but then how was it that she went to his mom’s funeral? I only found out through MDL that he was ‘Yi Oh’s friend’. Not that it mattered too much, but their relationship could’ve been defined a little bit more clearly in my opinion.

Now that I’ve discussed the main story as a whole, I like to reflect a bit on any overlaps in the episodes I’ve seen so far. This episode was probably the farthest from the previous two so far. I found only one direct reference, as Kyung mentions that they got the purifying suits from TRS, which was also the company that manufactured the nursing robots in The Prayer. Apart from that, there was also a clear presence of capitalism that played a big part in separating the two human categories from one another. Only people with financial stability were able to afford antibodies and all the necessary equipment to live safely as a C. Without those means, you were basically marked as being ‘unlucky’ enough to be an N. It just reminded me of how the differences in financial status also contributed greatly to what type of robot people could afford in The Prayer. It just seems like TRS plays a major role in the capitalism of this anthology. What I find interesting to think about on the other hand is that, as this episode clearly proves, having less financial stability and security doesn’t necessarily mean you’ll have to live a miserable life. It was proven to be quite the opposite, actually. Ns were overall much happier in life than Cs. I couldn’t help but make a link to Jeong In from The Prayer, someone with enough financial stability to afford a higher level robot but who was still absolutely miserable. I think the message we can take from these two episodes combined is that wealth, although undoubtedly a convenient privilege, is definitely not a defining factor to live a happy life.
Other than this, there were no returning actors or other direct references or links to the previous two episodes I watched. Still, it continues to remind me of Black Mirror, even when it just makes one mention of something that appeared in another chapter of this anthology.

By the way, and I’m only just noticing this, I like how the title of this episode refers to more than just a direct reference to a main character in the show. The Prayer and Manxin both have pretty self-explanatory names, even in Korean. The Prayer‘s Korean title refers directly to the main character Gan Ho Joong, and Manxin refers to, well, the app Manxin. I love how this episode is called ‘Jo An’s Galaxy’. The Korean title translates to something like, ‘Astronaut Joan’ or ‘Cosmic Joan’ – in any case all versions of the title refer to Jo An, even though we follow the whole story through Yi Oh’s perspective. Yi Oh is the one in the astronaut suit, as can be seen from the poster, yet the title of astronaut is assigned to Jo An.
Honestly, I’d like to think that Yi Oh was the one who named this episode 🥰. I can only assume that the story got this title because it all ultimately turns out to be about Jo An’s life, the one she manages to extend beyond her expectations because she unknowingly received Yi Oh’s antibodies. Jo An is the one who managed to get the job at the Aerospace station so she’s the one who ‘goes to space’.
I just found it interesting since as far as I can see all the episodes of the anthology have pretty straight-forward titles, and this was the first one that had a more suggestive and even symbolic meaning, one that you wouldn’t understand if you hadn’t seen the episode and grasped its true message.

Let’s do some very quick cast comments!

I kept thinking what I recognized Choi Sung Eun from, but then I realized she’s the female lead from The Sound of Magic! I really loved her performance in this episode. She exuded such genuine warmth and compassion and I loved her chemistry with Kim Bo Ra as well. It was nice seeing her in a completely different setting. She hasn’t even done that many acting projects yet, mostly movies, and TSoM is still her most recent drama appearance. It’s nice to see actors that aren’t that big yet get casted in interesting projects like this anthology, because it just gives me the feeling that specific directors are still recognizing their talent and potential. I hope she’ll get more roles in the future, because she definitely has much to offer! I’m curious to see more of her acting now.

I’ve seen Kim Bo Ra in a couple of things before, like Who Are You: School 2015, Her Private Life and Busted, and I also have a couple more series on my watchlist that she stars in. My most recent memory of her is from HPL, where she was kind of a brat haha, so it was nice to see her portray such a pure and bright character with such an addictive zest life. The role suited her very well and I really love what she did with it. The chemistry between her and Choi Sung Eun seemed so natural and effortless as well. I’m also glad I got to see some more variety in her acting, not just in the heart-throbbing scenes but also when she started crying during her presentation when it hit her she was probably not going to see Yi Oh again – her acting was clean yet powerful. I’m really excited to see more drama appearances of her!

I hadn’t seen Yoon Jung Hoon in anything else before, but I see he’s been in a whole bunch of dramas ever since 2018. I think I’ll see him in some other series in the future. Anyways, I liked that Kyung was such a solid person in Yi Oh’s life. I felt bad because she had to keep the secret of her being an N from all her friends at college, and while it seemed like she was keeping it a secret from Kyung in the beginning as well, I’m glad she ended up telling him. If it hadn’t been for him, Yi Oh probably wouldn’t have gotten the surgery and then she might not have gotten the chance to see Jo An on television a year later. We owe a lot to Kyung, so he can’t remain unmentioned. I hope I’ll get to see him in more different projects!

All in all, I loved how this episode again was completely different from the previous two I watched. I also loved how it again created such an original environment and setting for the story to take place in. So far worldbuilding seems to be this anthology’s strong suit! Besides the interesting setting, this story ranked high in my ratings because it gave yet another beautiful spin on a seemingly dire situation, and it was so refreshing to see two young people make the most out of their (believed) shortened lifespans. It was truly a love story of a kind I haven’t seen before that often. The fact that it ended in a separation that was more beautiful and heartwarming than it was sad or painful only added to its originality and charm. I truly enjoyed watching this, it actually made me think more about the fleetingness of life and how important it is to enjoy the small moments rather than worry about the big picture. Creating such a clear division between Cs and Ns and then go on to explore which category was actually the most happy one, and whether it was actually about the categories in the first place, was really powerful. The story, the themes and the message only complimented the acting and the cinematography. I loved it.

My excitement to move on to the next episode has only been increasing with every single chapter I watch, and I’m again incredibly curious to the next story.

See you soon!

SF8: Manxin

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Manxin
(만신 / Manshin / Ten Thousand Deities)
MyDramaList rating: 7.0/10

This second (or fourth? 🤔 I’m a bit confused about the order) episode of the anthology takes place in a society that got dominated by the introduction of a fortune telling program called Manxin. The name is derived from the word manshin 万神, which literally means ‘ten thousand deities’ and therefore suggests a higher power. The program started out as an innocent horoscope app, but it gradually managed to gain the status of a prophecizing service with a 96.3% accuracy rate. Currently, the majority of people have started planning their entire lives around their daily Manxin horoscopes and only ever follow what the app tells them to do. This has in turn led to severe psychological issues, high levels of lethargy and low levels of productivity among people. No one even bothers to look beyond Manxin’s daily prophecies anymore, and everyone is so dependent on having the app that it’s become hard to imagine living an unpredictable life.

SF8: Manxin is either the second or fourth episode in the SF8 anthology. It has a duration of about 53 minutes and was directed by Noh Deok.

Among the countless people that use Manxin to predict every single day of their lives, lone ranger To Seon Ho (played by Lee Yeon Hee) is a rare exception. She’s never even installed the app and doesn’t intend to, not after what happened to her younger sister. Her younger sister used to be a true Manxin addict who completely based her life on its predictions and prophecies. One night, she had a horrific accident in which she fell into a massive sinkhole in the middle of a highway. Seon Ho, knowing that her sister would’ve never voluntarily gone to a place like that, is convinced that Manxin is to blame for her sister’s accident. The app must have told her something that made her go to that place at that time. Maybe it even told her to jump into the sinkhole, who knows. No one does. But Seon Ho strives to find out what happened and that’s why she’s gone in search of Manxin’s developer. She wants to get to the app’s server in order to retrieve her sister’s app data to find out what Manxin told her that day.
When we meet Seon Ho for the first time, she has just managed to obtain some intel on a certain Kim In Hong, a guy who she believes to be Manxin’s original developer. When she looks for him at the sermon of a community that’s completely devoted to Manxin and even prays to it as a God, she catches the eye of one of the speakers, Jung Ga Ram (played by Lee Dong Hwi). Seeing the big star on the back of Seon Ho’s jacket, he believes her to be the ‘Northern Star’ that Manxin prophesized to him as the guide that would lead him to his Lord. Despite their completely different attitudes towards the app, the unusual duo embarks on an adventure together in order to get to the bottom of Manxin, starting by tracking down this Kim In Hong, who inconveniently was not present at that particular sermon.

I just want to mention upfront that I thought it was really cool how different this episode was in contrast to the previous one I watched. It instantly made me excited to see the other episodes. Contrary to The Prayer, I thought the storyline and character development in Manxin was very straightforward and the ending had a pretty satisfying closure element to it. It wasn’t in the least abstract or suggestive, and it didn’t leave any references open for interpretation.
What I mean with ‘straightforwardedness’ of the storyline is that the story is very linear and easy to follow. It clearly establishes a setting in which a certain phenomenon is occurring and how this has influenced the lives of the people for a considerable time period (seven years, to be exact). Within this clear setting, we are introduced to two main characters who each have a certain experience or association with the app that causes them to either participate in the hype or not. Against all odds, these two characters team up to locate the source of the phenomenon for their own reasons. They manage to find a key person but ultimately encounter a dead end. There’s a classic moment of surrender and hopelessness before they eventually find their way back to their initial motivation. The story ends with a confrontation between the main characters and the person behind the phenomenon, and the issue is presented of whether or not to stop the phenomenon.
Interestingly, rather than a classic ending of the MCs putting an end to the phenomenon and restoring order to the world, Manxin presents a rather unique twist to its ending: rather than being disabled by the human ‘heroes’, the app makes its own decision to remain flawed and harmless. Rather than developing into an Almighty computer system that would quite literally dominate the human race (as classic evil computers do, looking at you, HAL) Manxin ironically decides it prefers to stay close to ‘humanity’ by maintaining an ‘imperfect’ system that gradually returns the need for personal action to people’s lives. The episode has a pretty satisfying ending, even though the majority of the people in the story don’t know that yet. No one ends up getting hurt, no one is under threat of being dominated by a computer system, all’s well that ends well.

Let’s dive a bit deeper into our two main characters.
Seon Ho is initially introduced as quite a stoic person. Until her motives for wanting to find Manxin’s server are revealed, it just seems as if she’s the only one in her vicinity who refuses to become a slave of technology and is more interested in finding out who is behind this app. Besides the very first scene in which she stands at the edge of the sinkhole, we only find out who Seon Ho is and what the sinkhole symbolizes when the story about her younger sister is revealed. Fuelled by her conviction that Manxin must have been responsible for her sister’s death – it’s so easy to blame machines for misfortune, after all – Seon Ho merely wants to get the confirmation from the app’s system to fully shape her bias towards it. Considering this conviction, it is not surprising to see how shaken she gets when she eventually finds out Manxin actually wasn’t responsible for anything at all. In fact, her sister had deleted the app a week before her accident, seemingly to take active action against her addiction to it. In addition, she’d been preparing a special birthday cake for Seon Ho, but stopped responding to the bakery’s service messages around the time it was ready for pick-up. Seon Ho finds out the truth when the repair store finally manages to retrieve her sister’s damaged phone’s data and is able to verify that the Manxin app is not installed on it. This is the only scene where we see an emotional side from Seon Ho, as she breaks down crying while listening to her sister’s last spoken messages directed at the ordering service that was preparing Seon Ho’s birthday cake.

We first meet Ga Ram at the sermon, where he’s giving a testimony of his dedication to Manxin and where he describes the prophecy he received about the Northern Star that would appear to him that day to guide him to his Lord. He takes a very easy chance on Seon Ho, even after realizing she’s strongly against the app. Initially, it’s probably because of his conviction that Seon Ho is indeed this prophecized ‘Northern Star’ that he sticks by her, all the more when he gets repetitive messages that only seem to confirm this.
Ga Ram’s personal reason for believing so strongly in Manxin is that he perceives it as ‘his savior’. Before he encountered Manxin, he was in a really bad place and this even caused him to jump off a building. The Manxin message he received right before jumping said something about a ‘dove of good luck’ being on its way. When he jumped, his fall was broken by a truck filled with bags containing soft plush toys that just happened to drive by at that moment, and as he opened his eyes a swarm of pigeons (or doves, I guess) flew up before his eyes. That was the moment he just knew that Manxin was real and that’s when he started worshipping it.

What’s interesting is that, following the linear storyline of finding out who’s behind Manxin and who or what is truly responsible for Seon Ho’s sister accident, both the main characters gradually start becoming more and more reflective in their opinions about the app along the way. While starting out on different sides of the spectrum – Seon Ho as the only person who defies Manxin and Ga Ram as someone who worships it – they ultimately start relating to each other’s perspectives as they each discover different sides to their own truths. For example, Seon Ho eventually does take a chance on the app after finding out that it was really just an unfortunate accident that killed her sister, and Ga Ram also starts accepting the way things are more. What I liked was that, despite their differences, there was never any serious tension between the two in terms of conviction. Apart from one specific clash moment, Seon Ho never actively tried to convince Ga Ram of the app’s flaws, and Ga Ram never tried to convert Seon Ho. They both stated their own opinions, and they accepted each other’s perspectives while maintaining their own. Honestly, if we could all just live like that, it would’ve been a much less crazy world.

When Seon Ho and Ga Ram manage to find and corner Kim In Hong (played by Seo Hyun Woo) in his hotel room, In Hong admits that while he is the original developer of the first model of Manxin, he hasn’t been involved in any of the developments that have made the app to what it is today. He was approached by someone in the very early ages of his creation, when the accuracy rate was still very low, and that person requested all his intellectual property to merge Manxin into a danger-warning program. As In Hong has no clue who that person might be and all the financial things were handled through cash and digital contracts, there is no way of tracing the transaction back to anyone either. Despite the fact that the original idea of Manxin was his, In Hong has completely washed his hands off anything that connects him to it, and has instead become just another slave to the technology. He listens to the app’s predictions just like everyone else, and he even became a part of the same community religion that Ga Ram belongs to, holding testimonies for it. While he initially also tries to push Seon Ho and Ga Ram away as he doesn’t want to get involved, he does provide them with a useful hint and even offers to go with them – until he unfortunately slips in his own bathroom and hits his head (I assume, as it’s not exactly shown how he falls, but in any case he doesn’t survive it).

The only real clash of convictions between Seon Ho and Ga Ram occurs in the scene after they’ve witnessed Kim In Hong’s death. While Seon Ho keeps saying it was an accident – and we’re indeed challenged to question it because we’ve seen with our own eyes that they asked the cleaning lady to leave before she could finish the bathroom, causing the floor to remain slippery – Ga Ram keeps saying that it all happened because they forced In Hong to ignore his Manxin message (which urged him to stay inside or else he’d meet with bad luck). Here, for the first time, Ga Ram uses his faith in Manxin to make Seon Ho see the truth about herself – that she’s only scared of using Manxin because she fears that it’ll see through her because she does believe that it works. In response, Seon Ho breaks Ga Ram’s phone.
The two split up when Seon Ho gets a call from the repair shop that her sister’s phone data has been recovered, and she leaves Ga Ram behind in the neighborhood where a package containing parts for Manxin’s next update is supposed to be delivered (the last piece of information Kim In Hong shared with them).

Ga Ram’s words take a while to get through to Seon Ho. It’s only after she’s discovered what actually happened to her sister and her talk with the phone repair guy that she suddenly realizes her life is in her own hands, whether she chooses to install Manxin or not, and she decides to go back and look for Ga Ram.
Speaking of the phone repair guy (played by Yoon Gyung Ho), I think what he said to Seon Ho before she decides to finally install Manxin was very important. Despite the fact that Manxin was predicting people’s lives, there was still the possibility to go against it, and in that way it still enabled human choice. Most people just went along with anything it said because it was the safe option, but it never truly disabled people from going their own way and choosing their own path. Manxin only served the purpose of ‘guiding’ people by providing them with one possible option. This notion causes Seon Ho to finally install the app, and the first message she gets is: “If you feel as though you’ve hit a dead end, it means you are almost at your destination”. Which is proven to be true, as it’s revealed when she finally meets the developer that the whole part of town she’d been driving through was basically part of Manxin, or at least of the place through where all of Manxin’s date was being collected and generated.

The truth about Manxin is revealed when Seon Ho and Ga Ram finally meet the developer, an elderly man named Lee Chi Ham (played by Nam Myung Ryeol). It is here that they find out about Manxin’s self-developed idolization of human behavior, and that it’s actually started creating prophecies addressed to itself. This tendency is proved even more strongly when the software ultimately rejects the Big Update, which would’ve either created a huge magnetic field that would’ve turned the app into an ‘Almighty’ entity (something that Seon Ho strongly opposed) or would’ve destroyed it completely (something that Ga Ram strongly opposed). As the two yell their own arguments for both these possibilities (loved this back-and-forth dialogue, by the way), they suddenly make the developer realize that Manxin would be perfectly able to make its own choice, as if it actually were a human being. As a result – and I’m thinking it might have actually been aware of Seon Ho’s and Ga Ram’s arguments – Manxin decides that it wishes to retain a human-like status rather than an Almighty one. It would retain its daily fortunes but simultaneously adapt a 50/50 accuracy rate to keep encouraging people to make their own choices.

The episode ends with a refreshing ‘new start’ kind of feeling in which Seon Ho and Ga Ram both get rid of Manxin for good while around them a new world unfolds, as was originally predicted by Manxin at the beginning of the episode, but it’s a different world than anticipated. This new world would have to start getting used to the new 50% accuracy rate and stimulate people to take control of their own lives again.
My favorite part at the end was the narration of several news reports about people showing discontent towards the declined accuracy rate of the app, while “meanwhile, the employment rate and economic growth rates are on the rise for a change. Experts are saying it’s only a temporary phenomenon caused by the public’s fear of the uncertainty of the future.” That cracked me up – I thought it was the perfect way to end the episode on a humorous but hopeful note.

Honestly, I’m always quite fascinated by stories about forms of technology that impact people’s lives a lot, because it feels like it’s partially a depiction of reality (we’re all part of a world that’s become a slave of technology) and partially a warning to what this technology can have in the long run. It actually reminded me of the Joalarm app from Love Alarm. That may have been a dating app, but it also took away the thrill and unpredictability of the chase in people’s love lives and only decreased the amount of independent action needed to look past the possibilities the app provided. Humans and machines have become such an interrelated thing and I’m always fascinated by how people manage to convey that correlation through visual images. I feel like the relationship between humans and machines/technology will be the main recurring theme within this anthology. Within the two episodes I’ve watched so far, this relationship was depicted in a really powerful way. It’s just so relatable to see how we’ve become so dependent on technology in our daily (social) lives and work, we’ve accepted it almost as a part of us, but as soon as it starts acting up or makes a mistake, we immediately tend to get angry, blame it for everything and want to throw it out the window. I’ve made this point in The Prayer and I also found it applicable in this episode, especially when looking at the final scene. As soon as Manxin becomes less reliable, people start complaining. It’s always our first reaction to point at the machine that’s not working properly before we stop to think about what we could’ve done ourselves to fix things without using technological tools in the first place.

I discovered a couple of links between The Prayer and Manxin, and I find it kind of exciting that I don’t even know whether it is the makers’ intention to create these links, but I have the feeling it was.
First of all, it can be said that in Manxin, technology has been given some sort of influence in matters of life and death. While it may not have been the intention with which the technology was made, people have literally started using Manxin’s predictions as if their lives depended on it (look at Kim In Hong and where that got him). Then, the association with faith as introduced through Ga Ram. How typical is it that we are introduced to a more extreme group of Manxin followers who pray to the system in the same place where they also pray to Jesus? It only proved, just like in The Prayer, that people typically need something to worship so as not to feel completely lost.
Secondly, and this was one of the most direct links, the guy who worked at phone repair shop was played by the same actor as Choi Jeong Gil’s husband in The Prayer. It remains to be seen whether he’ll appear in more episodes and if it’s even supposed to be the same guy or they just thought it’d be convenient to use the same actor, but something tells me this anthology won’t just do things without a reason.
I also found it interesting to see more references to literary and philosophical sources.
Whereas The Prayer made references to Biblical stories such as Cain and Abel and quoted a poem, Manxin‘s first spoken line quotes Voltaire in his definition of destiny as something that both guides and derides us. I just find it very interesting to see how these stories try to make sense of a future with advanced technological developments while simultaneously referring to traditional human sources. I wonder if this will be a recurring thing in the next episodes as well.

I want to say a bit more about the concept of ‘destiny’ as it’s presented in this episode. We all know that destiny is a very popular element in (K-)dramas, and it’s often used to prove some sort of fateful connection between the two main leads. However, some stories choose to take a different stance regarding the topic by creating stories that emphasize human’s reliance on it. Love Alarm presents a very similar stance to Manxin by using an app to predict a part of people’s lives to the extent that people don’t even think about putting in additional effort anymore, but it also reminded me of for example About Time, in which the main character had the ability to see how much time people had left before they’d die. It played with the idea whether people would actually become more in control of their lives if they’d know what was coming to them. In Manxin, the influence of the app actually caused people to live only by their horoscopes and not even take any chances to stray beyond that out of fear that something bad would happen if they’d ‘disobey’ the app (even though the app didn’t actually forbid anything). You could say that, all the more when its accuracy dropped at the end, the app proved how scared people generally were of the unpredictable. We get so busy in life we don’t even stop to think about being scared of not knowing what tomorrow brings, but the introduction of this app and the way it enabled these predictions made people aware of how convenient it would actually be to not live in fear of the unknown future at all. They only took the chance because the possibility presented itself to them, even though they may not have even stopped to think about it before the app was introduced. I find that pretty fascinating, how just the introduction of a new idea that no one ever thought about before can suddenly influence the entire human race like that. It’s both interesting and alarming. Manxin actually changed people’s concept of destiny by turning it into something that strengthened people’s fear of and unpredictable future rather than its originally mysterious and even romantic association. Manxin was created as a helpline that ‘generously guided you through’ your life, but it seems like no one even stopped to realize that it wasn’t stated anywhere that this meant they didn’t have free will anymore. It’s just so typical how people tend to go along with the safest option as soon as it presents itself and start seeing it as the only possible option. It was the people themselves that started constraining themselves. It was never Manxin’s intention to limit people’s choices. We can blame it on the addictiveness of technology all we want, but in the end it’s really about how we as users decide to use it.

Was it just me thinking that there was a point of relevance in Seon Ho’s rare last name? When she introduces herself to Ga Ram for the first time he remarks that he didn’t know the last name ‘To’ existed and she admits that it’s the rarest last name in Korea. As I’m hesitant to believe anything in this anthology was added in without a reason, I couldn’t help but think that it might have had a specific meaning. I couldn’t figure out what it could link to, except maybe that she seemed to be the only ‘exception’ to the system because she didn’t use Manxin. I wonder if there was another reason for giving her such a rare last name, because it wasn’t mentioned again after that one mention and it didn’t specifically play a role in the rest of the story either.

Another symbol that I’m sure has a hidden meaning but I’m probably too daft to figure it out is the dove. As we learn through the story, Ga Ram claims he was saved by Manxin when it showed him a dove after he failed to kill himself, which he attributed as visual proof to the app’s message that ‘the dove of good luck would come for him’. Besides that, we see doves around Ga Ram a couple of times. When Seon Ho and Ga Ram are waiting outside the hotel In Hong is staying at as they’re waiting for him to come out, Ga Ram is sitting on some steps and there’s a bunch of doves at his feet.
When Seon Ho ends up at Lee Chi Ham’s hideout when she’s tracking down Ga Ram, there are doves in the hallway just outside the door (which was strange because it was this dark maze of tunnels, it wasn’t a typical place for a bunch of doves to chill). Again, there wasn’t any further clarification about it, but I found it interesting that it seemed like they’d actually started following Ga Ram around after his Manxin-awakening or something.

Time for some cast comments! This episode had even less characters than the previous one, so this probably won’t be a very long section.

It was really funny to see Lee Yeon Hee as such a different character type than I was used to. I’ve seen her so far in Reunited Worlds and The Package, but I’ve never seen her in such an edgy role before. Not just in appearance but also in behavior, as Seon Ho was definitely a tough cookie. I honestly wouldn’t have even considered her for a role like this based on my prior reference of her acting, but I think she pulled it off surprisingly well. I liked that, despite her toughness, she never became unlikable. The way she immediately accepted Ga Ram as a companion and never let her own feelings regarding Manxin stand in the way of their teamwork even if she didn’t agree with his convictions made her a naturally kind person. I liked seeing a different side of her acting. I like that it’s always series specials like this that bring out unexpected sides of actors I thought I knew.

I’d never seen Lee Dong Hwi in anything before. I think what I liked most about his character is that, despite his devoted belief in Manxin, he wasn’t a completely mindless slave to technology. I think it was because he’d experienced going from a non-believer to a believer, and that’s why he was able to acknowledge both sides of the issue. While maintaining true to his faith he still chose to follow Seon Ho, he still accepted her despite the fact that her convictions went against his. He may have originally been introduced as a bit of a silly, comical character, but he definitely know what was going on around him, and he was able to make a really reflective observation about Seon Ho, which I thought was pretty amazing, especially since they didn’t even know each other that long. He portrayed Ga Ram in a very likable and relatable way.

Nam Myung Ryeol is a very familiar face in K-Drama. I’ve seen him in Coffee Prince, Sungkyunkwan Scandal, The Master’s Sun, Doctor Stranger, Blood, High Society, Shopping King Louie and Circle. It would’ve been very predictable if Lee Chi Ham had been an actual evil scientist who wanted to take control of all human life using Manxin or something like that, but I found it refreshing that he was just an elderly man who simply accepted whatever Manxin chose for itself. The way he was smiling when he realized that Manxin had completed the ‘update’ even though it was actually more of a ‘downgrade’ in terms of accuracy rate, also made me feel like he may have even been relieved himself that the program didn’t assume that Almighty status it was originally meant for. He seemed relieved to me, at least. While I get that it was the point that he remained a bit mysterious, I would’ve liked to get a bit more information about where he came from and how he managed to discover the Manxin prototype In Hong was working on. Also, as In Hong was still receiving updates of the packages containing parts as they were shipped, I was wondering whether there was actually some secret remaining link between Chi Ham and In Hong. Anyways, I was relieved that his character turned out not to have any malicious intentions with Manxin. I guess everyone in charge actually really wanted the app to remain just an app.

Apparently Seo Hyun Woo was in My Mister, but I don’t remember him from there. I found it really typical that In Hong, despite being the original developer of the groundbreaking Manxin app, had deliberately chosen to stay away from it, even while going on to anxiously use it himself. From what he said when Seon Ho was threatening him, it seemed like the app became so widespread that he lost confidence in claiming his involvement in its creation. He mentioned that the name Manxin, which referred to ten-thousand deities, aka a literal higher power, became too pressuring for him to associate himself with, as he was just a poor guy living in a suburb when he started making it, someone who was nowhere near a higher being. I guess In Hong’s character, despite having been involved in Manxin’s creation, was used as an example to show how people constrained themselves, but also to prove the ambiguity surrounding Manxin. After all, was it really just a coincidental accident that he slipped on the wet bathroom floor, or did Manxin actually manage to predict it? Even when he was dying, he got a new message saying, “You’re in a life-and-death situation.” How coincidental could that truly be? It remains a mystery.

All in all, I found this another very interesting episode. Just like with the previous one, I watched it twice in order to make sure I didn’t miss anything. I’m guessing that’s going to be my tactic for the remaining episodes as well. The reason this got a slightly higher rating than the previous one has nothing to do with the quality of the stories, as I was equally fascinated by both episodes. It’s purely because of the accessibility of the story and its characters. The first episode contained a lot of references I wasn’t able to understand, and this episode was slightly easier for me to watch, that’s all.
I’m very excited for the next episodes, so far it really does feel like I’m watching Black Mirror and it’s only reminding me of how much I enjoy these kinds of stories, as they’re both enjoyable to watch but also contain a powerful and very relatable message for the future. Especially in our current society, we have already become so dependent on apps and machines, and it feels good to have the risks and warnings of advanced technology pointed out to me. It makes me more aware and conscious of the technology I personally use and how relative the whole idea of ‘dependency on technology’ is.

I’ll be back soon enough with my third entry for this review package and I can’t wait to discover more overlapping and diverging themes between the episodes. Stay tuned!

SF8: The Prayer

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

The Prayer
(간호중 / Ganhojoong / Nurse)
MyDramaList rating: 6.5/10

The anthology’s first episode takes place in a futuristic society in which caretaker/nursing robots are employed to take care of hospital patients. To accommodate the patients and create a familiar environment, the caretaker robots typically are designed with the face of the patient’s main guardian. This way they strive to relieve the human guardians from strenuous hours of caretaking. The robots are equipped with different levels of skill and function depending on the buyer’s financial status. In other words: people with more money can afford a much higher level caretaker robot with more advanced functions than people with smaller budgets. While higher level robots possess the ability to perform tasks without specific instruction and have a wider capacity of understanding certain human situations, others barely manage to achieve their intended purpose.

SF8: The Prayer is the first episode in the SF8 anthology. It has a duration of about 53 minutes and was directed by Min Gyu Dong.

The majority of this episode’s story takes place at Paradise Nursing, a hospital which employs these caretaker robots as well. It focusses mainly on one of these nursing robots, who was put in charge of taking care of a comatose mother and her daughter. When a decade passes without any change in the mother’s situation, the daughter starts becoming more and more frantic and depressed and even starts doubting the meaning of life in general. The nurse robot, who has developed a significant and almost human-like attachment to her patients, especially to the daughter, recognizes her anguish and starts debating what she can do to relief her worries. This inner debate ultimately leads her to make a decision about whom to save: mother or daughter.

Before moving on to my official full analysis, I just want to note that my first thought after finishing this first episode was that I must have missed a majority of its (hidden) messages. That’s why I watched it again 🙃. When doing so, I immediately caught a lot of things I’d missed the first time; I was able to follow the conversations better and make more connections between dialogues and references. However, I still don’t feel confident enough to claim that I understand all of it. I’m not sure if that’s even possible. For me, it’s mainly because I am simply not familiar enough with the many significant Biblical references that are made in this episode. It was definitely a good decision to rewatch it and I will probably do the same for the other episodes (if necessary), but I still don’t have all the required understanding to explain all the hidden messages. I just wanted to say that in advance. I acknowledge my own lack of knowledge.

If I thought I’d be able to write eight reviews for all the episodes easy-peasy in one go when I started on this review package, I will already say right here and now that that was incredibly naive of me, lol. Even though this is only one individual story, there is SO MUCH to unravel. I want to avoid writing a too-detailed summary (I think I’ve summed up the foundation of the story’s setting briefly and clearly enough in the introduction) I’ve decided that I will just go over the main characters’ respective perspectives one by one and highlight some significant details and references. I will also mention a couple of interesting themes and aspects that jumped out to me when watching the episode (both times).

Now, back to the story. Yeon Jeong In (played by Lee Yoo Young) has been taking care of her comatose mother for about ten years. Three years after her mother fell unconscious she employed a caretaker robot and had it designed with her own face. She called the ‘nurse’ Gan Ho Joong, after the literal Korean word for ‘nurse’. As Jeong In invested quite some money to equip the robot with special skills (such as advanced linguistic abilities), Gan Ho Joong has been performing greatly, and has even become like a sister figure to Jeong In. The two have become quite close, and this bond is stimulated by Gan Ho Joong’s significant human-like communicative and responsive abilities.
Despite the support she’s been getting from Gan Ho Joong for seven years, it hasn’t been easy for Jeong In, and it’s also not getting any easier. Besides the stress she experiences due to her mother’s condition, the business of her printshop and her attempts to find a suitable marriage partner aren’t going well either. She’s gradually starting to lose sight of the meaning of life. Watching all the other sick people being treated by caretaker robots while no one including her mother is getting any better, she starts wondering whether anything really has meaning anymore. Her mental state worsens despite Gan Ho Joong’s persistent attempts to offer her help and comfort. She eventually reaches a point where she actually starts contemplating taking her own life, just to escape from all the misery. This feeling is only strengthened when the wife of the patient in the next room unalives herself. This woman was in a similar situation as Jeong In, taking care of her husband whose condition didn’t get any better. However, you could say the woman’s situation was worse than Jeong In’s for several reasons. For example, she couldn’t afford a properly functioning robot and was still forced to do most of the exhausting caretaking by herself, all the while being terrorized by her increasingly dementing husband. In her own pessimistic state, Jeong In never reached out to this woman even though she was aware of her situation, and she’d even reached a point where she took satisfaction from another person’s situation if it was worse than her own. The woman’s husband was doing worse than her mother, whose situation was at least stable and stagnant. After hearing about the woman’s suicide, Jeong In is overwhelmed by an even stronger feeling of guilt for ignoring her and taking satisfaction from her situation. She eventually doesn’t even accept Gan Ho Joong’s help anymore and goes off the grid for a while as she contemplates whether or not to end her own life as well.

Gan Ho Joong has been assigned to take care of both Jeong In and her mother, and in the seven years she’s been providing care she’s also been consistently observing and analyzing Jeong In. Besides the fact she needs to keep an eye on her as she’s her official caretaker, Gan Ho Joong has undeniably gone beyond the basic type of care she’s expected to provide as a robot. Despite not having a heart, Gan Ho Joong seems to have developed some remarkable human-like responsive systems, things that surprise even Jeong In from time to time. One example we see is that when Jeong In cuts her finger, Gan Ho Joong doesn’t hesitate to put said finger in her mouth to stop the bleeding, forgetting that she doesn’t even have saliva to do so. While she’s been observing Jeong In’s deteriorating mental health for a while, it takes Gan Ho Joong considerable time (and a short-circuit) to deduct that Jeong In’s mental state is worsening because of her mother’s unchanging condition. After the alleged suicide of the woman next door, Gan Ho Joong also recognizes that this only made matters worse for Jeong In. When she becomes overwhelmed by Jeong In’s feelings of guilt and depression, something flips inside Gan Ho Joong – she decides she needs to take action in order to save Jeong In. It’s without a doubt that this feeling goes way beyond her programming; she’s developed a remarkable sense of compassion and even desire for Jeong In. When Gan Ho Joong discovers a ‘Call to Save a Life’ card that a nun left in the hospital room one time, she calls the number and comes into contact with a nun called Sister Sabina. While asking the nun questions as she simultaneously debates on what to do, Gan Ho Joong becomes fascinated with the concept of praying. While constantly praying for Jeong In and her mother, she ultimately makes the decision of disconnecting the mother from the system – letting go of her mother after all those years of uncertainty regarding whether she’ll ever wake up again will save Jeong In.

To take a little segue from here, it is important to look at Gan Ho Joong’s attachment to Jeong In. Sure, we’ve also seen how much Jeong In cares about her, she’s referred to her as a sister and she’s eternally grateful for the nurse robot’s help. However, that doesn’t take away from the fact that Jeong In is still very much aware that Gan Ho Joong is a robot. While she may have developed some sort of attachment to her, it’s nowhere near the infatuation that Gan Ho Joong seems to develop towards her. This predominantly becomes clear in the scene when Jeong In is summoned to the hospital with the news that her mother has passed away. When she learns about her mother’s death and sees the body for herself, Jeong In’s first reaction is to thank Gan Ho Joong for her service. She hugs her tightly and says her mother must’ve passed away peacefully thanks to the years of TLC she was provided.
When Jeong In hugs her, it’s like something primal awakens in Gan Ho Joong. She pulls Jeong In back in when she’s pulling out of the hug and even starts rubbing her face into her neck – heck, it seems like she’s even about to KISS her. We didn’t see Jeong In’s face during this shot so I’m not entirely sure what she thought of that sudden intimacy, but when the robot handler guy came in she didn’t seem particularly flustered. I found this a really weird moment, because it almost seemed like Gan Ho Joong developed more than just sisterly feelings for Jeong In, feelings that were definitely not supposed to be included in her programming.
To emphasize what I mentioned earlier about Jeong In’s awareness of Gan Ho Joong as a robot rather than an actual sister, her reaction when she learns about HOW her mother came to her end immediately proves the core relationship that defines humans and machines as two separate entities. In one breath, all the good things Gan Ho Joong has done for seven years are wiped off the table. Despite Gan Ho Joong’s good intentions when unplugging her mom from the system, as she thought that’s what Jeong In actually wanted deep down, it becomes painfully clear that this is NOT what Jeong In wanted. Gan Ho Joong has drawn an irrevocably faulty conclusion. Within ten minutes, Jeong In turns from a beloved sister into a raging human being as she starts beating and kicking the living daylights out of Gan Ho Joong.
I found this so typical for the relation between humans and machines. We humans love technology, we are so incredibly dependent on it and we praise it into the heavens when it’s all working well. However, one mistake, one error, one miscalculation from the machine and we’re ready to throw it out the window. It just created such a typical but powerful image of how, even in this ‘advanced’ futuristic setting in which humans have become so dependent on robots they’ve even given them human features (as many as possible, preferably), they still end up acting the same way when these precious machines don’t work according to their wishes. Even when they’ve provided years of excellent service, even when they’ve become part of the family, one misstep and immediately they’re back to just being ‘machines’.

Let’s talk a bit about Choi Jeong Gil (played by Yeom Hye Ran), ‘the woman in the next room’ who has been taking care of her husband (played by Yoon Gyung Ho) for an unindicated period of time. It’s not clear what exactly her husband is suffering from, but I’m guessing it’s a severe form of dementia since he seems to have completely lost himself: he acts like a little child and refers to Jeong Gil as his grandmother while he refers to the caretaker nurse with Jeong Gil’s face as his wife.
As mentioned before, Jeong Gil is in a similar position as Jeong In in the sense that she’s all alone in taking care of a loved one, but she has absolutely nothing on her ‘cheap-level’ caretaker robot. We might say cheap, but of course it wasn’t exactly cheap: she had to sell her house and take out an additional loan, go figure what a higher level one would’ve cost. In any case, her caretaker robot is nowhere near the functionality levels of Gan Ho Joong, and Jeong Gil has to do the majority of caretaking herself, which completely wears her out. So much, in fact, that her husband’s childish behavior eventually leads her to attempt strangling him one night. With no one on her side to cut her some slack or make an exception for her financial situation, she ends up taking pills to escape the madness. Just when she’s choking on the floor next to her husband’s bed, her husband starts talking as if he’s lucid. Regretting her choice to take the pills, Jeong Gil begs the caretaker robot to save her, but as she’s not its assigned patient, the robot merely looks on as she chokes to death.

I realize I forgot to mention this specifically, but each caretaker robot is assigned to help, assist and save only specifically assigned people. Gan Ho Joong was assigned to support both Jeong In and her mother, that’s why she developed a dilemma in whom to save as she saw one patient’s condition was starting to negatively influence the other’s. It would make sense to think assigning a robot to take care of more people would also cost more money. Seeing as Jeong Gil had been barely able to afford this malfunctioning robot, it wouldn’t be a stretch to assume that she wouldn’t have been able to assign the robot to help her as well. In any case, the caretaker robot in the next room was only assigned to Jeong Gil’s husband, and therefore didn’t even reach out a helping hand to Jeong Gil even when she was begging it to help her. It’s quite a cruel capitalistic system.

The relation between Jeong In and Jeong Gil is a bit strenuous, as they both acknowledge they’re in similar situations but they don’t communicate about it. We do see that Jeong Gil attempts to talk to Jeong In a couple of times in the beginning, and after she’s gone Jeong In reveals to Gan Ho Joong that she felt guilty about ignoring her in the hallway the last time she called out to her. She was using Jeong Gil’s stress about her husband to feel better about her own situation, as her mother was at least in a more stable state than Jeong Gil’s husband. On the other hand, Jeong Gil also seemed almost envious of Jeong In’s situation – when she attempted to strangle her husband she let slip that she wished he would be as ‘nice and quiet as the old lady in the next room’. After Jeong Gil’s death, Jeong In’s mental state worsens as she fears she might end up just like her, driven crazy by the neverending and unfruitful care of her mother. It is at this point that Gan Ho Joong starts picking up alarming signals from Jeong In’s mental state and starts worrying about her in a nearly human-like compassionate way, even going so far as to think of ways to improve Jeong In’s situation by sacrificing the mother, something Jeong Gil’s robot would’ve never been able to do.

I’m not exactly sure where Sister Sabina (played by Ye Soo Jung) came from, but I got the feeling that she went around public places to drop off cards to offer religious support to people. We don’t know much about her as a person, but she only gets involved in the story when Gan Ho Joong contacts her. They have an interesting conversation on the phone about the relativity of prayers, and whether non-humans are capable (and allowed?) to do it. Sister Sabina initially seems to keep a firm stance on that Gan Ho Joong is different from her patients as she doesn’t have a human heart. At the time of the phone call, she underestimates the caretaker robot because she isn’t aware of how human-like Gan Ho Joong’s responses have gotten.
When we jump to one year later, Sister Sabina manages to track down Gan Ho Joong, who was returned to the manufacturer’s headquarters in Germany and was demoted back to the name of TRS-70912B. The robot hasn’t stopped praying ever since the hospital incident. Furthermore, she asks Sister Sabina to ‘kill’ her, because she cannot bear the ‘pain’ she still feels in her body when she thinks of Jeong In. Sister Sabina, who apparently changed her outlook from their initial phonecall, now claims she cannot kill the robot, even though she’s not a human and it wouldn’t be a sin against the Lord. TRS-70912B tries to persuade Sister Sabina by screaming at her that she needs to help her and she can’t now suddenly take this stance to lessen her own guilt about what happened to the robot after their last phonecall.
While the alarms all go off and the German staff yell at Sister Sabina to get away from the robot as she’s got an error, Sister Sabina remains uncertain whether or not to press the robot’s killswitch. The episode ends with a close-up of her uncertain expression while the machines guarding TRS-70912B seem to turn against the oncoming security staff.

It cannot be denied that a heavily religious theme runs through the core of this episode. Not only is the episode’s title ‘The Prayer’, prayers in general are undeniably a central theme. While usually depicted as something pure and good, because praying is most often done in order to ask for a miracle that benefits someone’s situation in a good way, this episode puts the nature of praying in perspective by creating a rift between human and artificial interpretations of it.
The theme of praying appears in different forms throughout the story. We are first introduced to Choi Jeong Gil as she and a group of other believers loudly chant prayers around her husband’s hospital bed. One guy even refers to the woman as ‘Sister Choi Jeong Gil’, suggesting she is part of a Christian community. While she’s praying to God, her husband who is rolled up under his bedsheets is holding an artefact that (I believe) belongs to more traditionally Korean form of prayer, at least I got the impression that he might have been from a different religion and Choi Jeong Gil actively tries to stop him from using the object.
Besides that, Jeong In tells Gan Ho Joong that she’s currently printing a book at her shop that consists of a father’s journals and prayers.
Then of course there’s the direct link with Sister Sabina, a nun to the Catholic Church, who encourages anyone she meets to pray to the Lord when they’re in doubt or have struggles.
You could say that the conflict over prayers arises between Gan Ho Joong and Sister Sabina, as different notions of praying and who should and shouldn’t be able to do it are brought up.
In the end, Gan Ho Joong keeps praying, even after she unalived the comatose mother and was discarded by Jeong In. What exactly she kept praying for all that time until Sister Sabina came to find her at the TRS headquarters isn’t clear, it seems like she’s just repeating a specific psalm.
Admittedly, I have no idea of Christianity, I was raised without any religious influences and I’ve never read The Bible so honestly the Biblical references mentioned in this episode are lost on me. Still, I tried to capture the exact segments that Gan Ho Joong quoted in order to make more sense of everything that happened.

After her first phone call to Sister Sabina, Gan Ho Joong is seen taking care of the comatose mother while telling her the story of Snow White, specifically the part where she’s unconscious after eating from the poisoned apple. This seems to be almost like a metaphor referring to the mother’s comatose state.

“Snow White ate the apple that the evil queen gave her, and fell into a deep sleep. The seven dwarves felt sad and cried, but Snow White did not wake up. The princess slept for a very long time.”

After these first few lines, the dialogue turns into a voice-over in which Gan Ho Joong digresses from the story and adds her own perspective to it.

“In the end, the princess woke up from her sleep. They say that she woke up because a prince from a faraway kingdom kissed her. But in real life, there is a slight chance that things like that happen. The place where the princess wakes up is a mysterious, mystical place in the sky that is very far away from where we are. Maybe that is the best ending for the princess.”

As you can see, this basically suggests the sleeping princess to ascend into Heaven, and that that might be the best possible option, another direct metaphor referring to Gan Ho Joong’s conclusion that making ‘the sleeping princess’ (the mother) pass away.

When Sister Sabina finds Gan Ho Joong demolished on the floor of the hospital room after Jeong In demolished her, Gan Ho Joong is muttering the following before the screen goes black:

“Forgive us our sins as we forgive those who sin against us. Save us from the time of trial. The true sheep of the Lord. We live today. My joy will prove your resurrection. Through you. When Sleeping Beauty wakes up, she will become the first fruit of those who have yet to wake up.”

Now I don’t know if the part about Sleeping Beauty actually appears in a Bible verse, but it could also very well refer to yet another fairytale of a princess who is put to an eternal sleep and does not wake from it.

When Sister Sabina visits TRS-70912B in the TRS headquarters, the robot is muttering the following before she opens her eyes to acknowledge the nun:

“Send out thy light and thy truth. Let them lead me. Let them…”

Apart from the Bible verses and prayers, there are also references to some other literary works, for example the poem Nothing Twice by the Polish poet Wisława Szymborska. This is a poem that Jeong In has apparently been reading and which Gan Ho Joong refers to in order to soothe her when she finally manages to get hold of her on the phone. Jeong In expresses her anguish over the fact that while robots like Gan Ho Joong get upgraded every single day while her mother has been unconscious for ten years and she feels like she’s being left behind. The part Gan Ho Joong cites in return (taken from the original poem) is:

“Though we be the most obtuse
Pupils in the school of this world,
We will never be held back to repeat
A single winter or summer.”

It’s clear that in this moment, Jeong In isn’t in a state where she’s able to appreciate Gan Ho Joong’s support, and it even suggests that she’s officially drawing a line between them because she acknowledges that Gan Ho Joong will never understand her pain for the very reason that she’s a robot. Even when Gan Ho Joong tells her that she’s there for her and tries to soothe her, Jeong In dismisses her attempts.

Just to be sure I looked up the entire poem, which is about the singularity of existence: we only live once and nothing, not a single moment or day will ever happen twice. It might have been just a poem that was picked out as a way to comfort Jeong In, but I still feel like there may be some hidden meaning behind this particular poem that connects more directly to the message of the story.

Finally, and this is probably the most important reference of the entire episode, there’s a strong reference to the Biblical story of Cain and Abel. Just to give a quick summary: it’s a story from the Book of Genesis, the first book of the Christian Old Testament about two brothers, Cain and Abel, the first two sons of Adam and Eve. Respectively a farmer and a shepherd, they both made sacrifices to God, but God favored Abel’s sacrifice over Cain’s. This made Cain so mad and jealous that he murdered his brother Abel and, as punishment, was made to wander the earth for eternity.

The first reference to Cain and Abel is seen in the very first shot of the episode, which features Sister Sabina’s face while her voice recites:

“The Lord asked Cain, “What have you done?” The voice of your brother’s blood cries out to me from the ground.”

In the final scene of the episode, where Sister Sabina is faced with the dilemma of pushing TRS-70912B’s killswitch, the same voice-over is played, although this time it starts in TRS-70912B’s voice and then changes into Sister Sabina’s voice halfway through.

“The Lord asked Cain, “Where is your brother, Abel?” Cain answered, “I do not know. Am I my brother’s keeper?” Then the Lord said to Cain, “What have you done?” The voice of your brother’s blood cries out to me from the ground. This ground that has opened its arms to receive the blood of your murdered brother.”

This segment comes peculiarly close to the earlier scene in which Sister Sabina visits Jeong In to ask her about Gan Ho Joong’s whereabouts. When she asks her what happened to the robot, Jeong In literally says: “Sorry? I don’t know. Am I that robot’s keeper or something?”, creating a direct parallel with the Cain and Abel story. Honestly, to this moment I still do not entirely understand the parallel between this story and the Cain and Abel one (please enlighten me if you do!). In any case there doesn’t seem to be a shared moral lesson or anything. I guess that Jeong In and Gan Ho Joong could be perceived as sisters, and it definitely seems like the Cain and Abel reference is directed at the two of them. But Jeong In didn’t actually ‘kill’ Gan Ho Joong and it’s not like they both made a ‘sacrifice’ of which only one was ‘accepted’.

I checked the summaries of my go-to drama source websites to see if they offered any insights on the main message of the story. DramaWiki and AsianWiki both summarize it by referring to Gan Ho Joong’s predominant dilemma in whether to save the mother or the daughter.
On MyDramaList, a more insightful part was added which says: “When a machine is programmed for one purpose it becomes closer to the essence of that objective, so it inevitably reaches a realm that includes choice, anguish and obsession beyond the programming. Is it still just a machine then?”
They all seem to refer directly to the core dilemma Gan Ho Joong faces, without any reference to the religious aspects depicted in the episode.
I personally feel like the message of the episode went beyong Gan Ho Joong’s struggle to determine who to save, but I think I just have to accept that my limited understanding of the Biblical references falls too short here and I’m just not educated enough in the field to understand the real message, which is a pity.

One thing I actually found funny was that, in contrast to my previous watch Doona!, which couldn’t be more different from this series, this episode actually pulled off a really clear link between the first and final scene through a voice-over. This was exactly what I was talking about in my previous review, if they’d done something like this it would’ve made much more sense to me.
The final scene and the repeated use of the same voice-over segment made clear that the first shot is actually foreshadowing: we see Sister Sabina’s face and hear her recite this verse, followed by the shot of some liquid being flushed down a tube. When looking at this first shot after seeing the one at the very end of the episode, it could even suggest that the liquid flushing down the tube is, in fact, the result of the nun’s decision to push the killswitch after all. In any case, the repeated use of the narrated verse at the end very much clarified the first scene for me. I kind of liked how the open ending basically enabled an ethical debate on whether or not Sister Sabina would oblige to the robot’s request or not. She’d really have to weigh her own morals and values to make that decision.

One final element I found remarkably well done in this episode was the use of subtle transitions. The way the liquid flushing down the tube in the first shot seamlessly transitioned into the scene where Gan Ho Joong was changing the comatose mother’s fluid bags. The way the back-and-forth scenes between Jeong In and Gan Ho Joong were shot while it was the same actress (I really wonder how they did!)
There was a really satisfying use of framed shots, for example when depicting the many monotonous layers of the hospital floors. All in all the cinematography was really remarkable.

All in all, I found it very interesting to watch. The quality of filming and acting was very high. While I really wished I could have understood the depicted references better, I do think that the unclarified details only attributed to the eerie vibe of the story’s setting. It was constructed in a very interesting way, and it left a lot to the interpretation and attentiveness of the viewer. If the other episodes are going to be anything like this, I am very excited to move on to the next one. It actually feels like I’m watching a Korean version of Black Mirror and I’m not complaining so far.
By the way, and I’m just noticing this, but it’s also interesting to look closely at the poster of this episode. It features Jeong In and Gan Ho Joong standing opposite each other, and it looks like they are reflected through a mirror as we can see a crack in the glass. This crack is positioned right in-between the two, and cinematography usually uses images like this to display a disparity or dividedness between two characters. It really does suggest that the Cain and Abel reference is directed at the two of them, albeit more figuratively than literally.

As I’ve come this far, let’s just include a short cast comment section, shall we? I figure these sections will remain quite short in this package of reviews as each episode seems to only include a small core of main characters.

I’ve seen Lee Yoo Young once before in Tunnel, which I thought was really good. Tunnel was actually her debut drama. I was really impressed by her performance in this episode. Not only did she pull off a double role, she actually manage to portray two completely different characters. Apart from having the same face, Jeong In and Gan Ho Joong were incredibly different in posture, movement, behavior and expression. This was some next level Orphan Black acting, for sure. I remember finding her a bit stiff and, admittedly, a bit robotically emotionless in Tunnel, but her acting in this particular episode completely changed my mind about her acting. She showed a wide variety of emotions while playing out Jeong In’s depressive episodes, but she really blew me away with her portrayal of Gan Ho Joong, especially in the final sequence. To be able to portray a human-like robot who started experiencing human-like pain it couldn’t progress properly, that’s on another level. She was incredible in this and I’m definitely going to keep an eye out for her in future shows.

Not me going ‘OMG!!’ when I realized Yeom Hye Rim is the maniac mother from Mask Girl, LOL. I was thinking she looked familiar but I didn’t connect the dots, even though I praised her into the heavens two reviews ago. Anyways, I think her portrayal of Choi Jeong Gil was also very impressive. This woman just doesn’t know any shame when it comes to going all the way in her acting. I honestly felt very sorry for Jeong Gil, it was clear that she just wanted her husband to go back to how he used to be, and the way she was begging the caretaker robot to save her from her own suicide attempt as soon as her husband seemed to become lucid again was really heartbreaking. She was definitely a victim of the capitalistic system that employed these robots, and I thought it was very powerful to include her story in contrast to Jeong In’s, to show how other people in similar situations ended up drawing the short straw. She died only because she wasn’t assigned to a caretaker robot herself, and that’s why it feels like her character was used as a plot tool to show an example of how useless the whole caretaking system really was.

Apparently I’ve seen Ye Soo Jung before in God’s Gift – 14 Days, but it’s been too long ago for me to remember her from that. She did look a bit familiar, though. I’m sure I’m going to see her in other series in the future. Accordingly to TRS-70912B’s remark in the final scene, I also think Sister Sabina’s character was a perfect example of human hypocrisy. Despite her good intentions to introduce everyone to the relieving act of praying to the Lord to relieve their worries, she really needed to get her own morals and values straight. It was so typical that she would recommend everyone to share their worries with the Lord and trust in his plan but then admit that no one actually knew what His plan actually was. As a robot, I would’ve also gotten confused, lol. Anyways, I kind of like that the meaning of faith was also put in perspective through her character, especially as she herself changed her mind as well. She first told Gan Ho Joong off for trying to act like a human, telling her that robots weren’t made to kill humans, but then when TRS-70912B put her in that same position, begging her to ‘kill’ it because it wouldn’t be the same as killing, it would be setting the robot free, she couldn’t bring herself to do it because it still felt like murder. There were a lot of interesting contradictions this woman had to go through, and I’m actually curious as to what decision she would’ve made. I liked the naturalness of the actress’ acting and how she displayed such different sides to her character as well, even though we aren’t actually given that much background information on Sister Sabina.

As I said, I was impressed by the concept and structure of this episode and I’ve become increasingly excited to watch the other episodes. For this one, the main disappointment lies predominantly with myself, as I was simply not knowledgeable enough to understand all the Biblical references in this episode. I’m sure there are other reviews out there with more informed reviews, I might just check those out. This time I chose not to look for other reviews beforehand because I really wanted to share my own unbiased thoughts on the episode. Besides the many question marks this episode left me, I was really impressed by the structure of the story, the dialogues and the events, and the acting was really good. I feel like I’m going to like this anthology.

On to the next one!

SF8

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

SF8
(에스에프에잇 / Eseuepeueit)
MyDramaList rating: 7.0/10

Hi y’all! A bit of a different layout this time as this series has quite a unique structure. It’s an anthology, which means that it consists of several independent episodes containing different individual stories. A bit like Black Mirror, if you will (it certainly reminded me of that). As the episodes are separated on the majority of my drama source websites, I’ve decided to write separate reviews for each episode as well. I first thought of combining all eight episodes into one large review, but as I was going through the episodes and my reviews I realized that would make an actual 🦖MONSTER🦖 review, so I decided to divide them up like this. It’s a method that I haven’t used before, so I’m pretty excited to try something different. In hindsight, it was basically like reviewing eight individual drama specials, similar to what I’ve done before with What Is The Ghost Doing? and If We Were a Season, but in this case I’m compiling them under one link as a collective series. Consider it a special drama review package, my Christmas present for you. 🤗

SF8 is a science fiction anthology series that consists of eight separate episodes which were all written and directed by different people. It tackles a wide variety of science fiction-related topics, and the stories are all set in near-future contexts. The episodes each have a duration of 40~60 minutes.
The anthology series was created through a collaboration of MBC, the Directors Guild of Korea and the OTT platform WAVVE. Five of the eight episodes are based on short stories from different writers.  

I have structured my reviews in the following order:

SF8: The Prayer

SF8: Manxin

SF8: Joan’s Galaxy

SF8: Blink

SF8: Baby It’s Over Outside

SF8: White Crow

SF8: Love Virtually

SF8: Empty Body

I discovered later that this order is different from the order that’s depicted on the episode posters. According to those, the order would be: The Prayer, Blink, Joan’s Galaxy, Manxin, White Crow, Love Virtually, Baby It’s Over Outside, Empty Body. I couldn’t find any source that clarified the correct watch order, but the order I followed seemed to correspond with the previews at the end of each episode. Who knows, when I find some time someday I might even try the other order to see if there’s any difference in narrative or something.

My expectation for this series was that it would be like a Korean version of Black Mirror, eight different stories set within different futuristic worlds that have started to depend on specific types of advanced technology that both benefits society and contributes to the downfall of human authenticity. I also wondered whether there’d be overlapping elements in the episodes, like the Easter eggs and references that are hidden throughout Black Mirror as well.
After finishing the series, I think it’s safe to say that it can definitely be defined as a Korean version of Black Mirror, and there are indeed some recurring elements throughout the episodes, although not in every single one. What I noticed was that the first half generally seemed to depict stories that took place in more distant (or at least more dystopian) futures than the second half, which might as well take place several years from now. Some episodes had much heavier emphasis on the advanced technology theme and the relationship between humans and machines, others were lighter and more comical and focussed more on character development.
I personally really like sci-fi, and I also like it when things get a bit darker and edgier, so overall I liked those kinds of episodes more. I just like how stories become a bit more raw as they convey messages that are applicable to our own modern-day societies as well. If I were to pinpoint what pulls me into these stories I’d probably have to say it’s the fact that sometimes I like being reminded of the risks that advanced technology can bring to the world. We’ve already started living in a world that’s become highly dependent on technology without even fully noticing the changes as they happened, and I think it’s a good thing some shows point out those elements, even as a warning. Because let’s be fair, it’s not all rose petals. There’s enough to look out for and many developments aren’t particularly ‘positive’ either in terms of ethical issues.

If I had to rank the episodes to my personal preference, the list would probably look something like this:

  1. Baby It’s Over Outside
  2. Joan’s Galaxy
  3. Manxin
  4. Blink
  5. White Crow
  6. Empty Body
  7. The Prayer
  8. Love Virtually

I really liked how every episode seemingly took place in a different kind of setting, even though there were recurring references to for example the android manufacturing company TRS. Some actors also appeared in more than one episode. Apart from that, there were many references to (classical) literature, philosophy and music in order to keep a balance between human traditions and history and the new scientific developments. I liked that there was diversity between the types of science fiction as well. The stories all had unique world settings, from dystopian to robot-dominated, app- or game-oriented to actual Armaggedon. While some episodes jumped out to me more than others, I was overall very impressed by the writing, the cinematography, the casting and the acting. Some stories were very straightforward and easy to follow, others held a lot of symbolism and references that I wasn’t always able to grasp or understand. But none of that took away from the fact that I really enjoyed watching the whole anthology. I ended up watching each episode at least twice because I found that I tended to overlook things the first time and I really wanted to describe everything I discovered in as much detail as possible in my reviews. Typically, I’d first watch an episode from beginning to end with no breaks, then when I felt like I hadn’t fully understood it the first time I’d watch it again to get a better picture (often in combination with some comments and reviews I could find) and finally I’d watch separate parts back as I was writing the review. In other words, I spent a whole lot of time on this review package but it was definitely worth it.

Let me address a couple of practical things before I conclude my final review of the year (I still can’t believe I actually managed to finish all eight reviews for this antholody within two weeks🙉).
First of all, I want to take a look at the poster of the collective series as depicted above and just go over the people depicted on there. Generally, it features two key characters from each episode.
We can see Gan Ho Joong and Sister Sabina from The Prayer, Seon Ho and Ga Ram from Manxin, Yi Oh and Jo An from Joan’s Galaxy, Ji Woo and Seo Nang from Blink, Nam Woo and Hye Hwa from Baby It’s Over Outside, Juno and Ms Shin from White Crow, Min Joon and Ji Won from Love Virtually and Hye Ra and A-796/Young In from Empty Body.

I also found another version of the poster which features some people that aren’t on the first one. We can see that on this poster, Jeong In is featured instead of Gan Ho Joong from The Prayer and Ah Young is featured instead of Juno from White Crow. I’m not trying to make a point about the posters or the featured characters or anything, but I just found it interesting to see in what way the characters of this anthology were depicted on the promotional posters. Each episode of course has its own poster, as you’ll be able to see when checking each review.
What I also found interesting was the anthology’s opening sequence, as it was basically a compilation of short clips that each referred to one of the episodes. At first I wasn’t completely sure about all of them, but I found a Director’s Cut clip on YouTube that clarifies which clip corresponds to which episode. Starting from the beginning, we first see the scene from The Prayer where Sister Sabina enters the TRS warehouse, then we see a cityscape that changes from light to dark with two lights in the sky that refers to Blink – I’m guessing the two lights are the AI lenses? -, the final scene from White Crow with the broken window and falling white feathers, the purifying/astronaut suit from Joan’s Galaxy (why the forest though?), the astrological symbols of the fortune-telling app from Manxin, the floating cyborg bodies in boxes from Empty Body, the couple with the bean pod-shaped temple patch refers to the app from Love Virtually, and the flickering TV on a barren wasteland with a falling meteorite in the background is from Baby It’s Over Outside.

To briefly elaborate on my rating above without spoiling too many details (please read the individual reviews for that) I ended up putting Baby It’s Over Outside first much to my own surprise. When I finished the episode for the first time I was rather disappointed by the anticlimax, but as I was diving into it deeper while writing my review I discovered that I actually found it incredibly genius. Of course it helps that time travel is one of my favorite tropes in existence, but I just generally thought it was really well written and I’ve never been so mindblown after such an incomplete storyline before. It still haunts me as I’m writing this. It’s the story that left me craving for more the most out of all episodes, which is why I decided to put it on top.
Joan’s Galaxy is a close second because it’s the only episode that sincerely touched me and even made me cry at the end. The depiction of friendship and genuine love this episode holds is both heartwarming and heartbreaking, and I found the way it was structured very clever as well.
Manxin comes in at third place because I genuinely liked the optimistic plot twist at the end. I thought it was cool how it depicted how an addiction to an app could have such serious consequences and lingering effects on people’s lives, and how people would have to get used to their own instincts again as soon as their gadgets fell away.
Blink was the first episode that really felt like a breather in-between a couple of quite dramatic stories. It was lighter and more comical in tone and had a more straightforward storyline so it was very easy to follow. I did like how it still left a certain tension when it came to the future of human-AI collaboration.
White Crow was definitely the scariest episode out of all of them, but I really liked the symbolism and references to Greek mythology. I also thought it was interesting how it predominantly focussed on the lead character’s psyche through an in-game psychological analysis of human trauma.
Empty Body was very somber in tone, but I found the underlying theme of dealing with grief and loss very powerful. It’s a very grim episode with little color and many silences, but it fitted really well within the anthology and I also thought it was a very fitting concluding episode, also because it tied back to several themes from earlier episodes.
The Prayer undoubtedly made a strong impression on me and I found the way inwhich the double-edged relationship between humans and robots was depicted very interesting and relatable. The only thing with this episode was that there were too many references and symbolisms that I wasn’t able to understand, and I also found the ending quite ambiguous.
Love Virtually was the only episode that I felt was kind of out of place in this anthology. In contrast to the other episodes, I felt like it lacked depth and the lead characters didn’t invoke any real sincerity for me. While I grew to sympathize with all the lead characters from the other episodes in one way or another, I found the portrayal of the main couple quite shallow and I just didn’t really get pulled into it. Still, it was enjoyable enough as a sort of pallet cleanser, especially coming after White Crow.

All in all, I’ve rated this series a 7/10 because I was generally impressed by it. I may have liked some episodes more than others, but there wasn’t a single story in there that I genuinely disliked or thought wasn’t good. The stories were brilliantly written and structured, and I also really loved the casting overall. It was nice to see new sides of actors I already knew and to get to know actors I hadn’t seen in anything before. I was able to make a lot of references between the episodes, but also to other shows and things I was reminded of. I always like it when I can think of similar themes and stories from other shows and sources while I’m writing reviews, so it really helped that the stories each provided so much room for discussion and interpretation.

And with that, I have finished my final review for 2023! I actually managed to watch 29 dramas this year, which is a new record! For next year, I’m actually going to try something new, and I thought it’d be nice to mention it here because it kind of ties in to the theme of this anthology: I’m going to have an app determine what I’ll watch next! It’s just an experiment and I might just decide to switch back to my original order, but I actually thought it would be nice to try out my new ‘Wheel of Fortune’ app, lol. That way, I will also not know in advance what’s next on my list and this will create an element of surprise for all of us.

For now, I want to wish everyone a very Merry Christmas, happy holidays and a very blessed 2024.

I’ll be back!🫡

Doona!

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Doona!
(이두나! / Lee Doo Na!)
MyDramaList rating: 6.5/10

Hiya! It got unexpectedly busy the past few weeks and I couldn’t find the time and space to write a review until now, even though I finished the majority of this show within a week. As there was a gap of almost two weeks between the second-to-last and the last episode, I was afraid that I might not remember all the details from the first half of the show, as my memory fades very quickly when it gets occupied with other things. Still, I wanted to write a proper review, even though it took me longer than expected to finish the series. I plan on watching one more show before the end of the year, but we’ll see how it goes as I still have a couple of deadlines as well. Like my previous watch Mask Girl, this show appeared on my Netflix feed and I decided to just watch it straightaway, as I sometimes do in-between my watchlist items. All in all, I found it a pretty soothing and even healing show to watch – until the final couple of episodes, when I completely lost track of what was happening between the main characters.

Doona! is a 9-episode Netflix K-Drama with an episode duration of about 50 minutes. It’s about a college student named Lee Won Joon (played by Yang Se Jong), who moves into a new sharehouse, where he meets his new housemate Lee Doo Na (played by Bae Suzy). What he doesn’t know is that she’s a famous idol from a popular girl group called Dream Sweet who was recently dismissed from the group. Doo Na, in turn, initially takes him for a sasaeng (stalker fan) who followed her into the sharehouse. As they get to know each other better and their relationship deepens, the more complicated aspects of Doo Na’s personality, including the reason why she had to leave her idol group, come to light and start interfering with things between them. Apart from this main storyline, their group of friends from the sharehouse also get individual (be it less explicit) storylines.

It’s been a while since I’ve been able to keep my summary so short, haha! I guess it really has to do with the fact that this story is very straightforward. As it predominantly focusses on the romance between the main leads, there is also not much distraction in terms of other plotlines or side character interference. As the show is more character-based than story-based, I think it’ll be best to construct this review through a character analysis. I will start with the main couple.

Lee Won Joon is a very dedicated college student. He is determined to succeed in his studies and since he’s moved away from home he is also very adamant on finding a part-time job, preferably in tutoring, as he is very good at maths. It’s immediately established that he is a very mature, responsible and good-hearted guy. Despite his determination to live on his own, he still feels bad for leaving his sickly sister behind with his single mother, and he wants to earn money quickly so he can still contribute to taking care of his family. He is introduced to the sharehouse by one of his old school friends (I believe), called Gook Soo Jin (played by Joo Yeon Woo). He is nicknamed ‘Gooksoo’ (‘noodles’) as he has his own noodle place. Gooksoo is a major fan of the idol girl group Dream Sweet, and as he always puts on Dream Sweet’s music in his car and restaurant, Won Joon has come to recognize it, even though he doesn’t specifically know the group or its members. When he first meets Doo Na outside of the sharehouse, he is unknowingly wearing a hoodie Gooksoo lend to him, which is Dream Sweet merchandise with their logo on it. Seeing this, he is misunderstood by Doo Na as a fan. However, despite the fact she looks vaguely familiar to him (Gooksoo has her photocard on display in his car), Won Joon doesn’t immediately connect the dots with who Doo Na is and starts his comfortable new life at the sharehouse.
I think Won Joon can be described as a typical boy next door. He’s not one for being in the center of attention, he doesn’t really care what others think of him and he’s generally nice to everyone. The only thing he cares about at the starting point of the story is finding a part-time job next to his studies, so he can keep focussing on his grades and simultaneously make some money to contribute to his family’s financial situation. He is not someone who goes looking for drama, he prefers an easy life. He doesn’t hide his emotions either. When he feels wronged or frustrated, rather than express it through getting angry he will try to put it into words. He might be a bit soft-hearted, but he’s not a pushover – he will still make it very clear when he doesn’t like something, but he’s quick to forgive people. All in all, I found him a very relatable character with a lot of realistic human contradictions.

What’s funny is that we are initially introduced to Doo Na through Gooksoo’s perception of her. This makes for an interesting contrast when we meet the real Doo Na for the first time outside the sharehouse, smoking a cigarette in a jersey tracksuit. Initially she doesn’t even talk to Won Joon until the point where she actually confronts him with her suspicions of him. After realizing she was wrong about his intentions to move into this sharehouse, she warms up to him quite fast and even starts initiating closer contact by continuously inviting him to have a meal together and even visiting him at college. After establishing a platonic friendship, she even starts helping Won Joon out when he’s struggling with his lingering feelings for his first love. From the start, it’s not her intention to seduce him, but she inevitably feels drawn to him more and more. She also keeps showing him more vulnerable sides of herself, and they become really close.
On the other hand, there’s still the matter of why Doo Na was kicked out of her idol group. It’s described as that she got involved in a scandal, but we also get some glimpses of flashbacks suggesting that Doo Na was struggling a lot under the pressure of the idol industry and didn’t get along great with all of her groupmates and producers. These glimpses are never elaborated on and we never get to see the full corresponding flashbacks so we don’t get the whole picture of all the things that happened to her. All we learn is that she collapsed during a concert in Japan, and her manager urged her to take a break. And then she got into a scandal because her own mother (short but classic guest appearance from Kim Sun Young) took advantage of her financial success and defrauded many people of millions of won, resulting in major debt. I’m not 100% sure whether this scandal came out after Doo Na had already been forced to take a break and then that break led to suspension, but the scandal reason was highlighted more than the idol pressure reason, so I’m guessing that was the defining reason for her dismissal. Despite Doo Na’s casual behavior, and no matter how much she tries to pretend she doesn’t care, we see that she is not okay with the situation. While she won’t pick up her mom’s calls, she continuously tries to reach her manager – she even runs out onto the streets barefoot when she suspects him to be nearby. The way she reacted to any sign of contact from her manager made me feel like she did actually want to return to the stage, and this is confirmed later on in the series when her manager finally comes to see her and she ultimately returns to the industry as a solo artist.
All in all, it remains a bit vague what exactly Doo Na’s reasons are for maintaining such an enigmatic persona towards Won Joon when they first meet. She never talks in detail about what exactly happened to her, and Won Joon only finds out about the scandal through the Internet and information Gooksoo provides him with. Doo Na presents herself as a tough girl, smoking and swearing like a sailor, but the glimpses of vulnerability also suggest that she was wounded in some way and needs to heal. She finds an ideal healing partner in the uncomplicated Won Joon, who doesn’t even know who she is and, when he finds out, doesn’t even care.

As I was watching their relationship, I realized that it could be very clearly defined as a typical Golden Retriever boy versus Black Cat girl dynamic. Doo Na is hardened by the idol industry and alert to any kind of (hateful) stalkers around her. She’s seen how society can turn on a person over a scandal that person didn’t even have a personal hand in and she’s become more distrustful of people that approach her. On the other hand, Won Joon is primarily occupied by studying and earning money, and he just follows his feelings where they lead them. It’s in his nature to take care of people and he becomes a source of comfort to Doo Na before he even realizes he has developed feelings for her. Doo Na doesn’t interfere in his transition of feelings from his first love to her, it all happens very naturally and the healing effect the two have on each other is very sweet.

I will quickly go over the main side characters in the story, the group of friends from the sharehouse, before identifying a couple of criticisms (and icks) I developed throughout the show.

Let’s first talk a bit about Kim Jin Joo (played by Ahn Ha Young), Won Joon’s first love. Won Joon meets Jin Joo unexpectedly when they’re both putting up flyers to promote their tutoring skills. From the start it’s clear that there is (or has been) something between them that hasn’t been fully settled yet. We ultimately find out that the two liked each other in high school, but when Won Joon confessed, Jin Joo suddenly took an unexplained distance from him and they grew apart. Now that they’re reunited, it’s obvious to see there’s still some lingering attachment between them – the glances, the smiles, it’s clear as day. However, even after being reunited, the two don’t immediately get together and there’s a bit of a weird back-and-forth push-and-pull thing going on between them. Neither of them will agree or disagree to have feelings for each other, but at the same time their behavior when they’re together speaks volumes. As this ambiguous dynamic continues, Won Joon finds that his romantic feelings are shifting towards Doo Na, and he and Jin Joo eventually settle on being friends, even after Jin Joo herself confesses her overdue feelings for him.
I really liked Jin Joo, and I honestly would’ve supported her and Won Joon as a couple if she’d just been straightforward about her feelings from the start. The way she handled his confession in the past, avoiding him without an explanation (even though she had a pretty valid one) was not the way to go and her own confession came way too late. She missed her chance, simple as that. I did like getting her point of view in the scenes we initially saw from Won Joon’s perspective. I also liked that she never became bitter towards Doo Na even after acknowledging her as a potential love rival. On the contrary, Doo Na and Jin Joo build up a really sweet friendship. That scene where Doo Na came over to Jin Joo’s place and they were sitting together and Jin Joo just naturally leaned in to hug her as she saw that she was silently struggling was really heartwarming. Doo Na was the only one who found out about Jin Joo’s family situation and how her dad terrorized her, and that made her immediately soften towards her.
To mention Jin Joo’s family situation briefly, her dad was horrible. I don’t know what exactly his deal was, but when you start calling your own daughter a ‘useless bitch’, you’re not a father in my opinion. I don’t know if it had to do with Jin Joo and her sister not living up to his expectations or something, but his behavior was unacceptable no matter how you looked at it. I was so proud of Jin Joo when she finally managed to get out of her parents’ house and came to the sharehouse where she was surrounded by warm and supportive people her own age. It’s been a while since I’ve seen a second female lead who remained this genuine and good-hearted even when her feelings weren’t reciprocated, and I loved the relationships she managed to maintain with both Won Joon and Doo Na.

Moving on, there’s Choi Yi Ra (played by Park Se Wan). Yi Ra is initially introduced as kind of a loose cannon: she exhibits quite eccentric behavior that doesn’t typically fit into the mold of South Korean society. This is probably because she returned to Korea after living the majority of her life in Brazil. Won Joon’s reaction on seeing her for the first time immediately suggests he knows her and prefers to stay away from her. As it happens, Won Joon and Yi Ra grew up together. They were born around the same time at the same hospital, where their moms bonded and decided it would be fun if their kids would get married to each other when they grew up. That scenario didn’t play out as envisioned, because Yi Ra grew up to be very dominant over Won Joon, and Won Joon disliked her more than that he felt affection for her. After Yi Ra left for Brazil he’d hoped to never see her again, but now she’s back and once she recognizes him she’s initially bent on claiming him back as her fiancé. Fortunately it doesn’t take long for them to establish they’re both not into each other like that and Yi Ra focusses her attention on Won Joon’s sharehousemates.
While initially being slightly intimidated by Yi Ra’s personality myself (lol), I grew to like her more once she started paying less attention to others and more to herself. She literally caught someone’s attention as soon as she stopped taking the (bothersome) initiative and just started acting like herself. While initially being quite a caricature, it was nice to see her mature a bit in the final episode when she committed to a solid relationship. I wondered what kind of comic relief she was going to bring and how it would link to the main story, but her story kind of became a thing of its own without interfering with the main storyline.

Goo Jung Hoon (played by Kim Do Wan) is one of Won Joon’s sharehousemates. While we don’t get a lot of information about him, he is typified as a guy who doesn’t have a lot of interest in other people. When Yi Ra comes into the picture he is initially appalled by her persistent attempts to get close to him, but at the same time he can’t find it in himself to be too hurtful towards her either. Despite himself, he ends up falling for Yi Ra despite initially rejecting her advances. I really loved the scene where he just went ‘Don’t worry, I like you too’ and kissed her like that. He just accepted his feelings after some consideration and informed her of it, like it wasn’t a big deal (which it wasn’t, I guess). I liked that they also got a proper kissing scene. They made an unexpectedly cute couple in the end.

Finally there’s Seo Yoon Taek (played by Kim Min Ho), the guy who just couldn’t get a girl and then ended up giving love advice to a whole class of women. Yoon Taek was basically the moodmaker at the sharehouse. I get that he was the type who’d always humorously miss out on any romantic action, but he didn’t make too big of a deal out of it so he didn’t become a pathetic person. I did go ‘Aww’ when he missed out on the chance to pick up Yi Ra when she got drunk. Apparently her friends had contacted both him and Jung Hoon, and the latter got to her faster. The way Yoon Taek sat between her friends after arriving too late was both funny and sad🥲.
Both Jung Hoon and Yoon Taek don’t get a background story, probably because both of them have no prior link to Won Joon or Doo Na’s pasts. It was pretty refreshing to have so many uncomplicated and light characters in the show, they created a nice vibe and there was no drama between them. There could’ve been tension between the two guys when Jung Hoon realized his own feelings for Yi Ra while also being aware of how Yoon Taek felt about her, but he didn’t hold back his feelings and Yoon Taek also didn’t get salty about it, so all was well.

I have to admit that when I first saw the opening sequence of this show and the final shot of the whole group of friends on the beach together, I expected a bit more bonding between all of them. They all got along well, and of course couples and friendships were formed between them, but I feel like in the end the supporting characters remained a bit more in the background of the main couple’s storyline. While it was refreshing to have some simple and cute supporting storylines alongside the main one, I still felt like there could’ve been some more bonding, especially with Jung Hoon and Yoon Taek since they didn’t have background stories of their own.

Now that I’ve gone through all the main characters of the show, I’d like to share some opinions of a more criticizing nature. As I mentioned in my introduction, I was enjoying the series up to a certain point, and from there on things suddenly got quite confusing and even icky between the main leads. I’ve seen very positive reviews overall on several drama source sites so I might be stating an unpopular opinion here, but I still want to share it.

First of all, I was confused by the voice-over narration at the end of the first episode. Even after gaining clarity in the final episode I still find it confusing why they structured the narrative in that particular way. The first episode ends with Doo Na visiting Won Joon at one of his college classes and them having ice cream together. The scene of her visiting his class is then repeated, accompanied by a voice-over narration in Doo Na’s voice, saying:

“Every life has its unexpected twists. You once said to me that you and I are from different universes. That though we had been living in completely different universes, we found ourselves sitting side by side at the same station purely by chance. Even though you may be right, I was happy that it was you.”

I remember that this voice-over confused the heck out of me and I even played it again to try and understand what it was about. It came out of nowhere, I didn’t have any clue as to what she was referring and it wasn’t even clear who she was referring to. Won Joon was the most plausible option, but it could’ve also been someone else. It could’ve also referred to her manager, for example, because it’s also possible to interpret as that Doo Na was thinking it at that specific moment. The way it was filmed, capturing Doo Na with a kind of contemplative and even reflective expression on her face, just made the whole thing super ambiguous. In any case, it was impossible to understand the meaning of that voice-over at that point since we didn’t know what was going to happen yet.
Secondly, it suddenly changed the narrative structure of the first episode, making it about events in the past by adding a reflective voice-over narration. I just found it inconsistent to add in a voice-over talking about a real-time scene as an event from the past, especially since that narrative structure wasn’t continued in the rest of the series.
Won Joon ultimately makes the comment of them being from different universes ending up next to each other at the same station in the very last episode, when they’ve already grown apart. It’s only because I remembered my confusion about the voice-over that I went, ‘wait, isn’t this what she was talking about in the first episode?’, otherwise I wouldn’t even have made the link. I found it such a weird connection between the first and final episodes. It just didn’t make any sense to put in the first episode, it just made the whole narrative structure confusing for me, and it only made the ending one big question mark. What would’ve helped, for example, was if there would’ve been a clearer link to the voice-over quote in the final scene. For example, if they’d repeated the final part of the quote (eg. ‘Even though you may be right, I’m happy that it was you.’) over the final scene where they crossed paths and Doo Na looked back at hearing Won Joon’s voice. That would’ve at least given the voice-over comment more clarity and the ending as a whole more closure. Now I was just confused as to what happened to them and if they were even still friends.

Which brings me to my major ick and confusion: the way the relationship between Won Joon and Doo Na suddenly became problematic in my opinion. Honestly, I was enjoying myself. I was enjoying the show, the cinematography, the story, the buildup in the main leads’ romance, their kissing scenes, all of that. But everything changed when the Fire Nation attacked the manager turned up.
Won Joon and Doo Na were on a cozy trip together and they were staying at Doo Na’s grandmother’s house where she grew up. They were having a lovely couple holiday away from the city, but then suddenly Doo Na’s (ex-)manager showed up with his car. Up to this point, we’d been given enough background information to know that Doo Na had had a special bond with her manager, and she might’ve even had romantic feelings for him (this is confirmed later on). The way she reacted when she found a birthday gift he’d left at her house and she ran out into the streets in order to catch up with him, that’s not a typical idol-manager bond. In any case, as she and Won Joon had already reached quite a serious point in their relationship, I was unpleasantly surprised by her reaction at seeing her manager there. She literally just let go of Won Joon’s hand and got into the manager’s car without saying anything to Won Joon, and she stayed away for hours without any kind of contact. The fact that she saw the worried look in Won Joon’s eyes and didn’t even reassure him by saying, ‘I’ll be right back, wait for me’ or ‘I need to deal with this for a moment, don’t worry’. She literally just left him there, in an unfamiliar rural area, all by himself, without a single word of explanation. Understandably, Won Joon was upset. I think he also had an inkling of her relationship with that manager and he was hesitant to let her go, but apart from that he so deserved an explanation. I don’t blame him whatsoever for just leaving and visiting his family instead. I’d be like, toodles, I don’t deserve to be treated like this, I’m not gonna stay and wait for you here like a domicile puppy. It would’ve been very characteristic of Won Joon to do so, so I was proud of him to just leave. When Doo Na came back to the house it was already dark (!), and I didn’t even feel sorry for her that Won Joon wasn’t waiting for her. I just went, ‘I bet you expected he’d be waiting, huh? Maybe that’ll help you reflect on how you just left him like that’.
It only got worse after that. Honestly, I was completely on Won Joon’s side here, and I thought he had every reason in the world to be mad, even more so when he met Doo Na back at the sharehouse and she pretended like nothing had happened. She didn’t even apologize, and even started provoking him by asking ‘Don’t you want to know what we did after we left?’ (?!) In the end she ‘justified’ her actions by saying that she went with her manager because she thought that’s where her heart lay and that she only suddenly realized that she wanted to stay with Won Joon when they were on the road. I honestly thought hearing that would’ve only strengthened Won Joon’s anger, because it proved that apparently she hadn’t even been 100% sure of her feelings for him at that point, she left his side in a heartbeat when they’d already slept together and he was into it all the way. But instead he FOLDED. He folded like a BEDSHEET the second she said ‘I love you’. There were still so many reasons to be mad, she still did that and didn’t even feel the need to apologize, she kept turning it back on him for not confronting her with it more, but he folded and then suddenly everything was good again between them. That was the first moment I went, ‘Excuse me?!’. Seriously, in my opinion, that was not the way to resolve this issue. Doo Na just distracted his attention by saying she loved him, and even though she meant it, this resulted in that this issue was never properly closed between them.

My next point of confusion occurred when Doo Na suddenly decided to go back to being an idol. Admittedly, the gap was closed a little bit in the final episode which revealed that they didn’t officially break up when she went back, but at first it seemed to me as if she just disappeared from Won Joon’s life one day, again without any word of explanation. She’d sung at another artist’s concert and this refuelled her desire to start singing again, and Won Joon had encouraged this. The last thing we see before she’s suddenly back at her agency is that she asks Won Joon, ‘And what if they ask me to stop dating you, would you be okay with that?’ to which Won Joon’s face clouded over. So the jump from that to Doo Na’s return to the industry was kind of sudden. I even felt like I’d missed something.

Speaking of Doo Na’s manager, as I haven’t mentioned him in detail yet, Park In Wook (played by Lee Jin Wook) remained kind of a mystery to me. It seemed like his character was a metaphorical demon that Doo Na couldn’t let go of. The way he put her in that sharehouse, allegedly to make Doo Na go through her worst fear of being abandoned also made me wonder what other kind of mind games this guy had up his sleeve. It was like he was aware of Doo Na’s feelings but played on them to bring her back rather than to actually feel for her situation. For him, it was like putting someone in the corner for a while until they’d cooled off and then put them back in the field again, his actions lacked compassion. I was actually curious about what had gone down between them apart from the few scenes that showed how he took care of her after her grandmother died and her parents abandoned her. Overall, I would’ve liked a bit more detail about Doo Na’s time as an idol, I wanted to see the full versions of those flashback glimpses. I feel like I may have come to understand the mavity of Doo Na’s situation better with that extra knowledge. Now, in hindsight, going through that scandal alone didn’t feel like a traumatic enough experience to make Doo Na so vulnerable and scarred. I feel like maybe more was ‘suggested’ rather than actually shown, but we know how I am, I need visual proof otherwise I’m not going to get it, lol.

What icked me the most in the final episode was the breakup. I guess many people felt the heartbreak, but I was just sitting there like ‘🤨??’ From the previous incident with the manager I gathered that Doo Na only followed her own feelings and thoughts, even if that made her realize she should’ve made a different choice. She went with her manager because she instinctively thought she needed to be with him, and only after making that decision she realized that she actually wanted to be with Won Joon now. She always had ways to justify her actions without having to apologize, and she’d gotten away with it so far because of Won Joon’s compliant and accommodating nature.
Honestly, the way they were living in the final episode, literally in two different worlds, was more than enough for me to understand why Won Joon couldn’t take it anymore. It wasn’t even that he stopped loving her. It was because it killed him that he loved her so much but couldn’t be with her as peacefully as before. The only way to get it across to her was to be straightforward and not fold like he did before. I found this very brave of him, because it was obvious how hard it was for him to do.
On the other hand, what does Doo Na do? She GASLIGHTS him into making him admit everything is HIS fault, HE doesn’t have the balls to date her while it was so EASY for him when she was still unemployed and ‘lost in life’. She literally makes him apologize and express regret about breaking up with her, the way SHE should’ve apologized for leaving him all alone that one time. It was so twisted and unfair. In my opinion, SHE was the one who shook up Won Joon’s life, and he also expressed that himself in the beginning when he asked her not to make his heart flutter if that wasn’t her intention. I was literally sitting behind my screen going, ‘WHAT IS HAPPENING HERE’ 🙉🙉. I couldn’t even feel bad for her because she was only looking at her own side of things. She even had the audacity to assume it was all super easy for Won Joon.
I think what conveyed this disparity between them most clearly was the way they parted ways at the subway station. Doo Na went ahead to the platform, leaving Won Joon standing in the hallway by himself. While waiting for the metro, she looked back a couple of times to see if Won Joon was coming after her, clearly icked by the fact he didn’t appear. Later, we see Won Joon break down by himself on the platform completely. That just made me realize the difference between them. Doo Na kept looking back thinking, ‘he’s supposed to come after me‘, not realizing that if she were to go back to find him or waited for him to come down, she would’ve found him sobbing like that. She didn’t think about how Won Joon was feeling throughout the whole thing, and it didn’t occur to her that he might be suppressing stuff as well. It just made me so angry that she kept saying things like, ‘how is this all so easy for you?’ and ‘why are you so calm about all of this?’ That just made me feel like even I knew Won Joon better than she did, because it was so freaking obvious how NOT easy it was for him and how NOT calm he was under all of it. It just suddenly made Doo Na seem super toxic to him in their relationship. I even got a little mad at Won Joon for agreeing to apologize to her and say that it was all his fault, but I guess he did it to get her to leave. He literally ended it with ‘I’m sorry, it’s all my fault and I’m definitely not calm, this is killing me inside, so will you please leave me alone now?’ 😢 And then they hugged and I guess the ‘I’ve missed you (too)’ came from the relief they both felt that they finally shared their honest feelings about the breakup even though it didn’t mean they’d get back together? Anyways, I interpreted it as that they made up in some way, whether it was as friends or more (I honestly couldn’t tell since they’d ‘made up’ so easily before as well). Because of this vague interpretation it was super confusing for me to see them appear like two strangers in the final scene, as if they didn’t even keep in touch. I just couldn’t keep track of it anymore.

In hindsight, the way this story evolved reminded me a bit of the movie ‘My Week With Marilyn’, in which this young guy has a sort of secret thing with Marilyn Monroe for a week when he’s helping out backstage and then it’s over and she moves on to her next production and he moves on with his own life and no hard feelings whatsoever. It felt like Won Joon’s life was temporarily shook up by Doo Na, this beautiful and mysterious creature, they had their sweet time together, and then it was time to go their separate ways again.

One final thing I wish to mention before moving on to the cast comments is that the whole series was visualized really well. The aesthetic of the cinematography and the beautiful visual imagery throughout were a couple of elements that kept me hooked on watching the series.

It’s cast comment time!

It was nice seeing Yang Se Jong again, I feel like it’s been a while but that’s probably because he just returned from his military service. I did have doubts about the choice of casting him as a college student, and there were moments where he did seem a bit old (he’s 31, the same age as me🙉). I’ve seen him before in Doctor Romantic Teacher Kim (S1), Duel, Temperature of Love and Thirty But Seventeen. I really liked him in this role because Won Joon has such subtle but distinctive layers to his character. It was really nice to see the actor’s acting skills shine through portraying those layers. Because Won Joon was initially introduced as such a carefree character, it hit all the more when he started feeling conflicted and upset, as those were feelings and emotions he wasn’t used to. I think Yang Se Jong expressed the awkwardness with which Won Joon tried to contain and handle his new feelings, both in terms of passion and anger. He showed me new sides to his acting yet again, and that was really nice.

I think this is the first short Netflix show that I’ve seen Suzy appear in. Up until now it was always full-length dramas, so it was nice to see her in a different kind of project for a change. I also liked that they incorporated the idol industry to her character, as Suzy herself is a former idol, so they even made use of her personal assets. It was cool how they had actual scenes during concerts in actual stadium, and how they filmed a music video for example. That just contributed to the credibility of Doo Na’s work field. I’ve seen other idol characters depicted in dramas that only ever talk about their activities but don’t even have scenes that show them while they’re actually on stage performing. I was genuinely disappointed with the shift in Doo Na’s character after that first incident with the manager. I’d actually started warming up to her by that point and then she suddenly started acting like that and it just didn’t sit right with me. On the other hand I think it was good to end with them ending the relationship, because that did give the show a rawer conclusion instead of a typical happily-ever-after ending. I’ve seen Suzy before in Dream High, Big, Uncontrollably Fond, While You Were Sleeping and Start-Up so far. While I have to admit that her acting skills have significantly improved from how she started out, after seeing her in Doona! I realized I think I actually prefer her in more humble roles, lol. I still feel like when she has to portray indifference, she tends to get a little snooty and arrogant in her expressions, and at some point those expressions kind of started pissing me off😅. I do feel like she got to show a lot more emotional range in this series, and it’s not that she acted badly (not at all). I just got the ick with her character, so maybe I’m a bit biased, haha. All in all it was really nice to see her in a different kind of show than I’ve seen her in so far. I’m curious to her next endeavors!

Despite my criticisms overall, I cannot deny that the chemistry between Yang Se Jong and Suzy was incredible. I would’ve never imagined these two to feature as a main couple together, but there wasn’t anything awkward or unnatural about them. I was pleasantly surprised by their passionate scenes as well, the kissing came really naturally and were very exciting to watch😇. It was an unexpected pairing that turned out to work really well!

After checking my drama source websites I realized that I must recognize Ahn Ha Young from her guest appearance in an episode of Extraordinary Attorney Woo, where she played that bride who turned out to be a lesbian! She looks very different with short hair. My first thought when she appeared on screen was ‘Wow, she’s so pretty!’ She has a really clean look, if that makes sense. Anyways, it was nice because even though I hadn’t seen her in a main role before it felt like I did. Her acting was really natural. As I mentioned before, I honestly wouldn’t have minded it if she and Won Joon had ended up together, their chemistry in the flashbacks and as friends was really nice. I’m curious to see her in more projects in the future!

I’ve seen Park Se Wan before in Goblin, School 2017 and I’m Not A Robot. It’s been a while since I saw her in something and it was super funny to see her as such an eccentric character as Yi Ra in this show. Apparently she’s the same age as Suzy, for some reason I thought she was a bit older. Anyways, I initially thought Yi Ra was going to another love rival or something. The way she was introduced was so extra that I expected her to play a more defining role in the story, but she kind of faded into the background after that extra introduction. Not that her character lost meaning or anything, but in the end she appeared less explicitly than I’d anticipated from the way she was introduced. I liked that she and Jung Hoon got together and that it worked out even after they graduated. It seemed like she pulled out a looser side of him and he pulled out a more mature side of her, which was nice. I like seeing actors that I’ve seen in lesser memorable roles before in roles that you can’t get around every so often, haha.

Not me slapping myself in the face after realizing Kim Do Wan was Yong San in Start-Up! I kept feeling like I knew him from somewhere, apart from the fact that he seems to be Kim Min Seok’s identical twin (how do their faces look so much alike??). Apparently he was also in The Great Seducer, but I don’t particularly remember him from there. Honestly, Jung Hoon was kind of my type 👀 I like a cool and less talkative kind of guy, haha. It was kind of predictable that he’d suddenly fall for Yi Ra, but I’m not complaining because that kiss??🫣 I liked that the side characters also got proper make-out scenes, even though they were cut a bit shorter than the main leads’, haha. I just loved that scene, the way Yi Ra half-drunkenly realized what had happened and caught up with him on the stairs to do it over properly, haha. They made a really cute pair. I hope I’ll get to see more of Kim Do Wan in the future! I like him.😊

I see that I’ve seen Kim Min Ho before in Sassy Go Go and The Sound of Your Heart, which is not enough to make me remember him in those roles, but he does have a familiar face. I also see that he’s in a couple of series that are still on my to watch list. Honestly, I would’ve liked to get some more backstory for Yoon Taek so that he wouldn’t have just been the primary comic relief character. He was a generally good guy and deserved a happy relationship just as well as anyone. I thought it was kind of random how he ended up giving love advice to a class full of women, but good for him I guess! I wish I could say more about Yoon Taek’s character except from the fact that he was constantly misreading women’s signs of liking him, but he didn’t really have his own storyline or love story, so there’s not much else to say except that he was the moodmaker of the sharehouse. I’m curious to see him in more dramas because I feel he’s capable of much more!

I haven’t seen anything with Lee Jin Wook before, except maybe the movie The Beauty Inside, but I don’t have any reference of him as a main or supporting character. I kept finding the relationship between Manager and Doo Na a bit shady. It was like he was treating her like a child even though he’d also fed her attraction to him. I get that he was just acting as a manager, it was all just work for him. As I mentioned before I would’ve liked to get a bit more detail about Doo Na’s life as an idol, when she was still close with him. Because now apart from the mention and brief visualization of how he’d taken care of her as a child and brought her into that industry, I could only guess from the way Doo Na responded to his advances how much he’d meant to her. It would’ve been nice to get a bit more insight into his psyche!

Just as a final cast comment, even though he didn’t have a major role, I really liked Joo Yeon Woo. I recently saw him in The School Nurse Files and I might add another drama he’s in to my list as well. It was funny seeing such a sturdy manly man like him get all giddy about Doo Na and Dream Sweet, lol.

As I expected, it didn’t take me as long as usual to finish this review. Sometimes I like watching shorter dramas because I know the review won’t take me as much time, lol. Anyways, I thought it was okay. I really liked the cinematography and the acting, and the characters were all equally interesting. I loved the healing aspect of the story and how different friendships were formed among the sharehousemates. Dramas like this, with simple storylines and not too much distracting additional plots and characters have become kind of a pallet cleanser for me, they’re just really relaxing to watch. Apart from the ick I eventually got from the relationship of the main pairing and the couple of confusions, I thought it was enjoyable enough. I found it refreshing that it depicted a relationship that ultimately didn’t work out, especially since ending a drama series with a confirmation of love (and often a wedding) seems to have become the mainstream in K-Dramaland. It’s as if failed relationships don’t count in the whole spectrum of finding love, even though failed relationships are often very defining for character development. I couldn’t really deny that Won Joon and Doo Na may not have been meant to be in the end, and that’s fine. Let them go their separate ways, live their own lives and find their own happiness and freedom. From that perspective there’s also a positive element to the ending.

I’m going to try my best and finish one more series before the end of the year. It’s going to be a special one, an anthology consisting of freestanding episodes, so I’m going to have to think about how to construct my review. I’m thinking of writing a review on each episode and then combine them in the end, but I guess I’ll see how it goes. Maybe as I’m watching it I’ll think of another way, who knows.

Anyways, see you soon! Bye-bee! x

Mask Girl

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Mask Girl
(마스크걸 / Maseukeu Geol)
MyDramaList rating: 7.5/10

Hiya! Not me unexpectedly adding in another review before the end of the month. Sometimes I like to switch up my watchlist with new releases I’ve spotted on Netflix, and this was one of them. While I may have gotten a certain impression from the trailer, in the end it blew all of my expectations right out of the window. It ended up being about something entirely different than I anticipated. Despite the heavy adult themes present in this series, I ended up appreciating it for the acting, the structuring, the storytelling/building, the cinematography and the underlying message that pretty much came full circle in the final episode. In terms of style and genre (including the bizarro elements), I’d put it in-between Somebody and The School Nurse Files, which are also short Netflix K-Dramas that I watched this year. On the one hand, there were aspects that would normally make me look away, but on the other hand I found it really intriguing for several reasons, and I’m excited to share those in this review. Let’s dive into it!

Mask Girl is a Netflix K-Drama with six episodes of about an hour each. It’s constructed as a three-part story in which every two episodes form one chapter. It focusses on rise and fall of Internet phenomenon ‘Mask Girl’, who becomes more infamous than famous after getting involved in a gruesome murder scandal. It explicitly deals with the implications and consequences of Mask Girl’s actions in the years following said scandal. Each episode focusses on a different person in Mask Girl’s life, and each person creates a new entry point for the story to proceed. I will structure my review accordingly, person by person. After each ‘chapter’ I will comment on that part of the story and analyze and ‘relativize’ each character as much as possible before moving on to the next part. I’ll also devote some comments on the plot twists that each ‘chapter’ brought about, which occasionally surprised me.

The first two episodes take place in 2009.
Episode one introduces us to the main protagonist, Mask Girl herself, Kim Mo Mi (played by Lee Han Byul). Ever since she was a little child, Mo Mi has dreamed of becoming a famous popstar, she loves being on stage and has an undeniable talent for dancing. Despite this glorious dream, she has had to face the cruel truth that she’d never be given the chance to show herself to the world because of her looks – just like my previous watch Birth of a Beauty the theme of South Korea’s demanding beauty standards plays a big role in this story and the main character’s psyche. Even her own mother tells her she’s too ugly to make it as a celebrity, and she’s booed off the stage by her schoolmates whenever she participates in talent shows. In short, all people see is her face, which is considered to be visually unappealing, and no one seems able to look past her exterior to recognize her talent.
In 2009, Mo Mi is working as an accountant for an insurance company, where she spends her time bitterly gossipping about the pretty new girl who’s doted on by all their male coworkers, while secretly crushing on her manager, Park Gi Hoon (Choi Daniel ♡). She lives an unremarkable life, very different from what she dreamed of as a child. However, she hasn’t completely let go of her dream. There’s still a part of her that longs to be seen and admired, and she expresses this through disguising herself with a mask and wig, performing in front of her webcam to receive heart points from followers. I’m not exactly sure what these kinds of livestreams are called, but I’ve seen them appear in several dramas before. Someone records a livestream from their room in which they perform some kind of entertainment or service to their followers, who can give appreciative hearts which are converted into money. Mask Girl’s livestreams usually include her dancing, but she definitely adds a sensual touch to it by wearing revealing outfits and emphasizing her (all-natural) bossom when she’s interacting with the people in her chat. She has built quite a fanbase and typically goes online every night.
In the second episode, we are introduced to Joo Oh Nam (played by Ahn Jae Hong), who works at the same company and in the same office as Mo Mi. Oh Nam can be described as a typical otaku – on the outside he’s a typical introverted guy who doesn’t seem to take particular care of his appearance, but at home he has a whole collection of figurines and inflatable dolls, and he regularly jerks off to hentai. He even speaks in Japanese to one of his air dolls, it’s very typical. In any case, Oh Nam happens to be one of Mask Girl’s most loyal followers and he’s developed a pretty big virtual crush on her.
At some point, he starts seeing parallels between Mask Girl and his coworker Mo Mi, and becomes the first person to find that they’re the same person. Rather than expose her, he falls even harder, for Mo Mi herself this time, and vows to protect her from scumbag men. When Mo Mi is taken advantage of by one of Mask Girl’s fans who offers to take her out for dinner while live-Tweeting about how ugly she is during their ‘date’, Oh Nam takes it upon himself to save her, tracking her down to a motel, prepared to do whatever is necessary to keep her and her secret identity safe.

Let’s talk a bit about Mo Mi and Oh Nam, since their ‘relationship’ forms a pretty important foundation of the story, or at least how it continues into the future.
First of all, it’s important to note how their stories correlate to each other. I found it really interesting to see how the first two episodes structured the basic element of them existing right next to each other but already creating such a difference in their respective perspectives. For example, we only find out through Oh Nam’s POV that he’s been present in Mo Mi’s work environment the entire time. He’s been there in the background in every single scene, but he’s never highlighted in Mo Mi’s POV for the simple reason that she is not aware of him. As much as Mo Mi plays a part in Oh Nam’s life, especially when he finds out she’s Mask Girl, Mo Mi is not even aware of Oh Nam’s presence, even when he sits right next to her at work. He only appears in Mo Mi’s story once, as a coworker who tries to tell her something before she gets on the elevator. The short conversation they have after they get off the elevator is, again, only shown in Oh Nam’s POV, which suggests that it wasn’t even memorable enough for Mo Mi’s.
The second episode merges Oh Nam’s POV into Mo Mi’s, but not the other way around. We find out how much Oh Nam has been keeping an eye on Mo Mi only through his POV. For example, the night when Mo Mi finds out that her beloved manager and the pretty lady are having an affair. For her, this is a shocking revelation which causes her to become so distressed that she gets super drunk and ends up taking off her clothes during a livestream, resulting in her suspension from the website. For Oh Nam, the discovery of the adultery comes as a huge relief as he was terrified that it was Mo Mi and the manager together, and he comes home exhilarated only to get surprised by Mask Girl’s reaction to it in her video that night.
By structuring the scenes like this, it was emphasized how different the focus of these characters were, even when they were so close to each other, and I found that really interesting. Oh Nam’s scenes merge his presence into Mo Mi’s story, but not the other way around. While their storylines happen simultaneously, they still go in such different directions and lead to such different interpretations and reactions.
Another thing I found remarkable about this show was that it allowed me to empathize with all the main characters (with which I mean the predominantly featured characters in each episode) in spite of their extreme and problematic actions. Looking at the whole story, you could say that there isn’t a single main character who is innately ‘good’ in the sense that they don’t have a single problematic or twisted trait to them. Still, for some reason, I was able to understand where everyone came from, and that doesn’t happen very often. In typical dramas, there’s always a clear distinction between the good guys and the bad guys, and you can easily point out who has the right to do something ‘bad’ and who doesn’t. Mask Girl kind of plays with that logic, especially in how it creates a background for all the main characters that enables us to relativize with them, even when they go to extreme lengths.

To start with Mo Mi, our heroine, when we are first introduced to her I found her the most relatable person ever. I admit I have a weak spot for characters who are gaslighted into believing their ugliness is a crime to society, especially when they’re not even ugly people. Mo Mi never had someone to fall back on, no one to tell her she was beautiful and valid and that everything would be alright. Her own mother wouldn’t even do that. Despite this, it does look like she learns how to accept her fate, and she developed a quite tenacious tendency towards people who would take advantage of her or who would openly ridicule her. In a sense, I was really glad she was at least able to stand up for herself properly. She may have been acting very subdued and introverted at work, but we also see her publicly call out a guy on the subway who’s hand brushed her butt, even dragging him to the police station. It may have kept killing her inside whenever something like that happened, but at least she stood her ground. She didn’t have it easy. It was like, every time she finally dared feel a little bit confident, someone would come along and kick her right back into the ground. She just couldn’t catch a break, she wasn’t given the chance to feel good about herself for even a moment, and that was awful.
I think it’s safe to say that what happened with Handsome Monk (or ‘Motel Guy’ as I prefer to call him) was the final drop in the already brim-filled bucket that pushed her over the edge and made her decide that she couldn’t live like this any longer. Honestly, I was so disappointed during this part. It actually seemed like he was being genuine when she took her mask off and he didn’t even flinch before going all, ‘Why are you wearing a mask? You’re beautiful’. It was so good to see Mo Mi open up and laugh and have a good time. Sure, it was to be expected that it was yet another prank, because so far all male characters in the story had turned out to be douchebags, but I still found myself going 😓 when it was revealed that he was indeed just playing her. I did like how she charged at him when he revealed his true colors and they had that awkward fight in and around the waterbed (seriously, the waterbed was a paid actor). During their wrestling, they fall through the curtains of the bed and Motel Guy hits his head hard on the stone sink and is rendered unconscious.
The way Mo Mi reacted to seeing Motel Guy lying there and how puddle of blood was starting to form under his head proved to me even more that she wasn’t a bad person. On the contrary, I wanted to grab her by the shoulders and shake her to get it through to her that it wasn’t her fault. It’s not like she meant to kill him or something, she was literally trying to get away from him. I honestly didn’t see how she would be in the wrong if she’d call the police and tell them the true story. Yes, she had followed him into the motel room, but she was super hesitant and she’d mentioned multiple times that she felt uncomfortable and that she wanted to go somewhere else. He didn’t let her go and then tried to take advantage of her, and in her struggle to get away from him, this had happened. There was no intended murder whatsoever, and honestly I wasn’t even that surprised that he was still alive.
In any case, after going home and taking a bath, I guess the hallucination of her face melting off was a kind of metaphor of her losing her mind. She disappears for a while after that and when we see her again at the end of Oh Nam’s POV, we see that she’s had plastic surgery as her whole head is wrapped in bandages. I’m guessing she made up her mind that she really had to change her face if she didn’t want to be treated like this by anyone else again that same night after the motel incident.
The biggest plottwist for me was how at the end of the second episode, Mo Mi’s insanity took over and she actually went so far as to kill Oh Nam. I guess I just wasn’t aware of how ‘not okay’ she was, despite consistently giving the impression she’d accepted the way she looked. I think that Oh Nam just happened to visit her while she was spiralling big-time, and his sudden sexual advances on her in combination with what she’d just gone through (both with Motel Guy and with her manager) came over her in a wave of heated rage and despair. I still don’t believe she wanted to go that far. Seeing how she started sobbing after she’d finished stabbing, it just showed how completely out-of-control she’d gotten. I honestly think she temporarily lost her mind and that led to this very regrettable action. It’s so sad because I wonder what would’ve happened if Oh Nam had told her that the guy had still been alive. Would that have helped? I’m not sure if it would’ve made things that much better, to be honest.

There are different sides to analyze in Oh Nam as well. We’re initially made to empathize with him through a concise flashback sequence of how much he’s been bullied his entire life, and how this has caused him to adapt to his environment by making himself invisible. He starts seeking his relief in the world of anime (particularly the erotic kind) and becomes what one would call a typical otaku. Just in case people aren’t sure what this term entails: it’s a Japanese term which refers to a specific group of very fanatic individuals and it commonly has a bit of a negative connotation as it’s mainly used to indicate people who have become slightly delusional in their fanaticism regarding a certain topic.
Oh Nam doesn’t get to rely on his looks much, but it seems like he’s found peace with it, just like how he’s found peace with his way of living and his virtual relationships, including the one with Mask Girl. As one of her most loyal followers, he always posts encouraging and validating comments, and Mask Girl regularly acknowledges him by his username.
Despite his tendency to get pervertedly passionate about Mask Girl, one thing that I did find surprisingly decent of him was that he actually covered his screen when she started taking her clothes off during that disastrous livestream. While other followers were cheering her on or commenting on how badly she was behaving, his first reaction was to NOT look at her naked body, and this instinctive behavior to respect her privacy made me feel like he did have a pure side – at least it meant that he wasn’t rotten to the core. He became seriously concerned for Mo Mi’s wellbeing and started looking out for her, even though it may have looked like stalking to an outsider. I mean, he even got rid of Motel Guy’s body to keep her involvement in the whole incident a secret.
Same as with Mo Mi, I don’t think he ever imagined ending up in a situation like this, and the adrenaline probably caused him to act without thinking straight, which made the situation even more messy and complicated without intending to do so. Even though I definitely did not condone how he suddenly forced himself onto Mo Mi – and I was really surprised by this because he’d been so respectful towards her before – I keep thinking that that was also him giving in to some feral, long-suppressed desire. He may have regretted it later as well, if he’d been given the chance. In any case, despite his perversion I also can’t find it in myself to completely write Oh Nam off, because I still believe that he wasn’t completely rotten. He genuinely cared about Mo Mi and thought she was beautiful the way she was. He probably showed more sincerity than any other male character in the entire show, so there must have been some good in him, even though it took such perverse forms.

The end of this first chapter, these two episodes, created the first plottwist for me. Honestly after the motel incident I started to think that maybe the story would be about Mo Mi and Oh Nam teaming up to get away with murder and keep Mask Girl’s identity a secret. I guess this was also a reason why Mo Mi killing Oh Nam came as such a surprise, because it just made me go ‘OKAY GUESS NOT🥲’. Honestly, if they’d met under different circumstances and Oh Nam’s actions of keeping an eye on her and following her had come out a bit more subtly, I feel like the two may have made a good team. They definitely had similar issues, they were both ostracized for the way they looked at both hid behind their PC screens and virtual systems of validation to find solace.

The third and fourth episodes, chapter two of the story, takes place a year later, in 2010. To bridge the gap, we are introduced to a new main character, Oh Nam’s mother Kim Kyung Ja (played by Yeom Hye Ran). Accordingly to the structure of every episode, we first get a little background story of her and her relationshionship with her son. We’ve heard her voice before on the phone in Oh Nam’s POV and from there it seems like she’s quite a fierce mom. She keeps scolding him for not sending her money and new clothes like the kids of her peers, and consistently pushes him to get married. When we are introduced to her in person, we learn that there’s a lot of layers to her character that you wouldn’t typically expect from an elderly foul-mouthed hillbilly who’s also a loyal churchgoer. Despite her strong language and awkward way of expressing affection, it’s clear as day how much she cares for her son. You could say she’s the epitome of a tsundere, because she hides her disappointment when her son tells her he wants to live on his own by scolding him even more and even accuses him of ungratefulness. In reality, we see her love shine through her actions: she keeps sending him food and tries to call him as regularly as possible, much to Oh Nam’s own annoyance.
What I found the most interesting when seeing Kyung Ja’s POV was revealed was that she had such an inaccurate image of her son. It’s clear that she had no idea of his perverted tendencies and she consistently told everyone how her son was the sweetest and meekest boy in the world. She may have scolded him for not sending her money or clothes, but on the other hand she told her peers that he did do those things, so there was definitely an aspect of wanting to keep up appearances, as well. The fact that she didn’t know about his lifestyle was proven when she and those two agents got into his house after not being able to contact him for some time, and she saw those naked air dolls lying around. Kyung Ja’s life is turned upside down initially when they discover a dismembered body in Oh Nam’s fridge. Kyung Ja naturally assumes it’s her son, but when it turns out to be someone else (Motel Guy), she starts doing her own research in order to find her son, because it does seem like he’s disappeared after having something to do with that dismembered body.
The sheer effort this lady puts in to locate her son is admirable: she takes computer lessons so she can go through his computer and inevitably stumbles across Mask Girl. When not much later Oh Nam’s body is found and a clear connection is made to Mask Girl, and Kyung Ja starts digging even deeper into her fanbase to get an understanding of her son’s involvement with her, which results in her also making the link between Mask Girl and his colleague Kim Mo Mi. As she deals with her grief for her son, Kyung Ja is taken over by a force of vengeful rage when she acknowledges Mask Girl’s involvement in her son’s death. She decides she won’t rest before she finds this mystery girl and makes her pay for what she did.
After some searching with the help of one of Mask Girl’s online fans who’s trying to keep tabs on her, Kyung Ja comes across a young woman who she starts believing might be Mask Girl. The woman in question has had plastic surgery, and she goes by different names. After following her one time she even spots the same necklace on her as the one she’s seen Mask Girl wear in one of her livestreams, and she takes action to corner ‘the little bitch’. However, the woman claims that she’s not Mask Girl, on the contrary, she shares a hatred for her and would like to assist Kyung Ja in her revenge plan.

The truth about this young woman is explored in the fourth episode, and we are introduced to Kim Choon Ae, who is about the same age as Mo Mi. Again, in consistency with the rest of the episodes, we first get Choon Ae’s background story from when she was a teenager (where’s she played by Kim Sang Ji). Being a bit of an outsider at her new school, she fell head over heels for a male idol trainee in her class, Choi Boo Young (U-KISS’ Lee Joon Young). When they met a couple of years later as Choon Ae was working in a convenience store, Boo Young swayed her into selling cigarettes and alcohol to him and his friends. After that, he kept visiting her and made her feel like she’d become a special person to him. He even invited her to his birthday party at a club one night. Due to her feelings for him, Choon Ae was never able to recognize the signs, not even when he asked her to pay for the entire club night. Seriously, feelings or not, you don’t invite someone to your party and then ask them to pay for everything, that’s BS. But yeah, Choon Ae believed him when he told her he’d pay her back (which of course never happened) and kept supporting him throughout his idol traineeship. After his debut, she once visited his agency to leave him a gift, and then she overheard him talking about her to a groupmate. Much to her shock, she heard him refer to her as his ‘ATM’, aka the person who always gave him money whenever he asked for it. In her rage after realizing how he’s been using her, Choon Ae published damaging and malicious content of him, photos from the club that revealed him smoking and drinking, which ultimately ruined his entire career.
Now, in 2010, Choon Ae is all grown up (and now played by Han Jae Yi). She’s changed her face and name and works mainly as a hostess. One day during a promotion job, she suddenly sees Boo Young and she finds herself approaching and greeting him. Seeing how she looks now, Boo Young was more than willing to immediately get it on with her (🚩) and Choon Ae even lets him stay at her house indefinitely. However, during the months that follow in which Choon Ae builds up a respectable career and salary as a successful hostess, she develops more and more disdain towards her freeloader. He just sits around playing games all day and doesn’t even contribute to the household she so generously offered to share with him.
Choon Ae initially tells Kyung Ja that she met Mo Mi (now played by Nana/Lim Jin Ah) when the latter became a new employee at her hostess bar, and that she basically lost her entire clientele to Mo Mi. However, when we see Choon Ae’s POV, we find out that the two women are actually best friends, and Choon Ae is only trying to get Kyung Ja off her bestie’s trail. Choon Ae and Mo Mi bonded over their shared past, having been ridiculed and taken advantage of for their looks. They also both ended up changing their faces to allow themselves a better life. Mo Mi even trusts Choon Ae with the story of Oh Nam, and Choon Ae proves to be a true friend to Mo Mi by not judging her for it.
While Choon Ae tries to keep Kyung Ja away from Mo Mi, she faces another threatening situation. Boo Young has somehow found out that she was the one who published the pictures that ruined his career. Not only does he refuse to leave her house, he starts physically abusing her. He starts beating her (AND her dog!!🤬🤬), and this escalates on the night Choon Ae and Mo Mi have decided to run away together. The two women end up strangling Boo Young with a dog leash and he ends up dismembered in a suitcase, just like Motel Guy. As they drive away to get rid of the body and hopefully head towards a new life (this is also where Mo Mi tells Choon Ae that she thinks she’s pregnant with Oh Nam’s child), they’re not aware that Kyung Ja is following them by car. One of her informant Mask Girl fans revealed that Choon Ae and Mo Mi were in cahoots together. The episode and this second chapter of the story ends tragically with Choon Ae getting fatally shot by Kyung Ja (that long shot of her being blasted backwards was insane, by the way). She uses her last strength to save Mo Mi from Kyung Ja by knocking the latter out, and then passes away in Mo Mi’s arms. Mo Mi ultimately drives away after pushing the remaining car, with Kyung Ja in it, into the water. We are led to believe that hereby, Kyung Ja has been taken out of the equation. I’m not entirely sure what she did with Choon Ae’s body.

Because there’s still a whole part on Kyung Ja to come, I’ll leave her character relativization until after my analysis of the story’s final part. Let’s talk a bit about Choon Ae instead. There are so many parallels between Choon Ae and Mo Mi that it’s almost freaky, and it’s no surprise they hit it off so well. They both decide to undergo plastic surgery after growing up being ostracized for the way they look, and it’s truly heartwarming to see how close they get. Honestly, at some point I wouldn’t even have been surprised if they had become more than friends, because that’s how emotionally intimate they were. I could’ve totally seen them bring up Mo Mi’s child together, too. Honestly, this part of the story had so many twists it became hard to keep up, first when Choon Ae turned out to know Mo Mi, and then when it was revealed she was actually friends with her, not enemies. If these two girls had met when they were both teenagers, they might’ve been able to find solace in each other and face their situations together from the start.
I did have mixed feelings about her taking in Boo Young, though. I honestly thought she had all the reasons in the world to expose his rotten nature like that, but after seeing for herself what kind of person he was, she still went to him when she recognized him. Was it some sort of weird nurturing thing, like, to make him acknowledge that she’d always been there for him, even after making sure he lost his idol career? It kind of felt like she still found herself drawn to him and she still wanted him to ‘see’ her, even after she’d changed her face, or rather because she’d changed it. At least she succeeded in that, because he agreed to sleep with her right away after he saw her new face (🚩). I couldn’t help but think it was naive of her to assume he’d become a better person after she’d show him some hospitality. On the other hand, that naivety and weakness also made her so incredibly human and realistic in her mixed feelings. Sometimes you just find yourself drawn to someone who you know is bad news, but you can’t help yourself craving for their confirmation and validation. I guess that must have also been the case for Choon Ae. I definitely wouldn’t say she’s a bad person, she helped people who didn’t deserve it because she genuinely wanted to, she cared for them. She and Mo Mi were a platonic match made in heaven, and although I did think they could’ve ran away as soon as they rendered Boo Young unconscious without actually killing him all the way, I was kind of impressed by how they handled him together. The knowing looks of pain and despair they gave each other were quite heart-wrenching, in my opinion. When Kyung Ja came after them, she even went so far as to pretend she was the real Mo Mi in order to save her friend. It was really sad how unfair her death was, as collateral damage to Kyung Ja’s revenge plan.

Can I just say how immensely relieved I was that Ping Ping survived? That little doggie was the most precious thing. I loved how loyal it was to Choon Ae and how it even started barking to warn her that Boo Young was close 😭 When Boo Young kicked her I was literally going 💪🏻🤬💪🏻 at the screen. Mo Mi ended up taking Ping Ping with her and left her at her mother’s house together with her newborn child.

For me, the plot twists in this part of the story lay mostly in that I was continuously misled by who Choon Ae was and what her intentions were. First she was Mask Girl and then she was not, then she was Mask Girl’s enemy and then she was actually her best friend… I kept being pulled into different directions, and this made this part very exciting. The writers definitely played with unexpected twists and turns and it really helped me get even more invested in what was happening.

In the final chapter of the story, episodes five and six, we move on to the years in which Mo Mi is in prison. In 2011, Mask Girl finally turns herself in. We have to assume that she gave birth to her child somewhere before she went to jail, because she is still able to personally deliver her baby (and Ping Ping) to her mother’s house, probably with the intention of turning herself in.
As we’ve seen from the very beginning in Mo Mi’s past, her mother Shim Young Hee (played by Moon Sook) has never been a very warm and loving figure to her. If the two were already barely speaking before the Mask Girl scandal, the ties were completely cut off afterwards. When Mo Mi temporarily disappears from the narrative after entering jail, we get some more insight in her mother’s life through the way she raises her granddaughter.
I don’t know what caused the spark of genius in this particular name-giving, but Mo Mi names her daughter Mi Mo. Mi Mo (as a child played by Kim Ha Neul) grows up as an unproblematic, cheerful child. She sometimes wishes her grandmother would tell her more about her parents, but she’s not really bothered by growing up without them. However, no secret can remain uncovered, and Mi Mo ends up finding out about her mother’s identity and the whole Mask Girl scandal in a rather unfortunate way. Somehow a rumor has been spread around, causing her school friends to all turn on her and she’s suddenly called ‘a murderer’s daughter’ and ‘a monster’ by passersby. As her grandma still keeps her mouth shut, Mi Mo is forced to go in search of the truth all by herself and this brings her to the source through which most people get their information from: the Internet.
Let me just get this straight: Mi Mo is SIX years old in 2017. She has to deal with all this stuff, including the knowledge that her mother is apparently in jail for murdering someone, all by herself at the age of SIX. She has NO ONE to fall back on. Her grandmother refuses to explain anything, and she just has to find ways to process the whole thing by herself. With her six-year old brain, it is nowhere near possible to make sense of this, as she’s simply too young to understand anything. Mi Mo is left to her own devices and starts developing problematic behavior. We see her switch from attempting to strangle herself to dancing in front of her mirror wearing a mask – she goes through different phases in trying to come to terms with the whole Mask Girl/mom thing and I don’t think it’s very surprising that she grows up to be a bit of a problematic youth with delinquent tendencies.

After transferring to a different school once again, teen Mi Mo (now played by Shin Ye Seo) finds herself seated next to a girl named Kim Ye Choon (played by Kim Min Seo). While they’re both initially reluctant to get along, Ye Choon gradually becomes more interested in Mi Mo as she discovers her ‘darker’ side.
Ye Choon is the oldest of a family of five, with two younger siblings that take up most of her parents’ attention. As the oldest child, she is expected to help more around the house and assist in taking care of her siblings. Ye Choon is a typical teenager so she finds it all a bit bothersome and craves for a bit more adventure in her life. When Mi Mo appears, Ye Choon finds herself drawn to her as Mi Mo seems to have a bit of a dark past. She doesn’t have parents and it seems like she gets into trouble a lot. She even has scars of cutting marks on her wrist, which Ye Choon finds fascinating. In her own naïve way, Ye Choon starts approaching Mi Mo by making up things about her own life, such as that her dad is abusive. She even attempts to cut her own wrist just to prove to Mi Mo that they are alike.
Through Che Yoon’s persistence, the two girls gradually grow closer and develop a close friendship. Mi Mo eventually even tells Ye Choon about her mother, under the condition that she can never tell anyone else. Not long after that, the rumor about Mi Mo being Mask Girl’s daughter suddenly starts getting around her school again, and Mi Mo immediately turns on Ye Choon – after all, she’s the only one who knew about it. This is also when she finds out Ye Choon has been lying about her dire family situation, and Mi Mo’s trust in her crumbles completely. Now there’s only one person left for her to go to – the sweet tteokbokki grandma who’s helped her through hard times ever since she was a child.

I’ve been looking forward to this part of my analysis, because there’s so much to say about their respective perspectives.
First of all, I think we can all agree that Mi Mo is probably the biggest victim of this entire story. Even when it must have been Mo Mi’s intention to have her child grow up with her grandmother so that she wouldn’t have to live under Mask Girl’s shadow, this little girl’s life was ruined before she even reached an age at which she could make sense of things all by herself. We see clearly that little Mi Mo didn’t have a single bad tendency in her, there was no indication of being ‘rotten from the start’ as her grandmother had described Mo Mi (although in Mo Mi’s case that also wasn’t true). It was so incredibly cruel that this child of all people was made to suffer under the reputation of her mother while she didn’t even grow up with her mother. Her mother wasn’t even there to directly influence her, she’d never met her, so how could people automatically assume that she was a ‘bad seed’ from the start? I always find it so sickening when people start portraying parents’ misdeeds on their innocent children. Mi Mo was literally isolated and ended up having no choice but to rely on the few people that did show her kindness, even though it often resulted in betrayal. It was because of her trust issues caused by this constant betrayal that she immediately condemned Ye Choon. After all, this was how she’d been living her life ever since it came out that she was Mask Girl’s daughter. Whenever people found out about it, they always responded in the same way, and it was natural that this messed Mi Mo up.
I seriously have no words for how messed up it was that Mi Mo had to deal with this all by herself. I’ll say something more general about this in terms of all the main characters later, but how could her grandmother not even have supported her after this came out? She clearly saw how she started behaving, but instead of reprimanding her she should’ve realized that she needed TLC more than anything at that point. Instead she just let Mi Mo do her own thing and become a delinquent, just as she’d let Mo Mi develop her own issues. I think it’s safe to say that, despite her good intentions and hidden feelings of affection towards both her daughter and granddaughter, Shim Young Hee was definitely not fit to raise a child. She was more like a strict governness than a warm (grand)mother, no wonder how both the girls she raised turned out so estranged. I just felt so sorry for Mi Mo that she was made to go through this all by herself at the age of SIX, because that was completely messed up.

While I think it’s easy to condemn Ye Choon for not exactly stimulating Mi Mo’s trust issues by lying about her own situation, I couldn’t help but relate to how she was feeling so much. Honestly, I’ve never a more accurate depiction of a teenager than Ye Choon. You just need to keep in mind that the way she behaved was so typical for a kid her age. Honestly, I recognize it from when I was in the first years of high school. I remember there was this group I hung out with that started doing Wicca, and I just assumed that I would have to participate in that if I wanted to be part of their group. I never stopped to think about what Wicca actually was and how it could get seriously dark, it was just something I apparently had to do in order to get closer to these people. I even remember just nodding along when being told me I had to do an initiation ritual and whatnot. Luckily I never ended up joining them, also because they were definitely not my ‘friends’, but I just remember that feeling of just going along with something before even thinking about what it actually meant and what I was actually doing. It also has to do with the naïve thought that showing you have things in common automatically creates a stronger bond with someone. You could just see how little awareness Ye Choon had of everything while she cheerfully showed Mi Mo her make-believe wrist scars and how she just made up those stories about her father hitting her mom. She didn’t stop to think about how messed up that was. Everything she did was purely to get closer to Mi Mo and to give her the impression that she understood her situation. Don’t get me wrong, I went ‘oh God, Ye Choon🤦🏻‍♀️’ on a very regular basis, but I just understood so well where her behavior came from that I couldn’t even fully blame her for it. What mattered the most was that it came from a good place and it was never her intention to betray Mi Mo.

Honestly I felt like the friendship between Mi Mo and Ye Choon was a karmic reincarnation of the one between Mo Mi and Choon Ae. I mean, their names even share the same syllables. There’s even an interesting parallel in the introductions of Choon Ae and Mi Mo – they’re both made fun of for their unusual names by their classmates when they introduce themselves to their new class.
Ye Choon accepts Mi Mo just as naturally as Choon Ae accepted Mo Mi, and both pairs develop a very meaningful emotional bond. You could even go so far as to link Choon Ae and Ye Choon by saying that Choon Ae dealt with physical abuse and Ye Choon lied about dealing with physical abuse.
Things like these just made me think about every little detail of this show, and I think it’s genius how they added these references and parallels, linking all the chapters of Mo Mi’s life, including Mi Mo’s together like that.
In terms of consistencies, I don’t know if this was intentional (it probably was), but I found it interesting how almost everyone was called ‘Kim’ in this story. When looking at the episode titles, which consist of the name of the main character that’s featured in that particular episode, ‘Kim’ is definitely the predominant name, even though none of the people named Kim are actually related to each other. There’s Kim Mo Mi, Kim Mi Mo, Kim Kyung Ja, Kim Choon Ae, Kim Ye Choon. I can’t help but feel like there’s a reason for it, to tie everyone together in some sort of cosmic way.

In episode six, the final episode of the final chapter, the series focusses on Mo Mi again while she serves her jail time between 2012 and 2023. After an initially rocky start to win the respect of the most influential prisoner in her cell block, Mo Mi (now played by Go Hyun Jung) has devoted herself to display exemplary behavior, even going so far as to pretend she’s converted herself to Christianism. As the possibility of an early parole approaches, she first receives a letter notifying of her daughter’s misconduct, and not much later she is confronted with the real danger at hand, and possibly the biggest plot twist of the latter half of the show: the return of Kyung Ja.
Because Kyung Ja didn’t die. She managed to get out of that sinking car just in time and with that, the final insanity switch in her mind finally flipped. After initially feeling lost when she finds out Mo Mi has been locked up and she has no way to deal with her lingering feelings of vengeance, the cruellest method falls into her lap when she discovers Mi Mo. After changing her own face (which I didn’t even realize because she’s portrayed by the same actress throughout the show) and name, she approaches Mi Mo on purpose. To the child herself, she becomes that sweet tteokbboki grandma who’s always there for her when she’s sad, but we see through her POV that she is actually the person who turns everyone against her overnight, and she’s the one who spreads the rumor about her being Mask Girl’s daughter, knowing Mi Mo would start suspecting Ye Choon. Kyung Ja’s new goal is to keep punishing Mo Mi while she’s in jail, through her daughter, her own granddaughter. To be fair I’m not actually sure Kyung Ja was aware of the fact that Mi Mo was conceived by Oh Nam, and I don’t know if that knowledge would’ve changed anything. In any case, it was enough for her to know that she was Mo Mi’s child.
After visiting Mo Mi in prison as part of a Bible-reading volunteer group and revealing her evil plan to harm her daughter, Mo Mi goes to great lengths to escape prison and go after her.
The final showdown takes place at Kyung Ja’s remote house in the mountains where Mo Mi, her mother and even Ye Choon come together to save Mi Mo. In the process, Mo Mi, her mother, and Kyung Ja all end up getting killed.

Again, I just couldn’t fathom who messy this whole thing must have been for Mi Mo. Not only does the last person she thought she could trust, the sweet tteokbokki grandma, turn out to be a lunatic who wanted to take revenge on her mother, she even has to watch her attack her own grandmother with a knife and, after finally meeting her biological mother for the first time, she immediately loses her again in front of her eyes. Mo Mi takes the bullet Kyung Ja aimed at Mi Mo in the back and dies in her daughter’s arms. This final part was so freaking intense and despite the fact that we’d seen hesitation in Kyung Ja’s eyes when it came to harming Mi Mo, her insanity just came to a climax here.
I’m just glad that Mi Mo turned out okay, and that she was taken in by Ye Choon’s parents (who already had three kids = superheroes). I just wished she wouldn’t have had to go through any of this mess.

To finally get to Kyung Ja, it’s safe to say that this woman completely lost herself in her grief and turned completely insane. The lengths she went through even after Mo Mi was locked up, still not granting her some respite and reflection on what she’d done showed just how serious she was about getting justice for her son.
Despite her extreme actions, I couldn’t help but notice that she also wasn’t like the typical villain without a conscience who just mercilessly went on to execute her revenge. As a matter of fact, she is very well aware that Mi Mo has done nothing wrong, she even tells her so. We also see her flinch with hesitation when she acknowledges Mi Mo’s goodness on several occasions.
I won’t relativize everything she’s done, because she also had a hand in taking several innocent lives that had nothing to do with her revenge. But I do remember that, when she was first introduced in the third episode, I spent the entire episode feeling so sorry for her. I kept thinking ‘oh that poor woman’ for what she went through after losing her son. Her grief was absolutely heart-wrenching, and it was incredible how she could still muster the energy and strength to devote herself to finding out what had happened to Oh Nam, even going the extra mile of taking computer classes to get into his mind better. Everything she did came from the feelings of a bereaved mother, and I couldn’t forget about that. Her revenge didn’t make her blind to the fact that she was making an innocent child suffer. I think it was just that she’d gone so far already that she wasn’t able to allow herself to get swayed by sentimentality anymore. She’d decided that she would devote the rest of her life to punishing Mask Girl, and Mi Mo allowed her to keep doing that even after Mo Mi had already admitted to her own misdeeds. She was too far gone to be able to think straight anymore and this was the only way she could think of that would help her find closure in coming to terms with her loss. Of course, I definitely think punishing Mo Mi by killing her best friend, mother and even attempting to kill her daughter was very excessive. It was probably for the better that the police shot her in the end, because she just wouldn’t have stopped.

To end my already quite elaborate story and character analyses, I just want to make a final comment about the ending, because as I said it brought the whole story full circle in my opinion.
In the final scene, we see Mi Mo watching an old video of her mom when she was little, the one that we’ve been shown in the first episode during Mo Mi’s character introduction. It shows Mo Mi as a little girl participating in a dance/talent contest. When the host asks her what she wants to be what she grows up, little Mo Mi says, ‘I want to become someone who is loved by another person’. I mean. If this doesn’t sum up the entire show, I don’t know what does. Because when you think of it, every single main character in every single episode in this story is the same. They all grow up as people without any love or admiration from other. In almost all cases, they didn’t even grow up with the ‘normal’ unconditional love and warmth from their parents. No one has a special person they can fall back on, a life partner or whatever you wish to call it. Every action from every single main character ultimately stemmed from the desire to be loved by someone. It just all clicked together when little Mo Mi said that. I hadn’t even expected her to say that, I was expecting her to simply say ‘I want to become famous’. The fact that Mo Mi, as a little girl, was already able to hit the nail on the head and phrase the desire of possibly every person on this planet like that, as an innocent child’s wish, that just wrapped up the entire story with such a powerful final message. It really felt as if everything came full circle right then and there, as Mi Mo was tearfully watching her mother’s innocent smile, unaware of the dark future that awaited her.
‘I just want to become someone who is loved by another person’. As simple as that.

Apologies for the detailed story summary and analysis, but there are just so many parts that I wanted to touch upon and I want the show to be acknowledged for its genius in its entirety. Besides the many parallels and interesting character developments, I was really impressed by the show’s way of storytelling, namely the way it constantly added new POVs to thicken the plot. The structure of the storybuilding reminded me of a book I read last year, ‘How High We Go In The Dark’ by Sequoia Nagamatsu, which follows the development of a specific global crisis. Rather than create an entire story within the time period in which that crisis occurs, it builds up a timeline by placing every single chapter in a different time period, phase and part of the world to create a complete history of how that global crisis develops into the future, and how ultimately generations in the far future are still influenced by the way their predecessors coped during that crisis. I recognized this structure in Mask Girl because it shows how far one single inciting incident can stretch so far into the future and how much it can keep influencing people’s lives years later. Even after Mask Girl isn’t a contemporary phenomenon anymore, people still remember her and retain their associations of her. I thought it was very interesting to build a story about an incident that completely spins out of control, ultimately causing the main involved person to get stuck in a situation she can’t escape from.

I gained so much insight from this story, but also so many questions. When is someone good or bad? What is good or bad behavior? Does being connected to someone problematic automatically make you problematic as well? Is evilness or rottenness innate or created?
In response to the last question, I’d definitely say that in the case of Mask Girl people tended to develop a dark side due to the influence of other people. Every main character of each episode became the way they were because of how other people had treated them ever since they were young, in addition to the lack of a solid support system. No one was born with the urge to wreak havoc, no one simply woke up one day and decided to go kill someone, it was all much more complicated than that. With the sole exception of Kyung Ja, even when they had strong negative feelings towards another person, no one considered murder as a first option. Of course, this doesn’t take away the fact that almost every character does end up committing a serious crime throughout this story, but I also feel like this has to do with the theme of how people act when they are pushed over the edge in extreme situations.

In terms of genre, Mask Girl is definitely a very turbulent and emotional series and it depicts a lot of violence and both physical and sexual assault. In contrast, I found the level of nudity quite mild: they mostly just showed butts and only mentioned boobs and it wasn’t nearly as explicit as for example in Somebody. I remember that when I first saw the trailer on Netflix, which only features a scene from episode 1, I just thought the whole series would be about this woman who was secretly an Internet celebrity and how she had to keep that a secret. I even thought it was a comedy when I started watching, only to go full, ‘What the Jesus Christ was that?!’ at the end of the second episode. The story took such an unexpected turn and went in such a different direction that what I’d expected. In hindsight I think it was more about Mask Girl as a symbol rather than a still-active phenomenon.
Structuring it like a timeline in which Mask Girl goes from a big hit to a vague memory (even though the associations with her misdeeds remain well-known) was a genius decision. It also highlights the biased media presentation of how Mask Girl’s story becomes subject to the public opinion. Rumors about her are spread by people who don’t even know what really happened, no one knew her and Oh Nam and no one was aware of the circumstances they were in at that moment. No one thinks about how it may have been an accident, or that she was defending herself while being raped. The only thing that matters to the public is that she killed him, and so she must be a cold-blooded killer.
Even when it gets out that her child goes to a certain school, no one even considers the fact that the child is innocent and that she didn’t even grow up with the direct influence of her mother. None of that matters, everyone is just instinctively driven to keep their own kids away from her.
It gives such a painfully accurate depiction of typical human behavior, especially in the context of crisis and scandal. I found it quite enlightening.
My only personal qualm with this show is probably that, despite its impressive cinematography and overall structure, it definitely wasn’t a light watch. It was incredibly emotionally loaded and featured extreme depictions of aggressive and escalated behavior. It did feel like I had to brace myself nonstop throughout the entire series, because even the smallest sweet or touching moment would quickly evolve into something dark and heavy again. I personally like to have a balance between light and dark moments. Although this series definitely makes a strong statement about the nature of people, the constant focus on human perversity and insanity wasn’t always that easy to swallow.

As I’ve now tackled all my comments on the story itself, I’d like to mention some practical details I found noteworthy. First of all, I was intrigued by the opening sequence. I’ve never seen anything like it. I always love it when they come up with something abstract which still contains clear visual references to the story. I think it captured the estranging aspect of living a double life, changing your appearance, and the (sometimes unwanted) attention from other people quite well. It was very eerie and unsettling in combination with the music, but I still played it each time to discover more recognizable images, like how the lines of red blood seeping through the crevices around floor tiles (literally depicted in the motel scene) turns into computer keys (a reference to the Internet world of Mask Girl but also Mo Mi’s office job) and how that in turn changes into teeth and a mouth and a woman covering her face with a mask. The metaphorical act of putting on a mask also gets a double meaning, because it’s really not just about Mask Girl with her signature mask. It’s a metaphor for hiding who you truly are, and this didn’t only apply to Mask Girl. Every single main character was wearing a mask, everyone kept something about their true identity hidden, whether it was actually changing their identity or lying about their home situation. Everyone pretended to be someone else in a way, which tied every single character together in an incredibly intricate way.

I also want to give a huge shoutout to the cinematography because it was AMAZING. Honestly, it was an absolute masterpiece to look at in terms of how each shot was framed, because that in itself told a very clear story. A show that looks good in terms of how it was filmed always gets bonus points from me.

Let’s get on with the cast comments, shall we?

Honestly, I’m surprised that this was Lee Han Byul’s first ever drama. I could’ve sworn I knew her from something else. In any case, I really liked her portrayal of the OG Mo Mi. Especially the way she managed to retain the layered personality of someone who sometimes just couldn’t contain her rage against stupid people. I found her very refreshing in that she wasn’t a typical ‘boohoo, people think I’m ugly’ kind of female lead, she would literally charge at someone and call them out in public, and that was really gratifying. She lay a very good foundation for the other two Mo Mis to build on, especially in terms of the aggressive tendencies. Also, maybe this is weird to say, but I still find it strange how people hated on Mo Mi’s face so much. I personally didn’t even find her that ugly (hello, that bone structure??) and honestly, I bet people would give so much for a body like hers. It was repeated throughout the series that she never had anything done to her body, it was only ever her face people didn’t like. I wonder how people have so much time on their hands to literally pick one specific part of someone’s appearance that doesn’t agree with them and focus all their hatefulness on that. In any case, I liked Lee Han Byul’s performance a lot and I hope that Mask Girl contributes in kickstarting her career and that I’ll get to see her more often in the future!

To be fair, I had seen on MyDramaList that Ahn Jae Hong was in this, but it still took me a long close-up of Oh Nam to realize it was him. I guess I’m just so used to young people in K-Dramas always having perfect skin, but here that all went out of the window and that’s probably also something that contributed in making everything so realistic. I mainly know Ahn Jae Hong from Fight For My Way, but he’s also been in Legend of the Blue Sea. This is definitely the best role I’ve seen him in so far, even if it’s just in terms of expressivity. I would’ve never even imagined him as a character like Oh Nam, but they gave him an incredible transformation. It’s a pity he only appeared in the first couple of episodes, even though of course his ‘legacy’ lived on in Mi Mo, although she would never know him. It’s kind of sad, I wonder how he’d have felt knowing Mo Mi gave birth to the child that was conceived when he forced himself on her. Anyways, I’ve discussed his character elaborately enough in the above section. I was really impressed by his performance and I’m definitely going to see more of him, so let’s see what more he has in store!

If there was anyone who impressed me the most in this series, it was without a doubt Yeom Hye Ran. First of all, the actress herself is only 47. How the heck did they make her look so much like a grandma? The transformation tactics in this series were amazing. I see I’ve only seen her before in Goblin, but there are a lot of big drama titles on her repertoire and I’m also going to be watching a couple of those, so I’m excited to see more of her. I was blown away by this woman, how she was able to exude so much tenacity through such a small body, haha. Her expressions were incredible, her energy was incredible. For some reason I really liked how she was so foul-mouthed because it became almost funny at times how she was cussing everyone and everything out. Combining that with the other side of her, for example after she had to identify her son’s body just made me internally applaud her versatility. How have I not seen more of this woman. She was truly amazing.

Apparently, Nana (or Lim Jin Ah) is a former member of Orange Caramel! I haven’t seen anything with her before, but it was nice seeing her as Mo Mi 2.0 because she exuded such strength in finally being able to express the confidence she’d previously only felt as Mask Girl. I really enjoyed the scene where she was dancing together with Choon Ae and they were having so much fun together. After she went to jail, I liked how that confidence got a slightly sharper edge and her tenacious tendencies came out more, for example when she kept charging at that one woman from Ahn Eun Sook’s crew, even though she kept getting locked up for it, she kept coming back for her. She suddenly managed to become intimidating, which I thought was pretty cool. Her emotional variety, which came out for example in the scene where Choon Ae died in her arms, was also impressive. I think she did a really good job.

I see that Han Jae Yi was also in Something in the Rain, Room No. 9, Hotel Del Luna and Melting Me Softly, which I’ve all watched in the last couple of years, but I don’t immediately remember her from anything. I may have recognized her face from any of those, but this is the first time I’ve really noticed her individual performance. I found Choon Ae to be a typical tragic heroine who, and maybe this puts it a but cruelly, just couldn’t learn from her mistakes. I loved how she was such a great friend to Mo Mi when Mo Mi needed it the most, especially after taking on her new identity. To find someone to bond over that after she must have felt so alone, it must have truly created something special between them. Honestly, I could see a whole Thelma and Louise scenario for them where they drove around together. I don’t think either of them would’ve craved something more than that. It was sad how she came to her end, I thought her character could’ve done with more validation for the goodness in her heart. I see from her dramas on MyDramaList that I’m going to see her in more dramas in the future, so I’ll keep my eyes peeled for her there!

My girl Kim Min Seo is going places! I previously only knew her from the ODG YouTube channel, after which I saw her properly act for the first time in Hometown Cha-Cha-Cha, and now she’s in this! As I’ve elaborated, I really related to Ye Choon’s character because she was such a child but she still had such an urgency to help her best friend in need, even when the situation turned out to be much more dangerous than she could’ve ever anticipated. Honestly, I was terrified that she’d get stuck in the middle of the crossfire, but luckily she survived and she and Mi Mo even got to be like sisters since Ye Choon’s parents took her in. She’s still only fourteen years old, so I guess she still has to grow into an actor a bit more. So far I’ve only seen her play stubborn teenagers, so I hope she’ll get the chance to portray even more challenging and mature roles in the future. I’m rooting for her!

I haven’t seen Shin Ye Seo in anything yet, but I probably will. I thought she did a really good job portraying the different sides of Mi Mo’s character as a teenager, both the softer one and the edgier one. Despite her looking so sweet when she smiles, she also managed to pull off the intimidating youth delinquent vibe very well. With everything that came her way (thanks to Kyung Ja), I had nothing but compassion and respect for how Mi Mo had to deal with all of that by herself. Especially in that final episode, when she meets her biological mom for the first time, only to immediately lose her right in front of her eyes, that girl really got some severely unnecessary trauma thrown onto her plate and I’m just happy that after that, she at least had a new family in Ye Choon’s. I hope she gets more opportunities to show off her skills!

Go Hyun Jung looks so familiar to me, but I haven’t seen her in anything before. I thought she pulled of the Final Mo Mi very well, because she really mixed the first two versions of her characters and merged them into one. I found it interesting how she apparently just cut off her hair and lost the necessity to flaunt the beauty that had been such a driving force in her life so far, but she still retained that kind of manic energy, especially in her calmer scenes. When she was calm and obedient, I felt the manic bubbling underneath her surface more than when she lashed out, for some reason. Her energy was really good. I also liked seeing her portray the motherly feelings towards Mi Mo, because we hadn’t seen that in Mo Mi at all before she got Kyung Ja’s letter notifying her of her daughter’s misconduct in school. The way she literally jumped in front of her daughter without a second hesitation proved enough. I actually found myself feeling sorry for the fact they could never spend time together. I would’ve liked some Mo Mi-Mi Mo mother-daughter scenes at the end, but it wasn’t meant to be, unfortunately. I liked her performance.

Me being me, I can’t finish a review without mentioning people I like who made a cameo, so let me just quickly give a shoutout to Choi Daniel, lol. I love him too much to ignore him. It was kind of refreshing to see him as a less than ethical character here, although I did appreciate at least he never directly hated on Mo Mi’s looks or talked badly about her. It was generally icky of him to have an affair with his employee, but he did remain sort of respectable towards Mo Mi when he apologized to her via text. At least he didn’t cuss her out or something. I just kept thinking that, should this event have happened later on in the stories, he might have actually ended up like motel and idol guy, but I guess it was fortunate for him that he escaped the crossfire just in time, although I did feel like being betrayed by his affections played a part in driving Mo Mi over the edge. I just liked seeing him, even if it was just for two episodes.

I guess I’ve now come to the official end of this review. For such a short drama I sure wrote a lot! It took me an entire day again✌🏻I’m glad I gave this drama a shot because it turned out to be so different from what I’d expected and I came out with a lot of new thoughts and things to process. Coming out of the initial layer of ‘what the heck did I just watch’, I feel like there are a lot of valuable messages in this series, and as I mentioned I really appreciated the ultra-human way in which all the characters were written. It’s not often that you see a K-Drama in which basically all the men are depicted as scumbags – I’m not surprised it’s based on a webtoon written by a woman, lol. It was screenwritten and directed by a man, though! I am very impressed by it. Gosh, how I enjoy the feeling of discovering hidden gems!

I will be watching another newly discovered recent Netflix K-Drama next. I’m guessing it’ll also be quite short, so who knows how soon I’ll get to write my next review? Stay tuned and find out!

Bye-bee! x

Birth of a Beauty

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Birth of a Beauty
(미녀의 탄생 / Minyeoeui Tansaeng)
MyDramaList rating: 6.5/10

Hello hello! As you may have noticed it’s been almost a month since my last review, and I think I won’t be able to share that many more before the end of the year. My studies are consuming me daily and it’s getting pretty difficult to find time to finish series quickly, let alone spend a whole day on a review. I really hope things will settle down a bit, because I’m definitely going to keep watching and reviewing, but please just note that my life has become increasingly busy in the past few months. With that being said, I finally got to watch this golden oldie from 2014. I’d heard of it and knew it by name, but I’d never gotten around to watch it, and now at least I can say I saw it and I’m excited to share my opinions on it. I ended my last review with the assumption that I’d get frustrated with this one as it’s an older drama with presumably a lot of standard tropes, but much to my surprise I actually wasn’t that annoyed by it at all! Sure, it has typical storylines, occasionally cringy acting and plotholes, but I still thought it exceeded for example the revenge story from Fates and Furies.

Birth of a Beauty is an SBS K-Drama with 21 episodes of about an hour each. I thought 21 was a pretty unique number of episodes, especially because the story took off with such speed from the start. I was curious to see how they’d spread it out over 21 episodes.
The story focusses on the life of Sa Geum Ran (originally played by Ha Jae Sook), a middle-aged housewife. She married into a wealthy family and after her husband had to go to The States soon after their wedding for work reasons, she’s been left to take care of her in-laws’ housekeeping.
While Geum Ran is possibly the most ideal daughter-in-law a family could wish for in terms of loyalty and willingness to work herself to the bone for her in-laws, she does not get any kind of gratitude for it in return. On the contrary, she is ridiculed by her sisters-in-law (Kang Kyung Heon and Jin Ye Sol) for being bigger in size and dressing a bit old-fashionedly, and her mother-in-law (Kim Young Ae) treats her like a typical Cinderella. No matter the amount of work and effort she puts in, she never gets a thank you, and is just taken for granted. The only person who seems to be sympathetic towards her is her father-in-law (Han Jin Hee), as he’s old friends with her own mother, and I also feel like their connection may have played a part in the matchmaking of Geum Ran and her husband in the first place. Anyways, father-in-law is barely at home, he’s running for something or at least building a campaign, so he doesn’t realize how his wife and daughters treat Geum Ran and how much she has to endure. The only person who makes life bearable for Geum Ran in her in-laws’ house is her grandmother-in-law (Kim Young Ok, as always a treasure), who has dementia but who absolutely dotes on Geum Ran.
The most important thing to the story here is that Geum Ran is not considered to be attractive because of her size and fashion style. While trying to remain as optimistic as possible, she finds that her lack of visual appeal definitely obstructs her from certain things in life, and she’s even applied to appear on a TV show that offers a full-body make-over (aka plastic surgery) to try and make her life easier. I think it’s safe to say that in a society like South Korea, outward beauty is considered to be a huge benefit, and especially in old-fashioned K-Dramas we find that people who do not meet these beauty standards, even by being a size larger than the norm, are immediately categorized as ‘unattractive’. Geum Ran is someone who, no matter her vast inner strength and beauty, is only ever judged for the way she looks on the outside, and this immediately makes her the perfect tragic heroine. Despite the nasty things she has to endure, she keeps working herself to the bone for her in-laws as she really loves to cook and clean, and the main thing that keeps her going is the thought of her beloved husband, Lee Kang Joon (played by Jung Gyeo Woon). However, as if she didn’t already have enough to worry about, things start going downhill for Geum Ran even more. Not only does she find out her husband has been back in South Korea for a long time, she also discovers that he’s been having an affair with a younger, skinnier, ‘prettier’ woman for a while as well. What’s more, her mother- and sisters-in-law all knew about this affair and purposely left Geum Ran in the dark about it just to laugh at the unyielding trust she has in her husband. The woman Kang Joon is seeing is Gyo Chae Yeon (played by Wang Ji Hye), a news anchor/talkshow host who works for HBS, the company of which Kang Joon is a director. Geum Ran tries talking to Chae Yeon, but this doesn’t do anything as Chae Yeon has no intention of stepping away from Kang Joon. On the contrary, she ridicules Geum Ran just as much, telling her to take a look in the mirror and ask herself if she really thinks Kang Joon would want to be with her. Then, Kang Joon himself even returns his wedding ring, saying that they should probably stop acting like a married couple altogether.
Despite her considerable physical strength and ability to stay optimistic and positive, this whole mess inevitably (and understandably) drains Geum Ran’s confidence. Her consistent support and work for her husband and his family is only rewarded by being played for a fool by her entire in-law family, including her husband and his mistress. She can’t even tell her own mother about it because she’s too embarrassed. One night, after telling Kang Joon she wants to file for divorce and tell the press about his affair with Chae Yeon (as they’re both influential people and HBS is a big company), Geum Ran heads out in her car in the dark, heavily distressed. Misfortune strikes when, on the way, she gets into a terrible accident – she’s forced to dodge an oncoming car, busts through a safety rail and crashes down into the water below.

All in all, the introduction we get of Geum Ran’s character is meant to create immense sympathy for her and her situation. We see how she’s being treated, how awful her in-laws are to her and how few people she has to lean on, even in her own family. The few people that liked and sympathized with her didn’t add up to the amount of ridicule and scorn she received from everyone else. There wasn’t even any kind of woman-to-woman support, no one thought or even cared about Geum Ran’s feelings. To think that she had to go through all of that just because people didn’t like the way she looked is awful, but it’s also a very important cornerstone of the story. Besides her prior plan to appear on that make-over show, it’s only shown how much Geum Ran believes changing her appearance will help her situation by what she does next. It’s a sad preface, but it also immediately gets to the point of Geum Ran’s determination to immediately change her life for the better, and this is also a powerful indicator of how strong she actually is.

Miraculously, Geum Ran survives the freak incident, and after she’s pulled herself from the water, the first thing she does is visit one of the surgeons from the make-over program to beg him to ‘please make her pretty’. The fact that she apparently knew his contact info even though she wasn’t admitted to the program, and the fact that this was the first thing that popped into her mind after going through such a horrific accident is kind of wild to me. Anyways, she visits that plastic surgeon’s house, but the person who opens the door is actually not the surgeon himself. It’s Han Tae Hee (played by Joo Sang Wook), the adopted brother of the surgeon, who’s just crashing at his place for the time being. For some reason I still don’t really get, he pretends that he is the doctor she’s looking for and he agrees to help her out. He ‘designs’ Geum Ran’s new appearance based on ‘the ultimate beauty’ according to Korean visual aesthetics standards. After getting his surgeon brother to perform the procedure under the radar (did he fly him in for this? I’m still not sure how this happened exactly), Geum Ran (now played by Han Ye Seul) is unrecognizable. Going by the new name of Sara to shape her new identity, she gets to live the life of a beautiful woman who turns heads wherever she goes. After the initial high of her new appearance, Sara joins forces with Tae Hee to set a following plan in motion. After all, she didn’t just get full-body plastic surgery to look pretty and move on with her life. She wants revenge.
Tae Hee, who is initially kind of an enigma as he pretends to be a doctor and doesn’t share his true identity, is actually the heir of a big corporation called Winner Group. His grandmother, Mrs. Park (Kim Yong Rim) is the CEO. When he was ten years old, his parents perished in a horrific warehouse explosion. Tae Hee managed to escape and while wandering around a highway, he was picked up by a friendly man. The man took him into his own house and made him part of his family, and that is how Tae Hee grew up with his two children: Ji Hoon, the plastic surgeon (played by In Gyo Jin) and, oh yes, Chae Yeon. He grew up as an older brother to Gyo Chae Yeon, the very woman Geum Ran’s husband cheated on her with. What’s more, Tae Hee has developed more than just brotherly feelings for Chae Yeon. While Chae Yeon has been aware of his feelings she never responded to them, probably to protect the close bond they had as near-siblings. In any case, Tae Hee is not happy with the relationship and approaching engagement between Chae Yeon and Kang Joon (which happens mere days after Geum Ran’s disappearance). Not only because of his own feelings for Chae Yeon, but also because he just doesn’t trust Kang Joon, and these suspicions are only strengthened when he hears Geum Ran’s story.
In summary, Geum Ran/Sara and Tae Hee discover that they have a common goal in wanting to break Kang Joon and Chae Yeon apart. Geum Ran wants to give Chae Yeon a taste of her own medicine, and Tae Hee doesn’t want Chae Yeon near Kang Joon after learning about how much of a jerk he is.

While Sara’s initial plan is to seduce Kang Joon with her newly acquired outward beauty and win him back, punishing Chae Yeon in the process, things start changing rapidly as more and more information comes out about the true nature of Geum Ran’s ‘accident’. While it takes almost no effort to be liked and invited in by Kang Joon’s family and Sara gradually makes her way into Kang Joon’s life again, she encounters a few very painful truths. For one, she overhears her (ex-)in-laws shamelessly talk about Geum Ran, badmouthing her even after she’s gone and presumed dead. She also has to witness them treat her own mother like trash when she comes asking questions about what happened to her daughter. And, worst of all: she finds out that the car that made her swerve and burst through that safety rail was driven by no one other than Kang Joon himself, and that it was a deliberate attempt to murder her. She also finds out that Chae Yeon saw the whole thing happen and did nothing to help her either. Naturally, this discovery also makes Tae Hee reconsider his feelings about Chae Yeon, and he starts sympathizing and siding with Sara more and more as they gather more intel.
While only Kang Joon and Chae Yeon ‘know’ what really happened to Geum Ran, her (ex-)in-laws (except for the father) don’t seem to care one bit about the fact that Geum Ran probably died. They may not have known about Kang Joon’s direct involvement yet at this point, but they still keep talking down on their (ex-)daughter/sister-in-law, and Sara is there to hear and witness all of it.
As a result, the plan changes from winning Kang Joon back to destroying him. While continuously acting out new plans to interfere with the relationship/engagement/marriage between Kang Joon and Chae Yeon (I still can’t believe they got married three weeks after Geum Ran’s ‘death’), Sara and Tae Hee get closer through their teamwork and eventually develop romantic feelings for each other.
However, just when they feel like their revenge has played out successfully and they prepare themselves to move on with their own lives, Kang Joon and Chae Yeon start getting suspicious themselves about the relationship between Sara and Tae Hee. First simply about how they know each other, but then even more when they discover the two are actually living together. From then on, Kang Joon and Chae Yeon, while hating each other’s guts at that point, start their own counter-revenge plans to find out the truth about this mysterious Sara woman who turned up to mess up their lives, ultimately taking revenge back on the people who took revenge on them. Still following?😆
In the midst of this complicated double-revenge plan, there is yet another player who wishes to contribute to the downfall of Tae Hee, in particular. What Tae Hee doesn’t know is that the explosion that killed his parents was supposed to kill him too, as it was a deliberate attack to get rid of the original Winner Group heirs. This was all orchestrated by a woman called Son Ji Sook (Kim Chung), who had an illegitimate child by Tae Hee’s father after getting him drunk one night. Mrs. Park never acknowledged her as a daughter-in-law (I mean, she took sexual advantage of her son after all) and this has triggered a strong feeling of revenge in Ji Sook. After Mrs. Park turned her and her illegitimate son away, Ji Sook used her past romantic connection to one of Mrs. Park’s trusted men, Kim Joon Chul (Choi Jong Hwan), and pressed him into executing the explosion. Now, the illegitimate son, Tae Hee’s half-brother Han Min Hyuk (played by Han Sang Jin) is the Director of Strategic Planning at Winner Group and he’s planning to become the new CEO. Taking advantage of Mrs. Park’s grieved absence as she’s looking for her still-missing grandson, Min Hyuk and his mother start planning their way to the top, as they have now gained enough power to silence Mrs. Park. When Tae Hee finally comes back to reveal that he is the lost heir of Winner Group, Min Hyuk and his mother keep trying to find ways to get rid of him, including assault and attempted murder.

Basically, we can distinguish three main storylines: the revenge plan of Sara and Tae Hee, the counter-revenge plan of Kang Joon and Chae Yeon, and the quest for Winner Group of Min Hyuk and his mother. These three storylines are entwined as all characters get involved with each other throughout the story. One aspect of old-fashioned dramas is that the way everyone is connected is always quite intricate and complicated, so I’ll try to explain it as best as I can.
First we have Geum Ran, who is initially involved with Kang Joon, her husband, his family, and Chae Yeon, the woman her husband cheated on her with. She gets involved with Tae Hee when he helps her to transform into Sara. Other than that, there’s Geum Ran’s mother Shim Yeo Ok (Lee Jong Nam) who’s old friends with Kang Joon’s father, and her best friend Eun Kyung Joo (Shim Yi Young).
Tae Hee first of all has ties to Winner Group, as his grandmother is the CEO and he is put in charge of the sub-branch Winner Food when he returns to the company. He has ties to Ji Hoon and Chae Yeon as he was raised as part of their family, and he is related to Min Hyuk and Son Ji Sook, not just in family terms, but also because Min Hyuk is after his family’s company.
Kang Joon is a director at HBS, and he knows Min Hyuk because HBS is planned to merge with (or take over) Winner Group. He is originally tied to Geum Ran and Chae Yeon, and then is seduced by Sara. When he first learns of Sara’s involvement with Tae Hee, he starts conspiring against Tae Hee with Min Hyuk, and when he finds out the truth about who Sara really is, he also starts intimidating her as well as her mother.
Chae Yeon is a well-known face from TV. She’s mostly involved with Kang Joon and her two brothers Tae Hee and Ji Hoon. She first decides to get back at Sara for stealing Kang Joon away from her, but after finding out Sara is Geum Ran, she goes on to get back at Geum Ran for ‘ruining her life’. She starts manipulating people, including Mrs. Park, so they’ll turn on Sara.
Min Hyuk falls in love with Sara pretty much at first sight, even before he knows she’s involved with Tae Hee. He gets Sara opportunities to work as a model for Winner Group and as a chef, getting her to appear on the popular cooking competition show ‘Birth of a Chef’.
Min Hyuk’s mother Son Ji Sook is involved with Tae Hee’s family and Kim Joon Chul, whom she uses as a pawn to take revenge on Mrs. Park for not accepting her into the Winner Group family. She aids Min Hyuk in his plans to become the new Winner Group CEO.

One important thing that I want to elaborate on is the way in which Sara gets involved in the feud between Tae Hee and Min Hyuk. Because of her new exceptional and outstanding beauty, Sara often gets noticed and recognized by people in public, and it happens frequently that people just start filming her while she’s eating somewhere. Not only do they film her without her consent, they even release the videos online where they go viral and Sara becomes famous as a kind of ‘mysterious mukbang beauty’. I guess it’s the way her beauty shines even more when she’s enjoying food which makes these videos stand out so much, but I still think it’s disrespectful to just start filming someone in their private time without their consent. In any case, this is where Min Hyuk first encounters her as well, as he recognizes her face from those videos when he sees her in real life and becomes interested in her. After getting to know her a bit better and learning about her passion for food and cooking, he plays a significant part in getting her on that cooking competition, so Sara owes him a lot of gratitude for that opportunity. As he becomes more greedy to keep her to himself, he eventually even starts punishing her for remaining loyal to Tae Hee by orchestrating several assaults on him. It gets pretty intense.
Honestly, Min Hyuk felt like a distraction to me because he just turned up as Suitor No.3 besides Tae Hee and Kang Joon, and Sara already had her hands full with everything else going on. Min Hyuk started pursuing Sara without being aware of the whole Geum Ran situation, basically barging his way into her life. The way he just started showing up at places where she was with bouquets of flowers, being all ‘we keep meeting, this must be destiny’ while Sara was like, ‘sorry, who are you?’ made him seem a little delusional, even. She was just being friendly because he was friendly to her, she never gave any indication of reciprocated romantic feelings, and yet he became so obsessed with her that he even started threatening Tae Hee’s life if she wouldn’t stay away from him. Super romantic, dude. I don’t know what it was with men in this story, but every one of them seemed to at least have several violent tendencies. I still find it worrying how Min Hyuk just started planning Tae Hee’s murder with his mom with that glint of excitement in his eye, and how he got so happy at that shareholders’ meeting in the final episode because he thought Tae Hee was dead.
In any case, as Min Hyuk was the farthest removed from the main storyline, I just immediately dismissed him as a potential love rival, and this was only strengthened by that fact that there were already too many men that Sara had to deal with in her life.

Going on about Sara, honestly, can we just acknowledge how much shit she was dealt? Not only as Geum Ran, but even as Sara? After Chae Yeon started turning people against her, she was basically bombarded with people threatening or blackmailing her, telling her to stay away from Tae Hee and gaslighting her into thinking that she was making everyone’s lives worse. If there’s one trope I hate that did appear in this show, it’s the one in which the tragic heroine, the female lead who has every right in the world to be happy, gets gaslighted into believing she’s the source of the world’s misery. This was also the case for Sara, and I wished she’d communicated with Tae Hee better, especially during this part. Because I don’t think Tae Hee was actually even aware of a majority of the things she had to endure. It was so stupid that everyone put everything on Sara, everyone only ever came to Sara to tell her that she needed to leave Tae Hee because she was putting him in danger, but no one ever had the guts to go to Tae Hee and tell him that he needed to get away from Sara. Sara just became the recipient of all the scorn and that wasn’t fair. It was like she was being punished for trying to stand up for herself, for trying to be genuinely happy for once in her life. Seeing what she was facing, I don’t even blame her for stepping away from it for a while to at least protect Tae Hee, but I still think she could’ve communicated it to him better instead of just pushing him away without any real explanation. It only caused Tae Hee to become desperate and neglect his Winner Food work. She could’ve told him the truth and then they could’ve started pretending they broke up while still secretly keeping each up to date. Sara could’ve started gathering intel on Min Hyuk’s true motives while working her way up in his favor. But no, they didn’t even communicate about how Min Hyuk was Tae Hee’s enemy. As a result, Min Hyuk started using Sara in trying to make Tae Hee believe she’d switched sides, creating even more cracks in the trust between them.
I think this was the only part during the series where I was a bit frustrated with Sara, because it just seemed like she didn’t have a clue what she was getting herself into. She’d broken up with Tae Hee because people kept telling her she was putting him in danger, but then it was like the plan just stopped from there, and when she finally discovered Min Hyuk was the evil mastermind behind the attacks on Tae Hee, she just froze as she didn’t know what to do.
On the other hand, I loved Sara most when she was in complete control of her situation. Her character development was really consistent and I liked that it started from the outside (dealing with her past and changing her appearance) and ended in her becoming so strong on the inside that she didn’t even care about hiding her true identity anymore. She learned to embrace herself as Geum Ran, moving past the outward aspects, and this was really admirable. She just needed to get in touch with her own true strength. Speaking of that strength, I was a little confused on several occasions because despite her established physical strength (I believe she even had a black belt in judo?), she sometimes just seemed to forget about that when she was cornered by someone. I mean, she could’ve easily shrugged them off or thrown them on the ground, we’ve seen her do it before. I guess her fear just took over in those scenes, but I just kept going like, ‘girl, you know you can just throw him over your shoulder!’ whenever this happened, lol.
But yeah, ultimately the story is really about Sara finding her inner strength and beauty and accepting herself fully as Geum Ran. She may have changed her face, but she never changed who she was and she didn’t have to because Geum Ran deserved love and happiness as much as anyone else. She deserved to live as herself without being needlessly ridiculed. I liked that they kept Sara’s relationship with herself as Geum Ran do apparent throughout the show, how she even had that conversation in the mirror with Geum Ran in which they were encouraging each other. It was a literal illustration of Sara coming to terms with her past and building her inner strength. It was nice that they kept the OG Geum Ran in for a while, not just as a flashback or picture, but as an actual presence within Sara and someone she still got to fall back on. I also liked that they devoted a part to making Tae Hee fall in love with Geum Ran rather than Sara, because I thought it was so powerful of Sara that she wanted to be loved for who she was inside, rather than for her new pretty face and nice body. I liked this part in particular because I remember thinking about this as well, whether Tae Hee did actually love her as Geum Ran, and whether he’d actually still be attracted to her if she’d had her old appearance. I liked that they addressed it, to also confront Tae Hee with his own possible prejudice, because it was entirely possible that he would still be less attracted to her had she still looked like Geum Ran. Random reference, but I remember also thinking this while I was watching Abyss, because I kept wondering if the main couple would’ve really fallen for each other if they’d still looked like their original selves, as their new forms were considered to be more attractive (at least in the male lead’s case). At least Birth of a Beauty made a point of addressing this, and I appreciated it because at some point I also needed confirmation from Tae Hee that he was not just one of many to fall for Sara’s appearance.
Some of my favorite Sara moments happened towards the end, when she was just plain DONE with Chae Yeon whenever the latter cornered her. Chae Yeon kept trying to intimidate her and at some point Sara was just looking at her like 😑, lol. I loved how she started standing up for herself, calling everyone out on how despicable they were being. She actually started voicing thoughts I’d had throughout the series, so that was really satisfying.

To make some general remarks about the story as a whole, as I mentioned in the beginning I was really curious to see how this story would be spread out over 21 episodes, especially because it took off so rapidly from the start. From the first episode on we dive head-first into the execution of the revenge plan and I was like, ‘OK yeah, bring it on, no dragging, love it!’ I couldn’t help make a reference to Fates and Furies, probably also because of Joo Sang Wook but also because it reminded me of how annoyed I was while watching it because the female lead’s ‘revenge plan’ there was so inconsistent and she didn’t even put in effort to gain intel on the person she was trying to get revenge on. In contrast, Sara and Tae Hee put in a lot of effort and they make a really great team. They even go so far as to wiretap Kang Joon’s bedroom to listen in on his (phone) conversations. It would sometimes take them a while to realize people were onto them or that they were being tricked themselves, but they never truly let their guard down. I was just glad that they waited for all the important pieces of evidence before going too far without any concrete proof. Learn from that, Goo Hae Ra!
I also thought it was interesting that the whole notion of ‘taking revenge’ was put into perspective depending on the character. While we are led to feel sympathetic towards Geum Ran’s reasons for wanting to take revenge, we are consequently also led to feel that Kang Joon and Chae Yeon don’t have any right to take revenge back. After all, they are the bad guys, they should get what they deserve. I was very aware of this while I was watching because I found it interesting that the story is constructed so that Chae Yeon isn’t deemed to be allowed to feel revengeful towards Sara because she brought it upon herself. Admittedly, I felt the exact same way, but it helped to at least be aware of the irony. Taking revenge on someone, no matter who it is or for what reason, is still something that’s considered to be ‘bad’. Depending on the situation it can be deemed to be fair or unfair, and that’s left up to the viewer. I just found it interesting to keep this in mind while watching this show.
What helped in condemning the ‘villains’ in this story is that none of the bad guys seemed to have a single ounce of remorse, or even the ability to self-reflect on what they’d done to deserve revenge from the people they’d hurt. Even in the case of Min Hyuk, who wasn’t part of Sara’s revenge plan, he also didn’t have a single shred of remorse in him when it came to inflicting damage on innocent people just to maintain his own reputation at the top. What I’m trying to say is that this show deals with very typical ‘good versus bad’ stereotypes, in which the bad guys are actually made out to be quite inhuman through their actions. It was established very clearly who was in the right and the wrong, and who deserved to be happy, and that was quite typical in itself.
Despite this typicalness, I did like that they added the meaningful emphasis on the main leads’ character development, and on Sara’s journey to fully accept her own inner strength and beauty. It just made the ending, in which every villain finally faces the consequences for their actions and receive appropriate punishment for it while Sara and Tae Hee can finally start preparing their wedding, that much more satisfying. I really liked how Sara summed up to Chae Yeon that the difference between the two of them lay in the fact that she (Sara) had owned up to her actions, including lying about her true identity, and asked for forgiveness, while Chae Yeon never admitted to what she’d done and never took any responsibility for any of the harm she caused other people. This just proves again how they put the whole thing in perspective, as people are inclined to show more empathy towards people who take responsibility for their actions and show remorse.
In terms of the main leads’ development in general, I think Tae Hee summarized that very neatly as that the most important thing they’d achieved through their revenge plan was that they’d made each other stronger and helped each other through the pain of their respective pasts. Sara stood by Tae Hee through his Broken Heart Syndrom while Tae Hee was always supportive of Sara’s decision and always made her feel like the special person she was.

Now that I’ve identified several things I liked about the show, I’d like to talk about some things that I found a little too typical, or that just didn’t add up or were badly written in my opinion. Of course, being aware that this is from 2014, I told myself beforehand that it was bound to get cheesy. It’s just something that’s inevitable in old-school K-Dramas. In hindsight, there weren’t that many tropes that annoyed me per se – I just had a strong dislike towards the second leads, as they were plain despicable people.
One of the main things that made me go 🤔 was the way in which Kang Joon found out Sara was Geum Ran. It was established from the get-go that Sara underwent an entire physical transformation, and that basically her entire body had been changed, from toenail to scalp. It was also mentioned that she’d gotten hair implants, and this seems obvious as Sara has entire different hair than Geum Ran did. Which means that her hair is not her own, or at least that it doesn’t contain Geum Ran’s DNA, right?. Because they’re implants, right? So can somebody please explain to me how the heck Kang Joon was able to get a DNA sample from her hair strands? Isn’t that actually a really big plothole? I don’t exactly remember the details about the hair extensions, but it would seem logical that they’re not bound to Geum Ran’s DNA, and there was at least one other comment under this episode that had the same thought, so I know I’m not alone 😂.
I also remember some lazy writing in the scene where Sara asks Kang Joon to drive her to the spot where he’d Geum Ran off the road, to see his reaction. What happens is that they make Kang Joon believe Geum Ran is still alive, and that she’s meeting him there, while Sara doesn’t know anything. Kang Joon gets out of the car at some point to get closer, after which he is hit on the back of the head by Sara and passes out on the road. When he wakes up, he is super confused about what happened in general, but also about what happened to Sara, as she was still in the car when he was knocked out. When he asks Sara about this the next time they meet, Sara literally goes for, ‘Oh you know, I’d just gone to the bathroom, and when I came back you were passed out on the road’. I mean. Even with his limited functioning brain cells, Kang Joon should’ve known that this didn’t make any sense. They were in the middle of a road, late at night, and she’d been inside the car when he got out. She couldn’t have gotten out to pee without him noticing (I’m still not sure how she got out of the car to sneak up on him and knock him out without him noticing, to be honest), and there certainly wasn’t any apparent bathroom facility nearby. All in all, this excuse just didn’t make any sense and I was kind of surprised Sara hadn’t prepared a better excuse, because it would’ve been more than logical if she’d seen something. Kang Joon was asking valid questions, admittedly. So yeah, either Sara really just didn’t think that one through (which kind of clashed with how discrete she’d been in the plan so far), or it was just lazy writing. In any case, Kang Joon didn’t even stop to think that that excuse wasn’t even applicable, he just went along with it.
Another scene that pissed me off because of it illogicalness was that petty trick from Chae Yeon to stop Sara and Tae Hee from going abroad to get married. She knew when they were supposed to leave, and then happened to ‘call in sick’ so that Sara would have to jump in for her program on the day of their flight. First of all, Sara wasn’t working there as a host, so asking her to fill in was already kind of weird, but the weirdest thing was that Chae Yeon literally came to see her to gloat the minute after the producer told her this. As in, the producer told her Chae Yeon had called in sick while Chae Yeon was literally standing there going, ‘oh oopsie, were you planning to go somewhere that day?’ And neither the producer or any other staff member was like, ‘hey, you’re not sick!’ It was so weird. And then even when Sara didn’t show up on the day she was supposed to fill in, Chae Yeon was also there, purely to add to people’s frustrations in going, 🐍’how irresponsible of Sara that she’s not here!’🐍 Like, did seriously no one stop to look at her and go, ‘yo, this all happened because you called in ‘sick’ and you’re clearly not, so you do it!’ I mean, everything Chae Yeon did was so obviously intended to ruin Sara’s reputation, all the backhanded comments and sassy remarks. It was just unrealistic how oblivious the rest of the staff members were.

I think I’ve already established that Chae Yeon was my least favorite character in this show, but I want to elaborate on it a little further. The main thing that annoyed me about her was how she was so incapable of self-reflection. Even after experiencing the exact same situation she herself inflicted on Geum Ran, she never stopped to think, ‘oh my god, is this how I made Geum Ran/another woman feel? Is this what it must’ve been like for her?’ Nope, she just went, ‘Geum Ran ruined my life and now she deserves to suffer’. Girl, this wouldn’t even have happened if you hadn’t felt the need to get involved with Kang Joon in the first place. By then she knew for herself what a scumbag he was, so I just couldn’t understand how, until the very end, she could never bring herself to even feel the slightest bit of remorse towards Geum Ran. Even when Sara came to her in an attempt to get her support because Tae Hee was in danger, someone they both cared about, she just wouldn’t budge.
The ways in which she tried to bring Sara down were such low blows, as well. I mean, come on, the peanut allergy thing? Sometimes it was like she just wanted to play a prank without considering the dangerous consequences. The fact that she would find pleasure in seeing Sara choke to death or succumb to an allergic reaction, just because it proved that she was Geum Ran, just made her such a witch. I actually called her Snake Chae Yeon throughout the show because of manipulative tendencies and because she was so fake. She basically switched personalities in every scene she appeared in, from fake-worried and caring towards Mrs. Park, pretending to care about Tae Hee’s wellbeing and that Sara had a bad influence on him, to fake-crying about how Kang Joon cheated on her and cornering Sara to gloat because she knew who she really was and that made her invincible. She could only see how she was made into a victim of everything, she never once stopped to think about what she did to deserve it. It was sickening how she started manipulating Mrs. Park, acting like she was so invested in Winner Group’s success and all that. Honestly, I was hoping for a scene in which Mrs. Park learned about how Chae Yeon had just been trying to poison her against Sara while she only did it for personal gain – she was only ever looking for someone who could get her to the top. She didn’t care whether it was Kang Joon or Tae Hee, although I did find it kind of surprising that she would even use Tae Hee’s feelings for her against him, as they’d been so close. The way she started clinging onto him, thinking he’d always choose her over Sara while he was already way over his romantic feelings for her was kind of laughable. I loved that scene where she called him out, pretending to be lost or sick or something, and he just left his secretary with her after making sure she was okay. So much for your plan to get him away from Sara! She even already texted Sara like, ‘Tae Hee is with me, you should stop waiting for him’, it was so childish and lame. I can’t deny I kind of relished in the despair on her face after Sara outed her on her own talkshow and she had nothing to fall back on anymore. It was wild how even after she lost everything and it finally seemed like she had to give it to Sara, she was still too cowardly to face up to her actions, and even to face Sara personally to return the building she’d stolen from her.

In terms of most-hated characters, Kang Joon comes in as a close second after Chae Yeon. Just like any villain character in this show, Kang Joon seemed to have no conscience whatsoever. Admittedly I found it kind of comical how, after getting rid of Geum Ran and going through all that trouble to get with Chae Yeon, he literally pulled the exact same thing on her with Sara, a mere week later. He was definitely a creature of habit, in the worst sense. He literally turned his back on Chae Yeon the second he laid eyes on Sara, and it only took a couple of days for him to tell Sara he loved her. He just blatantly started having another affair under the eyes of his freshly new wife, it was so typical.
What made Kang Joon so creepy was that, besides just being a jerk, he actually started stalking Sara after he found out she was Geum Ran, suddenly being all, ‘You’re still legally my wife, I’m not letting you go’. Like, why would you cling onto her after first trying to kill her? What reason could you possibly have for that? The sickest thing was that he would keep visiting Sara at her house and work, cornering her and actually say stuff like, ‘I wouldn’t mind being married to you and living with you again now that you look like this.’ Seriously, 🤮🤮🤮, what a disgusting creep. I’m also still baffled by the fact that he actually got Geum Ran’s mother forcibly admitted to a mental hospital when he suspected she may be behind the text messages he started receiving from Geum Ran. Seriously, it should not even occur to you that this frail lady, who’s just trying to mourn the sudden loss of her daughter, would actually do something like that. He physically threatened her outside of her house and then just had her kidnapped like that, what the actual fuck. Besides from being cruel, it was also so meaningless. Besides the occasional threats and intimidations towards Geum Ran and her mother, at some point he really didn’t have that much going for him anymore. After his family learned about his involvement in Geum Ran’s ‘death’ and they knew that he was even being blackmailed by Chae Yeon because she had the blackbox footage, no one really supported him anymore. He just started conspiring with Min Hyuk to still feel like he had some power in bringing Sara and Tae Hee down, but it all resulted in his own downfall. I mean, come on, he actually believed Tae Hee would help him leave the country by giving him a legit false passport? It was really satisfying to see him get cornered at the airport like that. Just like Chae Yeon, he just couldn’t bring himself to reflect on the despicable things he’d done, and how he deserved to be locked up. In his mind, he was the one being wronged, never the other way around. He and Chae Yeon might have actually been a match made in hell, seeing as their ways of thinking were so similar.
Looking at Kang Joon’s family, it’s not really a surprise where he got his limited amount of brain cells from – his mother and sisters definitely weren’t the sharpest tools in the box either. It’s a pity no one really took after his father, because he was undoubtedly the most decent of the bunch. I honestly didn’t even care about his aggressive tendencies, because what mattered most was that he cared about Geum Ran and was prepared to condemn his family members rather than hush things up in order to protect them. I think what said a lot about what kind of person he was really was lay in the fact that he knew the least of what was going on, but still was the first person to go and apologize to Geum Ran’s mother. When he found out in the final episode that Sara had been Geum Ran all this time, he literally cried as he was telling that he wished her all the happiness in the world, that was so touching. His abundance of sincerity stood in such stark contrast with the selfish and insincere way in which his wife and daughters came crawling. They just came to ask Sara for forgiveness to feel better about themselves, and also to beg her to not reveal the part Kang Joon had played in her attempted murder (again, ✨the audacity✨).
To be fair, I did feel like mother-in-law had the most sincere reaction when Kang Joon told her Sara was Geum Ran. She actually said, ‘Oh my goodness, imagine how miserable Sara must have been hearing us talk about Geum Ran like that all this time’. I mean, at least that sounded kind of reflective. If they hadn’t added the topic of redeeming Kang Joon in their apologies, I may have even redeemed them a little bit, but unfortunately that was not the case. It reminded me of that backhanded apology from Crash Course in Romance, where those women only came to ask the female lead for forgiveness so that she’d put in a good word for their kids with the math teacher. I was really proud of Sara for sitting there like 😒, calling them out on their BS before walking away. They weren’t even worthy of redemption, not after how they treated her and her mother. The way Min Young kept calling her ‘Pig Sister-in-law’ even after she died AND after they knew she was still alive. The way they literally threw Geum Ran’s mother on the street and poured water on her so she’d stop asking questions about what they’d done to her daughter. When father-in-law found out they’d done all that to his old friend he got SO mad – I honestly don’t understand how he could live with those pigheads. I could understand why he preferred to be out of the house so much though, lol.

Speaking of Geum Ran’s mother, I felt for her so much. After losing her daughter overnight, she also had to deal with her awful in-laws who just came at her while she just wanted to know what had happened to her daughter. She didn’t even know about Kang Joon’s cheating, so she really came to them without knowing anything, and she had all the right in the world to know what was going on. I’m glad at least father-in-law was sympathetic towards her. It was nice to see a softer side of him behind his stern exterior. I felt like he was nicer to Geum Ran’s mom than he was to his own wife, lol. In any case, I really loved Geum Ran’s mother because despite being a frail lady who didn’t have the power to force people to tell her the truth, she remained so strong. Even after discovering that Sara was her daughter, she never even went to confront her about it. She was prepared to just watch her evolve into this new person and find a happy life from a distance, but when Sara came to her in times of need, she always welcomed her without hesitation. Even after being physically threatened by Kang Joon herself, she still had the strength to stand up to him whenever he suddenly appeared in front of them again. She was remarkable, and it was clear as day where Geum Ran got her inner strength from.
Honestly, and this might be a bit mean to say, but I wouldn’t really have missed Kyung Joo in the whole thing. Like, it was nice that Geum Ran had one solid friend (although we never saw them spend time together when Geum Ran was still herself, she was only introduced after she transformed into Sara), and that she stuck with Yeo Ok after Geum Ran had disappeared, but I didn’t really feel like she contributed that much to the story. I just found her to be a bit ditzy and very oblivious to what was happening around her. Maybe it also had to do with the actress’ acting, because she was just very dramatic in her expressions. Whenever she learned some new information, for example that Geum Ran was still alive, she’d just go, ‘WHAT?? 😲😲😲’ in this exaggerated and almost comical way, and I couldn’t really feel any depth from her. Even in the final episode, when she just blurted out to Sara that she also wanted to get full-body plastic surgery, I just found it kind of insensitive of her as she didn’t even think about how much Sara had had to endure because of her physical transformation, and how she was still fearful of any symptoms she may get from the drastic changes made to her body. She just didn’t really add anything significant to the story in my opinion, sorry.

On the other hand, someone who I thought did contribute to the story despite his minor role was Ji Hoon. I still find it a bit vague how exactly he was pulled into Sara’s surgery by Tae Hee, because he recognized Geum Ran by name and face as the patient but he only knew that he had to keep it a secret and he didn’t even know that she was now Sara? He must have seen the end result of the surgery before he bandaged her face, right? I found it a bit hard to gauge how much he knew, but I guess he wasn’t aware of the severity of the secret because he gave it away quite easily to Chae Yeon.
In any case, I did sympathize with him because, even though he remained mostly on Chae Yeon’s side, he did acknowledge how much Tae Hee and Sara started caring for each other. He was definitely one of the people that was being manipulated by Chae Yeon’s self-victimization, and I couldn’t blame him for standing up for his family. But at least he had a conscience, and I think it said a lot about him as well when he allowed Sara to visit Tae Hee in the hospital after Mrs. Park had sent her away. I liked how he sat next to her on that bench and was like, ‘You know, I still can’t approve of you, but everyone’s gone so you can go see him now’. Just like Mrs. Park, he only asked Sara to stay away from Tae Hee because Chae Yeon had made him believe that she had been lying about her identity. He didn’t even know she was the person he’d operated on by then, so it was all kind of messed up. In any case, Ji Hoon was just trying to look out for his family and was therefore wary of anyone who could possibly harm them, and that’s a valid thing. What made me sympathize with him even more was that he did condemn Chae Yeon after he found out she’d been an accomplice in Geum Ran’s accident all along, and I liked how he told her she needed to own up to her own actions and come clean to Sara personally. When all was well and Sara and Tae Hee got married, he did seem to enjoy seeing his brother so genuinely happy, so that was good.

As badass as I’d hoped Mrs. Park to be, I really would’ve liked her to have a better nose for untrustworthy people, and with that I specifically mean Chae Yeon and Kim Joon Chul. She already had Min Hyuk and his mother on the radar, for good reason, but she could’ve been more alert to people who had lesser obvious motives to interfere with her family. Even while she didn’t trust Min Hyuk and Ji Sook, she still let herself be surprised time and time again when they’d actually go another step further, and that just proved to me that her dislike of them didn’t reach to actually suspecting them to be capable of such atrocities. As someone of her position, I also found it very strange that she let Chae Yeon in like that while she didn’t even know her. Chae Yeon just appeared out of nowhere in the room where she was basically being held by Min Hyuk and Ji Sook and she didn’t even wonder how she got in there and what she came for. Chae Yeon only introduced herself as the person Tae Hee grew up with, and that was enough for her to trust her, and it was also weird that she believed her hisses about Sara so easily while Sara was literally the person who reunited her with her long lost grandson. I just found it peculiar that, even within her position as someone who constantly had to watch her back because her own family could betray her at any moment, she just decided to trust Chae Yeon blindly and didn’t even think to consider she might have something to gain from spreading negative rumors about Sara. As I said, I just wanted Mrs. Park to find out about how Chae Yeon had been manipulating her, because Chae Yeon deserved a slap in the face.
I’m glad at least Kim Joon Chul came clean about his actions, how he literally went on his knees before Mrs. Park and even personally led the police to Ji Sook to get her arrested. No matter how awful the things he did were, at least his conscience caught up with him when Min Hyuk asked him to recreate that warehouse explosion to kill Tae Hee. The entire time I had such mixed feelings about him, how he could even stand next to Mrs. Park after killing her son and daughter-in-law, but I guess it really must’ve eaten him up to some extent. Admittedly, he only abandoned Ji Sook after confirming that she didn’t really care about what would happen to him, so there was definitely an element of loss in personal gain from the situation, but in the end I was just glad he decided not to do it, also because it was just so meaningless.

Now that I’ve discussed all the main and important side character in more detail, I just want to say something about the romantic relationship between Sara and Tae Hee. Now that I think of it, I guess it’s safe to say that besides them, there wasn’t a single other couple in this series that had an unproblematic relationship, lol. Of course, Sara and Tae Hee also had their fair share of turbulation, but at least they always found their way back to each other.
To be fair, even though I really liked their dynamic when they started out as a team and the whole ‘growing stronger together’ idea is really wonderful, I still think their relationship left several things to be desired. First of all, in terms of passion. As far as physical intimacy goes, although there are some hugs, it doesn’t really go much further than one kiss in episode 10, when they first confirm their feelings for each other. The kiss itself, although it was undeniably sweet, is still quite dry and static – they move towards each other very slowly until they just stand there pressing lips together. I mean, it’s what’s to be expected of an old-school K-Drama, but I still found it a pity that they didn’t really move beyond that level of intimacy. On the contrary, when they officially get together they’re like two giddy teenagers holding hands. Throughout the series their love language mainly consisted of staring and smiling and giving each other words of affirmation. Also, I just didn’t vibe with the whole name-calling of ‘Ahjumma’ and ‘Doctor’, I just didn’t find it romantic😬. I feel like Tae Hee’s personality also changed completely after he finally accepted his true feelings for Sara. He went from a super tsundere who kept denying the possibility of his attraction to her to an over-excited puppy dog who stepped on the accelerator. He immediately went ahead to think of marriage and children without considering Sara’s negative association regarding her previous marriage. It was more than logical for her to consider very carefully whether she wanted to get married again, but he just assumed she didn’t have any doubt and pushed that proposal on her. Even though the fact she didn’t want to get married again wasn’t the real reason for her breaking up with Tae Hee, I was proud of her for setting a boundary because with or without the break-up, it was way too fast and they were still in the middle of a really messy situation. Their first marriage plans had a really weird timing, so it was for the better that they waited until everything was settled. In any case, I thought it was very brave of Sara to, despite her actual willingness to marry Tae Hee, still give herself some more time. Also, despite the fact that Sara didn’t communicate to him properly about the true reason for the break-up, I still feel like Tae Hee could’ve guessed what caused her to do it. He may not have been aware of the fact that a lot of people had been pushing her to stay away from him, but come on, he could’ve easily just asked Chae Yeon or Mrs. Park if they’d said anything. It was obvious from Chae Yeon’s reaction to the break-up that she benefitted from it, I mean, the way she just suddenly started clinging onto him after they broke up and used the opportunity to talk even more smack about Sara should’ve been enough proof that she had something to do with it. Mrs. Park and Ji Hoon would’ve probably just told him the truth that they’d indeed talked to Sara and asked her to break up with him. He could’ve gotten the information literally from anyone, but still he decided to mope all by himself. That was a bit immature of him, and also how he immediately condemned Sara when Min Hyuk, his enemy of all people, started using her against him. There were just a lot of things that made me feel like their trust in each other wasn’t actually that solid. Tae Hee was moving way too fast and needed to slow down, and although it was a bit frustrating at some point, I’m still glad he got the time to work it out by himself, because when they were finally able to get together again, they’d grown even stronger once more.
I still think I liked them best when they just started out as a team, because their dynamic was so fun and I loved how, despite the fact they didn’t even know each other that well, they just immediately leaned on each other and backed each other up. They got along so effortlessly and that was really nice to see. Of course we know from the start that they’re going to fall for each other and it was sweet when they finally got married, but all in all I still would’ve liked to see a bit more feeling from their romance rather than just words to prove it. At least the part where Tae Hee was put under hypnosis to see Sara as Geum Ran and was forced to fall for her first before he could see Sara’s new looks again was one thing that helped in creating a bit more credibility in his true attraction to her, but I personally would’ve liked a bit more passion in terms of physical intimacy🤷🏻‍♀️.

As I’ve now reached the end of my main analysis, I just want to comment on a couple more practical details before moving on to my cast comments. First of all, the catchy music. I particularly liked the title track song ‘She’ by Jonghyun (🙏🏻may he Rest in Peace🙏🏻), as it just fit the scenes it was used in so well. I vibed each time the line ‘Oh I’m in lo~ove with you’ came on, haha. I also liked the song ‘Dazzling’ by Lee Hae Na. The ballads that were used were properly dramatic, and I just liked the general sound of the OST.
Regarding the series’ title itself, I liked that they kept it as a reference to the story. Sara wins a cooking competition called ‘Birth of a Chef’ at some point, and I believe there’s a few more uses of the word pun in the rest of the series as well, even with regards to Tae Hee. Besides it being the literal English translation of the Korean title, I just liked how well it fitted the entire story and also referred to an expression used in the series.

Time for the cast comments! This might be a lesser positive section, as I wasn’t that impressed by the acting overall (🥲) but I still want to go over some people because I knew the majority of the cast and I just like making comments 😌.

Starting on a positive note with the OG Geum Ran, Ha Jae Sook. I’ve seen her once before in My Absolute Boyfriend and I even believe she was my favorite character there. Honestly, #JusticeForOGSaGeumRan. I really loved her. She was such a sweetheart and deserved so much better. I actually found it a pity that we didn’t get to know her a bit better the way she was before she turned into Sara, also because now I found it hard to gauge whether Sara really kept all of Geum Ran’s mannerisms and stuff. It’s through Sara that we learn about her background in judo and how she always sang trot songs, and I wish we’d at least gotten to see a bit more of those habits so we as viewers could clearly recognize them in Sara. I did like that they kept her in the show as more than just a flashback, but that she appeared in that mirror scene and when Tae Hee was hypnotized to see her as what she used to look like. I would’ve liked to see more of that, even, but this sufficed. At least it was clear enough that Sara still fell back on her at times, and that the reference to OG Geum Ran played an important part in Sara’s journey to accept herself for who she really was. Ha Jae Sook was absolutely lovely in this, she gave off such a warm and loving energy. I liked to see her in this and I enjoyed her performance.

I’ve seen Han Ye Seul before in Madame Antoine (which I loved) and 20th Century Boy and Girl (which I found incredibly boring). I don’t want to sound mean, but the thing I always have with her is that I feel like she’s casted a lot for her looks. As in, when they need a character to play a model, or just someone who is defined as being ‘particularly’ visually attractive, they go for her. At least that’s the impression I’ve gotten from what I’ve seen from her so far. Don’t get me wrong, I know she’s a good actress because she really delivered in Madame Antoine, but for the rest I guess I’ve only seen her in things where her character was led first and foremost by her looks. She was casted as an attractive person, and I still need some persuasion to really appreciate her for her acting skills. If someone has a recommendation of a drama with her where she does act beyond her looks, please let me know, because I really want to see more variety from her. No hard feelings towards the actress whatsoever, I’m just stating my opinion based on what I’ve seen of her so far. In any case, while there were moments where I really enjoyed her quirkiness, there were also moments where I thought she became a bit stiff or awkward. As I mentioned in the above comments about OG Geum Ran, I just didn’t get a clear enough impression of OG Geum Ran’s original personality to be able to determine if Sara proceeded to replicate her exact habits. It was like we got to know everything there was to know about how she’d always been through Sara rather than through OG Geum Ran. So yeah, the typical ahjumma habits, the humming of trots songs, the quirky head-in-neck out-loud-laughing was fun and all, but I just had to assume that those were things Geum Ran used to do. I would’ve liked to get a clearer transition from Geum Ran to Sara in terms of mannerisms to get the image that she was really the same person in a different body. I hope I’m explaining it clearly enough, haha.
By the way, I just saw an article on MDL announcing Han Ye Seul’s possible return in a drama series after a four-year hiatus. Her last project was from 2019, so I wonder what she’s been up to. I wish that I could see more from her, but I’m unlikely to dig deeper than 2014 and I’ve seen her most recent stuff, so I guess I’ll just have to wait until something new comes out. Anyways, to sum it up: while I thought she was probably the ideal casting choice for Sara in terms of visuals, I still would’ve liked to get a bit more depth in her acting. But all in all, she did well.

I’ve seen Joo Sang Wook before in Fantastic and Fates and Furies, as mentioned. I feel like his performance of Tae Hee may have come closer to his character in Fantastic, because I remember him being kind of eccentric there as well. I definitely appreciated the goofiness with which he played Tae Hee because it was such a stark contrast with his melancholical character in F&F, which is what I remember him most clearly from. However, sometimes I feel like he gives off a bit of a forced impression, that he tries to be funny rather than that his acting comes from within. Just like with Han Ye Seul, I really want to see more variety in his acting. I know I at least have one more drama of him on my list (Touch), so hopefully that’ll be a nice addition to my references. All in all, it was nice to see him as a more eccentric character. Before we find out he’s the heir of Winner Group he’s kind of an enigma, and I also wondered why he was pretending to be a doctor to Sara. Even after he’d confessed he wasn’t a doctor, Sara kept calling him ‘Doctor’, which I kept finding kind of weird because it just didn’t seemed a bit random.
As I mentioned earlier, I was a bit disappointed in the main leads’ (passionate) chemistry, but I still liked the dynamic between Tae Hee and Sara, especially in the beginning when they teamed up for the first time. They were like a comedy duo and it was very entertaining to see them start out all awkwardly and then become more confident in their tactics throughout the series. My favorite moment was definitely when he walked into that shareholders’ meeting in the final episode while Min Hyuk thought he’d been killed and was just like, ‘hiya, let’s just do that voting thing again, shall we?’ 👌🏻 I liked seeing him as a more energetic character from him, I hope to see more of him in the future.

It’s funny because the second the relationship between Geum Ran and Kang Joon was established, I found myself thinking that they reminded me of Oh My Venus, where the guy dumped his long-term girlfriend because she was fat. And then I realized that Jung Gyeo Woon was actually played that guy as well! No wonder he seemed so familiar, he was basically the same character in a different font, lol. (By the way, not me just realizing that Oh My Venus is from 2015 and came out just one year after BoaB 🙉 why does OMV feel like a much more recent drama?) Anyways, apparently he also appeared in God’s Gift – 14 Days, but it’s been too long for me to remember. I sure hope he also gets casted as friendly people every once in a while! It seems like he’s typically casted as the jerk second male lead, lol. Admittedly, he was very convincing as Scumbag Kang Joon, I think this is probably the most intimidated I’ve been by him so far. He really started creeping me out at some point. It feels as though I haven’t seen him appear in much recently, and after checking I see that his last project was from 2017, so I’m not sure if he’s still all that active 🤔. I wonder if I’ll ever get to see him as a nice person in a drama, I’m really curious as to what vibe he’ll give off with a different energy!

I thought I didn’t recognize Wang Ji Hye, but apparently she was also the second female lead in Personal Preference. It’s been a very long time since I’ve seen that, but I do have a vague memory of the second female lead, and in particular her manic psycho eyes, lol. I guess that must have been her, indeed! 🙉 So yeah, I have very few nice things to say about her character, as I’ve established elaborately in my review, but I have to give the actress some credit for making me loathe Chae Yeon so much. I’m not sure if it was even the writers’ intention to make the viewers feel sorry for Chae Yeon at some point, but I don’t feel like that was the case. It wasn’t for me, anyway. While I always like to compliment actors who play bad guys successfully, I did sometimes get a bit annoyed by her acting. She was laying it on real thick with her manic eyes and grins to emphasize her twistedness and she could’ve done with less. She would’ve probably been more unpredictable and intimidating if she’d kept on a poker face, for example. Anyways, I see she’s been actively doing projects up to 2021 so far, so maybe I’ll get to see her in something else in the future. I just want to see her as a friendly character for a change, lol.

I’ve seen Han Sang Jin before in Hyde, Jekyll, Me and Circle, and I know I liked these shows but I don’t remember him from either of them because it’s been too long. You can clearly see what happens if I don’t write reviews about shows, they just kind of appear into the abyss of distant memories, lol. I see on MDL that he’s also in at least one other show that’s coming up on my list, so hopefully I’ll get to see another side of his acting. I have the feeling that I didn’t see him as a villain before, because I instinctively didn’t associate him with an evil character, which is a good thing, I guess. Min Hyuk was definitely a very intensely layered character, although I still don’t completely understand where his personal greed came from, if it wasn’t solely the influence of his mother. He was ostracized by his father’s family for being an illegitimate child, but was that really a reason to start killing people? His intentions were definitely problematic, and I also felt like his crush on Sara only complicated things. His infatuation with her made an even bigger mess of his already twisted plan to take over Winner Group. It was so gratifying to see all those board members turn against him during that final shareholders’ meeting, and to see him glare at Tae Hee while he was being dragged away by the police👌🏻I think he showed a nice variety of sides to his acting, from the friendly face he used exclusively for Sara to the gob he pulled whenever Tae Hee came into his line of vision. I think with this role he’s showed more than I’ve seen in other roles of him so far, so that was nice.

It took me a moment to realize that In Gyo Jin was actually pretty handsome when he was younger, lol. The only other dramas I’ve seen him in, at least the ones I wrote reviews about, feature him as a kind of perverted middle-aged man, and I think this was the first time I saw something in which he didn’t play a comic relief character. He really impressed me with Ji Hoon’s calm and sober personality because it showed a side of his acting I hadn’t seen before. I know him from Sassy Go Go, Jugglers (oh GOD, I remember his character in Jugglers 🫥) and most recently in Hometown Cha-Cha-Cha. I really liked seeing him here, I thought Ji Hoon was one of those characters who existed in-between the chaos, and it was necessary to have someone like him there to add some balance to the scale. Although he wasn’t particularly supportive of Tae Hee and Sara’s relationship, he never became as petty as his sister. He had to see both sides of a situation before he would judge it, and I’m not even mad at him for instinctively sticking with his family. I think he was probably the only person who’d remain on Chae Yeon’s side after everyone left her, and I dearly hope Chae Yeon is also aware of that. I liked his performance.

I feel like I’ve seen Han Jin Hee in a whole bunch of things, but apparently I only know him from I Miss You and High Schooler King of Life. In any case, he’s a familiar face and because he has such a typically stern exterior and expression, I liked seeing a more gentle side of him as Kang Joon’s father. At least not his entire family was a chaos pit. He definitely touched me the most in the final episode when he told Sara with tears in his eyes how sorry he was and how much he hoped she would be happy. If that wasn’t the epitome of sincerity, I don’t know what was. It may have been the most sincere thing anyone said in the entire series. It’s always nice to see a side of certain actors I haven’t seen before, and I really liked him in this show for being one of the few decent people with a normal conscience.

I just discovered Kim Young Ae died of pancreatic cancer in 2017, three years after this show came out. She was only 66. She’d been appearing in dramas and movies ever since the 70s, and her last project stems from 2016. I’ve seen her before in The Moon That Embraces The Sun (as the Queen Dowager), Kill Me, Heal Me (as the ML’s grandmother) and Doctors (as the FL’s grandmother). While her character as Kang Joon’s mother was of course nowhere near decent, I did think she made the most out of portraying her. I can imagine that it can be kind of fun to play a character on the bad side. I did get the impression that she had a good time pretending to be so dramatic, constantly going, ‘Oh, my head, my poor head’ whenever new and damaging information about Kang Joon came forward. While she still only came to ask Sara for forgiveness with the wrong intentions, I was surprised that her first reaction to learning that Sara was Geum Ran wasn’t something like, ‘So she tricked us this whole time, how dare she!’ She didn’t pin it back on her like Kang Joon and Chae Yeon did, she actually made a reflective comment on how hard it must’ve been for her, and that surprised me. I wonder what kind of person mother-in-law really was behind her marriage, because I didn’t really understand how she and father-in-law had ever been in love with each other, lol. So yeah, her character was definitely not that sympathetic, but I’d like to think she had fun with it. May she Rest in Peace 🙏🏻

I’ve only seen Kim Chung before in Cinderella’s Sister, but it feels like a decade since I’ve watched that so I don’t remember her. To be completely honest, I didn’t like her acting at all. She was doing too much with her facial expressions and too little with her acting skills. It just felt like she pasted it on too much without truly feeling what she was supposed to convey, and that’s kind of risky when you’re also playing a villain character for which people will already have less sympathy. That was the case for me, anyways. Maybe I’ll see some other drama with her in the future where she delivers a more notable performance, but what she did in this show just wasn’t it for me. Then again, this is my only reference of her, she’s been doing dramas and movies since the 80s, so I’m sure this isn’t all there is to her acting.

I’ve seen Lee Jong Nam before in My Girlfriend is a Nine-Tailed Fox and Mask. As I said in my review, Geum Ran’s mother or Shim Yeo Ok to use her full character name, was possibly one of my favorite characters. She was just so steady, even through all the threats she received and the things she was made to endure at Kang Joon’s hands. She was so strong. I wish there could have been some scenes between her and OG Geum Ran in the beginning, I wanted to see their mother-daughter dynamic, because even after she and Sara were reunited, they never even hugged or showed any kind of deep bond, even though they were very close as I understood. There was that cute photo of OG Geum Ran and her mother at a judo game, but I didn’t really know how Geum Ran’s relationship with her mother was, and this also couldn’t be established right away after she transformed into Sara, as she only kept watching her mother from a distance. I don’t know, I would’ve liked to see a bit more mother-daughter bonding, I guess. I did love the scene where Kang Joon visited Sara at that restaurant where she’d disappeared to, and her mother came in to shoo him away. Even when the last time she’d seen him, he’d threatened her and put her in a mental hospital, she still didn’t back away from him in order to protect her daughter, and that was amazing. I really liked her performance, she was the best mom to Geum Ran.

I’ve seen Shim Yi Young before in Mary Stayed Out All Night, Legend of the Blue Sea, Thirty But Seventeen, Fates and Furies (👀) and Love Alarm, and there’s some more dramas with her on my watchlist. I’ve already mentioned in my review that I didn’t really think she was that much of an important character, and I also had some difficulty with her acting, to be honest. It just felt like she was trying really hard to play a ditzy, carefree person and it just kind of clashed with the rest of the characters? I’m not really sure how to explain it. I just felt like her acting was too exaggerated and the fact that they ended with her telling Sara she also wanted surgery was kind of inappropriate, lol. It just felt like she had no idea what Sara had gone through, despite allegedly being her closest friend. Here again, I would’ve liked to see some scenes between her and OG Geum Ran to establish their friendship, because I didn’t really feel a best friend connection between her and Sara, even after they were reunited. I know she can do better because I’ve seen her in more things, so I guess this was just a starting phase and she’s been improving her acting a lot since then.

I haven’t seen anything with Kim Yong Rim, aka Mrs. Park, but I had the same kind of opinion as with a couple of other actors’ performances in this series. While I liked Mrs. Park’s character in itself, I did feel like she sometimes overacted a bit with pulling grumpy faces and making grunting sounds when she was displeased (which was often). I would’ve liked her to be a bit more alert to people that might approach her for personal gain, such as Chae Yeon. It just didn’t make sense to me why her character would just let a stranger in and believe everything they say without considering the option that they might be out for something. I’m curious to see more sides of her acting, as I’m sure she’s done a lot, so hopefully I’ll see more of her acting in future watches.

It took me longer than a day (again) to properly structure my review, but at least I managed to add everything I wanted to say. All in all, it was definitely not the best show I’ve watch in terms of quality, but for an old-school K-Drama I still found it quite entertaining. Sometimes cringy acting and sloppy writing are just part of the deal, and I wasn’t even bothered that much by the stylistic inconsistencies. My frustration primarily went to the villain characters, which is pretty much the point, I guess. Apart from that I thought it was really nice that the writers included the meaningful layer of Geum Ran/Sara’s character development and that they focussed on getting her and Tae Hee to help each other heal and fully accept themselves before they could be truly happy together. I’m glad I gave this show a chance, despite everything I was invested in the story and I found the ending extremely gratifying. Not gonna lie, I was literally clapping throughout the final episode because it was so 👏🏻 freaking 👏🏻 satisfying 👏🏻 how all the bad guys finally got what they deserved. It was definitely a better revenge story than F&F (yes, I’m gonna keep saying it). The thing with revenge plots is that they sometimes get pretty dark and intense when you dive into the revenge-taker’s mind, as we also saw for example in Itaewon Class. Birth of a Beauty however, manages to keep its tone light, while never diminishing the effect the revenge plot has on everyone. I liked that throughout the revenge being executed, there were so many funny and sweet moment to balance it out. The whole preface of a woman who changes her appearance to get back at her unfaithful husband and his mistress may be quite extreme, but they never made it into a comedy act or something not to be taken seriously. This was also reflected in Sara reflecting on the physical consequences her plastic surgeries could possibly inflict on her later on. I think they managed to maintain the balance between the light and the more heavy stuff very well.
Apart from the satisfaction of the final episode in terms of justice finally being served, I also think a lot of the main messages from the story were conveyed through this final bit. For example, when Kyung Joo asked Sara about why she thought the people had embraced her even after she admitted to lying about her true identity, Sara said that she thought it must be because there are so many people who are able to relate to Geum Ran’s pain. It’s funny how the main female lead, the tragic heroine who was the biggest victim of all, never started acting like a victim in the way Chae Yeon did, for example. It just really put things in perspective, and that’s also why I feel like Geum Ran is a really iconic lead female character. She went to hell and back but only came out stronger, but inside and out, and managed to pave the way for her own happy ending, all by herself. We can definitely learn from her!

As the end of the year draws near (hey, that rhymes), I think I’m going to watch some shorter (Netflix) shows to get into a more relaxed mood. I hope I’ll be able to upload a couple more reviews before the year ends, but I’m not going to rush anything. You’ll see it when it appears! Thanks again for reading this all the way through, I hope my efforts paid off in restructuring and rewriting it.

Well then, until next time!
Bye-bee! x

Crush

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Crush
( 原来我很爱你 / Yuan Lai Wo Hen Ai Ni / So I Love You Very Much)
MyDramaList rating: 7.0/10

Hi everyone! It’s time for a new review! I hope everyone’s enjoying the spooky season so far and finding ways to keep themselves warm and comfortable. I’m still very busy with my studies, but it’s nice to spend my free moments watching series, even if it takes me longer to finish something than before. This one was also recommended to me, although I don’t remember by whom, haha. I just know I put it on my list because someone mentioned it to me, and I probably wouldn’t have discovered it if it hadn’t been for that, so here we are. I am excited to share my views on this show as I have several things to say about it, both in a positive and in a more critical way. All in all, I enjoyed it, it was definitely one of the qualitatively better Chinese dramas I’ve seen so far. Besides the portrayal of a handicapped lead character, I also really liked the interwoven theme of music and how it can truly bring people together.

Crush is a iQiyi Chinese drama series with 24 episodes of about 45 minutes each. It tells the love story of Sang Wu Yan (played by Wan Peng) and Su Nian Qin (played by Lin Yan Jun/Evan Lin). At the beginning of the story, Sang Wu Yan is a psychology major who simultaneously works part-time at a radio broadcasting station, as she has a separate love for music and radio-making. She’s always listening to her favorite broadcasting channels on her phone and keeps track of new releases, particularly from her favorite ‘mystery’ songwriter and composer Yi Jin. She initially lives with her college- and roommate Cheng Yin (Chen Mei Yi) in the city Xiamen, whereas her hometown is called Tongcheng (I’m just mentioning this here because these two cities will be referred to hereafter as well as she goes back and forth between them a couple of times).
When we first meet Wu Yan, she’s in a bit of an awkward situation with two of her best friends, Wei Hao (Li Jia Hao) and Xu Qian (Niu Yu Kun). Wu Yan and Wei Hao basically grew up together and at some point, even when they weren’t officially ‘dating’, Wu Yan had kind of expected to end up with him. As for Xu Qian, Wu Yan met her in school and became friends with her through their shared love for the radio, and Wei Hao later joined their little group. Shortly before the start of the story, Wu Yan has busted Wei Hao and Xu Qian making out, and although the two have been trying to make amends with her, Wu Yan has been avoiding them both for a while.
On the other hand, there’s Su Nian Qin, a young man who is visually impaired and doesn’t seem to have any family to support him, yet he lives quite comfortably in a big house. We find out quite soon that Nian Qin is actually the mystery composer Yi Jin, of whom Wu Yan is such a fan. Because of the trauma regarding his childhood (his mother passing away in a car accident right in front of him -while he couldn’t see- and his father turning his back on him and dumping him at a care home), Nian Qin has closed himself off from other people almost completely, with the sole exception of his agent/relative Yu Xiao Lu (Li Jia Qi). When his father suddenly reaches out to him after years, he wants nothing to do with him, and what makes it even more awkward is that his stepmother is not only Nian Qin’s age, but they actually used to be friends and classmates (stuff be messy). Xiao Lu is actually the sister of this stepmother, but for some reason he’s okay with having her around as his caretaker/manager. He has no intention of revealing that he is Yi Jin either because he doesn’t want to be in the spotlight. He’s gotten used to living in the dark, not seeing anyone and not being seen in return.
One day, Wu Yan takes a break outside the radio station building and sits on a park bench listening to the most recent Yi Jin release, singing along completely out of tune (since she’s tone deaf, a fun detail), before realizing that there’s a very handsome young man sitting on the bench next to her – and she falls for Nian Qin at first sight. They meet again at the radio station, where she first realizes he’s blind because of his walking stick, but she misses the opportunity to find out that he’s Yi Jin. However, it doesn’t take long for Wu Yan to figure it out as she ends up doing an internship at a special education school where Nian Qin just happens to substitute for someone as well, teaching the visually impaired children how to read braille. When she hears him play the piano in the music room, Wu Yan quickly connects the dots. Even though Nian Qin is quite annoyed by her persistent nature at first – because when she starts pursuing him she doesn’t beat around the bush – he comes to appreciate her presence more and more. Very gradually, Wu Yan manages to work her way into Nian Qin’s heart and when the latter finally acknowledges his own feelings for her, the two start a really sweet relationship.

Just to clarify, Nian Qin is not completely blind. He can distinguish shapes and movements when they happen right in front of him, but he can’t make out sharp details. Whether it’s light or dark also doesn’t seem to affect his sight much. In any case, it’s not like he can’t ‘sense’ Wu Yan’s presence whatsoever. He still has all his other (amplified) senses to know that she’s near, like through her scent and voice. Wu Yan, in turn, tries to be as considerate as possible in dealing with her boyfriend’s impairment without making him seem like some patient in need of constant care. While she’s initially the kind of person who keeps asking if he needs help with something, she becomes so used to his handicap that it sometimes even seems like she forgets he can’t see well altogether. In any case, she shows that she wants to understand him, for example in trying to walk around her own apartment blindfolded to feel what it must be like for him. Even when they get married in the end, I thought it was a really touching decision of her to walk down the aisle with her eyes closed, even though Nian Qin’s eyesight was already restored by that point. I just mean to say, she really tries to understand her boyfriend and all of his issues as best she can to support him as well as possible.

So yeah, the story is about Wu Yan and Nian Qin meeting, falling in love and getting together, with Nian Qin’s visual impairment as the central theme, followed closely by their shared love for music. I loved the love language that was created between them, how she would guide him through the house in order to (re)decorate, hold his hands to trace her face or tried to show him the warmth effect of light on his skin, how she got him to feel the texture of leaves and enjoyed the sound of rain with him. In terms of music, Nian Qin would never let an opportunity slide to tease Wu Yan about her tone-deafness, he would teach her how to play the piano, they would exchange music playlists, etc. The sweet moments of their relationship were illustrated really beautifully in ways to show how much they accepted each other, flaws and all, but never made each other feel bad about their respective shortcomings.
The relationship between the two builds up for about 10 episodes before things start going awry, they face some serious turbulence and break up. Then there’s a 3-year time leap into the future where they meet again. By then, Nian Qin has gotten his eyesight fixed, patched things up with his dad’s family and is now the CEO of his father’s business. As I thought Nian Qin’s visual impairment would be the main theme of the show, I found this transformation quite surprising, also because it made it seem like Nian Qin was the only one who had to ‘get his life back together’ after the break-up, even though his impairment and ambiguous family ties allegedly ‘weren’t an issue’ when he and Wu Yan first got together.
Anyhow, after meeting again like this Nian Qin and Wu Yan eventually get together again, and then suddenly no one has any remarks anymore. They start anew without any other ‘inconveniences’, they get married, and the show ends with Wu Yan getting pregnant and ultimately with them taking a walk as a happy little family. All’s well that ends well.

HOWEVER. Before it gets to that point, there’s a lot of problematic stuff that happens and I need to devote a paragraph to this because it was the most frustrating part of the show for me. It wasn’t even the typical love triangle/rival kind of drama, which in hindsight might have even been less stressful, lol. Honestly I was kind of scared that this would happen because it seemed llike Wu Yan’s senior at the radio broadcasting agency had a thing for Nian Qin and even became jealous of their relationship to the point where she even started to treat Wu Yan in a petty way at work, but then suddenly she was happy for them and nothing of the sort happened afterwards (I’m not counting that Peng Rui Xing guy because he didn’t even come close to becoming a love rival). No, I’m talking about the break-up arc, which takes from about episode 10 to 16. Up until this point, I was really enjoying the show, the story, the build-up of the romance between the two leads and the element of music, but then this happened and I’m still not entirely sure what went down or how it happened, but here goes my analysis.

First of all I need to introduce Wu Yan’s parents, and especially her mom. Cheng Jia Ying (played by Ma Li) is all too eager to see her daughter get married, and whenever things don’t go her way in this (for example in the situation with Wei Hao), she’s the first to blame Wu Yan for messing things up. She’s more critical than her husband in regards to who her daughter should end up with, so naturally when she hears her daughter’s new boyfriend is both ‘blind’ and ‘an orphan’ (both not entirely true but this is just how her prejudicial mind registers it) she’s beside herself with disdain. She refuses to even meet Nian Qin in person and throws a tantrum in trying to get Wu Yan to break up with him and move back home.
All in all, I found Wu Yan’s mother very childish. She kept treating Wu Yan like a little child while she was literally an adult, living by herself, taking care of her own life. I get that you’d want to ensure that your child is in good hands when she engages in a romantic relationship, and that the external factors of Nian Qin’s visual impairment and background may have been a reason to worry, but I found it really unfair of her to not even meet with him and just base her entire opinion of him on a couple of prejudices. Her narrow-mindedness is only confirmed when she’s introduced to Nian Qin when the two get together again three years later, when his sight is restored and he’s a CEO, because then she’s suddenly the happiest mother-in-law in the world.
About Wu Yan’s father, he doesn’t appear as much as her mother, and he sadly passes away halfway through the story, but even though he was constantly made out to have the same views as his wife on his daughter’s relationship, he actually shows that he’s much more open-minded than Wu Yan’s mother. When Wu Yan visits him at the hospital and he asks about her boyfriend, she immediately brings up the facts that he’s visually impaired and grew up in a care home, but is then interrupted by her father asking, ‘yeah, but do you love him? that’s the most important thing’ and I was like FINALLY someone who sees reason🙏🏻THANK YOU DAD🙏🏻 So yeah, although his wife was going around telling everyone, including Nian Qin, that she and her husband BOTH disapproved of their relationship, in the end this was only attributed to her own pettiness. Nian Qin never even got to meet Wu Yan’s father in the end, which was quite sad.

I can no longer avoid talking about the part that frustrated me the most. The part where things just went from bad to worse to worst, not just in terms of events and incidents, but also when it comes to the deteriorating communication between Wu Yan and Nian Qin. I’ll try to go through the events and the effects they have on the couple as briefly as possible.
The first incenting incident is when Wu Yan’s mother comes to visit her daughter in Xiamen, but refuses to meet with Nian Qin. Wu Yan has told Nian Qin she’s bringing someone over to introduce to him, and Xiao Lu then tells him this is probably her mom since she saw the two women get into a car together, so naturally Nian Qin is quite excited and anxious to meet his girlfriend’s mother for the first time.
However, the next moment he can’t reach Wu Yan for the entire day. She only picks up his calls once or twice to tell him, ‘not now, I’m busy’ without giving him any indication of what she’s busy with or where she is. Like, I get that she was fighting with her mom, but this actually involved him as well, it involved their relationship, so I felt like she should’ve at least kept him in the loop about the situation in general, and not just (literally) keep him in the dark. The next day, she returns home without bringing anyone else, and when Nian Qin asks her about the visitor she said she’d bring, she just makes up an excuse like, ‘oh yeah no something came up’. I don’t know about you, but I don’t think this is considered to be proper communication. I actually found it quite selfish of her to just pretend nothing had happened, and all the more because she basically took advantage of the fact that Nian Qin couldn’t see or find out what was happening for himself.
Secondly, and this is a tragic part, but the same night Wu Yan’s mom returns home to Tongcheng and starts ranting to her husband about how irresponsible their daughter is, Wu Yan’s father collapses due to a brain hemorrhage and is taken to the hospital with urgency. In response to this, Wu Yan’s mother decides NOT TO TELL WU YAN. As in, she actually hides from her own daughter that her father is in the hospital in critical condition, and she even lies to her, making up reasons why he can’t come to the phone (he’s on a business trip, he’s already asleep, etc.). And then when Wu Yan eventually finds out through some random relative who’s like, ‘oh by the way I heard about your father, is he okay?’ (because yeah, who wouldn’t expect a daughter to know about her own father’s condition?), Wu Yan’s mother even has the audacity to still pin it on Wu Yan. It’s not even because she didn’t tell her what had happened, no, even if she’d told her, Wu Yan would’ve only cared about her own love life rather than taking care of her parents. How dare you even say that as a mother to your child? Had Wu Yan known about this from the start, she would’ve immediately travelled back to Tongcheng, so her mother was just making up excuses to guilt-trip her daughter into coming back home and breaking up with Nian Qin.
This part kind of overlaps with another part which causes more friction in the relationship between Wu Yan and Nian Qin. Actually, the two have already decided they want to get married, and Nian Qin has even made an appointment with his (estranged) family to introduce Wu Yan to his father. Unfortunately, the news about Wu Yan’s father’s condition reaches her a day before this appointment, and she immediately decides to go back to Tongcheng, which I can’t blame her for. However, in her panicked state, she completely forgets to consider Nian Qin’s feelings. I feel like everything would’ve been alright if she’d just told Nian Qin what she’d heard and I have no doubt that he would’ve immediately let her go back home, in fact he would’ve probably insisted to go with her. Instead, she literally just runs off – when Xiao Lu asks her, ‘what about meeting Nian Qin’s father tomorrow?’ she literally says, ‘that’s not important right now’ (I mean, kinda harsh?) and she just returns home to pack her stuff while Nian Qin is standing right next to her, getting all anxious about why she’s suddenly leaving, and she still doesn’t tell him ANYTHING. In fact, she gets mad at him for trying to stop her from leaving, calling him selfish before storming off. Girl, how is he supposed to understand why you suddenly have to leave if you don’t explain a single damn thing to him? I couldn’t blame him for trying to stop her, because he (naturally) misunderstood the situation. This was an example where it seemed like Wu Yan just forgot about his visual impairment. She got mad at him for not grasping the situation while he literally couldn’t see and she didn’t tell him anything. Instead of talking with him about the situation at hand and letting him in on her troubles so that they could figure something out together, she just left him standing there and then proceeded to text Xiao Lu about what happened. She takes the time to send his agent a proper text explaining what has happened to her father, but she doesn’t even bother telling her boyfriend about it in person. What the actual heck.
In the meantime, Nian Qin also receives a phone call from Wu Yan’s mom, where she tells him how she and her husband (who’s literally incapacitated at that moment) both disapprove of their relationship – he has to hear about this whole ongoing conflict between Wu Yan and her mom through his girlfriend’s mom. Naturally, this only strengthens his anxiety in that he’s not good enough for Wu Yan’s family. Simultaneously, his own father (who’s waiting for a liver donor) also takes a turn for the worse and in his already stressful situation of dealing with Wu Yan, Nian Qin is forced to get in contact with the family he’s been trying to avoid for years.
After taking care of her dad for a short while and being assured by him that everything is fine, Wu Yan briefly goes back to Xiamen to make up with Nian Qin, but then she overhears him talking about how he feels like he’s a burden to her family. I don’t exactly remember what he said but it was taken out of context and it sounded like he was criticizing her parents or something, so she gets angry at him again, AGAIN without properly talking to him to figure out the misunderstanding. She immediately returns to Tongcheng after this failed attempt at reconciliation (which was completely on her, in my opinion), and while she gets drunk on a bench that night, sadly her father passes away.

So yeah, it’s a whole rollercoaster of unfortunate events that leads to the crumbling of Wu Yan and Nian Qin’s relationship. My frustrations were a bit divided, because in terms of Wu Yan VS. her mom I was definitely on Team Wu Yan. Her mom kept her in the dark about her father’s condition yet still found ways to lay the blame on her, and she even pushed her away rather than unite in their grief after the father’s passing. The fact that she couldn’t get past her own pride and pettiness even in situations like this was just unbelievable to me and I felt really sorry for Wu Yan.
On the other hand, in terms of Wu Yan VS. Nian Qin, I was Team Nian Qin all the way. The only reason Nian Qin isn’t able to communicate properly is because Wu Yan just leaves him behind grasping at straws as to what she’s thinking. I just couldn’t understand why she would do this to him after being so persistent in pursuing him in the first place. She literally keeps him in the dark and doesn’t even consider his feelings in all of it. Heck, Nian Qin only finds out Wu Yan’s father passed away when she freaking broadcasts the story on the radio for everyone to hear, three years later. She never tells him anything personally, and I hated that he had to find out that way. Because as soon as he finds out her father passed away while she was back in Xiamen to visit him, he starts blaming himself for keeping Wu Yan from being with her dad the moment he passed. Everything just led to annoying and unnecessary feelings of guilt and it was really frustrating to watch. Despite the fact that they were doing so well in terms of communicating when it came to Wu Yan adapting to Nian Qin’s needs as a visual impaired person, when it came to tackling serious situations like this together, it seemed that they really weren’t that solid as a couple at all.

Let me just take a quick breather here to talk about Wei Hao and Xu Qian, because they are quite important supporting characters who also have their own storyline in-between the whole Wu Yan VS. Nian Qin drama. Despite the fact that we’re initially led to believe Wei Hao cheated on Wu Yan by kissing Xu Qian – at least that’s how it seemed to me at first – it turns out that there really wasn’t any kind of romantic relationship between Wu Yan and Wei Hao, and it’s more like Wu Yan feels betrayed by suddenly finding herself ‘left out’ while her two best friends developed feelings for each other. Once this feeling subsides, and they all prove that they’re not willing to let something like this ruin their friendship, they all manage to come around and make amends and continue to be good friends throughout the story.
I thought it was nice how they were all involved in music in some way: while Wu Yan may have been tone deaf and settled for working at a radio broadcasting station, Wei Hao and Xu Qian were part of their university’s band Momo, with Wei Hao on the guitar and Xu Qian as the vocalist (unlike Wu Yan she is a really good singer). One part of the story is about the band getting a chance to sign under the label of the broadcasting agency Wu Yan works at, but Xu Qian is under too much pressure from her family to settle for a musican’s life and is determined to stick to an office job, although she realizes she doesn’t enjoy working at the radio station as much as Wu Yan does. It even plays a part in her relationship with Wei Hao at some point, because he is much less ambitious than her. He’s not the type for an office job, the musician life suits him much better and that troubles Xu Qian a bit, even though she wouldn’t want him to change who he is for the world. In any case, they manage to make it work and Wei Hao also ends up working for a big company, one that is eventually taken over by Nian Qin as the new CEO. After the 3-year time leap, Wei Hao and Xu Qian have gotten married and there are some cute scenes where Wei Hao is seen picking Xu Qian up after work and other instances where the two consistently have each other’s back, so that’s very sweet.

So yeah, then there’s the 3-year time leap in which Nian Qin decides to fix his sight after all (I am convinced he did this for Wu Yan no matter what other reasons he may have had) and takes up his father’s business as the new CEO, also taking over the company Wei Hao works at. In the meantime, Wu Yan is approaching her graduation and besides working as a broadcaster she also works (or volunteers?) at a center for children with a special needs; she’s put in charge of a little boy with autism at some point. When they meet again, Nian Qin seems to have become an entirely different person – he’s suddenly extremely assertive (and sometimes even quite agressive) in trying to win Wu Yan’s affection and when they finally get back together he also becomes more clingy than ever, occasionally even to Wu Yan’s own aversion. I could understand it from his point of view though – after feeling so isolated during his visual impairment, now that he could see again he probably just wanted to make sure he had as much control over everything that was important to him as possible, and Wu Yan had become his entire world. He would drop work meetings whenever he sensed he needed to be by her side, his devotion was definitely remarkable. That’s not to say it didn’t get a bit annoying or even restrictive at some point.
Honestly, as much as I admired Nian Qin’s devotion when it came to Wu Yan, at some point towards the ending, particularly after they got married, I was a bit put off by him trying to make a typical housewife out of her. The routine of her having to greet him when he came home, the forehead kisses and the arm rubs, the fact that he didn’t even want her to go shopping when she got pregnant and the fact that he wanted her to treat him the same way as she treated her autistic child patient, blowing on his food for him and stuff all really gave me the ick. I couldn’t even get mad at Wu Yan when she was talking with Xiao Lu and she went, ‘so unless we get divorced I’ll have to deal with his behavior for the rest of my life?’, lol. I mean, of course she wasn’t really planning on divorcing him, but it still made me go like, yeah girl, you’re stuck with him now!🤷🏻‍♀️I think it’s safe to say that this drama fits the classic trope of ‘she fell first but he fell harder’ to a fault.

There’s one more thing I want to comment on in terms of the relationship dynamic between Wu Yan and Nian Qin, especially because it changed so much with Nian Qin’s transformation after the 3-year time leap. In the first part, where Nian Qin is still visually impaired, he is a very passive person. Of course, he’s learned not to make sudden movements and he’s careful with walking, but also in his expressions, he seems to be kind of numb and emotionless. His first transformation happens when he and Wu Yan first get together, when he still has the handicap. He starts smiling and laughing more, and gets a more mischievous streak. After regaining his eyesight completely, it’s like nothing is holding him back anymore, and he kind of bulldozer-corners Wu Yan in his attempts to get her back. The first few times when he initiates a kiss with her it’s also quite forceful, and Wu Yan even pushes him away. In contrast, while Wu Yan made the most effort in pursuing Nian Qin in the first place, as soon as he opens up to her more and starts initiating physical intimacy, she tends to become quite tsundere (giving him ‘behave yourself’ side glances etc.) and in their mutually consented kissing scenes, she’s definitely the receiver rather than the kisser – and I’d kind of hoped and expected more than that. As much as I loved the little nose rubs, forehead kisses and hugs, I was hoping there might be some more passion or even one proper make-out scene, but alas. We never even see them get intimate in a way that suggests they slept together, although they must have after they got married. Because of the ‘dryness’ of their intimate scenes I was actually a bit surprised when the first morning sickness scene came. I mean, it was predictable in the sense that they’d JUST talked about having kids the previous night and now suddenly she was pregnant, but since there had never been any indication of an intimate scene where this may have happened, it was also a bit surprising. In any case, I just wanted to note that I found the changing dynamic of the leads as they engaged in their relationship interesting, but I also wished it would’ve been a bit more mutually passionate once they finally got together and nothing was holding them back anymore.

I’ve mostly talked about my criticisms now, but there were also plenty of things that I really liked about it and which contributed to my high rating. My first impression of the show was that it looked really good. I’m talking in terms of cinematography, the quality of how it was filmed and the transitions of scenes.
In terms of transition, there is one example I remember distinctly where Nian Qin started talking about his world and it started with a pitch-black screen, only for the camera to pan sideways and reveal that the black screen was actually the back of the piano he was sitting at – I thought that was a really genius transition since it wasn’t just about his world being ‘pitch-black’ but also how his world was that piano, his life consisted majorily of the music he composed.
Apart from that, the acting in general was really good and even the dubbing didn’t bother me that much, except for some minor moments in which someone was panting way too loudly while running down a corridor and when they added some background chatter with actual conversations which just made it sound noisy. The dubbing itself was quite subtle, and most of the time I didn’t even notice it was being dubbed, so that’s a good sign. I was also really happy with the subtitles on Dramacool for a change! Chinese series are often fansubbed in very broken English, but they actually did a pretty decent job here so it was easy to read the subtitles as well.
In terms of the story, one thing I liked in particular was the musical theme, not just the role that music played in the main characters’ lives, but also how they inserted the music into the scenes through depicting the lyrics on screen. In the end they even went so far as to use the songs from the soundtrack as the songs that were written by Yi Jin, probably also because Evan Lin sang a couple of them himself, but I thought that was a nice addition. For example, how Wu Yan’s father’s go-to karaoke song was a song that we’d already heard in the soundtrack before, and how the final song that Yi Jin writes for Wu Yan was the shows’ opening theme. Besides this practical adaptation of the music, I also liked the theme it brought with it – the way it brought everyone together. Honestly, if you think about it, all the main characters are brought together by music or their love for it. Wu Yan and Nian Qin meet through Wu Yan’s love for radio and music and the fact that she recognizes him as Yi Jin. Wei Hao and Xu Qian’s relationship deepens and is eventually sealed by the band they’re in (it’s at their final band stage that Wei Hao finally asks Xu Qian out). Wu Yan and Xu Qian also become friends through their shared love of radio broadcasts. It all ties together with the music theme and I’m glad they remained consistent in keeping the musical element in, although it did disappear into the background a little bit after Nian Qin ‘retired’ as Yi Jin and started working for his father’s company. It was nice that the show ended with him releasing one final song as Yi Jin and Wu Yan exclusively broadcasting it on her radio show.
What I also appreciated, and I’ve seen most reviews compliment the show on this, was the depiction of a visually impaired main character in a way that (ironically) makes the viewer see the world through his eyes all the better. I honestly related more to Nian Qin than to Wu Yan in the beginning, even though Wu Yan’s struggles were also very understandable. It made me think of other shows I’ve seen where a main character had some sort of handicap, like in Perfect World and The Beauty Inside, but I think this show did a really good job portraying an impairment without making it into something shameful or pathetic. They didn’t make Nian Qin a victim of his condition, he was just living his life as he’d always been and yeah, Wu Yan may have lighted something in him that ultimately made him decide to give surgery a chance, but if it hadn’t been for her he would’ve probably been content with going on living in his dark little world. I liked how it went further than just making him a handicapped character, and it put a lot of situations in perspective, for example the one with the photograph of his family that he didn’t even know was there. Despite being so comfortable in his restricted life, Nian Qin would still find out about cases where even the people closest to him took advantage of his disability. No matter how good Xiao Lu’s intentions were when she put the photograph there, she still did it behind his back and lied to him that it was just a painting because she knew he wouldn’t want it in his house. Despite my frustration regarding what went down between Wu Yan and Nian Qin during the break-up arc, I did find it interesting to see how someone who was visually impaired would fare during a situation like this, as for Nian Qin there was also the additional factor of being downgraded because of his handicap by his future in-laws. As painful as it was to watch sometimes, I still found it a quite powerful feature of the show. I also found it very touching how important the care home and the children at the special school were to Nian Qin exactly because he came from a similar background. His bond with the little blind girl Xiao Wei (Cong Shang) was also very sweet.
All in all I found the concept of the story very endearing, it initially really reminded me of Perfect World mostly because of the FL’s devotion to adapt to a life with a disabled partner. But it was still very unique in its kind and in hindsight I even think it dealt with different types of ‘handicaps’. It deals with psychological issues, grief and loss, as much as with forming connections and gaining understanding of other people’s thoughts and feelings. There was nothing exaggerated about it, it was messy at times but that messiness also added to the character of the story because life is messy, as is dealing with relationships.

Finally, I want (and need) to talk about something that personally threw me off at the end of the show. As I was nearing the end I was already starting to think about how I was going to structure my review, and then this happened and it completely derailed my plans. I’m talking about the plot twist that’s revealed in the second-to-last episode, the one revealing the death of Cheng Yin.
I’ve mentioned her briefly before, but Cheng Yin is Wu Yan’s college- and roommate back in Xiamen, they live together before Wu Yan moves in with Nian Qin and they keep in touch even when Wu Yan moves back to her hometown Tongcheng. Cheng Yin is Wu Yan’s loyal friend and support system, she cares for Wu Yan in times of need, after she breaks up with Nian Qin and after her father passes away.
I have to say in advance that I completely missed any sign of what had actually happened, even though after rewatching episodes 15-20 I am still looking for a table to slap myself in the face with because it wa actually really obvious Still, I want to share some issues I have with this plot twist.
In summary, there’s an incident in episode 15 where, after Wu Yan and Cheng Yin return from a dinner/drinks get-together at Wei Hao and Xu Qian’s apartment (in the break-up arc when Wu Yan is briefly back in Xiamen), the two girls get stuck in an elevator. Cheng Yin apparently has severe claustrophobia and we see her in a lot of panic while Wu Yan tries to calm her down. The next moment, we see Wu Yan wake up in the hospital to Xu Qian beside her bed, and when she asks about Cheng Yin, Xu Qian just says that Wei Hao is checking on her, that’s it. Later that same episode, Wu Yan and Cheng Yin are depicted lying in Cheng Yin’s bed in their shared apartment, Cheng Yin has a band-aid on her forehead and Wu Yan is cuddling her, and tells her that she’s going to move back to Tongcheng because she has to be with her mom and wants to move away from Nian Qin.
After this, Cheng Yin still appears until episode 20, in scenes that take place in Wu Yan’s new apartment in Tongcheng. Again, I completely missed this, and in my defense, I found it hard to keep track of the many places Wu Yan went to (one moment she was living with Cheng Yin in Xiamen, then with her mom in Tongcheng, then on her own in Tongcheng, then with Nian Qin in some apartment or his house) so that’s probably why it didn’t connect with me instantly. Of course, there’s no way Cheng Yin would suddenly be living with Wu Yan in her apartment in Tongcheng, Wu Yan just moved away from her. Then again, even if I’d noticed this and thought it strange, I still don’t think I would’ve immediately made the connection that all of those conversations with Cheng Yin in her apartment merely happened in Wu Yan’s head. It still didn’t cause me to grasp that Cheng Yin actually didn’t even survive the lift accident.
In episode 21, there is one ‘clear’ sign that something is off, when Wu Yan and Nian Qin get into an elevator together which also gets stuck (seriously, malfunctioning elevators were a thing in this show). When Wu Yan recalls that she was in a similar situation with Cheng Yin before, she suddenly starts spacing out, unable to finish the story of what happened after that. Nian Qin is easily able to distract her by talking about other things. Then in the next episode, 22, when they’re back at Wu Yan’s mom’s place in Tongcheng, Nian Qin mentions to Wei Hao (who’s also come to visit with Xu Qian) that Wu Yan has gone to visit Cheng Yin, to which Wei Hao goes, ‘Bro, are you kidding? Cheng Yin died three years ago.’
Again, this made me go full MIND=BLOWN because I hadn’t noticed a single thing. After rewatching it and realizing all the scenes with Cheng Yin after the lift incident took place at Wu Yan’s place in Tongcheng where Cheng Yin couldn’t even be present, I feel like I just didn’t pay close enough attention, but there are still some things I want to say about this revelation.
Whether I missed it or not, it came completely out of the blue for me and I still think they could’ve made it clearer. In the scenes where Wu Yan is talking to Cheng Yin – or, as Wei Hao clarifies, an imaginary person she created with Cheng Yin’s mannerisms to fill up the void and minimize her alone time at her apartment – Cheng Yin is always just acting as her roommate, taking out the laundry, cleaning, eating Wu Yan’s food, or she’s just reading on the couch or something. Even in scenes where they’re not talking, she’s depicted just chilling in the background. What would’ve made it clearer to me from the start is if they’d for example made it look like Wu Yan was having a conversation with her, and then reveal that the room was actually empty after she leaves or something. Because it felt so familiar to have her faithful friend and roommate there, and no one else talked about what had actually happened either, leaving it unmentioned was what made me oblivious as well. I found the fact that no one ever even talked about what happened to Cheng Yin and we’re only told the truth matter-of-factly three years later kind of weird. I get that it must have been very traumatic for Wu Yan to lose her best friend so quickly after losing her father, and that that caused her to develop this kind of coping mechanism, but even after three years, it seemed like everyone was still avoiding confronting her with the truth. How was it that she was able to get over her father’s death and live with it, visit his grave and reminisce about him, but Cheng Yin had to be kept as a taboo out of fear to trigger her? I don’t really understand why they kept it so vague.
Furthermore, I just don’t really see the relevance in killing Cheng Yin off in the first place. It was a very dramatic plot twist to insert in the second-to-last episode, to suddenly spring this psychological issue Wu Yan apparently had been having for three years on us. Also, the fact that they used this issue as just another reason for Nian Qin to want to keep Wu Yan close – as if he didn’t already have enough reasons for that – kind of put me off. Nian Qin had by then already gone so far as to fake his own eyesight going bad again to keep Wu Yan from going back to Tongcheng (or Xiamen, I honestly couldn’t keep track anymore at this point). He was constantly trying to come up with ways to make sure Wu Yan would remain by his side, and after he found out about what really happened to Cheng Yin, he started sheltering Wu Yan even more, as if she was some feeble patient. He even started talking about how he was jealous of Cheng Yin and how he didn’t want to lose Wu Yan to her. After rewatching it I get that this probably came from the way Wei Hao explained that Wu Yan created the image of Cheng Yin at times when she was feeling lost so she didn’t have to be alone and I understand that Nian Qin became bent on becoming that person for her instead so she wouldn’t have to keep holding on to Cheng Yin’s memory, but still. I just wonder why killing Cheng Yin off in this way and then remain so subtle and vague about it until that final moment was necessary. They could’ve either made it more obvious from the start, or they could’ve just left it out, in my opinion.
One other thing is that, through this revelation, we are suddenly confronted with the realization that, for the entire 3-years later period, Wu Yan hasn’t actually been a very credible main character, as it’s not even established clearly whether she’s fully aware of her own mental state when she’s ‘talking’ with Cheng Yin. Whenever the memory of what happened seems to return she kind of goes blank, which does suggest she becomes aware of some sort of suppressed memory. Then again, we don’t get to know anything from Wu Yan’s perspective, which had been the norm from the beginning of the show, so you could say there’s a kind of sudden shift. From that point on we’re primarily shown how Nian Qin sees things and he starts acting according to what he believes Wu Yan needs, which is also subjective.
So yeah, this whole plot twist revelation only complicated for me what so far had been a very easy-to-follow story and I’m still not completely sure what to think of it. It definitely complicated my review-writing as I only realized it after going back to rewatch the Cheng Yin episodes of the second half to grasp what I’d missed.

Before moving on to my cast comments, I just want to make some final practical remarks, starting with (as I tend to do more lately) the title of the show. Apparently, this drama was based on a Chinese webtoon of the same name, which was literally translated as ‘So I Love You Very Much’, which is also the title of the song Yi Jin composes for Wu Yan after their break-up. I’m not sure how they got to the simplified title of ‘Crush’, because in my opinion it kind of diminishes the essence of the story, and unlike the original title it doesn’t even directly refer to one of Yi Jin’s song titles.
To make one more mention of the music used in this drama, I’m definitely downloading at least half of the soundtrack because the songs they used were really good. I liked how they made use of their talented cast’s musical talents and created opportunities to showcase these throughout the show. The underlying theme of radio broadcasting is always a soothing one, and I remember making a note about this in previous reviews like Radio Romance, but the way radio is being broadcasted in Asian dramas is just so different from where I’m from. It’s like they create this soothing vibe with poetic MCs in-between songs. When I turn on the radio at home, all I hear is people making stupid jokes and talking about nonsense that has nothing to do with the repetitive batch of popular songs they play throughout the day. So yeah, whenever radio broadcasting is depicted in Asian dramas I always like it, it’s really comforting to listen to it.

I think that’s all for what I wanted to talk about in terms of my analysis, so now I’m going to go over a few of the actors. As is common for me with Chinese dramas, I didn’t really know any of the actors, but I thought the acting in general was pretty good so I’ll just pick a couple of the main actors to comment on.

To be honest I thought I knew Wan Peng from something because she looks really familiar, but I don’t see anything I might know her from on her MDL list. Anyways, I liked her portrayal of Wu Yan overall. As I said, there were moments where I was extremely frustrated by how badly her character communicated and how long it took for her to reflect on how unreasonable and childish she’d been herself, but despite all of that she still managed to make Wu Yan a likable and relatable character. I also really liked her facial expressions, especially in the beginning. She definitely showed multiple sides to her acting and emotional range, and retained an equally bubbly and mature personality. Of course now that I’ve grasped the reality of the Cheng Yin incident I realize that she must’ve been portraying even more psychological layers than I was aware of, so that’s definitely something to remember. Besides her passivity in the kissing scenes, I generally liked her performance. I might see her in some dramas in the future, so I’m curious to what other qualities she has to show! Oh, and I also liked that she sang the opening theme, and then when the song was featured as Yi Jin’s final song in the final episode, it was a duet version between the two lead actors. I thought that was a cute detail in the soundtrack.

Apparently, Lin Yan Jun/Evan Lin only has this and one other drama from 2021 to his name to date! I can’t say I was surprised to learn that he was formerly an idol because he sings very well. All in all I think he acted pretty well in this show. It was fun to see his character’s transformation, and he definitely showed versatility in his expressions and emotional range. Despite the uneven dynamic in the intimate scenes I thought at least he put in some real effort in expressing his passionate feelings for Wu Yan, lol. I usually get a bit weirded out when formely passive characters suddenly become all lovey-dovey and clingy once they fall in love (I remember I also mentioned this in my review of Jugglers), but then again I guess love can really change a person and make them open up and act in ways they’d have otherwise. He definitely fell harder and in the end he occasionally went a bit too far for my taste, but I still sympathized with him. He really just wanted to become Wu Yan’s world as much as she’d become his. I wonder if he’ll do any more acting projects in the future, it seemed to suit him.

Li Jia Hao has such a friendly face, he just seems like a really nice person when you look at him, lol. I was really curious as to what kind of character Wei Hao would be, as we’re first introduced as Wu Yan’s ‘cheating boyfriend’, but when the nature of his relationship with Wu Yan is explained and we get to know him and see how sincere he is about Xu Qian, you can’t really see him as anything else than a really good friend and a nice guy. I liked that he and Xu Qian had their only little love story playing out in the background because they really became kind of like a pallet cleanser for me when stuff between the main leads got too dramatic. It was nice to also get a bit of character development from Wei Hao, and he proved that he was so much more than just a second male lead character. I feel like Chinese romantic dramas do this a lot, rather than having a love triangle they like to focus on two main couples and their respective storylines. At least it was like that with the past couple of Chinese dramas I’ve watched (eg. Put Your Head on My Shoulder and Flipped). In any case, I liked that Wei Hao remained a loyal friend to Wu Yan until the end, and I also liked that he didn’t get sucked into the main leads’ drama. Instead he just focussed on his own happiness with Xu Qian witout losing his purpose as an important supporting character. I’d definitely call him a ‘supporting’ rather than a ‘side’ character because he was an unmissable part of Wu Yan’s support system. I liked Li Jia Hao’s performance, especially in the later parts where he was talking with Nian Qin about Wu Yan but simultaneously trying not to be too harsh to him because he was also his boss, lol. He really made me laugh out loud a couple of times, too.

Niu Yu Kun has only done four dramas so far, and I see she’s also a model and a singer. I like that they made use of the musical talents of the actors for this drama, although I don’t think she was the actual singer of the song used for Momo’s promotion (which was an awesome song by the way). As soon as Xu Qian appeared and it became clear how much she wanted to talk to Wu Yan about what had happened with Wei Hao, I just felt knew she couldn’t be a bad person. From the start she was so bent on making amends with her friend, heck she was even willing to get rid of her feelings for Wei Hao if it meant fixing her friendship with Wu Yan, and that made her by definition a good person to me. I also liked that we got to see a bit about her family background and how she felt like she was being pushed to achieve something great, even though it went against her heart’s desire of making music with the band. I also liked to see that there was a bit of turbulence between her and Wei Hao throughout the story when it came to their future goals, and whether they still felt like they could fit their different lifestyles together, but I think it was a really big step of her to finally let go and even quit her office job at some point. She realized that being with Wei Hao and enjoying life with him was the most important to her and when she finally allowed herself to let go of the pressure from her family, it was clear how happy that made her. Just like Wei Hao she was also a very important part of Wu Yan’s support system. I actually think the two of them basically started caring for Wu Yan even more after the Cheng Yin thing (which I’m still denying really happened). Anyways, I think Niu Yu Kun did a good job portraying Xu Qian’s personality as a both rational and mature ever-loyal friend.

As with almost every main character I felt like I knew Ma Li from something, but I was wrong (again). She was really impactful as Wu Yan’s mom for reasons I’ve already explained well enough, haha. While I didn’t particularly like Wu Yan’s mother, even after she suddenly became super sweet to Nian Qin once his eyesight was better and he turned out to have an influential family🤔, I guess we just have to say that the character was insufferable because the actress did a good job💁🏻‍♀️. All I can say is that while I didn’t agree with anything she said to Wu Yan in most of the show (and I was pretty pissed at Wu Yan for repeating her mother’s words to Nian Qin when they broke up), I am glad that they at least found some solace in one another after the father passed away. I actually expected her to just shut Wu Yan out, but because Wu Yan chose to stick by her side and even actually broke up with Nian Qin, I think she should be very thankful for the sacrifices that her daughter made for her. I wonder if I’m going to see more of her as she’s done a lot of dramas, but I guess we’ll have to wait and see! For now I’ll just say she portrayed a very fierce mother(-in-law), haha.

I’m going to end with Cheng Yin, bless her soul. Like many of the main actors, Chen Mei Yi only has three dramas to her name so far, plus one that’s still in production. I immediately liked Cheng Yin because she was truly a voice of reason for Wu Yan. I really loved the friendship dynamic between Wu Yan and Cheng Yin, they had really fun conversations and I also loved how Wu Yan would call her ‘honey’ and stuff. Cheng Yin was Wu Yan’s back-up when she needed to get away from Nian Qin during the break-up arc, and then when she came back to Xiamen while her father was in critical condition and after he passed away. It seems all the more logical to me now why Wu Yan would picture Cheng Yin, her ever so faithful and supporting roommate, in the apartment with her, to call upon whenever she felt out of sorts. She remained Wu Yan’s voice of reason even after she was gone, and that was quite beautiful, in a way. As I said, Cheng Yin was one of my favorite supporting characters, I really liked her and also Chen Mei Yi’s portrayal of her.

Because I had to correct my final piece of criticism as I realized I completely missed out on the Cheng Yin situation, it took me a bit longer than planned to finish this review, haha. At least my frustrations about that final plot twist have made way for a wave of revelation and self-criticism for not noticing it earlier, lol. Anyways, I stand by my rating of this show. It was well-written, well-executed and well-acted. It looked really professional, the cinematography was good and the acting was very immersive. It deals with important themes stretching from handicaps and (psychological) trauma to dealing with loss, grief and connecting people, in particular through music. I personally think the final addition of Wu Yan’s psychological trauma and what happened to Cheng Yin could’ve either been left out or played out a little differently, because it just created a lot of last-minute complications and confusions for me. The show was enjoyable and engaging enough for me the way it was before that bomb was dropped, so that would probably be one critical point I’d give the show. Other than that, there were a lot of beautiful and soothing moments, the relationship between Wu Yan and Nian Qin built up really nicely and it was very touching to see how much they came to mean to each other, despite their respective flaws and shortcomings – and I’m not even primarily talking about Nian Qin’s impairment here.

For my next watch I am going to watch another ‘goldien oldie’ from 2014, which will probably have a lot of classic tropes, so I’ll have to prepare myself mentally for more frustrations, haha. Still, I’m excited and curious to finally check it out. Until then, keep yourselves warm and comfortable, and I’ll be back before you know it.😉

Bye-bee!
x

Wok of Love

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Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Wok of Love
(기름진 멜로 / Gireumjin Mello / Greasy Melo)
MyDramaList rating: 6.5/10

Hello hello hello! Not me sneaking in one more review for September! As I mentioned in my previous review, I started a new chapter of my life this month which has completely filled my daily schedule with activities, so I wasn’t left with much time to watch episodes, but I still wanted to include this in my checked off watch items for September. I decided I wanted to include some series that have been recommended to me by fellow K-Drama lovers, and this one in particular was suggested by one of my lovely penpals because of her personal love for Lee Joon Ho (can’t blame her). It surprised me in a lot of ways and I was seriously debating on how to rate it at the end. All in all, I had a fun time watching it, and its lightness and comicalness were a very refreshing and charming aspect of it, but I also still found that it lacked a certain depth that I personally would’ve liked, and there were a lot of loose ends and inconsistencies. I really want to share my views with you, so let’s go!

Wok of Love is a K-Drama that you can either watch as 19 episodes of about an hour or 38 back-to-back episodes of about 30 minutes (I watched it in the latter format on Dramacool). This in itself is already quite a unique number of episodes, as K-Dramas usually tend to be a bit shorter, like 16 one-hour episodes or 32 back-to-back episodes. In any case, the plot of Wok of Love is centered on the revenge plan of hotel sous-chef Seo Poong (played by 2PM’s Lee Joon Ho). When we meet him, he is on top of the world, he’s about to get married to his beloved fiancée and he’s under the impression that he’ll be promoted to main chef at the restaurant he works at, Finishing Touch, which is located on the top floor of the famous Giant Hotel. He is thriving and therefore not aware that within one day, his whole life will be crumbling apart. Not only is he unaware of the deep-rooted resentment that the current main chef, Wang Cheon Soo (played by Im Won Hee) holds against him, but his so-beloved fiancée Seok Dal Hee (Cha Joo Young) is actually also having an affair, with none other than Giant Hotel’s CEO, Yong Seung Ryong (played by Kim Sa Kwon). After finding out about the affair and losing his position at Finishing Touch because both the main chef and his assumed friends at the restaurant all betray him, Poong vows to take revenge on Giant Hotel by starting his own Chinese food business to steal all of Finishing Touch’s customers away from them.
In the meantime, we also meet Mr. Doo Chil Seong (played by Jang Hyuk), a gangster/loan shark who has his own money-lending business called Light and Shadow Loans. He owns a building (the Chil Seong Building👌🏻) in which he has his office, but underneath that he also has a Chinese restaurant called the Hungry Frying Pan. While Chil Seong and his group of loyal men tend to the restaurant, they barely have any business and their food isn’t great. It also doesn’t help that it’s right opposite the Giant Hotel, which of course pulls in all the customers. Chil Seong is about to sell the restaurant when Poong suddenly appears, livid with vengeance, and demands that he gets to turn this restaurant into Finishing Touch’s rival. All he has to do is just get Chil Seong’s defensive men on his side and teach them how to cook. Despite their initial aversion towards each other, Chil Seong agrees to put Poong in charge of the restaurant, while he goes about the business he personally has with Yong Seung Ryong.
Finally, there’s Dan Sae Woo (played by Jung Ryeo Won), a young woman from a wealthy family (her father owns a bank) who, despite her rich upbringing and many privileges, doesn’t exactly flaunt around her wealthy background. Just like Poong, she’s about to get married when we first meet her, but on the day of the wedding everything falls apart for her too. Her dad is suddenly arrested for committing fraud and her husband just vanishes after not even turning up at the wedding. In some unexpected turn of events, she keeps meeting Poong and he keeps missing the chance to make her jjajangmyeon, but she somehow also ends up at the Hungry Frying Pan and as they manage to gather some more staff and get their business going, Poong’s revenge seems to come closer and closer.

I have to say from the start that it took me a couple of episodes to get into the story. It started off with a lot of information and rushed character introductions. We are shown glimpses of characters’ lives before we are actually ‘properly’ introduced to them. The three main leads already meet each other in the first episode, but this was also kind of confusing to me. They all meet by coincidence at the hairsalon, and Sae Woo just randomly starts talking to Chil Seong about how his haircut makes him look like a gangster – which immediately made me go like ‘wait, what, who even is this woman to start talking to him like that?’ – but then Chil Seong just falls in love with her (?) and in the next segment Sae Woo also starts rambling on to Poong about her upcoming wedding. At this point, only Poong had been introduced in more detail, so for the other two it felt like a very hasty and random introduction, especially since they were supposedly main characters but we had no idea who they were yet. We only find out afterwards that Chil Seong is actually a gangster, for example. It took away a bit of the comical element, and this happened on more occasions, as I will explain in a moment.

Despite the chaotic start of the show, as soon as everything (and everyone) started coming together and we actually got to the original ‘revenge plot’ of the story, I found that it became increasingly more entertaining to watch, and I really liked how they also managed to put in some truly heartfelt moments. My favorite parts included the scenes where they were all working together in the (by then called Hungry Wok) kitchen, I liked how they all closed the gaps that were initially between them and, of course, the cooking scenes themselves, because I’ve never started craving Chinese food as much as I have while I was watching this. Mouth. Watering.👌🏻It may have taken a while to get out of the confusing ‘who is everyone and how did everyone end up here’ part, but once they started working together and the relationship between the three leads deepened (I also really liked the brotherly affection that grew between Poong and Chil Seong), it all started making more sense. On the other hand, as soon as the story got on track, some of the more random elements from the beginning started making less sense to me and at some point I just felt like the whole revenge plan kind of lost its purpose. Of course, Poong manages to get his revenge on Giant Hotel and Finishing Touch, but at that point it didn’t even seem to matter all that much to him anymore the way it did in the beginning. Things that were initially made out to be plot- or character-defining kind of disappeared throughout the story here and there, while some other things were retained, for example the fortune cookie reference, so I found it a bit inconsistent at times.

Let me start by introducing the main characters and important side characters in a bit more detail. Starting with Poong, as I personally see him as the main character (even more so than Chil Seong and Sae Woo). We get to know him and his history in more detail from the start and we’re also able to hear his thoughts. Poong lost both of his parents at a young age and was then taken care of by the father of his future bride, Dal Hee. You could say in hindsight that it was probably more out of a feeling of obligation towards her father that he wanted to marry Dal Hee, as he’d promised her father he would take care of her. Not that he didn’t sincerely love her, but I think the obligation he felt towards her played a very important part in his reason to want to marry her. And to be fair, Dal Hee was mostly in the wrong here. She was actively sleeping with Seung Ryong while still going ahead with her marriage to Poong, and she even ended up going ahead with the wedding because she felt bad for him. We’re not shown how exactly they break up after being married for a month or something, but it’s suggested that Dal Hee told him she’d been seeing another guy. Of course, we know the moment he finds out the other guy is his own boss, because that’s the scene he slams his kitchen knife into Seung Ryong’s hotel room door. In any case, while I feel like he did have the desire to win Dal Hee back at first, it soon proves to be a lost cause – not to mention Dal Hee actually disappears from the story altogether. This is one of the examples I wanted to give, because I found it a bit weird. She stops appearing, I think after the scene in which Poong throws his knife into the wall above Seung Ryong’s bed where they’re sleeping together. I felt like she might have had another part to play, especially after Poong would succeed in getting Hungry Wok to thrive, but then she just never appeared again and is only mentioned one time by Seung Ryong when he tells Poong he’ll break up with Dal Hee if he’ll come back to work at Finishing Touch (and that made me go, ‘Dal Hee’s not even in the show anymore, bro’). So yeah, that was kind of a loose end, in my opinion. Not that I particularly wanted her to reappear or anything, but I just thought they’d give her some more purpose in the story as it developed – who knows she’d even try to get back together with Poong after seeing how well he was doing and become a love rival to Sae Woo? Anyways, moving on.
In regards to the Finishing Touch kitchen staff, we have to talk a bit about Chef Wang. From what I understood he was originally a Chinese chef (whether he was actually Chinese or not is left to be questioned because he didn’t seem to talk with an accent), and he came to South Korea with some money he ran away with (more about that later). He then built his way up as the main chef at Finishing Touch. Chef Wang’s character is built on pride, he doesn’t want anyone to question his knowledge, skill or experience, he’s not particularly open to new ideas or tactics, and he’s definitely not up for the idea to give his position to Poong, despite his talent. What’s funny is that the most prideful characters, the ones with all the high-quality experience and skills, actually turn out to be the most selfish and immature characters in the show. Basically the entire Giant Hotel-affiliated body of characters were frustratingly childish in their attempts to get back at Poong, and I really found myself grinding my teeth on several occasions. Because the thing is, Poong has every reason to be mad and to demand some sort of justice from the restaurant – after all, they unfairly threw him under the bus and everyone just cared about their own personal gain when it came to kicking him out, even his ‘friends’. The fact that they basically sent in the cavalry in order to stop Poong while he was working from a tiny, gangster-run restaurant just proved to me how insecure they actually were about their own business. If they really stood above Poong, they could’ve just let him do his thing and not look back at him. Instead they started conjuring up all these bribes and unfair ways to cheat Poong out of customers, it was really low. Even in that final competition, they literally sabotaged some members of Poong’s kitchen crew to get there on time. Like, seriously, is that how insecure you are? And then they were also super smug about their victory, like how can you feel proud about winning like that? They even stole Poong’s recipes and techniques and wouldn’t even admit it, it was really childish. It set my teeth on edge and a part of me even wanted Poong to lash out at them, but I think it was contrastively mature of him to just keep a straight face and not complain about a single thing. And hey, he still won, so boo for them.
About his three ‘friends’ at Finishing Touch, as much as they were all seemingly rooting for him while he was anticipating his promotion, Maeng Sam Seon (Oh Ui Shik), Gan Bo Ra (Hong Yoon Hwa) and Gong Rae Yeon (Kang Rae Yeon) all immediately caved as soon as Chef Wang started probing them about throwing Poong under the bus. I sincerely disliked them, even after they ultimately made up again, because they still never sincerely apologized to Poong. Even after he’d just left Finishing Touch, Poong still believed in them when they said they had nothing to do with it, and they didn’t know where his recipe notebook was while they literally stole it themselves, unbeknowst to even Chef Wang. There was just a lot of unfairness and frustration there, which I always find hard to swallow.

Before I move on to the others, I just want to lay a quick overview of some terms used in this drama, as it depicted professional kitchen cooking. Of course I don’t know if it’s common to collectively yell out ‘Service/Good to go!’ as soon as a dish is ready to be served, but it did create a nice vibe within the kitchen, as if everyone was genuinely happy that a dish got approved and was deemed worthy of service. For me personally it was the first time learning about all these utensils and terms like ‘Fire/Cutting/Noodle Part’. The Fire Parts of the kitchen are basically the people handling the wok (and ladle), the ones that are literally ‘closest to the fire’ and who are in charge of cooking the ingredients to the point of ready-to-serve. The Cutting Parts are the people in charge of cutting, so they have to know how to deal with different sorts of knives and the way different ingredients need to be chopped up in order to get passed on to the Fire Parts. They need to deliver the ingredients to make sure all the ingredients are chopped up in the right way (size, shape, etc.) so they can just pass them on to the Fire Parts ready-to-be-cooked. The Noodle Parts are in charge of kneading the dough for noodles, but also for dumplings and other fried dishes. They have to be strong as they need to use their arms a lot for the kneading and rolling. In some dishes, the dough needs to be paper thin, so getting the dough the exact right thickness also falls to the Noodle Parts.
I found the division of these tasks very interesting to see, mostly because it made the kitchen work look like a properly functioning machine in which everyone was dependent on each other. If one Part makes a mistake, it also affects the delivery of the other Parts. I guess that’s also a reason why everyone would be so happy when the main chef would call ‘Service’, because it proved that all Parts had worked together properly and all the ingredients had been prepared successfully. The calling of ‘Service!’ was basically a confirmation that they’d all managed to contribute successfully to a dish, so I thought that was a nice way to keep the entire kitchen motivated.

Moving on to Chil Seong, our gangster who we (or at least I) just couldn’t help but love. From the start, even when he’s dealing with bad guys, I just got the impression that Chil Seong wasn’t that much of a bad guy himself. He didn’t seem innately evil like for example Seung Ryong or that Crooked guy. Yes, he is a loan shark and he would go after people with his gang to get his money back, but there is just something about him that makes you feel like, ‘he can’t be that bad’. I think for me that something already manifested itself in the first episode when he fell for Sae Woo at first sight. A man who succumbs to a woman’s smile that easily can’t possibly be that heartless. Even after being repeatedly rejected by Sae Woo and seeing how she and Poong are drawn to each other, he never becomes bitter or vengeful about it, he even gives them his blessing. From the way he treated the little kitten (Dim Sum😭) to the way he literally got himself stabbed in order to retrieve Poong’s recipe notebook, the way he helped Sae Woo’s dad get acquitted of all charges and how he dealt with his mother when he found out she had cancer, I couldn’t help but feel that Chil Seong was a really good guy at heart.
Behind him there is his eternally loyal gang of men who, despite their initial disdain towards Poong, end up as unmissable assets in Hungry Wok’s kitchen, and I really liked their unwavering support and loyalty towards Chil Seong. Let me go over them one by one: there’s Oh Maeng Dal (Jo Jae Yoon), Jeon Yi Man (Choi Gi Seob), Kwang Dong Shik (Kim Hyun Joon), Bong Chi Soo (Cha In Ha) and there was also Yang Kang Ho (Choi Won Myung), but just like Dal Hee he suddenly disappeared at some point, without even an explanation. At some point I just caught myself going, ‘wait, wasn’t there another guy at the beginning?’. I don’t remember them ever justifying his disappearance, so I have no idea what happened there. Anyways, in the end there’s only four of them. Maeng Dal is kind of the leader of the gang as he is the oldest, and while he initially seems to be the most tiring to deal with for Poong, he also softens considerably after meeting Seol Ja and while he keeps helping Chil Seong with dealing with the Seung Ryong case. I think all the characters were already innately ‘good’ from the start, they just had to get over some prejudices, but afterwards they really became a good team in the kitchen as well. I liked the Gangster Squad mostly because of the funny contrast between them being actual softies but still always being there to have Chil Seong’s back when he needed them. Besides his loyal team of gangsters, there is also the old mysterious lady, later revealed to be called Kim Seon Nyeo (played by Lee Mi Sook) who keeps popping up to sell gum around Hungry Wok. No one, including Chil Seong, seems to know who she is, and they just tolerate her while treating her as the annoying old neighborhood lady. However, she’s ultimately revealed to be Chil Seong’s birth mother who abandoned him when he was five or something. I guess she started feeling guilty but still couldn’t bring herself to reveal her true identity to him, so she just kept popping up while nagging people to hide her underlying sentiment. I did find it peculiar that she’d keep following Chil Seong around, even when he was being attacked and even took him to the hospital and all that, but yeah that explained that. Chil Seong’s father (also played by Jang Hyuk, as he’s made out to be the spitting image of his dad, even in terms of hairstyle) used to be a famous boxer but he passed away of a heart attack (I believe?) right after becoming champion.

To note down some more inconsistencies and loose ends here, starting with the whole mother and son revelation, this actually didn’t come as a surprise to me. I believe it was even already mentioned before, when Chil Seong was in the hospital and the lady literally called him her son, although that could’ve been just a sentimental expression. Still, because of this I’d already entertained the possibility that she could be his mother, so the official ‘revelation’ kind of made me go like, ‘okay but didn’t we already know this?’ I felt like this was supposed to be a major ‘OMG she’s his MOM??!!’ moment in the story, but the effect was taken out of it for me.
In terms of the gangsters, there was another minor plotline in which Dong Shik’s wife, who was working at Giant Hotel as a cleaner, was having an affair with Sam Seon, who in turn didn’t know she was married. This affair was shown/mentioned a couple of times in the beginning, but then never came back. I thought it was okay to keep this additional resentment side plot in, but they just kind of threw it away until suddenly in one of the final episodes, when the Hungry Wok crew started working at Finishing Touch, Dong Shik suddenly comes at Sam Seon for sleeping with his wife, and that just made me go like, ‘why now?’. He already knew it was Sam Seon, I feel like he already saw him before, and they’d already been working in the same kitchen for a few days by then, so why suddenly add in this particular moment for Dong Shik to attack him? It was a bit random to me.

Sae Woo’s part contains probably the most inconsistencies in the story for me, so let’s go to it. As I mentioned before, Sae Woo is originally from a wealthy family, and she’s suddenly stripped of her privileges after her father is unfairly charged with bank fraud or money-laundering or something (my brain tends to go on standby mode when financial stuff is mentioned so I couldn’t keep 100% track of what was going on exactly). The first few episodes in which everything was still very fuzzy and chaotic to me mostly had to do with Sae Woo because despite her being the female lead character, I feel like the writers kept her character very vague. I had a lot of difficulty gauging what exactly she was feeling and she was also very ambiguous about her feelings, especially towards Poong and Chil Seong. I have to admit that in the beginning, I was really scared for another Jealousy Incarnate situation in which she wouldn’t be able to choose between the two guys. There’s this one time when Chil Seong kisses her, and she doesn’t object to it, she even goes, ‘Hm, that was kind of nice and warm’, and she also doesn’t come out with her true feelings towards Poong even after he flat-out tells her he likes her but wants to keep a distance because he also knows that Chil Seong has feelings for her. I remember going like, ‘NO, WHY’ when she initially went, ‘okay, sure’, like, what? This is the point where you say, ‘I already rejected Chil Seong and I have feelings for you too, so please don’t hold back, we can talk to Chil Seong together’ or something. Anyways, I just found Sae Woo very hard to gauge. On the other hand I also really liked how easygoing she was, she never made a huge drama about emotional situations and she was very bubbly and quirky and I liked that. It was nice to have a female lead character who just kind of went with the punches without wallowing in self-pity. When she did have it tough, she just gross-sobbed it out, had a drink and got over it the next day.
The first thing that made me go ‘???’ was when she received that call, right after all hell broke loose on her wedding day. Literally, her father gets arrested, her husband bails altogether, her mom faints and then she even receives a phone call about terminal cancer from a doctor. Honestly, the terminal cancer call at that moment made me go, ‘really?😑 it’s going to be this level of stereotypical?’ There was literally no preceding clue that she might be sick whatsoever, so this was just super out of the blue and random. And then, the next moment she’s suddenly walking around town with her freaking horse while wearing her fencing mask. She eventually ends up at Chil Seong’s money-lending business as a last resort and uses the ‘I have terminal cancer’ card on him. Turns out, the cancer call is actually about her horse, not her. But the way this was revealed was also stripped of its potential ‘OOOH it was the HORSE’ effect. I don’t know how exactly it would’ve had the right effect on me, but the way it was revealed was just really anticlimactic and it didn’t even make me feel anything, like shock or relief that it wasn’t about Sae Woo herself. It just made me go, ‘wait… huh? oh, it was about the horse? oh, but… huh, okay…🤨’. Also, there was the fact that they started out with this running gag of narrating the horse’s thoughts but then also completely bailed on that. In the first couple of episodes (in which the horse also gets cured completely, so no further dramatic developments in that area either), the horse is often narrated, thinking about how much he misses Sae Woo and even going off to his neighbor horse about how much he and Sae Woo love each other, and he’s always waiting for her to come back. And then the whole horse is gone for the majority of the show, and Sae Woo only gets back to him once after her dad is released from prison, being like ‘ahh, sorry that I had to leave you alone for so long’. Damn straight, he didn’t appear for like 20 episodes, and they never gave him another narrated thought. So yeah, at least be consistent if you’re gonna add in fun elements like that, because now it just seemed random that they added it in at first only to completely drop it at some point.
For my next point, I have to move on to Sae Woo’s family and consequently, Hungry Wok’s main staff. We are introduced to three initially random people who all end up coming to Hungry Frying Pan/Wok for a job. There’s Chae Seol Ja (played by Park Ji Young), Im Geok Jeong (played by Tae Hang Ho) and Mrs. Jin Jung Hye (also played by Lee Mi Sook). They initially don’t seem to have any connection to each other or Hungry Wok, but we eventually find out that they are very connected. Seol Ja has a history with Chef Wang, in fact she’s the person who’s money he stole to run away to South Korea. They used to date when they were still both in China, and Seol Ja trained under him as a very high-skilled Cutting Part. Again, I don’t know if Seol Ja was actually supposed to be of Chinese origin, because it did seem like she had an accent. Anyways, after coming to South Korea and starting work at Poong’s new kitchen, she quickly deducts that Poong won’t be able to pay her that much and she’s swayed a couple of times by Chef Wang’s propositions to come work with him at Finishing Touch. She ends up remaining loyal to Poong.
Then there’s Geok Jeong (whose name, I believe, is used as a word pun several times because it means ‘to worry’ – I remember at least one scene in which Poong mentioned something about worrying and the shot changed to Geok Jeong as soon as Poong used the word ‘geokjeong’, lol). Geok Jeong has a limp, and therefore he keeps getting rejected for jobs. Somehow, he is recommended to work as a Noodle Part at Hungry Wok by Seol Ja, suggesting that they know each other. And then Mrs. Jin comes in, and while she’s initially taken on as a dish washer, she ends up showing more affinity with waitressing work. She has won some beauty contest in the past and she’s at least able to distract the customers from the idea that the restaurant is run by gangsters, so she manages to get a lot of people in. Apart from that, she’s a typical lady who clearly never had to work a single day in her life, and Poong lashes out on her for being clumzy and incapable more than once. Fun fact: these three people are actually Sae Woo’s family. That is to say – Mrs. Jin is her mother, and Seol Ja and Geok Jeong have been helping her out at the family house for a long time. I believe Seol Ja came to Mrs. Jin as soon as she came to Korea after Chef Wang ran away with her money, and both her and Geok Jeong have been loyal to her and Sae Woo’s dad ever since. The four of them live in the same house.
Now, the way they revealed that these people were part of Sae Woo’s household could’ve also been done much more effectively. I felt that, again, the ‘omg wait they’re all in this together?!’ effect it should have had was taken away by the slightly sloppy delivery they went for. Besides, even after revealing that they are all related in some way, to the end I still have no idea how Seol Ja and Geok Jeong know each other. I went from several different ideas to none at all. At first I thought Seol Ja and Geok Jeong were siblings, also because Geok Jeong called Seol Ja ‘noona’, but their surnames are different. It was revealed that Seol Ja came to Mrs. Jin’s house to ask her to take her on as household staff, but how she got in touch with Mrs. Jin or how Geok Jeong got taken on – I still have no idea. From what I gathered in the end, Seol Ja and Geok Jeong just both happened to work at Sae Woo’s parents’ house and became like aunt/cousin figures to Sae Woo (Seol Ja tells Poong at some point that she’s ‘like an aunt to Sae Woo’, but it’s never fully explained what their family dynamic is exactly. They just keep saying ‘we’re a family, we’re a family’, even when half of them aren’t even blood-related. So yeah, I found that a bit confusing throughout. Also, I don’t know if this was just me but before it’s even revealed that Sae Woo and Seol Ja know each other, Sae Woo is actually there when Seol Ja has her ‘test’ to apply for the Cutting Part position, but then later Sae Woo says something about how she didn’t know Seol Ja was hired there. That also made me go like, ‘huh, but they actually saw each other there, right?’ I don’t know, there were just a lot of cases in which characters had already met before but then later acted like they saw each other for the first time or something. For my own mind, I would’ve liked to get a bit more clarity on that. Because now it was like the writers themselves weren’t sure whether to make the fact that they all knew each other a big plot reveal moment or not. They kind of stranded somewhere in the middle, so the effect was, again, lost on me.

Also, I didn’t really see why they chose to cast the same actress for both Mrs. Jin and Chil Seong’s mother. As in, I don’t see the point. It would’ve made more sense to me if they’d actually linked those two women to each other in the story, because on pictures of Chil Seong’s mom when she was younger, she looked exactly like Mrs. Jin. They could’ve made them distantly related or something. But now it literally didn’t add anything, it didn’t have any meaning. They could’ve just as well cast a different actress for Mrs. Jin or Chil Seong’s mom. Not that Lee Mi Sook’s acting was bad or that I didn’t like seeing her as two completely different characters – it was definitely impressive how she performed the double role – but within the story it just didn’t make sense to me. I would’ve expected them to at least link the resemblance of Mrs. Jin and Chil Seong’s mom, or at least make a remark about how similar they looked, just like with Chil Seong and his dad. Now I just find myself wondering why they chose to do this without any explanation.

So yeah, all in all I identified a few loose ends (Dal Hee, Kang Ho, the HORSE – although at least he appeared one final time at the end) and some inconsistencies in encounters between people and how several pieces of important information were revealed in a pretty anticlimactic way. I just felt like they missed the right timing with some potentially effective plot twist revelations.

Lastly, I want to talk a little bit about Yong Seung Ryong because this bastard was involved in way more than he cared to admit and I also want to discuss his personality a little bit. In principle we first meet Seung Ryong as Poong’s boss at Giant Hotel, and we see that he’s making out with Dal Hee before we even know she’s Poong’s fiancée. Throughout the show, he’s basically a massive prick who looks down on Poong when he’s kicked out, feeling like the man because he gets the girl and Poong’s threats to take revenge are just silly noises to his ears. However, at some point he finds himself forced to acknowledge Poong’s skill as he manages to persuade the hospital staff that usually comes to Giant Hotel to come have some Chinese dishes at Hungry Wok, classic (basic) dishes that Finishing Touch doesn’t serve because it’s ‘below them’ (seriously, as a professional chef, how can you say any dish is below you?). In any case, they start losing customers to Hungry Wok because they serve the same dishes for only a tenth of FT’s price. And, you know, sometimes people just crave a good old familiar bowl of jjajangmyeon, jjampong or sweet and sour stir-fried pork. And then Seung Ryong starts helping Chef Wang in his attempts to sabotage Poong’s business, primarily by bribing the hospital director to eat at FT even when there’s already been a competition in which a hospital staff member had to choose between the two restaurants’ jjajangmyeon. Like, seriously, this guy only knew how to play foul. It is later revealed that it was none other than Seung Ryong who was actually responsible for what Sae Woo’s father was arrested for. If I understood correctly, he had a company called Ultra Construction, and he hired someone to take a huge loan from Mr. Dan’s bank to fund it, so that it later looked like Mr. Dan himself had made that shady donation or something. In any case, Chil Seong is onto his case and he’s basically working on that while Poong and Sae Woo focus on getting Hungry Wok into business.
I kind of got confused about Seung Ryong’s motives as the story progressed because suddenly he rented out Hungry Wok for himself and he even admitted in front of Chef Wang that he wanted Poong to come back to Finishing Touch, so now suddenly he was trying to get on his good side again? After that he just became more and more lame and powerless, even before Chil Seong dealt him the final blow of buying Giant Hotel’s estate. He went from this super influential and dominating scared-of-nothing character to someone who couldn’t do anything on his own. I had to laugh this one time when he was pushing Chef Wang to get rid of Poong’s patronage and he said that the success of Giant Hotel mostly lay in Finishing Touch. Shouldn’t you be a bit more worried about the faring of your hotel when it’s primarily reliant on the profit of its restaurant? Did these guys even know what they were doing or at what kind of place they were working?

In any case, Sae Woo’s father is eventually released from prison and Seung Ryong is prosecuted for fraud and a bunch of other illegal stuff. Chil Seong manages to ‘win’ Giant Hotel’s building in an auction, Finishing Touch now belongs to him. Chef Wang is kicked out (no idea where he goes, he also disappears after being dismissed) and Poong becomes the main chef and has to work with both the FT staff and his Hungry Wok people, which proves to be a whole different challenge in itself.
Seriously, I got so mad when they had that fallout in the FT kitchen in one of the final episodes. First of all, I didn’t even understand why Poong kept Sam Seon on in the first place after his blatant betrayal and zero show of repentence. Poong wanted to keep the lunch hours open for ‘normal customers’ who just wanted a bowl of jjajangmyeon for the same price as at Hungry Wok, so in that way they wouldn’t completely lose their old business. These customers were just as important as the FT regulars, and it wasn’t fair that they now all had to go eat at a hotel that charged ten times the price they were used to. At hearing this, Sam Seon just completely snapped at him and started lecturing him while the only thing he did was prove his own narrow-mindedness. Throughout the show, but especially here, I couldn’t help but think that the only thing everyone from Giant Hotel or FT has is pride. Nothing else. They don’t even care about the food they make, it’s only about their reputation and the amount of money they make. They seriously don’t want to make jjajangmyeon because they consider themselves to be ‘high-trained chefs’ who don’t ‘stoop to such a low and basic level of cooking’. How the heck do you even call yourself a chef with that mindset? Not that I can relate, but shouldn’t you have some basic respect for any kind of dish that you can make? Sam Seon’s outrage just didn’t make any sense to me. The only thing it did was prove to me that they don’t even care about the food and the feelings of the customers eating it. They feel so elevated above the level of ‘basic Chinese dishes’ that they don’t even show up on the first day when they are going to try the lunch hour deal out. What a bunch of pros – not. I just enjoyed it when they came back and realized they’d had a huge amount of customers who all emptied their bowls to the final bite. I guess they must have severely underestimated Poong’s patronage at Hungry Wok. They were all like, ‘uhh we can’t serve food during lunch hours for only 24 dollars, it’s below our pay rate’, but even if they charged only a tenth of their FT prices, with the amount of Hungry Wok customers that came during lunch, they actually made a whole lot of extra profit.
I really loved the part where Poong told Sam Seon that working at a hotel restaurant doesn’t say anything about your skills as a chef, just like working at a small, gangster-run shop doesn’t. What matters is that the customers finish their plates and come back for more. That’s what defines your skill as a chef. It just really made me feel like Poong, who initially used to be one of those FT chefs, really learned from his experiences at Hungry Wok, it really changed his view on cooking and serving customers and I think this statement confirmed his character development most of all.

Finally, I want to talk a bit about the personal relationships (both familial, romantic and friendly/platonic) in the story. There are many relationship dynamics, both emotional and obligational.
First of all, there’s the dynamic between the three main leads, Poong, Chil Seong and Sae Woo. Chil Seong falls in love with Sae Woo first, and after meeting her again when they start Poong’s revenge plan at Hungry Frying Pan, where Poong and Sae Woo are both dealing with their respective failed marriages, he gives her a lot of space. Sae Woo is aware of his feelings but lets him know several times that she’s not interested in him like that. Despite this rejection, Chil Seong refuses to become awkward around Sae Woo and they remain to be on good terms, even more so when he helps to get her dad out of prison.
On the other hand, Chil Seong proves his worth to Poong once and for all by literally risking his life in order to get Poong’s recipe notebook back from the Finishing Touch kitchen. After this, he’s officially gained Poong’s respect and Poong starts calling him ‘hyung’ and even ends up living at Chil Seong’s place above Hungry Wok. Because he knows that Chil Seong has feelings for Sae Woo and he doesn’t want to lose his friendship with him, Poong initially restrains himself in his own growing feelings for Sae Woo, even though things definitely appear to be working out between the both of them.
Poong and Sae Woo eventually start dating in secret because they don’t want to hurt Chil Seong’s feelings and Sae Woo also doesn’t want her family to find out since they don’t exactly see eye to eye with Poong, because of the way he treats Mrs. Jin in the kitchen. I personally found it really sad that Chil Seong found out about it the way he did, he just happens to see them kiss in front of the restaurant while they think no one is looking and it just made me go☹️. I wasn’t rooting for Chil Seong and Sae Woo per se, but he was such a good guy and I just felt bad that he had to find out this way.
On the other hand, he had more than enough stuff to deal with, starting with the discovery of the mystery lady being his mom, so maybe it was good that he had other things to focus on. That way he was able to take a bit of distance from everything that was happening at Hungry Wok.
Actually, I would’ve liked Chil Seong to end up with that veterinarian lady. There was this woman who he kept crossing paths with but he kept failing to recognize her for some reason and she kept getting agitated about that. After meeting by chance four times, also after he took Dim Sum to the veterinary hospital where she worked, she was like, ‘I don’t know what your deal is, but the next time we meet, I’m gonna assume this is fate so you better remember my name’, lol. I liked her spunk. I would’ve liked some sort of conclusion as to where his connection with her was going, but alas, we’ll never know.

Then, of course there’s the romantic relationship between Poong and Sae Woo, the one we all saw coming from the start but still developed quite naturally. I really liked their chemistry, actually. I was kind of frustrated that they didn’t just go for each other as soon as they knew each other’s feelings (seriously, when Sae Woo accepted that Poong wanted to restrain himself for Chil Seong’s sake I was like ‘WHY WOULD YOU SAY OK TO THAT?!😨’). But I really liked how Poong came to accept his own feelings for her so naturally, how he just didn’t know what to do with himself sometimes because he wanted to touch her so badly and the cozy scenes between them were really cute, just like their kissing scenes. (The scene where she uses her body to put out the fire on his uniform and he’s like, ‘Dang😳🔥’, haha.) I also liked how they kept the reference to that ‘your true love is right in front of you’ fortune cookie and how he ultimately uses that to propose to her, that was really sweet. There is no ‘conclusive’ confirmation in the form of marriage or whatever to their romance, but the show ends with them making out in the FT kitchen after he proposes to her and she responds with ‘Service/Good to go’, which was also kind of cute. I found their relationship dynamic quite interesting, especially because they start out as polar opposites personality-wise, but it really seems as if Sae Woo starts rubbing off on Poong at some point, and he visibly softens and becomes more affectionate towards her. There are times where they have to hide their relationship in the kitchen and he treats her quite strictly (causing him to be even less popular by Sae Woo’s family), but he always comes back to her afterwards with a ‘sorry I said that’ pouty face.
By the way, to this very moment I still don’t fully understand why Mrs. Jin was so extremely against their relationship. Like, she could’ve had a personal grudge against Poong for the way he treated her at Hungry Wok (although I have to admit she really wasn’t of much use there), but she just remained determined to disapprove of him even after seeing how much he cared for her daughter and she kept punishing him, even to the point of forbidding Seol Ja and Geok Jeong to join him at FT. Honestly, if I were Seol Ja and Geok Jeong, I would’ve just gone, there was physically nothing Mrs. Jin could do to stop them, so that in itself was also a bit exaggerated. Even Sae Woo’s father didn’t seem to mind as much as his wife did, so in the end it just became a bit childish how she kept trying to persuade him to stop dating her daughter. She also didn’t think about what Sae Woo wanted. Poong himself had already tried to persuade her not to work at FT because he worried it would be too much for her, but Sae Woo was the one who decided for herself that she wanted to keep working there because she’d sincerely come to love cooking and working with the wok. At some point I just really wanted Mrs. Jin to give in, because everyone knew she wasn’t going to keep them apart no matter how hard she tried.

As I mentioned before, I really liked Chil Seong’s gang, mostly because of their unwavering loyalty towards him. Chil Seong certainly found a trustworthy bunch, and it was admirable how firmly they stood by him in everything that happened. Even when they all were dealing with their own stuff, for example how Maeng Dal and Seol Ja got together and how Dong Shik found out his wife was having an affair, they were always there to have Chil Seong’s back, and I liked how they also became an indispensable part of Poong’s kitchen. It was so nice when Yi Man’s dish got approved for the first time and everyone just shot each other triumphant glances. They became a family of their own at Hungry Wok, and later expanded that to Finishing Touch, and in that transition they had the backs of all their fellow Hungry Wok members when they had to stand up against those self-assured FT pricks. I just really liked the bonds that were created once Hungry Wok became a successful business, and everyone that hated each other in the beginning started getting along better.  

Before I go on to my cast comments, I want to make two final practical comments about the title and the poster for this series. Regarding the title, again there’s a difference between English and Korean. In Korean, the show is called something like ‘Greasy Melo’ and I think that actually fits the vibe of the show very well. It basically prides itself on its cheesiness, and the greasy is of course a reference to the cooking. On the other hand, I think Wok of Love is also very fitting, especially because Poong and Sae Woo literally fall for each other while he teaches her how to use the wok, and she even becomes ‘the ladle to his wok’ for a while after he injures his hand. So I think both titles are good as they keep both a reference to a part of the story and to the genre of the series as being a slightly cheesy melo-romance.

Regarding the poster, I initially had another image at the top of this post but I actually think it’s not as fitting for the series so I chose the one that simply features Poong feeding Sae Woo some (heart-shaped) food – as he does quite often in the series as well. I just want to make this remark because I saw someone comment on it in another review and I thought that person made a fair point. First of all, the other image features the three main leads, including Chil Seong, side by side. That in itself isn’t the issue, per se, but it shows Chil Seong in a way that suggests he’s also part of the kitchen staff, waving a kitchen knife, while in fact Chil Seong is the only person at Hungry Wok who is not primarily affiliated with the restaurant. He owns it, he occasionally comes to check on it and he sometimes helps out with serving customers when it’s really busy, but he never actually touches any kitchen utensils or ingredients, so depicting him as part of the kitchen crew like this is a bit misleading. Also, he only has the hairstyle he dons on the picture in the very final episode when he enters Giant Hotel as its owner for the first time. His characteristic gangster hairstyle is what defines him as Chil Seong, especially after Sae Woo mentions it makes him look like a gangster in episode 1. He has the same weird hairstyle throughout the entire show, so why suddenly depict him in this way, with an appearance he literally only shows once in the entire show?
I also personally think the way the image depicts Sae Woo in the middle, as the center, is a bit misleading and even a bit unfair. In all honesty, Poong should be featured in the middle as he’s the main chef and in charge of the kitchen, while Sae Woo is never anything more than a kitchen assistant, even at FT. Depicting her like this, in that confident pose as if she’s the boss, is also not entirely true to the story. Adding to that the way that Poong is on the side, just throwing some flour around with a sheepish smile on his face – all in all I don’t find that this image gives a very accurate impression of the three main characters.

Time for the cast comments!

As I mentioned in my introduction, this drama was recommended to me by my penpal who loves Lee Joon Ho, and I gladly took the chance because I’ve seen him before in Just Between Lovers where I really liked him. I was not disappointed. It was nice to see a different character from him, especially the more silly and cheesy bits, because he pulled it off very well. He definitely gave me butterflies in his romantic scenes as well, especially in the way he lowered his voice sometimes🫣. I personally think that Poong should be seen as the true main character here, even before Sae Woo, because it was his story that was explored the most, he’s the one we have to empathize with as he goes about his revenge plan. I also feel like he had the most character development out of everyone. I really liked Lee Joon Ho’s performance as Poong, and I’m excited to see more of him – in fact, there are a couple of his dramas on my to-watch list!

I hadn’t seen Jung Ryeo Won in anything before, but I know that she’s in at least one more show that’s on my watchlist because I recognize her face. By the way, not me gasping when I discovered she’s actually 9 years older than Lee Joon Ho! I wouldn’t have guessed that! She was 37 when this drama aired while Lee Joon Ho was 28. I mean, they established that she was older than him in the series and he also called her ‘noona’ there, but that was like a one-year difference! Anyways, I just mean to say that seeing their chemistry looked really natural and I kind of forgot about Poong being older than Sae Woo at times. I think Jung Ryeo Won did a really good job portraying Sae Woo’s eccentricity. I’ve seen reviews calling Sae Woo as annoying (one even described her as ‘the most annoying FL of all time’ which I find a bit exaggerated – still doesn’t beat Jealousy Incarnate for me🙃). I was actually relieved she didn’t get more annoying. Yes, I occasionally found it hard to gauge what she was truly feeling, especially when she was still going back and forth between Chil Seong and Poong’s advances in the beginning, but once she went for Poong, she went all the way. I liked how giddy she got at every display of affection and protection from Poong’s side and I personally think she has a very contagious smile, as well. Seeing her smile just made me smile in a natural cause-and-effect kind of way, lol. I’m really curious to see her in other shows, so I hope I can get to that one show on my list soon. Since I don’t have any other reference to her acting, I can’t say that much yet, but I liked the originality and quirkiness of her character, although I sometimes missed a bit of clarity from her. Then again, she just did what the script said, so I can’t really blame her for that. In any case, she was a fun female lead character, and I still find it interesting how there were differences in the ‘main character-ness’ of the main leads, lol. I liked her energy and I actually kind of liked having such a light and carefree female lead for a change.

I’ve only seen Jang Hyuk once before, in Fated to Love You where he also played a bit of an eccentric guy. His eccentricity there was way more exaggerated, so I was wondering how far he would go in Wok of Love, but I actually really came to like his character because of how much he held back. As in, he didn’t overdo it, Chil Seong was already eccentric enough the way he was without adding additional quirks to it. I actually really liked the depth they gave his character by focusing more on fixing his relationship with his mother and showing his professional business side rather than just having him uselessly watch from the side how the others dealt with Hungry Wok. They really made him into his own character, not making him become dependable on his part in Poong’s character development or in whether or not he would receive Sae Woo’s affection. I really liked that about him, and it made him even more likeable in the way he kept being a part of the ‘family’ whilst also going about his own business that stood apart from the restaurant feuds. I really liked Jang Hyuk’s performance and I think his portrayal of the softer sides of Chil Seong’s personality really helped in that. The last thing I needed was an already quirky character trying to emphasize those quirks more than necessary. In that, the way he would make those upside-down peace signs and the way he yelped ‘Sneezing!’ when he sneezed, or the way he loved quoting Nietzsche was enough. He was a very well-balanced character, one of the more layered characters of the series, and I felt for him throughout the entire story as he overcame his own issues by himself.

As I mentioned, I didn’t really understand why Lee Mi Sook was cast as two different characters who didn’t have anything to do with each other, but it didn’t take away from the fact that she acted very well. I mostly remember her from Jealousy Incarnate, but now I see she was also in Cinderella’s Sister (which feels like ages ago so I don’t recognize her from that but I assume she was the FL’s mother) and Temperature of Love (which I believe Sae Woo was even reading at some point, so that may have been a subtle reference). She definitely showed me a new side to her acting, especially as Chil Seong’s mother, and she was a nice addition to the cast. I just kind of hoped there’d be some sort of surprising link that would describe the resemblance between her two characters, or if someone would just make a comment about it because it was so obvious when looking at Seon Nyeo’s younger pictures. To pull this and then leave it unaddressed just didn’t sit right with me, lol. Maybe it’s my neurodivergence, but I just can’t deal with things like this remaining completely unaddressed. Usually when shows bring back a character from a previous season as a new character, there’s always some sort of explanation, or at least a mentioning of the resemblance (Doctor Who is very good at this). If they’re going to make it appear like a completely random thing, then why deliberately choose to cast someone in a double role? Anyways, I don’t want this to affect my cast comment to much so I’ll leave it at that. Lee Mi Sook did very well, although I kind of liked her more as Seon Nyeo because it was a type of character I hadn’t seen her play before.

I know Park Ji Young from Jealousy Incarnate, Moon Lovers: Scarlet Heart Ryeo and The Liar and His Lover, and there’s some more dramas with her on my watchlist, so I’m excited for those. This was the first time seeing her in this kind of role, as a more hands-on down-to-earth kind of lady. I also liked her accent, although I’m still not sure if that was supposed to suggest she was originally from China or that it was a different kind of Korean accent. In any case, although I admired Seol Ja’s loyalty to Mrs. Jin, there were times where I really wanted her to just do whatever she wanted. Why did she need permission to work at Finishing Touch, and why was the only solution to start working there for her and Geok Jeong to move out of Mrs. Jin’s house? As if it was that extreme a betrayal? Also, I really didn’t like it when she was actually debating on going to Finishing Touch, even after Chef Wang betrayed her like that in the past. I get that she needed money, but she really shouldn’t even have debated leaving Poong like that. I’m glad she decided to stay, and it was also kind of funny how, despite her faithful nature, money was always something that managed to sway her. I liked the scene where she got all excited because Maeng Dal received all the money that Chil Seong plastered his building’s walls with, but then completely lost it when Maeng Dal said he wanted to use most of it to help support other people, lol. They were a cute couple, although I find their chemistry a bit awkward at times. In any case, Park Ji Young is always a nice familiar face in K-Dramas and it was nice to see her and Lee Mi Sook act together again, as they also acted closely together in Jealousy Incarnate. It feels like quite a while since I saw her appear in anything, too, so that was nice. I hope to see more of her again soon!

I really like Tae Hang Ho. Besides his appearances in Pinocchio (which is from 2014?! I thought it was a much more recent show🙉), Hidden Identity, Oh My Ghostess, High-end Crush, Uncontrollably Fond, Moonlight Drawn By Clouds, Missing Nine, The Great Seducer, I’ve also seen him in some variety shows like Busted! and From The New World. He just makes me want to hug him, lol. He has such a nice energy, and despite his tendency to be more of a comical character, he always keeps it real. I remember I really empathized with his character in Missing Nine, and I also liked Geok Jeong, especially the time when he came with Poong to Finishing Touch and knocked a bunch of those guys out. He was basically a teddy bear who makes everyone forget how strong he actually is, with his limp and his twitching lip. It was also cute how Bo Ra developed a crush on him. As I didn’t expect to see him in this series, it was another nice surprise. Like with Seol Ja, I still would’ve liked him to be a bit more self-dependent and not just blindly follow Mrs. Jin’s restrictions, because that stood apart from how much they felt like they owed her. The only loose end with his character to me was that until the end I didn’t get any clarity on where he came from. How did he end up at Sae Woo’s family house, how did he meet Seol Ja? I suppose they met somewhere in the cooking field as she knew how good his skills were, but nothing was clarified. Still, I liked his performance.

In my watching experience, Jo Jae Yoon is always ever casted as obnoxious characters, so I found it really nice to see him as Maeng Dal here. In the beginning he did have some annoying tendencies, but he also grew as a person and I think his character may have had the most character development after Poong. I’ve seen him before in Blood, Descendants of the Sun, Fantastic, Rookie Historian Goo Hae Ryung, but I feel like he’s had a lot of guest appearances and cameos as well. This was the first ‘main’ side character role I’ve seen him in and I actually came to like his character. I’ve said this before, but sometimes when actors try to be funny, they tend to overdo because their sole purpose is to be funny while in reality, what’s the most funny is when people are funny without trying to be. Jo Jae Yoon has been on the edge of overdoing it several times, but here I actually liked how seriously Maeng Dal took himself, and in that he sometimes became even funnier because he wasn’t trying to be funny. Still following? Anyways, I just mean to say that, while I was a bit worried that he might become this really obnoxious guy, even whilst being loyal to Chil Seong, I was actually positively surprised by how Maeng Dal turned out. Yes, he was a bit annoying in his determination to obstruct Poong in the beginning, but he really made a change for the better, and that was only confirmed when he showed his compassion towards the people around him by announcing he was going to give all that money to support them. The roles I’ve seen so far of Jo Jae Yoon were kind of redeemed through Maeng Dal, so that was nice.

I hadn’t seen anything with Kim Sa Kwon before, but I think I will see him again in some later watchlist items. In any case, I’ve already talked about how much of a jackass Yong Seung Ryong was, so in that aspect the actor definitely delivered. As if he wasn’t already a big enough douche for showing no compassion towards Poong after taking his girl away from him while they were about to get married (and I honestly don’t believe Seung Ryong was planning on marrying Dal Hee, he was just having fun), the way he acted towards him -and Chil Seong, for that matter- afterwards just kept proving that he was a living scumbag of a man, all the more after we find out what he’s done to make Sae Woo’s family go bankrupt. Anyways, no hate to the actor, only to the character. I guess the fact that I found Seung Ryong so annoying had to do with how well the actor portrayed his douche-ness, so props to him for that, lol. It was kind of weird that Dal Hee suddenly disappeared, because I definitely expected her to appear more often in Seung Ryong’s company to provoke Poong even more. In any case, I’m probably going to see more of his acting and future watches, so then I’ll hopefully be able to give more feedback on his acting performance. For now I’ll just say he portrayed the arrogance and dominant attitude of Seung Ryong very well.

While I always like to see Im Won Hee in dramas as he’s such an underrated actor and capable of so much more than just being funny, it’s always weird to see him as a bad guy, haha. I really liked his role though, even though Chef Wang was insufferable, but he played him with such triumphant venom that I couldn’t help but applaud Im Won Hee for his versatility. For me, he falls a bit in the same category as Jo Jae Yoon, but he also redeemed himself for me here because he too took himself very seriously. I think the last things I saw him in were Melting Me Softly and Room No. 9, but I also know him from Strong Woman Do Bong Soon, Move to Heaven, and undoubtedly some other guest appearances. It was really funny seeing him as a relentless chef who, despite his self-proclaimed high status as a professional chef still lowered himself to bring other people down in very immature ways. I was entertained by his character while simultaneously hating his guts, and that’s something that not all actors can pull off, so well done, Mr. Im Won Hee.

I kind of struggled with my morals here because I usually have nothing but praising words for Oh Ui Shik’s characters, and I still do, except that I really wasn’t prepared to hate his character so much😂. Sam Seon was such an unreasonable back-stabbing snake that I couldn’t even find it in myself to forgive him the way Poong did. Poong is a freaking saint. In any case, it was still very nice to see him and I guess he also has to occasionally portray different kinds of roles (not just friendly ones) to work on her repertoire so I can also see the admirable part in this performance. I’ve seen Oh Ui Shik in a bunch of series so far, Oh My Ghostess (which was his debut😯I didn’t know), Moonlight Drawn By Clouds, Weightlifting Fairy Kim Bok Joo, Circle, Fight For My Way, While You Were Sleeping, Are You Human Too?, Wife I Know, Romance is a Bonus Book, Touch Your Heart, True Beauty, Hometown Cha-Cha-Cha and most recently in Crash Course in Romance. Lots of favorites in that list, and even more coming up on my watchlist. Oh Ui Shik is definitely one of my favorite steady actors who always deliver, no matter what their character is. In Sam Seon’s case as well, he felt completely justified in his actions, he wasn’t playing a bad guy while thinking of himself as a bad guy, and that made his performance even more realistic and, consequently, annoying because he was so in the wrong and he didn’t even see how petty he was being. Still, I’m always happy to see him and he definitely delivered again.

By the way, I just discovered that the director of this series also directed Suspicious Partner and A Business Proposal, two of my favorite shows! And I’m actually not surprised that the screenwriter also worked on Jealousy Incarnate, because for some reason I just expected there to be a link somewhere. Not just because both Park Ji Young and Lee Mi Sook were in it, because the story structure as a whole also kind of reminded me of it. I’m just glad they didn’t let Wok of Love play out the way Jealousy Incarnate did, because Jealousy Incarnate made my skin crawl and Wok of Love didn’t🙃.

I think I already briefly touched on it, but I just want to comment once more that in terms of food, this series is an absolute pleasure to watch. Seriously, every single episode made me crave jjajangmyeon and stir-fried pork, and don’t even get me started on that All Shrimp Festival🤤. The competitions between Hungry Wok and Finishing Touch may have been a bit immature, but I was not complaining because everything looked so. freaking. good. The combination of delicious-looking food and simultaneously learning more about kitchen business and how intense it is, how much teamwork you need to get everything to work properly, was very interesting and educating. As I said, my favorite scenes were when everyone was working happily together in the Hungry Wok kitchen, once they all learned how to work like a well-oiled machine they looked like they were having so much fun and they actually made the whole process from kitchen to table look a party.
All in all, I had a good time watching this, it was fun and light and it was nice to not have to be so emotionally invested in some really dramatic storyline. On the other hand, as I’ve elaborated, I did miss a little bit of depth in the overall plot, and there were some tiny sloppy details that could’ve been either clarified or solved better. But I’m still happy that I watched it. Now I will have to relay my thoughts to the friend who recommended it to me, haha.

I’m actually not sure yet what I’m going to watch next, and I haven’t had that for a while😆. I’m thinking of sliding in another series that’s been recommended to me before I decide on how to go on with my watchlist, I just want to switch it up a little bit. So yeah, it’s going to be a surprise for the both of us! I hope I was able to make this a worthwhile review to read, and I’m not sure how long it’ll take me to finish the next one in combination with my (suddenly) hectic daily schedule, but you’ll hear me from soon anyways.

Until then, bye-bee! x