Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Empty Body
( 인간 증명 / Ingan Jeungmyeong / Human Proof)
MyDramaList rating: 6.5/10

We’ve reached the final episode of this anthology! It’s been a wild ride and I probably wouldn’t have been able to finish all eight episodes within this short time span if I’d still had a lot of deadlines, so I’m grateful for that. It would’ve been fine if I hadn’t been able to finish them all before the end of the year, but it still gives me a satisfying feeling that I’ll be able to close off the year by finishing another series in time. This final episode ties in very neatly with the overall vibe of the series and I personally found it a very fitting conclusion for the anthology as a whole. It also made me repeatedly think of other episodes while I was watching it. It’s interesting because my overall feeling of the second half was that the stories started to stray from the ones from the first half in terms of theme, setting and focus, but this one really took me back to how I felt while watching the first couple of episodes. I had to watch this episode more than once as well because there is very little dialogue and you have to interpret a lot from the images and the silences, but I think I gained a good enough understanding of it now.

SF8: Empty Body is the eighth and final episode in the SF8 anthology. It has a duration of about 53 minutes and was directed by Kim Eui Seok. It’s based on the short story ‘Five Stages of Independence’ by Iruka.

Set in another ‘near future’ context, this story introduces us to probably the most groundbreaking scientific development of all: we have become able to bring people back from the dead. Through a research project from TRS (we know that name) it has become possible to reassemble and revive a deceased person by using robotic parts and reconnecting their brain to an AI system. In summary, we can bring back the dead – as androids.
The main story of this episode focusses on a woman called Ga Hye Ra (played by Moon So Ri) who has recently lost her son Kim Young In (played by Jang Yoo Sang) in a car accident. Besides his life he also lost most of his body, but doctors were able to revive part of his brain. A year after the accident Hye Ra built a robot in her son’s likeness and volunteered for the TRS research project through which they were able to connect her son’s brain to an AI-system, enabling the android (A-796) to wake up. After the initial relief and gratitude Hye Ra felt through getting her son back, after some time she started noticing a change in his behavior. He became gloomy and seemed to have lost the light in his eyes. This understandably worried Hye Ra and she decided to run another test to make sure Young In was doing okay. Through this test, it was revealed that what had remained of her son’s consciousness had been deleted from the system. They can’t determine for sure when this happened and for how long Young In had been gone, but it’s suspected that A-796 is responsible for it. As a result, the android has been arrested and put behind bars, awaing a trial.
If it isn’t already hard enough for Hye Ra to deal with her son’s loss twice while being faced with an android that constantly reminds her of him, A-796 itself also keeps going back and forth in its testimony. While it first refuses to admit that Young In has been destroyed and that he’s still himself, it then admits that he deleted him from the system because Young In asked him to, and finally claims to have deleted Young In from the system deliberately because what remained of his life was pathetic and it wanted to get back at humans for denying and dismissing its existence and consciousness as a machine.
Going through several stages of grief and processing her loss (which I assume the title of the original short story refers to), Hye Ra ultimately realizes that what she needs to process is not the fact that A-796 ‘murdered’ her son, but the fact that her son might have actually tried to commit suicide.

The earliest suggestion of suicide is mentioned in one of the first scenes, when Hye Ra is being questioned by a police detective. He asks her about the car accident, and when she says that despite many possible explanations they never managed to find what caused it, he asks if suicide was included as a possibility as well. To this, Hye Ra literally says, “He was okay the day before. I’d like to think there was a defect in the car.” Also, when asked if she ever thought to talk to Young In about the reason for the accident after he was revived, she just says that she thought about asking him but decided not to because the question lost its meaning to her after she got him back. As she processes her grief and finally faces the facts of the story she’s built around Young In’s accident, she gradually starts opening her mind to the possibility that she may not have known about her son’s feelings all that well from the start.

I think this episode did a very good job in subtly weaving pieces of truth and doubt throughout the story. While Hye Ra starts out very determined about her truth and what happened, the conversations and confrontations she has with the android throughout the story clearly make her doubt herself. She makes a very clear transition from condemning the android to reflecting on her own responsibility to actually trying to accept A-796 at the end.

While I believe that the main stages of understanding are established through every single conversation Hye Ra and A-796 have together, there’s a lot of in-between stages as well, and I have to admit I didn’t understand all of them. I just kind of brushed everything off as an indicator that Hye Ra was processing her grief in different ways but there are definitely a couple of scenes that puzzled me.
For one, the scenes where it seemed like Young In’s ghost was hanging around the house. I mean, Hye Ra does have an encounter with her son’s ghost at the end, which is what makes her decide to try and accept A-796, but it was still a bit vague to me. There’s a scene where Hye Ra wakes up in the middle of the night and she hears sounds and even goes, “Young In, is that you?” What was with the tap water starting to pour, the door opening and the light going out? Was that actually his ghost?
Furthermore, I still don’t understand what her dinner guests were referring to when they kept saying they could see something outside. I’m guessing they weren’t just talking about the moon.
There’s also a scene in which Hye Ra talks to the empty chair in front of her as if she actually sees her son sitting there. It’s more than just talking to herself, the look in her eyes and the way she directs her words really seem to suggest she’s talking to someone opposite her that we can’t see. Things like this also made me question Hye Ra’s own mental state a little, because who was to say if she wasn’t starting to see things? I find that I’m still kind of justifying it as that those were all parts of her grieving process, because it didn’t seem like she actually had any mental issues at the end when she took A-796 back in.

I mentioned in the introduction that there was a lot left to interpretation. Many things aren’t actually put into words and there are a lot of silences that add to the grim vibe of the episode as a whole. However, I couldn’t help but think that the dialogues that were included were exceptionally powerful, and that also went for the monologues.
As mentioned before I believe that a new phase in Hye Ra’s grief was established through every conversation she had with A-796. After their first conversation in one of the first scenes of the episode in which A-796 keeps claiming that he is Young In and even starts guilt-tripping his mother for doubting him, Hye Ra actually starts doubting herself. We see her ask the police detective directly afterwards if there’s a possibility to do another double-check, and if there could be an error in the test results.
After their next meeting during the trial, where three other people including A-796’s defense attorney are present and the android starts saying that he killed Young In because he looked down on him and what remained of his life, Hye Ra seems to realize a deeper truth about A-796. She doesn’t get mad at it, it’s more like she sees right through it as if she knows it’s lying and it actually helps her to let go of Young In a bit faster, as is revealed to her dinner guests not much later.
Their third conversation is another private one, and this takes place at home, when Hye Ra has taken A-796 back in after having the final encounter with Young In’s ghost. Here, A-796 provides her with the final confirmation of why it deleted Young In, and the fact that Young In hadn’t even wanted to be revived in the first place. This is a very powerful dialogue as it officially confronts Hye Ra with the fact that she has indeed created a more convenient story around her son’s tragic accident, and she was never able to find it in herself to acknowledge that her son might’ve wanted to end his own life.
Their final conversation about the discussion regarding whether or not to change A-796’s face and wipe his memory to allow him to live on as Hye Ra’s son without being a constant reminder of Young In, finally leads to Hye Ra’s acceptance towards the fact that she can’t run away from the truth anymore. In her final lines she admits that they will just stay like this, A-796 will continue to look like Young In and they’ll keep fighting about it, they’ll have good and bad days, but that’s what their life will be like from now on.
I personally found it a really powerful ending because it was gave a pretty satisfying closure to the episode. Through A-796’s persuasion, Hye Ra finally dealt with her remaining traces of grief. Even if she was already able to let go of Young In, I still felt like her agreeing to take A-796 in on the condition to change its appearance so it wouldn’t remind her of Young In anymore was still a sign of running away, or at least avoiding having to face the truth about her son again. A-796 had mentioned that the memories and pain it had shared with Young In had become a part of it, and it didn’t want to be turned into something else just so Hye Ra would be able to deal with it more easily. They both lost a part of themselves through Young In’s death and deletion, and it wasn’t fair to just reset A-796 so only Hye Ra would get to keep those memories.

The relativity of the term ‘selfish’ also became quite a main thing in this episode. Hye Ra describes A-796 as such several times, to scold it for making her go through this, and she even says it to her son’s ghost when he appears to her. On the other hand, I thought there were several instances in which Hye Ra also displayed very selfish behavior. I mean, fair enough, A-796 was just a machine so you could say it didn’t have any right to decide on anything, but its human-like sentiments were undeniable. Hye Ra was the best example of someone who kept dismissing its relevance because it was a machine, she never acknowledged that it could have wishes of its own. Until the very end she keeps claiming that, as Young In’s mother, she has more ownership over his body and so she gets to decide what happens to him.
Still, I couldn’t help but feel that it was very mature of her to put in effort to actually understand and accept A-796’s point of view and acknowledge that, during the time of their merge, there must have been things her son and the android talked about that she didn’t know of. She definitely showed great reflective skills, and I appreciated that about her, all the more since she was able to develop them while she was already dealing with a lot of other confusing feelings regarding Young In’s death.

We only find out part of the truth of Young In’s real feelings through a short flashback that A-796 shares exclusively with its attorney (played by Ryu Abel). In this flashback we could see the revived Young In as he was seemingly having a conversation with A-796 in his head. It’s not like you hear two voices, and it’s more like a one-sided conversation so it’s a bit hard to grasp, but it eventually ends with Young In saying, “I will tell you how disappointed I am in this life of mine.” This information was allegedly submitted as evidence to the court, as the attorney establishes that the words Young In used proved his pessimistic emotional state and should therefore suffice as evidence.
All in all, I think the trial scene was my favorite scene of the whole episode. It was so interesting to go back and forth between Hye Ra’s reflections regarding her own responsibility in what happened to her son after they revived him, the attorney’s defense towards A-796 in how it only did its best to execute what humans had programmed it for and A-796’s sudden confession of its resentful feelings towards humans. This scene alone proved that there were so many different sides to the story, and yet no one would truly know the truth because none of the involved parties were 100% reliable. The only person who knew what truly happened was Young In, and with him gone all the other parties just ended up speculating. One could say that A-796 would know the truth since he executed the deletion, but there’s also something to be said about the android’s credibility as it also states three different truths throughout the story. We as viewers aren’t witness to the moment Young In gets deleted, not even in the flashback, so it’s basically left to our interpretation of what went down and who should be blamed for what. Should there even be any blame placed on someone? It created a really interesting discussion.

As mentioned before this episode made me feel the same way I did when watching the first couple of episodes in the anthology, and maybe that’s also why I found a couple of references and links to earlier stories. First of all, I think it’s safe to say that the manufacturing company TRS is definitely a main recurring thing, and it also links to many messy situations when it comes to its android business. It’s also the manufacturer of the caretaker robots from The Prayer, and it was mentioned in Joan’s Galaxy as the manufacturer of the purifying suits as well. As soon as there was a mention of a TRS research project I was like, “right, we could’ve guessed TRS had something to do with the malfunctioning android”, lol.
I also found it typical how the function of A-796 was described not only as a way to support Young In to live on as he did before but also to lessen Hye Ra’s sense of loss. That reminded me of how the caretaker robots were all equipped with the same face as the patients’ guardians, to both give the patient a sense of familiarity and to lessen the caretaking duties of the human guardians.
Much like Gan Ho Joong, A-796 was assigned to support and help a specific ‘patient’ and ended up ‘killing’ him because it thought that was what it had to do in order to help him. It was programmed by humans to oblige to its ‘patient’s’ will. In the meantime, again much like Gan Ho Joong, it developed certain human-like sentiments towards its ‘patient’. Furthermore, it actually started questioning certain actions that were only attributed to humans. I remember how in The Prayer, Sister Sabina kept telling Gan Ho Joong that it wasn’t supposed to kill a human or even pray to God, as that was something that ‘only humans’ were allowed to do. In a sense, A-796 also acknowledged that people generally didn’t give it recognition as an entity with a will of its own, and that’s why it allegedly decided to develop a will in order to prove them wrong.
Another reference I found was the TRS research project in itself. It’s described as connecting the human brain to an AI-system. This sounded remarkably familiar to the military experiment from Blink, which caused Captain Baek Jung to lose his mind. Didn’t that experiment strive to enhance human skills by adding cybernetic technology to their DNA or something? I know there was no mention of the TRS name in Blink and it might just be a coincidence but it still reminded me of it.
Lastly, and this has only happened in one other episode so far, but two actors that made an appearance in this episode also appeared in Manxin. Seeing as they both were completely different people these guest appearances have kind of confirmed for me that the stories must be taking place in alternative universes or something, but I still found it interesting. I also found it funny that, although the guy who played Ga Ram in Manxin was a plastic surgeon in Empty Body, he still made a reference to fortune-telling by advising about how changing A-796’s face might bring more luck.
Which brings me to another link that’s not specific to this particular episode, but I just realized that apart from the fortune-telling app in Manxin and this casual mention of face reading, Mrs Yang from Baby It’s Over Outside also performed face readings before she became a superhuman spotter. Might be just another coincidence, but I’m living for these overlapping details, lol.

So yeah, all in all I think this episode’s story was pretty clear and it had a pretty satisfying ending, but it still took me a long time to write this review. I ended up watching the episode three times because even though I thought I understood, I kept blanking out about the details as I was writing.
It was another very well-structured and well-written episode with great cinematography and acting, but I have to admit that it didn’t jump out to me as much as other episodes. I think it also has to do with the slow pacing and the overall grim vibe of the episode. The main characters were all very low in their energy as well and while I know that’s to be expected of a story with grief and loss as its main theme, it did give it a bit of a dreary element. It was a nice addition to at least have Hye Ra come to her senses and confront her own flaws at the end, that made me appreciate her character a lot more.

By the way, I find the divergence in story titles quite interesting. The short story it’s based on is called ‘Five Stages of Independence’, which I assume refers to the stages that Hye Ra goes to in order to eventually manage to live on independently without Young In. But in the episode title we also see a slight difference in meaning. The English title Empy Body quite literally seems to refer to A-796, or at least the body that Young In was deleted from. But the Korean title of the episode literally translates to ‘Human Proof’, and this is more puzzling because it seems to refer to one of the deeper themes of the story. After all, what defines a human in relation to a machine that starts copying human behavior? We’ve seen several depictions of machines that start acting like humans from different motivations (the app Manxin, Gan Ho Joong, even Seo Nang), and while some of them are deliberately granted human-like properties, others are condemned for trying to act like humans. After all, humans are the ones who shape technology, not the other way around, even when the technology is quite literally shaped into a form that reflects a similarity to human beings. It’s all quite intricate and complicated, the relationship between humans and machines. They’re interdependent but they also seem to thwart each other, and this seems to be a major recurring theme throughout this anthology. I don’t actually have an explanation for the title ‘Human Proof’ myself, but I just wanted to point out that I found it interesting that it made another reference to the ceaselessly complicated relationship between human and machine. Because what would actually serve as human proof if it isn’t the ability to judge situations and make decisions based on observations and compassion?

Let’s move on to the cast comments, shall we?

I’ve only seen Moon So Ri in a few other things before such as Legend of the Blue Sea, but I remember her more clearly from The School Nurse Files, which I watched this year. I think she gave a stellar performances. The way she delivered her lines in combination with her facial expressions that continuously expressed Hye Ra’s struggles so vividly was amazing. I remember one instance where she was asking A-796 which ‘part’ of Young In’s body he wanted to keep and she closed her eyes for a moment in the middle of the sentence to indicate how messed up it was that she was even talking about it (at least that’s how I interpreted it), but it just showed such deep understanding of the role and Hye Ra’s feelings that I couldn’t help notice it. I wonder if the script suggested that or if she really came up with that intermission herself throughout her interpretation. In any case, she performed amazingly. I really liked that, despite the fact that we only get to see a relatively cold and detached side of her, she still managed to express all those different emotions and stages of grief so clearly. I also appreciated how she still just decided to accept the android and keep it in her life because she finally acknowledged its own will and wishes. She really grew as a character thanks to Moon So Ri’s performance. Very, very good.

I see that Jang Yoo Sang was in EXO Next Door but it’s been ages since I watched that so I don’t remember him from there. There are a few of his dramas on my watchlist though, so I think I’ll see him again. I’m definitely curious to see him in a more lively role now, haha. I found his performance of A-796 very impressive. I always wonder how people go about playing androids, because he was definitely much more human-like in his movements than for example Gan Ho Joong. In any case, I really liked his acting, especially in the trial scene. It was nice to see him express more emotion in contrast to his usual sad poker face. I’m definitely curious to see more sides of his acting now!

I remember Ryu Abel from her performance in Run On, and she also appeared in My Mister. It was nice seeing another familiar face in this episode, and she definitely made an interesting contributing as the attorney who defended A-796. I also found it interesting that A-796 immediately shared the truth about Young In’s deletion with her while it had been trying to convince Hye Ra that it was actually Young In briefly before that. I wondered about the attorney, to be honest, haha. Was she specifically employed for android cases? The fact that android even got their own designated attorneys in court seemed like quite a judicial development. I thought that she delivered a nice performance despite the short duration of her appearance.

And with that, I have reached the end of this review, and consequently of this anthology. It was a very interesting experience to watch eight episodes in a row like this. It’s actually made me want to watch more drama specials, so who knows what will be added to the list in the future.
For now, I’m not sure what I’m going to watch next, but it’ll probably have to wait until next year because no matter how fun this drama review package was, it has tired me out like you wouldn’t believe, haha. I’m just going to be taking a break until I start my next show, which will be a secret for all of us as I’m going to follow the theme of this anthology and let an app determine my watch order for next year.

I wish everyone a very Happy New Year, and I’m personally looking forward to a lot more interesting watches and new discoveries in 2024.

See you next year! 😀
x

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Love Virtually
(증강콩깍지 / Jeunggangkkongggakji / Augmented Bean Pod)
MyDramaList rating: 6.0/10

Moving straight on to the next episode of this anthology! Can I just mention how much I appreciate the diversity of the themes that are explored throughout all these episodes? It’s so interesting to dive into a new world in each and every story and the variation between lighter and darker themes is also very nice. For example, I would not have expected this episode after the intensely psychological nightmare that was White Crow. Before I started this episode I was expecting something along the lines of the Black Mirror episode ‘Hang The DJ’, as it was about people getting stuck in an online dating simulation. It turned out to be quite different and while it was refreshing to have a romantic comedy episode in-between all the darker and heavier and more emotional stuff, I do have to say that this was the weakest episode for me so far. It lacked depth and I also didn’t really feel a real chemistry between the two main actors, even though they were supposed to be the most established couple in this anthology so far.

SF8: Love Virtually is either the sixth or seventh episode in the SF8 anthology. It has a duration of about 42 minutes (the shortest of all the episodes) and was directed by Oh Gi Hwan.

We’re in the near future and, similar to Manxin, the world has fallen under the spell of an app. This time it’s not a fortune-telling app but a virtual dating app, called Love Virtually. People can log in to this app using a small patch on their temple, and in the simulation they can choose whatever face they like, not only for themselves but also for the person they’d like to meet. It’s announced at the beginning of the episode that Love Virtually has already brought about around 15 million couples, and the number of couples that met through the app greatly outnumbers the ones that met in real-life. The same goes for our main couple, who has met on the app and has now reached their 100-day anniversary. Seo Min Joon, aliased Leonardo (played by Choi Si Won) and Han Ji Won, aliased Giselle (played by Uee/Kim Yoo Jin) are just about to celebrate their 100th day anniversary with the long-awaited first kiss, when the app’s server suddenly crashes. They’re not the only ones who are bummed about the system error – it becomes alarmingly clear how many people have actually become dependent on the app when people actually start vandalizing the company’s building.
Among the disappointment of not being able to meet, the idea eventually arises to meet up in real life. The only issue with this is that both Min Joon and Ji Won don’t actually use their real faces in Love Virtually, and they’re worried about whether the other person will accept them for who they really are.

The first interesting thing to be acknowledged here is that, while people normally make themselves look more attractive and glamorous through dating apps and would rather worry about not looking good enough to the other person in real life, here we see two lead characters who worry about the exact opposite. As it happens, they’ve both had plastic surgery in real life, but their avatars in Love Virtually look like they did before their surgery. They’ve actually come to love each other the way they were before changing their faces, and they’re worried that their more attractive appearance will scare the other away when they meet in real life. They actually regret getting AI plastic surgery done because they ended up looking more attractive than they wanted and now they both keep getting approached by people who are only attracted to them because of their looks. Also, because so many people got plastic surgery through the same program, there’s a ton load of people walking around that look exactly the same. I thought this was pretty interesting to create such an upside-down view of Korean beauty standards. While plastic surgery is generally perceived as an upgrade, in this story it’s actually seen as something that only creates superficial beauty while the lead characters are specifically looking for something that goes beyond love based on visual attraction. You could say it actually poked fun at the concept of plastic surgery, and specifically on how it can basically make everyone look the same by basing the surgeries on a specific beauty standard.

What’s also funny is that people have become so dependent on using Love Virtually that they’ve actually become super awkward at flirting in real life. We see that it’s become a trend for people to approach others they find attractive on the streets and ask them for their Love Virtually IDs with one-liners such as, “what is your favorite shape?” or “what color pops into your head when you see a banana?” because the Love Virtually logo is a yellow square. Seriously, the guys who kept approaching Ji Won with bananas cracked me up, it was so random. In any case, since online dating has become the norm for the majority of the population, people don’t even stop to think about seeing each other in real life anymore.
It also takes Min Joon and Ji Won a while to decide whether to meet up in real life or not. This miscommunication was pretty similar to a regular one, where the woman kept wondering why the man wasn’t making the first move and the man kept thinking that it shouldn’t always be up the man to invite the woman. Anyways, they eventually agree to meet up, and while initially both thinking of showing up with their Leonardo and Giselle appearances, they both ultimately choose to just meet them as they look now. I thought this was a good decision because it would take away the pretense and they would inevitably find out that they both have the exact same issue where they actually look more attractive in real life but don’t necessarily experience that as a good thing.

However, Love Virtually’s server is miraculously restored just when Min Joon and Ji Won are about to meet, and while Ji Won has made up her mind to meet him the way she is, Min Joon succumbs to his worries and grabs the app’s restoration as a chance to meet Giselle online instead, that way he won’t have to worry. In doing this, he stands her up, and in their first online meeting after that Giselle breaks up with him because she feels like he isn’t ready to actually face up to their relationship in real life. I personally also felt like it was a weak moment of Min Joon to decide to run out of there and meet back on Love Virtually. After all, the meeting up in real life wasn’t only an alternative for the app, it would also signify an important step in their relationship in the real world. I guess they both had different views on that and Min Joon did just see it as an alternative. Then again, this was something that strengthened me in feeling like Min Joon wasn’t actually 100% down for making their relationship a real thing yet.

After both trying to date other people in real life, they keep getting disappointed by the superficiality of their partners that only care about their looks. They can’t keep denying how much they miss each other and decide to meet up after all, which results in a bit of a ‘which version of you do I actually like more’ situation, but they ultimately decide to keep seeing each other in the real world instead of the virtual one.

Although I do think one of the main themes was that Min Joon and Ji Won were two of the few people who were actually looking for something real in a world dominated by virtual love, I couldn’t help but feel like there was also an element of constant avoidance of real feelings in this episode. This could be seen for example through the effect that everyone kept silencing each other when they were about to utter the words ‘I love you’. The way the same lines were repeated throughout several scenes also became a bit unoriginal to me, and at some point I even started thinking they were still in the simulation and those were just standard lines generated by the system. I get that it can sometimes be cute when a line from the beginning is repeated at the end, but it didn’t really work that well here in my opinion, it just made it a bit sappy. As I mentioned, the way Min Joon immediately fell back on Love Virtually despite the fact that he was about to meet his ‘great love’ in real life for the first time also made me feel like he was avoiding the reality of the situation for as long as he could. Even when they eventually ended up together, it just didn’t feel like it was completely genuine and heartfelt to the core.

At the end of the episode, the narration explains that ‘it’s not about where you meet, it’s about whether you really care for each other’, and while that’s a nice thing to say, I didn’t actually feel it that strongly from this story. It seemed to solely refer to the fact that it was good of the main couple to start dating in real life even though they met through an app, which I think is the case for many a couple in current times as well. I don’t know, it didn’t really make me go, ‘Oh, that’s actually a pretty genius inference, I hadn’t thought of that!’ like so many of the previous episodes did. I’d say it was a bit too straightforward and that caused it to become a bit too typical and cheesy, which didn’t really seem to match the overall tone of the anthology.

Besides Min Joon and Ji Won, the only two predominantly featured characters are their typical friends or sidekicks and while I liked their contribution to the story it did really strengthen the rom-com-level of this episode to have one sidekick of the same gender for each lead character, especially since they also ended up together. Goo Sung Tae (Ahn Se Ha) and Tak Soo Jin (Kim Han Na) were the typical less visually attractive sidekicks who always got ignored while their more attractive friend kept getting asked out. All that was established about their friendships was that they’d known the lead characters from before their plastic surgeries and were therefore able to judge them based on their transformations. More than that wasn’t revealed about how they’d met or what their history together was, except for the fact they seemed to work together (even the type of work they did wasn’t revealed). Whenever they offered themselves as an alternative when Min Joon and Ji Won rejected an invitation, the inviter would always give them the cold shoulder and walk away. While it was definitely cute that they ended up together, it was incredibly predictable and it also took away some variety because it only created two couples that consisted of people who were exactly the same.

All in all, while it was nice to have a lighter and more comical rom-com of an episode in-between the darker and edgier stories, I didn’t really feel that excited while watching it. I’m also not exactly sure what the message was, because even if it wanted to convey how real-life connection and honesty was better than virtual love, it was complicated and more confusing by the fact that they’d actually developed the more genuine connection through the virtual reality and meeting in real life made things more awkward. I agree that it doesn’t matter where you meet as long as you develop a true connection, but that’s true in any type of relationship and I wouldn’t have actually gotten that from this story in particular.

Before I move on to the cast comments, I just wanted to make a mention of the Korean title of this episode. In both episodes, the title refers directly to the name of the app, similar to Manxin, but the Korean name of the app is actually ‘JeungKkong’, which is an abbreviation of the titular phrase ‘Jeunggangkkongggakji’, which in turn literally translates to ‘Augmented Bean Pod’. It took me a moment to realize it referred directly to the logo of the app, which shows a heart made out of two bean pods. I guess it’s a play on the expression ‘two peas in a pod’ or something? Anyways, I thought it was quite quirky to name a virtual dating app after beans, lol. The English title initially made me think of a play on the movie ‘Love Actually’. Is it just me who feels like they could’ve thought of something more original for the English title?

It’s cast comment time! Like every episode in this anthology, this will be the shortest section of the review since the key cast doesn’t include more than four people.

Of course I know Si Won from Super Junior and I’ve seen him in several dramas before, such as Oh! My Lady, Skip Beat!, She Was Pretty and Revolutionary Love. There’s a few more things on my list that he appears in. While I generally like his acting and the way he always brings a welcome comical element to his characters, I couldn’t help but feel like his portrayal of Min Joon lacked sincerity. As I mentioned before I didn’t feel a lot of chemistry between him and the female lead, which was a pity because this is the most blatant portrayal of a romantic love story this anthology that has appeared in this anthology so far. I wish there could’ve been a bit more to his character and personality that would’ve made me warm up to him more. In stark contrast with the previous episodes, especially White Crow, the psyches of the characters weren’t even discussed, and the way everything was only portrayed from the outside without much depth only added to the shallow tone of the episode. Which is a pity, because I’ve seen Si Won perform much better and I know there is more to his acting. Still, it was nice to see him appear in this anthology and I’m looking forward to the other series on my list that he’ll appear in.

I’ve seen Uee/Kim Yoo Jin before in You’re Beautiful, My Girlfriend is a Gumiho, High Society, Manhole, and she also made a guest appearance in She Was Pretty, apparently. In any case, she’s a familiar face and it was nice to see her in a more comical role than I’ve seen her in so far. Still, I had the same issue with her performance as with Si Won’s in the sense that I felt like I only ever saw the outside of their relationship, and there wasn’t any depiction of the depth and genuinety of their feelings for each other. Although I definitely felt like Ji Won was more determined to make it work in real life than Min Joon, I still found it hard to keep up with what both of them were really thinking and in the end I wasn’t even that thrilled at their first real kiss either. Again, I know that Uee is capable of much more, and it’s not like her or Si Won’s acting was bad in this episode, but it just didn’t really grab me that much. I still liked seeing her in this episode, and I’m curious to other shows that she appears in that I’ll watch in the future because she always seems to pop up when I least expect it, haha.

I’ve said this many times before about Ahn Se Ha, and it only adds to the stereotypicalness of this episode that it was again the case here, but he’s always typically cast as an ‘unattractive guy’. He’s an amazing actor and I always find it a pity that he gets typecasted like that. I’m always happy to see him whenever he appears in shows, and so far I’ve seen him in God’s Gift: 14 Days, She Was Pretty (it’s like a reunion!), High-end Crush, W – Two Worlds, Moonlight Drawn By Clouds, 20th Century Boy and Girl, I’m Not a Robot, 100 Day Husband, Abyss, Nevertheless, and Dali and the Cocky Prince. I’m sure I’m going to see him in a lot more shows that are on my list, because he’s also one of those actors who just makes appearances everywhere. His role as Min Joon’s stereotypical unattractive sidekick was not very original, but he still made something out of it. I honestly thought he and Si Won had better chemistry than Si Won and Uee. 🥲

I didn’t recognize Kim Han Na from anything, but I see she appeared in The Third Charm and there’s a couple of more dramas on my watchlist that she appears in, so I’m curious to see more of her in the future. Her character was basically the same as Sung Tae for Min Joon – she was Ji Won’s standard sidekick who were typically depicted talking and walking together during lunch breaks. I didn’t really have much to go on apart from that, honestly. The only individuality she was given was the fact that she and Sung Tae ended up going their separate way while leaving the lead characters to their own devices in fixing their relationship situation. I wish there would’ve been a bit more elaboration on the friendship between Soo Jin and Ji Won (and Sung Tae and Min Joon for that matter). Again, I don’t mean to say that her acting was bad, it was just that her character (as everyone else’s) didn’t really leave that much of a special impression. I hope she’ll leave a more memorable impression in the next thing I see her in!

So yeah, I think this might be one of my shortest reviews of this anthology and it was also the only one I was able to finish within a couple of hours. Of course, in an anthology there’s bound to be an episode that you like a bit less than others, but it doesn’t necessarily mean it was bad. I just found that it didn’t link as much to the tone of the other episodes, and also the repetition of the app-concept which we’d already seen in Manxin just didn’t make it jump out as much as other storylines. I kept waiting for a plot twist or darker edge to the story that didn’t appear and in the end I wasn’t really sure what exactly the overall message could have been. I think my main issue with it is that the feeling of watching something scifi that took place in a more futuristic world was the least apparent in this episode. Of course, we’ve seen other stories that were set in the near future and didn’t really show a complete different world or setting, but it was even less apparent than in the other near future episodes. It could’ve just been a regular romantic comedy in the style of Love Alarm, but that didn’t necessarily include any science fiction elements other than one specific virtual reality app. So yeah, that was a bit of a pity. Still, it was refreshing to watch and it definitely made for a nice breather after the intense story from White Crow, haha.

I’m actually going to make it before the end of the year, guys! I’m going straight with the final episode and I’ll probably be able to finish the initial page with all the reviews on it in a couple of days. I’m very excited for the final episode, because the preview already gave me the feeling that it would be a bit more dark and somber in theme.

See you soon! x

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

White Crow
(하얀까마귀 / Hayankkamagwi)
MyDramaList rating: 6.5/10

Hiya! Let’s move on to the next episode of this anthology, shall we? When I initially saw the summary for this I was expecting something with a bit more of a horror element in it, and my mind immediately went to the Black Mirror episode ‘Playtest’, in which a guy gets stuck in a VR-horror game experiment. My expectations were right in the sense that this was definitely the scariest episode of this anthology so far, but it also had a very psychological layer to it, in which we are continuously set on the wrong track when it comes to determining the lead character’s truth. I think that after The Prayer, this was also the most symbolic episode so far, as it didn’t just include various nightmarish abstract scenarios but also used several references to Greek mythology. What’s also interesting to note is that, rather than focussing on the worldbuilding or the technology that’s used in the story, this episode is a more character-based one as it focusses predominantly on the lead character’s psyche and trauma.

SF8: White Crow is either the fifth or seventh episode in the SF8 anthology. It has a duration of about 58 minutes (the longest of all the episodes) and was directed by Jang Cheol Soo. It’s based on the short story ‘Please Save Coronis’ by Park Ji Hye.

The year is 2026 and Jang Joon Oh, also known as Juno (played by Ahn Hee Yeon/EXID’s Hani) is a popular video game live streamer with a fanbase of around 800,000 followers. One evening, her live stream ends on a less cheerful note as someone claiming to be a former classmate of Juno suddenly pops up and starts spreading rumors about how Juno supposedly did all sorts of nasty stuff in high school and eventually committed suicide in high school as a result of escalated bullying. Juno tries to calm the increasingly escalating comments by claiming those were all false rumors and she never lied, but this outburst ends up creating a controversy which hits her reputation hard.
Some time after this ‘scandal’, Juno has a chance to redeem herself by making a comeback on the first-anniversary special broadcast of WGN (World Game Entertainment) that introduces a new immersive VR-game through which players will have to overcome their psychological trauma. While her producer keeps telling her to make a big hit and secure that comeback, Juno becomes agitated when she finds out last-minute that she won’t be able to communicate with the viewers this time, contrary to what she’s used to. She also overhears two technician guys mutter something about ‘not being done’ before they’re shooed off the stage. In any case, Juno goes on and prepares to enter the game, for which she needs to lie down in the white chair that is depicted on the poster above.

The game, which is called ‘Inside Of Mind 2’ (and is apparently even more immersive version 1), takes the player through a remarkable simulation of their own fear and personal trauma, which they have to overcome in order to clear the game. Honestly, as soon as it said ‘Your Trauma Becomes Your Game’ outside the building it took place in, my mind immediately went 🚩🚩🚩 I mean, what good could possibly come from a VR-game that visualizes your personal trauma and uses it against you? Who’d actually want to play that? I certainly wouldn’t. But Juno is desperate to win back the hearts of the fans who dropped her and takes the step, with the confidence that nothing will possibly be able to scare her that much. Especially because of the carefree and bright vibe of the show set around it and the examples given through the hosts’ not-so-scary experiences of the game, Juno thinks she’ll do just fine.
However, as we may expect, it turns out Juno is severely underestimating the game – and her own mind. Of course, the game simulates the setting and the NPCs based on the player’s own memory of their trauma, so everything that appears in the game is in Juno’s head.
After connecting to the game, she wakes up in her old high school building, the one that was previously mentioned earlier by that former classmate – where she allegedly committed suicide because of escalated bullying. As a matter of fact, she’s returned to 2018, eight years prior, the year the whole ordeal went down.

After being confronted with the Jang Joon Oh from the past (played by Lee Se Hee) and the bullying she had to endure, Juno’s first mission is to ‘Find Baek Ah Young’. The obstacle: all her classmates faces are blurred. Still, it wouldn’t be so hard if she could just find the right name tag. Or so one would think. It doesn’t take long for her to realize that, whenever she takes too long to complete a mission, the students and staff that are initially not aware of her presence will turn against her, and their faces take the form of red-eyed black crows. After dying twice in a row, she’s able to contact her producer outside of the game, but he tells her she’s already been in there for three hours and has already failed the first stage more than ten times. Her producer only urges her to just move on, they will edit it so that it’ll be like she cleared Stage 1 and she just needs to ace this otherwise she’ll never redeem her reputation.

From here on out, however, the depictions of what happened between Jang Joon Oh and Baek Ah Young start intriguing Juno more than clearing the game missions and she becomes more interested in following the characters to get a clear picture of what went down. It seems to have something to do with the two girls getting trouble for allegedly copying each other’s essay and someone lied about it. Juno ultimately ends up face-to-face with Baek Ah Young, and while she sticks her name tag on her – as was her mission – Ah Young simultaneously stabs her with a piece of glass, after which her face is finally revealed. Juno is standing eye-to-eye with her own younger self.

From here on out, the story changes drastically, as we find out Juno is not actually who she’s been saying she was all this time. While we already got a slightly pretentious impression of her from the way she interacted with her followers and forced out tears when talking about animal cruelty, this revelation opened a whole new truth. Juno turns out to be Baek Ah Young, not Jang Joon Oh. When they were in high school the two were friends. Joon Oh came from a wealthy family but never let it get to her head – she was very innocent and kind, and Ah Young strived to be like her as much as possible, starting with copying the way she looked. At some point, people even started calling them the twins because they looked so similar. However, that admiration gradually turned to jealousy, and jealousy can do very nasty things. As a matter of fact, she was the one who started spreading the false rumors about Joon Oh that ultimately drove her to jump off a roof.
Juno is suddenly approached by the NPC of her school teacher Ms Shin (played by Shin So Yool), who tells her that she’s not in the game anymore – this is all happening inside her head. During the scene where she faced her younger self, a fire broke out at the broadcasting station which caused the VR-game to overload and Juno to lose consciousness. Three months have already passed and she’s currently in a vegetative state. The only thing that can save her now is going through the entire game from scratch and admit that she’s actually Baek Ah Young and that she lied about everything. Being honest about what she did will save her, so what is she waiting for?

Just to give a bit more information on the teacher: she’s initially depicted as a really strict lady who always carries a sharp metal ruler around. This ruler is actually what kills Juno the first time she tries to clear Stage 1, as she walks into the teacher and gets stabbed by it. Not only does she carry it around, she makes a habit of hitting it against the table when she’s making a point or demanding attention. Furthermore, this teacher is the one who questioned the two girls on who copied whose essay. When the game crashes, she appears as an NPC in a more stylized outfit, claiming that the doctors and engineers sent her into Juno’s unconscious mind to get her out of there. She’s basically just there to get her to admit that she’s Ah Young and provides her with her final way out: saving Joon Oh.

However, as it turns out, this isn’t a simple task for Juno. Even when she’s given several chances to stop Joon Oh from jumping and admitting to her lies, she just can’t bring herself to do it. She’s completely convinced herself that she did nothing wrong and that she truly is Joon Oh – Ah Young is the one who jumped, and she never lied about anything. When we discover this truth about our protagonist, it creates a really interesting twist in the story. The lead character who we’ve been following and emphathizing with so far actually turns out to be the villain and the bully. We actually get to see a flashback of what exactly happened between the two girls in high school. However, even after having seen that and seemingly feeling bad about it (she actually utters the words ‘She died because of me’), when she’s given one final chance to save her friend Juno still refuses to admit her wrongdoings. That is, she apologizes and tells her it’s all her fault, but then goes on to say, “But if I must tell the truth and live as the liar Baek Ah Young for the rest of my life, I’d rather die as Jang Joon Oh and have people pity me.” After which she throws herself out of a window. When Joon Oh goes to look out of it, we see a big white crow lying on the ground where Juno has fallen, which is then scorched black by a lightning beam. The last sound we hear is the hospital machine signifying a flatline.

So besides the science fiction aspect of this episode which indicates that it takes place in the near future and deals with advanced immersive game technology, this story focusses more on its lead character’s psyche than any of the previous episodes has. I found it incredibly interesting how the story, which started out so seemingly straightforward, got such a twist which revealed the true nature of Juno. It was strangely refreshing to have a main character that was actually a pathological liar who couldn’t even recognize herself for who she used to be anymore. I mean, we could’ve noticed it through a couple of things. First of all, her facial expressions during the first scene when that former classmate listed all the false rumors and the way she was defending ‘herself’: it didn’t particularly seem like she took it to heart as personally as she would’ve probably done if it was really about her old self. Secondly, when she’s first placed inside the game and she sees how her classmates bully Joon Oh, she reprimands them for treating her like that and the way she talks to them was also kind of weird if you’d think she was standing up for herself. As soon as she faced young Joon Oh I thought it was strange how there didn’t seem to be any kind of personal connection or a ‘oh my god it’s me’ realization in her expressions. I also found it interesting how she reacted to the first mission ‘Find Ah Young’, because she said the name Ah Young with such unfamiliarity, and started looking for her as if she genuinely didn’t remember her. I think all these clues just showed how much she’s been brainwashing herself, maybe out of a sort of hidden guilt that she vowed never ever to admit to anyone. Through the flashbacks we see that Joon Oh asked her multiple times why she did those things, she gave her many chances to own up to what she did, but she always kept denying she lied about anything.

I have to admit that this was the first time during this anthology that I genuinely got annoyed with the lead character. Not even necessarily because she kept lying, but because she just couldn’t seem to realize the important issue at hand. I got impatient with her when she didn’t just move on with the game (seriously, she had at least five opportunities to stuck that name tag on!) and even after understanding what was happening and what she had to do to get out alive, she still couldn’t bring herself to do it. I mean, in hindsight, she wouldn’t even have had to publically admit she was Ah Young when she woke from her coma. All she had to do was to utter the truth within the neverending game inside her mind, right? Anyways, I guess that once she finally admitted it to herself, she couldn’t even bear the idea of living with that truth herself after she’d wake up. It was a very original and interesting character psyche and I liked that that’s what gave the episode the darkest edge, even more so than the horror elements in the game (which admittedly were PROPER scary). Turns out, the human mind can be an even darker and scarier place than a horror video game, and that definitely puts things in perspective.

Also, I just want to mention that in hindsight, I don’t actually think Joon Oh unalived herself because of the bullying. Of course, I don’t want to take away the effect the bullying may have had on her decision, because it definitely didn’t make things better, but I honestly think it had more to do with the fact that Ah Young betrayed her, and consequently with the fact that she lost Ah Young as a friend. I mean, it would make sense when looking at the final scene of Joon Oh jumping after which Juno is seen crying and finally admits that she died because of her – Joon Oh jumped after Ah Young confirmed that she wasn’t her friend anymore, and that seemed to be the final blow that (quite literally) pushed her over the edge.

Let me just address the symbolism used in this episode. As someone who loves Greek mythology I definitely liked getting a reference to that. First of all, the name Juno. Of course it was derived from Joon Oh’s name, and it’s also the signature she put under all her drawings in Roman alphabet. Interestingly, Ah Young ends up using Juno as a ‘stage name’ while referring to herself as ‘the game queen’. The queen aspect here refers to the fact that Juno is the Roman name or alias for the Greek goddess Hera – our first link to Greek mythology. Secondly, the most direct reference to the episode’s title is made when the homeroom teacher starts telling a story from Greek mythology about how crows got their black color. The story goes as follows:

“Crows were originally Apollo’s messengers and had beautiful white feathers. One day, one of these white crows came back late with a message because it wasn’t focussed on its task. When Apollo asked why it was late, the crow covered up its mistake by lying that Apollo’s wife Coronis had an affair. Apollo believed the crow and killed his wife for being unfaithful. However, he only finds out the crow lied after killing her. Apollo then got very angry, burned the crow to death, it’s white feathers scorned black by the fire. Thereafter, all crows were cursed to have only black feathers.“

The teacher then adds, “Why do you think the crow lied to him? Didn’t it know a higher power such as Apollo would find out the truth? The crow simply didn’t want to be hated. But as a result, an innocent woman got killed.” I think we can all agree that this story is a direct reference to the relationship between Ah Young and Joon Oh. Ah Young was the lying crow who didn’t want to be hated and therefore started spreading false lies about Joon Oh. After all, these lies caused Joon Oh to die, a direct link to what happened to Coronis. The short story this episode is based on is titled ‘Please Save Coronis’, so we can determine that Joon Oh is meant to symbolize her. In any case, Ah Young’s lies were never found out because she kept covering them up and only after choosing to die rather than come out with the truth, we see her, literally depicted as that white crow, getting punished by Apollo. I mean, she’s even wearing a pure white outfit which gets scorched to black in the final scene, so how literal is that? It even gives the classmates who turned into black crows during the game a different layer, because it wasn’t just a scary picture, they were actually the other crows that turned black after what Ah Young did to Joon Oh, so that was really cool and clever symbolism.

I think that, after The Prayer, this episode definitely had the most obvious link to a mythological story, and in this case I was able to follow it with much more ease. Despite my dislike of horror stories, I was still fascinated while watching it because it took such an unpredictable twist in the lead character’s psyche. I also thought it was powerful to introduce this severe trauma psychology simulation within the context of a hyped setting of game entertainment and making it about a pathologically lying online celebrity who just wanted to make a comeback. If you look at where Juno got as a BJ (which I had to look up because apparently it’s a Korean term for Broadcasting Jockey – a live streamer on a broadcasting platform), it can be said that she really went to great lengths to protect her own truth. As the teacher also says, ‘Most celebrities would just lay low for a while after they made a mistake’, but that’s the point: Juno has basically brainwashed herself into forgetting she was Ah Young the liar out of her guilt surrounding the real Joon Oh’s death. If I remember correctly, depictions of this kind of twisted psychology also appeared in What’s Wrong With Secretary Kim? and Kill Me, Heal Me. In both of these series there was a character who had done or witnessed something bad but then adapted some sort of coping mechanism that made them believe that they were the ones who underwent that bad experience themselves. I think something like that must have occurred in Ah Young’s mind as well, that completely taking on Juno’s identity was her coping mechanism of taking as much distance as possible from her truth as Ah Young. Interesting stuff.

Let’s move on to the cast comments!

So Ahn Hee Yeon or Hani is a member of the idol group EXID. Admittedly, I’ve heard of the name and I’ve seen her in two shows before (The Producers and Busted), but neither of those appearances made as big of an impression as her performance in White Crow did. I thought she was really good. It was really interesting to try and gauge her as a character after finding out she wasn’t who she’d been pretending to be, and there was an element of frustration in the fact that she couldn’t even admit to herself who she really was. She created an incredibly troubled and struggling character, and even after it was revealed that she was actually a bully, I still couldn’t help feel for her a little bit, mostly because of how she ended up coping with that secret. It just gave her a really sad layer, which in turn reminded me of another Black Mirror episode, ‘White Bear’, which I now realize is very similar in title as well. The BM episode also features a woman who initially invokes sympathy as she seems to get randomly terrorized by people everywhere she goes, only to find out that she’s a murderer who’s been sentenced to undergo daily psychological punishment as her memory gets wiped at the end of every day. In a way, Juno is punished for her wrongdoings by this game (guided by her own mind) while she doesn’t even remember what she’s done to deserve it. I think she portrayed the emotions Juno went through while going through this terrifying rollercoaster very well. I also thought the transformation she went through in terms of appearance from teen Ah Young to adult Juno was really well done, she really seemed like two different people!

I thought Lee Se Hee looked familiar to me but I don’t actually think I recognize her from anything. I see that she appeared in the movie Midnight Runners, but I don’t remember her from there either. Anyways, she portrayed teen Joon Oh with a lot of integrity and genuinity. It was undeniable that she was the honest victim of the situation, but what was the wryest thing was that she actually gave Ah Young so many chances to confess. She asked her time and time again to admit it was her, she gave her the chance to be honest, and I honestly think the reason she ultimately jumped had to do more with Ah Young’s betrayal than the fact that her classmates bullied her over some false rumors. This was also proven by how Joon Oh reacted to seeing the adult Ah Young appear in front of her in that last scene. She didn’t get angry at her, and I honestly think she would’ve forgiven her. She also seemed genuinely shocked and saddened to see Juno jump out of the window, and to see the white crow lying on the ground below. I think her performance was really good, also in terms of emotional acting. I’m curious to see more of her in the future.

I found the character of Ms Shin very interesting, and Shin So Yool did a really good job in maintaining that enigmatic vibe, even after she turned into an NPC that was guide Juno through the game and get her to wake up. I guess that she used to be famous for always carrying a metal ruler around, but it was freaky how the object actually became a weapon in the game simulation. I mean, Juno is stabbed by it when she bumps into the teacher during her first attempt to clear Stage 1. It made me think of the book ‘The Midnight Library’ by Matt Haig, where a significant supporting character in one’s life would become their final guide in choosing a way out of purgatory. In a way, the game became Juno’s purgatory as she got stuck there, in-between reality and virtual reality. In any case, I found the teacher character very mysterious and interesting, even though she was just used a ‘tool’ to make Juno wake up both literally and symbolically. Because she remained so stoic and maintained such a pokerface, I could never really gauge the character or whether she was actually concerned about her students. It may have been nice to get a little bit more information on her. Still, she was an interesting character.

So yeah, I think that out of all the episodes I’ve watched so far, this was the most psychological one and the least technological one. While the advanced game technology undoubtedly played a big part in making Juno face her fears (and ghosts) I still missed a more direct link to the science fiction theme. Besides the references to a classical story I also didn’t discover any other links or references to the previous episodes, it really stood on its own as an independent story. It was a very interesting choice to focus on a problematic and unreliable lead character instead of the specific worldbuilding around it. I noticed that this also took place in a less distant future, 2026. I wonder if there’s a specific timeline between the episodes that these stories follow or that they’re actually meant to all be seen separately.

Anyways, it was another interesting episode. Horror is not my favorite genre, but I was able to watch it without getting nightmares, luckily. I believe the next one will have a lighter note as it focusses on virtual love and dating, so I’m very curious to move on. I might actually finish this before the end of the year, y’all! 😀

See you soon!

x

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Baby It’s Over Outside
(일주일 만에 사랑할 순 없다 / Iljuil Mane Saranghal Sun Eobsda / You Can’t Fall In Love In Just A Week)
MyDramaList rating: 7.0/10

First of all, Merry Christmas everyone! I’m writing these reviews during my holidays, as it’s the longest period of free time I’ve had in a while. Anyways, it’s time to move into the second half of this fascinating anthology. I’m still not sure whether this is the fifth or the seventh episode (the order still confuses me 🫠), but I’ll say right off the bat that I watched it twice in a row. While I found it to be yet another really interesting episode with great cinematography and acting, a lot is left to interpretation. Even after rewatching it I still have a few things that don’t make sense to me or that I wish would’ve been explained better. What I did like about it was how completely different it was from the previous episodes, primarily because it didn’t deal with any of the themes surrounding technological development. It does, however, take a really fascinating spin on one of my favorite themes in existence: time travel. More specifically, a time loop.

SF8: Baby It’s Over Outside is either the fifth or seventh episode in the SF8 anthology. It has a duration of about 44 minutes and was directed by Ahn Gook Jin. It’s based on the short story ‘You Can’t Fall in Love in a Week’ by Kim Dong Shik.

This story takes place in 2020, and instead of a global pandemic the world is facing a different kind of crisis: a meteorite, heading for Earth, FAST. We’re not talking about weeks or months here – NASA has confirmed that the meteorite will strike Earth within a maximum of twenty days. What’s worse, an attempt to stop the meteorite from crashing into the surface by launching a missile to stop its course has tragically failed and the end-of-the-world countdown is set to seven days. One week left.
Amidst this situation, we are introduced to a rookie police officer named Kim Nam Woo (played by Lee David). He spent the last four years studying his butt off to become a police officer, only for doomsday to be announced after only a month of service. Now he doesn’t even remember why he wanted to become a police officer in the first place, and he feels like nothing he does even really matters anymore. His gut feeling has been telling him he’ll be alone at the end for as long as he remembers and the only ‘remarkable’ thing about him is that he has frequent instances of déjà vu, which he always just dismisses as coincidences and useless hunches.
Apart from his pessimistic outlook on his own life, Nam Woo isn’t a particularly clever or sharp police detective either. He’s quite lethargic and slow-witted, and he tends to get confused a lot (mostly because of the déjà vu). Whenever he seems to recognize someone or something he either brushes it off or takes the wrong conclusion. Something that frustrates him even more after the final week on Earth has been announced is that he suddenly seems to be surrounded by lovey-dovey couples, who clearly take the news’ message of ‘spending your last days with your loved ones’ quite literally. Instead of global panic or chaos, people generally choose to remain calm and spend their time together peacefully. It annoys Nam Woo to no end, and it only strengthens his frustration in being alone and spending his work hours on useless patrols.

There’s an interesting phenomenon that starts to emerge after the official doomsday-in-a-week announcement. All over the country, people start claiming that they possess ‘superpowers’. People start livestreaming and sharing their special talents with the rest of the country, and while the authorities are initially suspicious about the credibility of this phenomenon, it is actually proven that these superhumans are for real. In fact, NASA starts establishing a plan to work together with these superhumans to attempt another launch to stop the meteorite.
Nam Woo watches all these news reports on superhumans without a clear conviction – he feels neither connected to them nor does he completely dismiss the idea. That is, until he mistakenly arrests a girl when he’s on patrol – again out of a déjà vu moment as he swears he remembers her face from the wanted list. Turns out she isn’t, and she was just trying to get into someone’s house who she claims is a very capable superhuman who can help save the world. This person she’s looking for has another house up in the mountains, and Nam Woo is instructed to go with the girl.
Despite their continuously tense companionship, they start getting to know each other a bit better as they travel together.

Seeing as the original Korean title of this episode is ‘You Can’t Fall in Love in Just a Week’, one might guess that that’s actually what’ll happen to the two youngsters. In all honesty, the DramaWiki summary is very misleading as it says “a young man and woman choose romance in the face of the impending destruction of the Earth by a rogue comet”. Still, the hope or expectation that it does happen remains, and I think that’s one of the main themes (or tricks) of this episode.

As I mentioned in my introduction, this episode is the first one I’ve seen so far that didn’t depict a world that’s become highly dependent on a specific type of technology. It takes place in the year the series was released, 2020, so it’s not futuristic either. If I had to describe it I’d probably say it depicts an alternate universe version of 2020 – one with a destructive meteorite instead of Covid.
I found it quite remarkable how calm everyone remained in this crisis. It would probably be more realistic for mankind to completely freak out and cause global chaos in its final remaining days, but it was surprisingly powerful how everyone just seemed to accept their fate and agreed to peacefully spend their final moments with their loved ones. It also symbolized a kind of inevitability of some sort, like, everyone just understood that they weren’t able to do anything about it. If NASA and the superhumans could work something out, that’d be neat, but otherwise, this would just be it. It’s quite an impressive mindset to adopt, all the more when it’s adopted by every single person.

Let me talk a bit about our main characters before I move on to my comments on the rest of the story. As established, Nam Woo is quite the softy. I wouldn’t have taken him for a typical police officer, to be honest. He is soft-spoken, slow-witted, not very brave or fast, and he generally just has very little confidence in himself. His only ‘quirk’, as mentioned, is his proneness to déjà vu, but at the same time he’s too lethargic to even consider where that might come from. I think the fact that he never even stops to realize and fully think about what is happening to him is a very important aspect of his character, especially when we discover the truth about the whole situation he’s stuck in. He doesn’t even stop to think about why he can’t remember his reason for wanting to become a police officer, or why he can’t remember anything before this exhaustive studying from four years ago. He doesn’t stop to think about why he always has that frustrating and nagging feeling that he’ll always be alone, or where his déjà vus come from. As a main character, you could say that this makes him quite unreliable and even slightly annoying – after all, which main character doesn’t eventually decide to go in search of an explanation for something that’s been so consistently strange in their life? During his trip to the mountains while he’s accompanying this girl, he eventually realizes that he wants to stay with her. This is the first time we actually see him hold onto something, as he experiences what it’s like not to feel lonely for a change. Even if they don’t get that close within two days, the time he spends with the girl is still enough to make him decide he wants to stick it out with her. In the meantime, he tries to win her interest by creating a story about how his déjà vus are actually also superpowers, even though he’s not sure whether that’s actually true. In any case, it’s the first time he’s starting to realize that there might also be something inside him which causes these déjà vus, he’s finally starting to open up to the idea that he might be able to contribute something as well.

We actually never learn the girl’s name in the episode, but every drama source website I could find credits her as Shin Hye Hwa so I’ll just stick to that for convenience purposes. Shin Hye Hwa (played by Shin Eun Soo) is a remarkably stoic girl. She doesn’t appear to be very animated or cheerful and she mostly just keeps a pokerface whenever she’s with Nam Woo. We don’t find out a lot about her background, except for the fact that the person they’re trying to find was able to identify her superpower, and that she’s hesitant to reveal it because she finds it ’embarrassing and useless’. She does tell Nam Woo about the superhumans and how they’re divided into two groups: voluntary and involuntary. There are only a couple of voluntary superhumans who know their powers and how to use them, but there’s apparently a great number of involuntary superhumans, who either don’t even know they have powers, or who have been using their powers without being aware of it. We also see one involuntary superhuman on the news at some point who, when asked why he never revealed his power before, replies simply with that he always thought it was useless – this seems to be the overall tendency. Shin Hye Hwa only reveals her power to Nam Woo when they’re forced to spend the night at the person’s mountain lair while they wait for her to arrive, and here we come across a crucial piece of information – even though we don’t know it yet. Hye Hwa reveals that she has the ability to make the person she loves remember her forever. She hasn’t had a very good experience with this so far, as it rendered her unable to discover her mother’s Alzheimer’s until it was too late. Besides this revelation, she doesn’t particularly seem to warm up to Nam Woo as she doesn’t even care whether he goes back or not, but she also doesn’t mind him staying.

Linking their relationship back to the original episode’s title, ‘You Can’t Fall in Love in Just a Week’, this seems to be very fitting for the dynamic between Nam Woo and Hye Hwa. They’ve only just met and while it’s obvious Nam Woo is immediately interested in getting to know Hye Hwa better as she feeds on her company, it doesn’t seem likely that something will bloom between them in this short period of time.

When the person they’ve been waiting for, Mrs Yang (played by Hwang Jung Min) finally arrives back at the mountain house, she brings bad news with her – she just came from a gathering of superhumans, but what it came down to was that it was too late to collaborate with NASA as the meteorite had taken up speed. That same evening, the news reports that instead of taking five more days, the meteorite might actually hit the Earth as soon as tonight, and pieces of debris have already entered the atmosphere.
Just as doomsday officially starts, Mrs Yang casually offers to do a face reading on Nam Woo to determine whether he actually has a superpower or not – it doesn’t matter anymore anyway. However, this is the point where the real plot twist of the whole story is revealed. As it happens, Nam Woo does have a superpower and the déjà vus definitely are a part of it. Nam Woo is able to travel back in time to his earliest memory whenever he dies in an accident. Which means that, when he’s killed by the meteorite, he survives by going back in time. What’s more, it’s suggested that he’s already been through a lot of times, and this has caused his deteriorating memory. His earliest memory has become his training time four years back because he’s had to relive that period so many times he doesn’t remember anything before that, including his reason for wanting to become a police officer. So what if he and Hye Hwa combined powers? What if Hye Hwa would learn to love him (which, in this last minute scenario would have be solved by just kissing him) and this would cause Nam Woo to remember her even when he went back in time? They could work together in order to point out the approaching meteorite to NASA earlier! After all, the late discovery is what caused the inevitable situation, and the news keeps repeating how it could’ve been avoided if it had just been discovered earlier. They might actually be able to stop the end of the world within one more time loop! What a brilliant idea! That is… if only Hye Hwa could bring herself to kiss Nam Woo. Because that’s where it ends. Hye Hwa backs off at the last second before kissing him, apologizing to Mrs Yang that she can’t do it, the meteorite strikes, and we’re zipped back to four years earlier. Back to when Nam Woo is sweating in his little studio while studying for his police exams. Not only that, we find out that Hye Hwa lived just down the hall in the same apartment complex and they actually crossed paths there. Apart from a vague sign of recognition, Nam Woo doesn’t seem to make the link and disappears back into his room while Hye Hwa stares out of the window, facing the inevitable future of the approaching meteorite.

Honestly, after grasping the mavity of the situation and the fact that we’ve basically been dropped in the middle of a time loop with this episode, I’ve come to appreciate this story more and more. When I finished it the first time, all I could think of was how this was such an anticlimax and how much was left unexplained and unsolved. However, after rewatching it and taking a considerable amount of time to write this review, I’ve ended up rating this episode higher than I initially did because the idea of the possibilities this story hold is absolutely fascinating.
I don’t know if anyone who reads these reviews watches anime and happens to know the Haruhi Suzumiya series, but they would probably know the Endless Eight (∞) arc from the second season. This arc consists of eight episodes of the same week repeated over and over again until the main characters finally figure out what needs to be done in order to break the cycle, which is made even more problematic that they, much like Nam Woo, don’t retain any substantial memories from previous loops and only experience vague moments of déjà vu. Baby It’s Over Outside reminded me painfully much of this arc, and a part of me is glad that it doesn’t depict a continuous repetition of the same four years all over again. In hindsight I find it pretty cool that we’re only shown one time loop which does not succeed, but which does give us a first clue as to how the disaster may be avoided. The next step undeniably comes down to Hye Hwa getting over herself by kissing Nam Woo, because the story will only be able to progress once Nam Woo remembers Hye Hwa when he travels back in time.

I actually thought it was nice how this episode held onto the hope of survival. Not just when looking at how calm everyone remained and the consistent optimism of the news reporter (more about her later), but also in the very fact that it leaves the story unfinished. It literally leaves the possibility and hope of fixing the situation open, and we can only hope that Nam Woo and Hye Hwa ever reach the point of getting close enough within that one week to make it work. In fact, you could argue that there is a hint which shows that they were able to get at least a little bit closer in a previous loop. While staying the night at the mountain house, Nam Woo has a dream of Hye Hwa joining him on the veranda, and the way she talks to him in that dream, the way she lets her tears roll at the sight of possibly their last sunset, suggests that they may have actually grown closer in that loop. We can assume that this must have been a previous attempt as the next morning, Hye Hwa actually repeats the same line from his dream, only in a more detached way which only signified that they hadn’t grown that close yet. Of course, Nam Woo has no idea how to interpret his dream at this point, but it does lead him to feel like he might have some sort of predictive ability. At this point, it also seems like he’s more alert to his déjà vus when it concerns Hye Hwa or anything she says or does. All in all, I think it’s safe to say that after finishing this episode we can all answer the question Nam Woo asks himself “Why do I feel so frustrated?” when he’s debating whether to go back to Hye Hwa or to just go home. We’re all frustrated bro, we all are.

Honestly, how wry is it to realize how many times Nam Woo must’ve already gone through these same four years? His whole life and personality have been shaped by this time loop, he has literally lost all his memories from before the time loop started. Every single time he realizes he can actually play an important part in saving the world, and every single time he’s rejected by possibly the only girl who’ll ever be able to love him. Who knows how far he may have come in previous attempts? He may have actually gotten closer to Hye Hwa, he may have met other superhumans, he may have come one step closer every single time but just not close enough. I can only hope that they will be able to get to that point eventually. Despite my initial feeling of disappointment and anticlimax, I’ve now come to appreciate the structure of this episode’s story and how it actually only strengthens my hope in that they manage to solve the situation one day, rather than my disappointment of failing at it this specific time. It’s pretty genius when you think about it.

Which brings me to a couple of elements in the episode that really puzzled me. In hindsight, I feel like these events may have even played a part in previous attempts but were just not tackled in this particular loop.
First of all, when the seven-day countdown is first established, we see Nam Woo standing in his room with a gun in his hand. Now this could just as well have been the beginning of that particular day which goes on to him getting dressed for work, but a comment I read on one of my drama source websites gave me the idea that maybe this could also be a reference to a previous loop. After all, this scene is accompanied by a narration by Nam Woo that once again signifies how he’s always had ‘this strange feeling’ and how he always dismissed his premonitions as ‘useless hunches’. What if in one loop he actually decided to leave Hye Hwa at the mountain and went home and ended up taking his own life with that gun when confronted with the inevitable countdown? It might as well be another clue to how many times he’s repeated this cycle before.
Secondly, the discarded clothes in the gas station convenience store. During their journey to the mountains, Nam Woo stops at a gas station to tank and get some snacks. When he’s standing in the shop he finds that there’s no one there to help him. What’s even more strange as that only we as the viewers get to see a trail of discarded clothes that leads up to the cashier. Nam Woo doesn’t see this and his attention is quickly distracted by the sound of Hye Hwa leaving the car. But what’s with these clothes? It literally looks as if someone lost a piece of clothing every step of the way towards the cashier, because it builds up from outer clothing in the pathway to a piece of underpants on the cashier’s chair. The fact that this isn’t clarified and just left there as some piece of evidence (or not) puzzled me very much.
Thirdly, the thing in the gas station bathroom. Nam Woo realizes Hye Hwa left the car to go to the bathroom, and while he’s looking around to see where she went, he hears a scream and finds her outside the bathroom. She’s crouching down against the wall opposite the entrance, seemingly terrified of something inside. Nam Woo doesn’t spot anything inside, and Hye Hwa drags him away after one of the stall doors suddenly opens. However, as they disappear from sight, a cinematographic trick does give the impression that there’s something or someone inside. The final shot is taken from inside the bathroom, and it literally crawls down as if someone who’d been watching them from that top right corner was now coming down. Again, it’s not revealed what or who this is, what it was doing there and what Hye Hwa actually saw. We only see the story from Nam Woo’s point of view, which provides quite a restricted storyline. At least saving Hye Hwa and giving her a bandaid did contribute to her opening up to Nam Woo a little bit, but apart from that I find it hard to gauge what this scene was about. Could it have been the clothes-less cashier that had lost his mind and now hid away in the bathroom? What other forces were at play here? Not being able to find out what this part was about is one of the more bitter pills we have to swallow.

Finally, I want to mention the news anchor that’s predominantly featured throughout the story. This woman (played by Bae Hae Seon) is depicted several times while she gives updates on the meteorite situation. She’s also shown one time while she has a couple of superhuman guests and she confirms at least one of their powers. In the final update where she announces the meteorite’s debris can hit any moment, she’s adamant on stressing that she is positive that the situation can be solved, but the connection is interrupted – most likely because of the debris because we’ve just seen how pieces of it are already starting to cause explosions on the surface – and she’s not able to finish expressing her final hopeful wish. By the way, the way the connection was cut was pretty creepy, the way the channel suddenly started to switch and how the news anchor’s final scream (quite literally resembling the painting ‘The Scream’ by Edward Münch) was stretched over the screen before it turned black. I can’t help but wonder if there was something more to the news anchor. What if she actually knew more about the time loops and she was trying to reach Nam Woo or anyone else with her determined words about how she believed it wasn’t the end? I just felt like there was (or could be) more to her character, and if maybe in one loop she got (or would get) personally involved with Nam Woo and Hye Hwa, helping them out as they tried to save the world. This thought is only strengthened by the fact that in the opening sequence of the anthology that features short clips referring to each episode, Baby It’s Over Outside was depicted through a flickering TV screen on a barren wasteland with the meteorite in the background. The fact that the TV was specifically featured just makes me feel like there is something more to be explored there.

I have to admit I don’t really understand why the title of this episode was translated into English as ‘Baby It’s Over Outside’. I mean, I understand it refers to things ‘being over outside’ in the sense that the world is ending. It also features the scene where Nam Woo, Hye Hwa and Mrs Yang are standing outside the mountain house, watching as the sky starts to change color and the pieces of debris start to hit the Earth’s surface. But I still find it a bit of an odd English title. The Korean title of the episode and the short story it’s based on, ‘You Can’t Fall in Love in Just a Week’, makes more sense to me as it actually refers to a key part of the story: these two people have to fall in love or at least have some kind of physical intimacy within a week in order to save the planet. I don’t know, I don’t think ‘Baby It’s Over Outside’ really suits the tone of the story, and it also reminds me too much of the Christmas song ‘Baby It’s Cold Outside’ (good timing to watch this around Christmas, lol). I even saw someone write new lyrics to the song that included references to this episode, which was quite original.

Let’s move onto the cast comments! Again, we’re dealing with a very small core cast in this episode.

I’ve seen Lee David in several dramas before this, Who Are You: School 2015, Let’s Fight Ghost, Hotel Del Luna and Itaewon Class. I found him the perfect choice for Nam Woo. I loved how he managed pulling off such effortlessly comical acting through Nam Woo’s complete obliviousness what was going on around him. I’ve said this before, but most of the time people who take themselves really seriously and don’t even try to be funny end up becoming the most comical characters, more so than people who are clearly trying to be funny. I really felt for him, especially when the truth was revealed that he had been stuck in a time loop for who knows how long and that it was already starting to affect the way he lived his life. To be gradually consumed by repeating the same four years over and over again without truly noticing it and just slowly but surely losing sense of everything around you, it sounds like an awful punishment and I just hope for his sake that one day he’ll manage to get out of it. Seriously, how much must is have stung that Hye Hwa couldn’t even bring herself to touch him despite it being possibly the only way of saving the planet. Poor guy. He performed really well in this episode, he kept surprising me with his comical timing and he really showed me a side to his acting I hadn’t seen before.

I actually saw Shin Eun Soo for the first time quite recently, in Summer Strike. I thought she was a really refreshing choice for the role of Hye Hwa. I kind of liked how she remained a bit of a mystery and we didn’t really find out that much about her backstory. I’d like to think that, if we’d been let in on another attempt from another loop, we might have gotten to see a different side of her, or found out more about her. What other superhumans did she know? Did she go in search of Mrs Yang out of her own volition or did she go at the order of others? What truly went through her head when she learned the truth about Nam Woo’s power? I was curious to find out what she was doing at Nam Woo’s apartment complex four years earlier, was she also studying for something? What was her life like before she discovered her power and her mother passed away? I have so many questions about Hye Hwa that I would’ve loved to see answered. Anyhow, the mystery of her character greatly contributed to the mystifying feeling this episode gave me, especially when we see her in a fragment of Nam Woo’s dream which suggests that the two managed to get closer in at least one previous attempt. I’m curious to see more of her acting now!

I’ve seen Hwang Jung Min in several dramas before as well. She’s in Uncontrollably Fond, Queen of the Ring, Revolutionary Love, The Great Seducer and The Light in Your Eyes. I really liked her as Mrs Yang, especially when her personality was established a bit better as she found out about Nam Woo’s power. I loved how she kept peeking while the two were preparing to kiss, and how she went “HUH?!” when Hye Hwa was like “I’m sorry I can’t do it 😭”, lol. She brought a really fun energy to the story at the end.

Bae Hae Seon is one of those actresses that pop up in every single as a guest appearance. I know her from Jealousy Incarnate, While You Were Sleeping, Wok of Love, Come and Hug Me, Hotel Del Luna, It’s Okay to Not Be Okay, Start-Up, Hometown Cha-Cha-Cha, Crash Course in Romance, and I’m undoubtedly going to see her again in several more of my watchlist items. I think she always has a surprisingly comical side to her acting, and I like how that side also came out through this role, even though she too took herself very seriously and it never actually became a comedy act. As I mentioned before, I can’t help but feel like her character had a bigger part to play in the story. They wouldn’t have featured so prominently if there wouldn’t be more to her, right? The way her eyes pierced into the camera every time and how it really felt like she was trying to reach people (Nam Woo?) made me feel like she may have even been aware of the time loop or at least knew that the planet could be saved. I may just be making this up, but for some reason I can’t shake the feeling that her character may have been more than just a news anchor reporting the situation updates. It was nice how she still remained a bit of an enigma as well.

I haven’t even described his character in this review, but can I just say how glad I was to see Kim Kang Hyun again? It feels like ages since I saw him in anything, although I can see from MDL that he’s been doing shows on a regular basis, lol. He played Nam Woo’s colleague at the police station who told him to go with Hye Hwa. I also thought it was funny that he mentioned that that’s how he met his wife, because he thought she looked familiar. Could that have meant that more people experienced the déjà vus in a lesser extent than Nam Woo? I don’t know, but it was nice to see him again. I’ve seen him before in My Love From Another Star, Doctors, Cinderella and the Four Knights, The Sound of Your Heart, Legend of the Blue Sea, Just Between Lovers and Go Go Waikiki, and I see I’m going to see him in more of my future watches as well. Can’t wait!

So yeah, this review took me a while to finish because I actually found my thoughts on it changing while I was writing it, lol. As much of an anticlimax it was when I first finished, the more I’ve started to appreciate the capricious nature of the story. As a lover of time travel tropes, I’ve seen a lot of stories where a time loop occurs, but I’ve never seen one that only depicts one failed attempt, and that’s kind of cool in itself. This is the only episode of the anthology so far which doesn’t have a completely finalized and satisfactory ending. I mean, The Prayer didn’t have a clear ending but it still felt more like an ending than this – Baby It’s Over Outside really doesn’t have a proper ending.
Honestly, with the ironic tone of this episode, I wouldn’t even be surprised if it wouldn’t end even after they save the world. What if they save the world and Nam Woo unexpectedly get into another accident and he has to do the whole thing again? Cruel as it may be, I can actually imagine things playing out this way, looking at the cruel way this episode ended. I don’t want to jinx anything, though! 🤞🏻

This time, I wasn’t able to discover any references that linked to the previous episodes, and in a way that was also quite refreshing. It really made me feel like this happened in a different universe from the rest. After all, the other episodes all took places in the distant future, and according to this episode, no future could even be established as long as they didn’t manage to discover the meteorite sooner. It’s interesting to think about, because somehow you’re led to believe every episode at least takes place, be it at different times, within the same universe. It explored a whole different type of science fiction and I loved it.

And here I thought I couldn’t possibly be even more excited to move on to the next episode! My next review will probably appear within the next couple of days as I’m holding off on my final assignments until the year has ended. I deserve a break, lol.

See you soon! x

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Blink
(블링크 / Beullingkeu)
MyDramaList rating: 6.5/10

I’m really on a roll with these reviews now that I’m checking off to-do items from my deadlines list! It also helped that this episode had a very simple and straightforward story, so I didn’t even feel like I had to watch it again.
In this fourth (or second, still not sure) chapter, rather than being provided with a specific social setting like in the previous episodes, we are simply introduced to a main character who’s trying to live her life in a world that’s not even that different from ours – one that’s increasingly starting to lean on the assistance of AI. Honestly, if I’d have to make a timeline I’d say this episode is the closest to ours when looking at where we are now. In this episode, we see the specific application of AI within a context of public order maintenance – the police force. After all, what if human officers start becoming physically unable to keep up with artificial developments?

SF8: Blink is either the second or fourth episode in the SF8 anthology. It has a duration of about 51 minutes and was directed by Han Ga Ram. It’s based on the short story ‘Baekjung’ by Kim Chang Gyu.

In a world that’s becoming more and more dependent on artificial intelligence and assistance, police detective Kim Ji Woo (played by Lee Shi Young) is single-handedly trying to prove she can do it alone. Ever since she lost her parents in a traffic accident that involved an automated driving system when she was a child, she has sworn not to depend on automated systems and AI again. Which is hard, seeing as the times are a-changing and she’s not even able to escape it during her work at the police force. As part of the police detective initiation, all officers have a chip implanted in them that provides them with multifunctional vision, allowing them to calculate faster routes and see in the dark. Ji Woo frequently gets reprimanded for going against the recommendations of her AI chip. She just refuses to accept that computers will be able to replace humans, even though she’s noticing that technology is catching up fast, no matter how smart she is or how much she trains. After she gets another warning at work for letting a suspect get away (guess the chip wasn’t good enough to spot that stun gun), her superiors tell her that they’ll let her mistake slide if she just agrees to do a test run with a newbie. She happily agrees, only to find out that she’s being paired up with an AI partner. “It’s only for a test run”, and if she’ll “please just bear with it” for as long as necessary. Involuntarily, Ji Woo starts investigating a new case with her new ‘partner’, who, for convenience reasons, takes the form of a young man under the name Seo Nang (Ha Joon). As he’s in Ji Woo’s head only she can see him, and the two start a rocky partnership as Ji Woo is adamant on not depending on his skills, useful as they may be. While they embark on the investigation of a young woman’s murder, Ji Woo ultimately finds out that, as much as she hates to admit it, she has no choice but to depend on Seo Nang’s assistance.

They find out that the murder victim had been part of a secret experiment conducted by the military which used cybernetic technology to enhance the skill and strength of certain test subjects. Besides this woman, one other man, Captain Baek Jung, underwent this experiment and he lost his mind and started going after any human being who had traces of AI in their system. First his co-test subject. And now, because of this ‘temporary test run’, Ji Woo is next on his list. It doesn’t take long for Baek Jung to locate Ji Woo and as she witnesses his powers firsthand, she realizes she has no other choice but to let Seo Nang deal with him. After an action-filled climax in which Seo Nang infiltrates Baek Jung’s head and beats the evil AI in his system, the story ends with the end of the test run – Seo Nang will be returned to the lab as a piece of data. In the very final scene, we see Ji Woo as she starts on a new case, and it’s revealed that she secretly stole Seo Nang back.

Out of the episodes I’ve seen so far, I think it’s safe to say Blink has the most straightforward story. There aren’t any plot twists or hidden truths, it’s simply about a woman who, while initially refusing to accept to work with AI, ultimately comes to accept what positive assistance it is able to bring to the world, especially in terms of providing security. The story has quite an optimistic message, in which the main character ends up changing her mindset regarding AI assistance. Considering the recurring theme of the ‘dark side of technology’, I found myself waiting for the other shoe to drop, but in this story that didn’t happen. It was such a peaceful ending it almost gave me a false sense of security, haha.

Let’s talk a bit about the main characters.
As explained above, Ji Woo lost her parents in a traffic accident when they were driving in an automatic car and only Ji Woo survived. Her parents had set the automatic car’s settings to prioritize protecting Ji Woo in the backseat in case of an accident, and this sadly resulted in their deaths. Even though Ji Woo was protected by the system, naturally she could never see it as a blessing. Recognizing that AI was simple-minded like that, programmed to only ever do exactly as its told without being able to look beyond those settings, Ji Woo has always tried to avoid using the help of AI as much as possible. This can be seen most clearly from the way she insists on driving her own car – she refuses to let Seo Nang take automatic control over it. This also has a more direct link to her trauma, of course, as we see that she’s still plagued by nightmares about her parents’ deaths.
When she heads into the investigation with Seo Nang, she repeatedly ignores his suggestions and invitations to grant him access to speed the process in certain matters, such as conducting an on-the-spot forensic analysis of the victim’s body or physically taking down a group of drugdealing youngsters. As it happens, Ji Woo only resorts to granting Seo Nang access to her system when they’re in serious danger and she realizes she can’t take down the opponent on her own. After seeing what he’s capable of in terms of protecting her, she visibly warms up to Seo Nang and even regrets having to part from him when the test run is done.
From the way Ji Woo behaved, despite the fact that she had a more than valid reason to deny AI assistance in her life, it seemed to me like she’d also just become very stubborn in her convictions. It was like she was mostly denying the usefulness of AI to herself, even when she was very well aware of its convenience. I just couldn’t help but feel like she was desperately trying to hold on to her own worth as a human being in a world where everyone else had already completely succumbed to using AI. While that in itself was admirable, she still ended up surrendering to it in the end, and besides the fact that she got attached to Seo Nang as a partner who could lend his useful skills to her police work, I also can’t help but feel like she just wanted a companion. She’d been on her own for so long, not just in her life without a partner and seemingly no friends, but also in her stance against the integration of AI in everyday life.
It’s funny how the episode still has a bit of a fuzzy ending. Ji Woo seems happier than ever when she gets Seo Nang back as a partner, but we also can’t forget that this means that she’s also finally surrendered to the role that AI will continue to play in the world, which will undoubtedly go far and beyond what we already know.
I found it refreshing to have such a clear and transparent main character whose backstory was so defining for her behavior as an adult. It was more than easy to understand where she was coming from, but the typicality of this story really lay in the fact that everyone, even those who kept clinging onto the use of human skill, inevitably found no other choice than to succumb to the undeniable influence of AI technology.

Seo Nang is the provided name for the first male option of the AI partner Ji Woo is teamed up with. As Ji Woo goes for the first general options we don’t see what other forms it is able to take. In any case, he takes the shape of a cheerful young guy who doesn’t let his stubborn partner’s adamant rejections dissuade him from contributing to the case they’re working on. Since Seo Nang is AI, I find it hard to gauge him as a ‘character’ because it’s hard to say whether he really had any motives. I do find it interesting that they chose to bring humans and AI even closer by actually giving the AI a human form to create an even more familiar feeling between it and its user. I bet that if Seo Nang had remained just a blue circle in the sky, it would’ve probably taken Ji Woo even longer to get used to working together and she’d never even start considering it as a living being. So I definitely feel like it helped that Seo Nang took a human form. Still, I can’t help but feel like there was something unpredictable about Seo Nang. The way he kept asking her for access and how he immediately started suggesting to use his abilities to kill Baek Jung? He might have actually taken advantage of Ji Woo’s trust and done something that was beyond her control. In the end he didn’t actually do anything to harm Ji Woo, he didn’t turn against her or anything but it still seemed to me as if he would’ve been able to. When he infiltrated Baek Jung’s mind and stood eye to eye with his evil AI there was a moment where I genuinely thought they’d suddenly team up together against Ji Woo or something. I was just waiting for something to go sideways. Even when they ended up defeating the guy together and they both kind of reluctantly said goodbye, the way he looked all smug and triumphant when it was revealed Ji Woo got him back at the end also made me feel like this had been his plan. I don’t know, maybe I’ve just become paranoid haha, it just seemed a bit odd to me not to have any kind of sense of impending danger or foreboding of evil in this episode.

While there didn’t seem to be any direct references to the episodes I’ve seen so far, I did pick up on a few things that made me think of events from the previous episodes, although they might just be my interpretations and associations. First of all, and I believe I talked about this in my review of Manxin, I thought it was a very powerful moment when Ji Woo came to the realization that, just because she had a bad experience with the preciseness of AI, it didn’t mean that the technology was a bad thing an sich. It just did exactly what it was told based on its user’s needs. Getting angry at a machine for not doing something it wasn’t programmed to do in the first place won’t get you anywhere. The way Ji Woo described how her parents had set the automatic driving system to protect her first also reminded me of the nursing robots in The Prayer, who were only programmed to protect the people they were assigned to and wouldn’t reach out to anyone else, whether they needed saving or not. Seo Nang only emphasized the importance of the user’s influence by saying that AI has no way of even materializing without humans. It’s so easy to talk about AI as if they’re a separate being that has the ability to control people, but we sometimes forget to remember that we are the ones that enabled AI in the first place. It’s all human-made and user-generated stuff. I think it was an interesting choice to create a story about the pure relationship of codependence that exists between humans and technology. Seo Nang would’ve just remained to be a shapeless piece of data if Ji Woo hadn’t gone back for him. Ji Woo chose to go back for him because she realized she preferred companionship, but she also could’ve just as easily decided to discard him as ‘just another piece of tech’. These themes of interdependence also featured dominantly in both The Prayer and Manxin. As a character, Ji Woo also reminded me a bit of Seon Ho in the sense that they both initially reject the technology that’s taking over the world but are at some point softened in their convictions through the realization it’s humans who give the technology purpose. The only link I could find to Joan’s Galaxy was the automatic cars.

By the way, something that puzzles me a little bit is the title of this episode, Blink. While the titles of the previous episodes were all quite self-explanatory, I’m actually not quite sure what this title refers to. I’m assuming it has something to do with the eyes or vision, so maybe it refers to the special abilities the chip enabled to enhance human sight? It did play a role in solving the story’s murder case, after all. But all in all I feel like it doesn’t necessarily indicate the most important message of the story. I could be wrong of course, because this title must’ve been chosen for a reason, but I just mean to say that it wasn’t as straightforwardly clear as the titles of the previous episodes I watched.
What I also find interesting is that the poster for this episode shows Ji Woo positioned in-between the two figures in front of her, eyeing them cautiously. The two figures featured in the front aren’t shown very clearly, we can make out Baek Jung’s face on the left, but it’s not clear who he’s trying to choke. From the scene, we can assume it’s Seo Nang, as the background of the shot features the setting in which their final fight takes place. However, this particular scene does not appear in the story. We never seen Seo Nang and Baek Jung physically fight in the warehouse in front of Ji Woo – their fight takes place in a Matrix-kind of setting within Baek Jung’s mind. So yeah, I just find it interesting they decided to frame the poster in this way.

This is probably gonna be my shortest review within this anthology so far, but then again, I also found this the most simple story. There wasn’t much to unravel in terms of hidden agendas or plot twists. The only thing that remains debatable is whether or not Seo Nang truly doesn’t have any malicious intentions, whether he put in so much effort to win Ji Woo’s trust because he wanted to be freed. I mean, if that ‘farewell gift’ he gave her wasn’t meant as a bribe I don’t know what it was. The whole AI partner thing was still in development, and we saw what the military’s experiment of combining human and AI strength led to, so it can’t be guaranteed to be completely risk-free. While I did find it pretty refreshing to have a story without too many complications, even one that featured a bit of a comical dynamic between the main leads, I still would’ve liked there to be a little bit of an edge. The absence of a hidden evil actually gave me a false sense of security, haha.

Let’s do some cast comments before wrapping up! By the way, I don’t know why, but I found it hard to find a complete casting list for this episode. I wanted to credit the guy who played Baek Jung since he was quite a character presence – I thought he’d be credited prominently since the original short story this episode is based on refers specifically to him (🤔) but I can’t find him in any of the casting lists from any of my go-to drama source websites, and the same goes for the murder victim and the majority of the drug youth gang.

I was so excited to see something with Lee Shi Young again, she’s one of my favorite actresses and it’s been a while since I saw her in anything. I know her from Boys Before Flowers, Playful Kiss, Wild Romance, Valid Love and Lookout. I still want to see Grid and Risky Romance as well. I think the role of police officer suits her very well since she’s actually in really good shape (those abs?? 😳). I always appreciate when an actors’ real-life skills and attributes are used in a drama, and it was a funny aspect that despite her diligent and regular workouts, Ji Woo still lost out to the agility and speed of an AI. I feel like within the short span of the episode we still got to see many different sides to Ji Woo’s character, the distraughtness caused by her nightmares, her hesitancy and skepticism towards accepting Seo Nang’s help, and eventually the dependency and that accepting smile. The struggle she went through to change her mindset was very realistic as well. For all we know she could’ve been fooled by Seo Nang, but we can’t really blame her for it because she did doubt him in the first place and only ended up trusting her own human (and therefore subjective) instincts. Her character may have been simple to gauge but I do think she brought a nice clarity to Ji Woo’s decisions with her acting.

Apparently I’ve seen Ha Joon before in Radio Romance and Arthdal Chronicles, but I don’t have a clear memory of him from there (I might have mentioned him in my reviews before, though). In any case, I liked his performance in this episode. He remained quite an enigma and it was never revealed what the risks of his technology could be, but my red flags did go up when he started asking Ji Woo to give him control to actually cause physical harm to people, whether it was those youngsters or Baek Jung. The mystery surrounding him made him an interesting character, though. It also strangely became a part of his charm that you couldn’t really gauge him. He made the perfect charming yet unpredictable partner. I was kind of curious to see a darker side to Seo Nang, but in one way the fact that he remained ‘harmless’ for the duration of the test run only to emerge from his constraints also seemed to indicate a certain ominousness. It would make sense if his character was supposed to symbolize the familiarity people are meant to experience when using AI, the sense that it’s there to help them and guide them (similar to the Manxin app). I found myself curious to discover how Seo Nang would start behavior after Ji Woo gave him full access.

All in all, it was another enjoyable episode. I liked that it brought an element of humor to the dynamic of the main leads, and they made an even more peculiar team than the lead characters in Manxin. It also included the highest level of action and fighting I’ve seen so far in this anthology. Like every chapter, it brought a new perspective on the use of technology and the relationship between people and artificial intelligence. I’ve seen a lot of comments saying they’d like a whole series of this, and I’d agree, even if it were just to confirm whether Seo Nang wouldn’t actually turn out to be an evil AI entity, lol. While it was enjoyable enough, I still feel like I would’ve liked a bit more edge. That’s just my personal opinion, and it doesn’t take away the fact that it was still a very interesting episode to watch.

Now that I’m halfway through the anthology I’m wondering whether or not I’ll actually be able to finish the whole anthology before the end of the year, haha. I’m going to do my best, but no promises. Looking forward to the remaining four episodes!

See you soon! x

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Joan’s Galaxy
(우주인 조안 / Ujuin Joan / Astronaut Joan)
MyDramaList rating: 7.0/10

It’s oddly satisfying to go through this anthology while I’m also working on my end of term deadlines – whenever I have a moment to spare I find myself continuing with it. I got some unexpected time to sneak in another episode and I started working on the review immediately after finishing it because again, the story turned out to be an absolute gem. To give a short summary of the setting of this episode: it’s 2046 and the world is covered in thick fine dust. The population has been divided into two categories of human: C (clean) and N (non-clean). These categories refer to the health differences between each person. Cs are people that were injected with antibodies at birth, which allows them a lifespan of a hundred years. Ns are people who did not have the chance or means to get vaccinated, and they have a lifespan of only thirty years.

SF8: Joan’s Galaxy is the third episode in the SF8 anthology. It has a duration of about 54 minutes and was directed by Lee Yoon Jung. It’s based on the short story ‘Astronaut Joanne’ by Kim Hyo In.

As the population has been distinctly divided into these two categories, it is to be expected that there is a clear difference in lifestyle between the people from both groups. This difference is mainly expressed through the way the people have adapted to the dire environmental conditions. Cs, although perfectly healthy, tend to be more cautious and fearful of the toxic particles in the air. They see getting soaked in the rain as something extremely risky, for example, and they make as little contact as possible with the outside air, wearing protective suits and masks and driving in automatic cars so they don’t have to touch anything. On the other hand, Ns seem to have a much more liberated lifestyle. Despite the ‘misfortune’ of their shortened lifespan, Ns tend to make the most of the time they have. As they are forced to become independent and plan their whole lives ahead from when they are teenagers, they find much more freedom and time to focus on things they enjoy doing. Ironically, the freedom of not having to worry about what will become of their future allows them to enjoy the little moments of their life more than Cs. As it happens, many talented and creative artists have sprung from N communities.

Besides the two main categories C and N, there are also subcategories. For example, there are NCCs (non-clean but clean). This group consists of Ns who strive to extend their lifespan by acting like they are Cs. They wear special purifying suits and try to blend into C communities.
There’s also a mention made of TNs (total non-clean), which seems to refer to Ns who are beyond any possible chance of extending their life spans, for example people who have an illness on top of their lack of antibodies.

It is within this societal setting that we are introduced to Yi Oh (played by Choi Sung Eun). Her parents are both scholars (her father is a biological researcher and her mother a college professor) and it’s established that she has quite a wealthy background. Coming from a family of consistent Cs, Yi Oh has grown up under the impression she was vaccinated as a baby and lived her life for 26 years believing she was a C. Imagine her shock when she got some very serious news a month earlier. As it happens, her doctor discovered Yi Oh had a tumor, and when checking her records it was revealed that she actually didn’t get any antibodies when she was born. Her antibodies were accidentally given to another baby – an N baby who wasn’t even qualified to receive it. To sum it up: Yi Oh finds out that, despite spending 26 years believing she was a C, she’s actually been an N all her life.
While Yi Oh tries to wrap her head around this, her mother remains very firm: no one has to know. They keep it a secret that Yi Oh is a C by making her wear an NCC purifying suit that will hopefully retain her current health levels and keep the tumor’s growth stagnant (it has yet to become malignant). Whenever she’s asked why she’s wearing an N-type protective suit, Yi Oh just has to say her mom is making her wear it for safety just in case.

So basically, at the beginning of the episode’s story, Yi Oh is an N pretending to be a C. She’s not allowed to share her secret or talk about it with anyone except her adamant mother. She can’t even tell her good friend Kyung (Yoon Jung Hoon), who is an N himself. Through her newfound interest in Ns and their way of life as she starts identifying with them more and more, Yi Oh starts to develop an interest in the only other N girl in her college class: Shin Jo An (played by Kim Bo Ra). Initially, it seems like Yi Oh wants to get closer to her in order to find a kindred spirit – after all, Jo An is the only girl her age she knows who’s also an N. Yi Oh eventually finds herself sharing her secret with Jo An, and Jo An agrees to help her find the N that received her antibodies in her place.

As they gradually become closer, Jo An continuously inspires Yi Oh with her determined mindset and carefree way of living. Despite the fact that she’s accepted she only has about three more years to live, Jo An shows incredible determination and goes after all her dreams without regrets. For example, she’s been applying for a job at the Aerospace Research Institute while they’ve never hired an N person before. She doesn’t even mind that she won’t actually be able to work there, but she just doesn’t leave any chance open to at least try, because it’ll be better than never even taking the first step. When Yi Oh reveals that she’s been hired by the Institute and admits she feels guilty about it towards Jo An, Jo An doesn’t even mind and is just as excited for her as she would’ve been if she’d gotten in herself.
As she starts hanging out with Jo An and gets attached to her more and more, Yi Oh gradually begins to accept her new identity as an N more and more as well, much to the dismay of her mother. She starts coming home after dark, starts wearing skin-revealing clothes and even deliberately gets soaked in the rain once. Her mother is extremely worried, especially when she receives the news that Yi Oh’s tumor has officially become malignant.

At some point during their search for the N who got Yi Oh’s antibodies, Yi Oh and Jo An visibly start to see how there’s so much more to the time they’re spending together than just that mission. It even starts to look as if they’re developing more than just friendly feelings for each other – a certain intimacy rises between them as they keep spending time together. On the day that they’re supposed to do a presentation in class together, Yi Oh doesn’t turn up as she has to undergo surgery for her tumor. She hasn’t told Jo An about this, as she fears she might not survive the surgery and she’d rather just quietly disappear instead of having to say goodbye. The real reason for this – the real reason for EVERYTHING – is revealed in the final scene of the episode, which takes place a year after Yi Oh’s surgery. As Yi Oh is recovering from her surgery (she survived, yay!) she’s zapping the TV when she suddenly comes across Jo An, who has been apparently been hired by the Aerospace Research Institute. As we see Yi Oh smile fondly at Jo An on the screen, we are shown through flashbacks how the real reason she approached Jo An in the first place came to be, and then everything suddenly makes even more sense. The day Yi Oh heard the shocking news, she was immediately given the information on the N baby who got her antibodies, and much to her surprise, it was someone she knew. It was Shin Jo An.

To be honest, I had a feeling from the start that it was Jo An who got Yi Oh’s antibodies. I just found myself thinking that could very well be the case, but since they made this whole deal about finding the person, I still kept an open mind in case it wasn’t what I thought. Even though I wasn’t that surprised by the revelation that it was indeed Jo An, the way in which it was revealed that Yi Oh had really known this all along and that her objective in approaching Jo An had been out of genuine compassion and interest to see the person with her antibodies live a fruitful life – that just got me all 😭😭😭. As soon as it was revealed I just knew I had to watch it again with that knowledge, and that gave the scenes between them and the endearing way Yi Oh looks at Jo An from the start such a heartwarming twist I’m glad I did it.
I’m not even lying when I say that this was the first episode in this anthology that actually made me cry at the end. Even while knowing Yi Oh did it out of pure compassion towards Jo An, I still believe that she didn’t actually expect her feelings for her to grow like that. There was still an element that hadn’t been part of the plan, but even so they both accepted it so naturally and warmly. I actually got butterflies during the observatory scene when they did the pulse experiment 😳, heck, that made my heart beat faster! 🦋 The way Yi Oh was like, “I can see the stars” 😭 and Jo An was like, “Me too” 😭. I loved that their relationship was made into something so pure and natural. There was no doubt or hesitation in either of them to just be together and enjoy life together. It was absolutely beautiful.

Let me elaborate on the two main characters in a bit more detail. I don’t know if it was just Jo An’s interpretation of Yi Oh’s name or if it was really the case, but I liked the planetary reference that Yi Oh was named after the planet Io, one of Jupiter’s fifth moon. I thought it was a nice little wink to the girls’ interest in space as well. We meet Yi Oh as quite a privileged girl, she’s from a wealthy family and has never had to worry about anything. Naturally, it’s only after her doctor’s announcement that she starts navigating between the life she’s lived so far (as a C) and the life she might now have to start living (as an N). Without knowing her true objective in approaching Jo An from the start, it might be seen as a bit snobby of her to just pat the only N person around on the back and be like, ‘hey, I’m going to have to live like you now, tell me all there is to know about being an N’. However, what’s so typical about Yi Oh is that she’s extremely compassionate and humble towards Jo An from the start. She doesn’t mean to offend or bother her in any way, and is just extremely relieved when Jo An accepts her. Watching the episode with the knowledge of Yi Oh’s objective, there’s not a single moment where I thought she was lying to Jo An or owed her an explanation. It was genuinely out of the goodness of her heart that she wanted to see with her own eyes how Jo An would live on to live out her full potential. From the start, there was never any sense of bitterness or betrayal that Jo An had ‘stolen’ her antibodies or anything (just saying, we know people get like that in K-Dramas 🤷🏻‍♀️). Whereas her mother may have demanded a compensation, Yi Oh actually found it in her to be genuinely happy for the N baby that got the chance to live. I feel like she didn’t even mean to actually get involved in Jo An’s life, as we can see from the beginning it’s obvious she’s content with just looking at her from afar. When she finds herself drawn to Jo An’s presence more and more it also becomes a bit sad in a way, because now she also knows that it will hurt even more to say goodbye to her. I think that’s why she ultimately decides to not tell her about the surgery and just quietly disappear from her life rather than tell her the truth. Although it was sad that they couldn’t stay together, it did ultimately allow Yi Oh to see for herself how Jo An got admitted to her dream job, and she went back to square one by fondly watching her from a distance. The way she was just so happy for her, even if she didn’t get to personally be a part of her life, that’s true love goals.

As the story is framed through Yi Oh’s perspective, we only see Jo An through her narrative as well. We don’t get to see any scenes of just Jo An, except maybe the one where she turns up alone at the presentation. Just like the majority of the people we see in the N-community (by the way did anyone else notice N-Town actually stood for Noble Town?🤔 I wonder if it was abbreviated to N-Town to give it a more derogative association for being a community of Ns😓). In any case, we see Jo An’s little ways of enjoying life through the way she smiles at the smell of the coffee she sells at her café and the way she gets excited about new adventures. Her lifestyle is representative of what Yi Oh is told about Ns when she visits N-Town for the first time: while knowing she won’t be able to live for much longer, Jo An doesn’t skip a chance to run after anything she’s interested in. Even if she can’t pursue her dreams, she might as well go as far as she can to give it a try before her time runs out. I loved how the difference in lifestyle the two girls grew up in were expressed in such subtle ways. For example, at one point they’re having a beer together after talking to the final person they thought could be the one who got Yi Oh’s antibodies, and while Yi Oh comments her beer tastes bitter, Jo An comments “I think it’s refreshing.” Not much later in that same scene, Yi Oh says “Don’t you think living becomes more bitter the more you know?” to which Jo An replies, “No. I like learning new things every day.” Comments like this just proved that, despite their differences, Jo An continuously managed to show Yi Oh a positive new outlook on life. The two girls were drawn to each other so naturally and this made their different lifestyles fit into each other in such a matter-of-factly way that it seemed like they were meant to be together. Whether they were soulmates or kindred spirits or twin flames or whatever you want to call it, these two were simply bound together by something much greater than those swapped antibodies.

Speaking of their relationship, I couldn’t help but identify some specific events that just made me believe those were the moments they fell in love with each other. I mean, they’d been close from the start, but there were certain events within their times together that jumped out to me and just made me go ‘LOOK AT THOSE HEART-SHAPED EYES’ 🤭🤭🤭. For Yi Oh, I definitely feel like it was the part where Jo An was singing to her. The way her face changed as she was watching her, as if she was suddenly realizing her true feelings for Jo An. You could just feel something shift in their energy everytime they shared an intimate moment. The pulse experiment was probably the most defining moment for the both of them. I don’t know about you, but don’t tell me I’m the only one who translated “I can see the stars” as “I love you” in their head. I feel like it started with Yi Oh, even from the scenes in which she was checking out Jo An’s ankles when she was walking up the stairs (I interpreted it as that she was watching her ankles, lol). When the subtle touches and displays of public affection through lying on each other’s lap and stroking each other’s hair became more apparent it seemed to me like they were officially on the same page.

All in all, it can be said that in the short time the two girls spent together, they both learned the most important lesson of all, and I also think this is the main message of the story. It doesn’t matter how much time you have, as long as you spend it doing things you love, as long as you find fleeting moments of beauty of joy that will last a lifetime because they make up something that will actually continue to live for a lifetime: a memory. I think Jo An truly realized this as she was trying to give the presentation by herself, and I wouldn’t even be surprised if that was the moment she actually realized Yi Oh’s truth as well. But I think it was predominantly that she realized Yi Oh wouldn’t be coming back, and she was okay with it because she would always remember their time together. The times they ran and laughed together, when Yi Oh stroked her hair as she lay her head in her lap, when she felt her pulse at the observatory and when they got soaked in the rain together. I think the most important thing was that they both peacefully accepted that they couldn’t be together and still managed to think about their times together with a fond smile. As Yi Oh says in her final line while she’s crying tears of happiness seeing Jo An living her dream, despite the accidental nature of the swapped antibodies-incident, “it’s the most valuable gift I can give.”

When Jo An appeared on Yi Oh’s TV screen and talked about her work at the Institute so far, I couldn’t help but think of what she told Yi Oh when they were in the observary. “Whenever I call your name, I’ll think of the vast universe. Io, the closest moon to Jupiter, and the fourth largest in the solar system.” It just hit me for some reason that she probably thought of this a lot after she got hired at the Aerospace Institute. I’m not crying, you’re crying.

Before I move on to the final part of my review, I just want to say a little bit more about Kyung, Yi Oh’s friend. He doesn’t appear that much in the story, but I still want to mention him because he is the person who ultimately remains at Yi Oh’s side after her surgery, and it turns out he was in on way more than was initially revealed. As it happens, Kyung is training to be a doctor, and he is the person who passes the information about the identity of the person who got her antibodies onto Yi Oh. It was also during Kyung’s mom’s funeral that Yi Oh encountered the name Lee Hyun Soo, the person she told Jo An was the one who got her antibodies. Kyung is also the person who persuades Yi Oh to undergo the surgery. Yi Oh initially doesn’t want to waste the little time she has left on receiving treatment, but Kyung tells her that her condition isn’t hopeless and there’s still a chance she might live. All in all, Kyung is basically the person that ‘introduces’ Yi Oh to Jo An, so I’m grateful to him, haha.
To be honest, I first was exactly. I first thought he was Yi Oh’s brother because she once mentioned him in the same breath as her mom and dad, but then how was it that she went to his mom’s funeral? I only found out through MDL that he was ‘Yi Oh’s friend’. Not that it mattered too much, but their relationship could’ve been defined a little bit more clearly in my opinion.

Now that I’ve discussed the main story as a whole, I like to reflect a bit on any overlaps in the episodes I’ve seen so far. This episode was probably the farthest from the previous two so far. I found only one direct reference, as Kyung mentions that they got the purifying suits from TRS, which was also the company that manufactured the nursing robots in The Prayer. Apart from that, there was also a clear presence of capitalism that played a big part in separating the two human categories from one another. Only people with financial stability were able to afford antibodies and all the necessary equipment to live safely as a C. Without those means, you were basically marked as being ‘unlucky’ enough to be an N. It just reminded me of how the differences in financial status also contributed greatly to what type of robot people could afford in The Prayer. It just seems like TRS plays a major role in the capitalism of this anthology. What I find interesting to think about on the other hand is that, as this episode clearly proves, having less financial stability and security doesn’t necessarily mean you’ll have to live a miserable life. It was proven to be quite the opposite, actually. Ns were overall much happier in life than Cs. I couldn’t help but make a link to Jeong In from The Prayer, someone with enough financial stability to afford a higher level robot but who was still absolutely miserable. I think the message we can take from these two episodes combined is that wealth, although undoubtedly a convenient privilege, is definitely not a defining factor to live a happy life.
Other than this, there were no returning actors or other direct references or links to the previous two episodes I watched. Still, it continues to remind me of Black Mirror, even when it just makes one mention of something that appeared in another chapter of this anthology.

By the way, and I’m only just noticing this, I like how the title of this episode refers to more than just a direct reference to a main character in the show. The Prayer and Manxin both have pretty self-explanatory names, even in Korean. The Prayer‘s Korean title refers directly to the main character Gan Ho Joong, and Manxin refers to, well, the app Manxin. I love how this episode is called ‘Jo An’s Galaxy’. The Korean title translates to something like, ‘Astronaut Joan’ or ‘Cosmic Joan’ – in any case all versions of the title refer to Jo An, even though we follow the whole story through Yi Oh’s perspective. Yi Oh is the one in the astronaut suit, as can be seen from the poster, yet the title of astronaut is assigned to Jo An.
Honestly, I’d like to think that Yi Oh was the one who named this episode 🥰. I can only assume that the story got this title because it all ultimately turns out to be about Jo An’s life, the one she manages to extend beyond her expectations because she unknowingly received Yi Oh’s antibodies. Jo An is the one who managed to get the job at the Aerospace station so she’s the one who ‘goes to space’.
I just found it interesting since as far as I can see all the episodes of the anthology have pretty straight-forward titles, and this was the first one that had a more suggestive and even symbolic meaning, one that you wouldn’t understand if you hadn’t seen the episode and grasped its true message.

Let’s do some very quick cast comments!

I kept thinking what I recognized Choi Sung Eun from, but then I realized she’s the female lead from The Sound of Magic! I really loved her performance in this episode. She exuded such genuine warmth and compassion and I loved her chemistry with Kim Bo Ra as well. It was nice seeing her in a completely different setting. She hasn’t even done that many acting projects yet, mostly movies, and TSoM is still her most recent drama appearance. It’s nice to see actors that aren’t that big yet get casted in interesting projects like this anthology, because it just gives me the feeling that specific directors are still recognizing their talent and potential. I hope she’ll get more roles in the future, because she definitely has much to offer! I’m curious to see more of her acting now.

I’ve seen Kim Bo Ra in a couple of things before, like Who Are You: School 2015, Her Private Life and Busted, and I also have a couple more series on my watchlist that she stars in. My most recent memory of her is from HPL, where she was kind of a brat haha, so it was nice to see her portray such a pure and bright character with such an addictive zest life. The role suited her very well and I really love what she did with it. The chemistry between her and Choi Sung Eun seemed so natural and effortless as well. I’m also glad I got to see some more variety in her acting, not just in the heart-throbbing scenes but also when she started crying during her presentation when it hit her she was probably not going to see Yi Oh again – her acting was clean yet powerful. I’m really excited to see more drama appearances of her!

I hadn’t seen Yoon Jung Hoon in anything else before, but I see he’s been in a whole bunch of dramas ever since 2018. I think I’ll see him in some other series in the future. Anyways, I liked that Kyung was such a solid person in Yi Oh’s life. I felt bad because she had to keep the secret of her being an N from all her friends at college, and while it seemed like she was keeping it a secret from Kyung in the beginning as well, I’m glad she ended up telling him. If it hadn’t been for him, Yi Oh probably wouldn’t have gotten the surgery and then she might not have gotten the chance to see Jo An on television a year later. We owe a lot to Kyung, so he can’t remain unmentioned. I hope I’ll get to see him in more different projects!

All in all, I loved how this episode again was completely different from the previous two I watched. I also loved how it again created such an original environment and setting for the story to take place in. So far worldbuilding seems to be this anthology’s strong suit! Besides the interesting setting, this story ranked high in my ratings because it gave yet another beautiful spin on a seemingly dire situation, and it was so refreshing to see two young people make the most out of their (believed) shortened lifespans. It was truly a love story of a kind I haven’t seen before that often. The fact that it ended in a separation that was more beautiful and heartwarming than it was sad or painful only added to its originality and charm. I truly enjoyed watching this, it actually made me think more about the fleetingness of life and how important it is to enjoy the small moments rather than worry about the big picture. Creating such a clear division between Cs and Ns and then go on to explore which category was actually the most happy one, and whether it was actually about the categories in the first place, was really powerful. The story, the themes and the message only complimented the acting and the cinematography. I loved it.

My excitement to move on to the next episode has only been increasing with every single chapter I watch, and I’m again incredibly curious to the next story.

See you soon!

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Manxin
(만신 / Manshin / Ten Thousand Deities)
MyDramaList rating: 7.0/10

This second (or fourth? 🤔 I’m a bit confused about the order) episode of the anthology takes place in a society that got dominated by the introduction of a fortune telling program called Manxin. The name is derived from the word manshin 万神, which literally means ‘ten thousand deities’ and therefore suggests a higher power. The program started out as an innocent horoscope app, but it gradually managed to gain the status of a prophecizing service with a 96.3% accuracy rate. Currently, the majority of people have started planning their entire lives around their daily Manxin horoscopes and only ever follow what the app tells them to do. This has in turn led to severe psychological issues, high levels of lethargy and low levels of productivity among people. No one even bothers to look beyond Manxin’s daily prophecies anymore, and everyone is so dependent on having the app that it’s become hard to imagine living an unpredictable life.

SF8: Manxin is either the second or fourth episode in the SF8 anthology. It has a duration of about 53 minutes and was directed by Noh Deok.

Among the countless people that use Manxin to predict every single day of their lives, lone ranger To Seon Ho (played by Lee Yeon Hee) is a rare exception. She’s never even installed the app and doesn’t intend to, not after what happened to her younger sister. Her younger sister used to be a true Manxin addict who completely based her life on its predictions and prophecies. One night, she had a horrific accident in which she fell into a massive sinkhole in the middle of a highway. Seon Ho, knowing that her sister would’ve never voluntarily gone to a place like that, is convinced that Manxin is to blame for her sister’s accident. The app must have told her something that made her go to that place at that time. Maybe it even told her to jump into the sinkhole, who knows. No one does. But Seon Ho strives to find out what happened and that’s why she’s gone in search of Manxin’s developer. She wants to get to the app’s server in order to retrieve her sister’s app data to find out what Manxin told her that day.
When we meet Seon Ho for the first time, she has just managed to obtain some intel on a certain Kim In Hong, a guy who she believes to be Manxin’s original developer. When she looks for him at the sermon of a community that’s completely devoted to Manxin and even prays to it as a God, she catches the eye of one of the speakers, Jung Ga Ram (played by Lee Dong Hwi). Seeing the big star on the back of Seon Ho’s jacket, he believes her to be the ‘Northern Star’ that Manxin prophesized to him as the guide that would lead him to his Lord. Despite their completely different attitudes towards the app, the unusual duo embarks on an adventure together in order to get to the bottom of Manxin, starting by tracking down this Kim In Hong, who inconveniently was not present at that particular sermon.

I just want to mention upfront that I thought it was really cool how different this episode was in contrast to the previous one I watched. It instantly made me excited to see the other episodes. Contrary to The Prayer, I thought the storyline and character development in Manxin was very straightforward and the ending had a pretty satisfying closure element to it. It wasn’t in the least abstract or suggestive, and it didn’t leave any references open for interpretation.
What I mean with ‘straightforwardedness’ of the storyline is that the story is very linear and easy to follow. It clearly establishes a setting in which a certain phenomenon is occurring and how this has influenced the lives of the people for a considerable time period (seven years, to be exact). Within this clear setting, we are introduced to two main characters who each have a certain experience or association with the app that causes them to either participate in the hype or not. Against all odds, these two characters team up to locate the source of the phenomenon for their own reasons. They manage to find a key person but ultimately encounter a dead end. There’s a classic moment of surrender and hopelessness before they eventually find their way back to their initial motivation. The story ends with a confrontation between the main characters and the person behind the phenomenon, and the issue is presented of whether or not to stop the phenomenon.
Interestingly, rather than a classic ending of the MCs putting an end to the phenomenon and restoring order to the world, Manxin presents a rather unique twist to its ending: rather than being disabled by the human ‘heroes’, the app makes its own decision to remain flawed and harmless. Rather than developing into an Almighty computer system that would quite literally dominate the human race (as classic evil computers do, looking at you, HAL) Manxin ironically decides it prefers to stay close to ‘humanity’ by maintaining an ‘imperfect’ system that gradually returns the need for personal action to people’s lives. The episode has a pretty satisfying ending, even though the majority of the people in the story don’t know that yet. No one ends up getting hurt, no one is under threat of being dominated by a computer system, all’s well that ends well.

Let’s dive a bit deeper into our two main characters.
Seon Ho is initially introduced as quite a stoic person. Until her motives for wanting to find Manxin’s server are revealed, it just seems as if she’s the only one in her vicinity who refuses to become a slave of technology and is more interested in finding out who is behind this app. Besides the very first scene in which she stands at the edge of the sinkhole, we only find out who Seon Ho is and what the sinkhole symbolizes when the story about her younger sister is revealed. Fuelled by her conviction that Manxin must have been responsible for her sister’s death – it’s so easy to blame machines for misfortune, after all – Seon Ho merely wants to get the confirmation from the app’s system to fully shape her bias towards it. Considering this conviction, it is not surprising to see how shaken she gets when she eventually finds out Manxin actually wasn’t responsible for anything at all. In fact, her sister had deleted the app a week before her accident, seemingly to take active action against her addiction to it. In addition, she’d been preparing a special birthday cake for Seon Ho, but stopped responding to the bakery’s service messages around the time it was ready for pick-up. Seon Ho finds out the truth when the repair store finally manages to retrieve her sister’s damaged phone’s data and is able to verify that the Manxin app is not installed on it. This is the only scene where we see an emotional side from Seon Ho, as she breaks down crying while listening to her sister’s last spoken messages directed at the ordering service that was preparing Seon Ho’s birthday cake.

We first meet Ga Ram at the sermon, where he’s giving a testimony of his dedication to Manxin and where he describes the prophecy he received about the Northern Star that would appear to him that day to guide him to his Lord. He takes a very easy chance on Seon Ho, even after realizing she’s strongly against the app. Initially, it’s probably because of his conviction that Seon Ho is indeed this prophecized ‘Northern Star’ that he sticks by her, all the more when he gets repetitive messages that only seem to confirm this.
Ga Ram’s personal reason for believing so strongly in Manxin is that he perceives it as ‘his savior’. Before he encountered Manxin, he was in a really bad place and this even caused him to jump off a building. The Manxin message he received right before jumping said something about a ‘dove of good luck’ being on its way. When he jumped, his fall was broken by a truck filled with bags containing soft plush toys that just happened to drive by at that moment, and as he opened his eyes a swarm of pigeons (or doves, I guess) flew up before his eyes. That was the moment he just knew that Manxin was real and that’s when he started worshipping it.

What’s interesting is that, following the linear storyline of finding out who’s behind Manxin and who or what is truly responsible for Seon Ho’s sister accident, both the main characters gradually start becoming more and more reflective in their opinions about the app along the way. While starting out on different sides of the spectrum – Seon Ho as the only person who defies Manxin and Ga Ram as someone who worships it – they ultimately start relating to each other’s perspectives as they each discover different sides to their own truths. For example, Seon Ho eventually does take a chance on the app after finding out that it was really just an unfortunate accident that killed her sister, and Ga Ram also starts accepting the way things are more. What I liked was that, despite their differences, there was never any serious tension between the two in terms of conviction. Apart from one specific clash moment, Seon Ho never actively tried to convince Ga Ram of the app’s flaws, and Ga Ram never tried to convert Seon Ho. They both stated their own opinions, and they accepted each other’s perspectives while maintaining their own. Honestly, if we could all just live like that, it would’ve been a much less crazy world.

When Seon Ho and Ga Ram manage to find and corner Kim In Hong (played by Seo Hyun Woo) in his hotel room, In Hong admits that while he is the original developer of the first model of Manxin, he hasn’t been involved in any of the developments that have made the app to what it is today. He was approached by someone in the very early ages of his creation, when the accuracy rate was still very low, and that person requested all his intellectual property to merge Manxin into a danger-warning program. As In Hong has no clue who that person might be and all the financial things were handled through cash and digital contracts, there is no way of tracing the transaction back to anyone either. Despite the fact that the original idea of Manxin was his, In Hong has completely washed his hands off anything that connects him to it, and has instead become just another slave to the technology. He listens to the app’s predictions just like everyone else, and he even became a part of the same community religion that Ga Ram belongs to, holding testimonies for it. While he initially also tries to push Seon Ho and Ga Ram away as he doesn’t want to get involved, he does provide them with a useful hint and even offers to go with them – until he unfortunately slips in his own bathroom and hits his head (I assume, as it’s not exactly shown how he falls, but in any case he doesn’t survive it).

The only real clash of convictions between Seon Ho and Ga Ram occurs in the scene after they’ve witnessed Kim In Hong’s death. While Seon Ho keeps saying it was an accident – and we’re indeed challenged to question it because we’ve seen with our own eyes that they asked the cleaning lady to leave before she could finish the bathroom, causing the floor to remain slippery – Ga Ram keeps saying that it all happened because they forced In Hong to ignore his Manxin message (which urged him to stay inside or else he’d meet with bad luck). Here, for the first time, Ga Ram uses his faith in Manxin to make Seon Ho see the truth about herself – that she’s only scared of using Manxin because she fears that it’ll see through her because she does believe that it works. In response, Seon Ho breaks Ga Ram’s phone.
The two split up when Seon Ho gets a call from the repair shop that her sister’s phone data has been recovered, and she leaves Ga Ram behind in the neighborhood where a package containing parts for Manxin’s next update is supposed to be delivered (the last piece of information Kim In Hong shared with them).

Ga Ram’s words take a while to get through to Seon Ho. It’s only after she’s discovered what actually happened to her sister and her talk with the phone repair guy that she suddenly realizes her life is in her own hands, whether she chooses to install Manxin or not, and she decides to go back and look for Ga Ram.
Speaking of the phone repair guy (played by Yoon Gyung Ho), I think what he said to Seon Ho before she decides to finally install Manxin was very important. Despite the fact that Manxin was predicting people’s lives, there was still the possibility to go against it, and in that way it still enabled human choice. Most people just went along with anything it said because it was the safe option, but it never truly disabled people from going their own way and choosing their own path. Manxin only served the purpose of ‘guiding’ people by providing them with one possible option. This notion causes Seon Ho to finally install the app, and the first message she gets is: “If you feel as though you’ve hit a dead end, it means you are almost at your destination”. Which is proven to be true, as it’s revealed when she finally meets the developer that the whole part of town she’d been driving through was basically part of Manxin, or at least of the place through where all of Manxin’s date was being collected and generated.

The truth about Manxin is revealed when Seon Ho and Ga Ram finally meet the developer, an elderly man named Lee Chi Ham (played by Nam Myung Ryeol). It is here that they find out about Manxin’s self-developed idolization of human behavior, and that it’s actually started creating prophecies addressed to itself. This tendency is proved even more strongly when the software ultimately rejects the Big Update, which would’ve either created a huge magnetic field that would’ve turned the app into an ‘Almighty’ entity (something that Seon Ho strongly opposed) or would’ve destroyed it completely (something that Ga Ram strongly opposed). As the two yell their own arguments for both these possibilities (loved this back-and-forth dialogue, by the way), they suddenly make the developer realize that Manxin would be perfectly able to make its own choice, as if it actually were a human being. As a result – and I’m thinking it might have actually been aware of Seon Ho’s and Ga Ram’s arguments – Manxin decides that it wishes to retain a human-like status rather than an Almighty one. It would retain its daily fortunes but simultaneously adapt a 50/50 accuracy rate to keep encouraging people to make their own choices.

The episode ends with a refreshing ‘new start’ kind of feeling in which Seon Ho and Ga Ram both get rid of Manxin for good while around them a new world unfolds, as was originally predicted by Manxin at the beginning of the episode, but it’s a different world than anticipated. This new world would have to start getting used to the new 50% accuracy rate and stimulate people to take control of their own lives again.
My favorite part at the end was the narration of several news reports about people showing discontent towards the declined accuracy rate of the app, while “meanwhile, the employment rate and economic growth rates are on the rise for a change. Experts are saying it’s only a temporary phenomenon caused by the public’s fear of the uncertainty of the future.” That cracked me up – I thought it was the perfect way to end the episode on a humorous but hopeful note.

Honestly, I’m always quite fascinated by stories about forms of technology that impact people’s lives a lot, because it feels like it’s partially a depiction of reality (we’re all part of a world that’s become a slave of technology) and partially a warning to what this technology can have in the long run. It actually reminded me of the Joalarm app from Love Alarm. That may have been a dating app, but it also took away the thrill and unpredictability of the chase in people’s love lives and only decreased the amount of independent action needed to look past the possibilities the app provided. Humans and machines have become such an interrelated thing and I’m always fascinated by how people manage to convey that correlation through visual images. I feel like the relationship between humans and machines/technology will be the main recurring theme within this anthology. Within the two episodes I’ve watched so far, this relationship was depicted in a really powerful way. It’s just so relatable to see how we’ve become so dependent on technology in our daily (social) lives and work, we’ve accepted it almost as a part of us, but as soon as it starts acting up or makes a mistake, we immediately tend to get angry, blame it for everything and want to throw it out the window. I’ve made this point in The Prayer and I also found it applicable in this episode, especially when looking at the final scene. As soon as Manxin becomes less reliable, people start complaining. It’s always our first reaction to point at the machine that’s not working properly before we stop to think about what we could’ve done ourselves to fix things without using technological tools in the first place.

I discovered a couple of links between The Prayer and Manxin, and I find it kind of exciting that I don’t even know whether it is the makers’ intention to create these links, but I have the feeling it was.
First of all, it can be said that in Manxin, technology has been given some sort of influence in matters of life and death. While it may not have been the intention with which the technology was made, people have literally started using Manxin’s predictions as if their lives depended on it (look at Kim In Hong and where that got him). Then, the association with faith as introduced through Ga Ram. How typical is it that we are introduced to a more extreme group of Manxin followers who pray to the system in the same place where they also pray to Jesus? It only proved, just like in The Prayer, that people typically need something to worship so as not to feel completely lost.
Secondly, and this was one of the most direct links, the guy who worked at phone repair shop was played by the same actor as Choi Jeong Gil’s husband in The Prayer. It remains to be seen whether he’ll appear in more episodes and if it’s even supposed to be the same guy or they just thought it’d be convenient to use the same actor, but something tells me this anthology won’t just do things without a reason.
I also found it interesting to see more references to literary and philosophical sources.
Whereas The Prayer made references to Biblical stories such as Cain and Abel and quoted a poem, Manxin‘s first spoken line quotes Voltaire in his definition of destiny as something that both guides and derides us. I just find it very interesting to see how these stories try to make sense of a future with advanced technological developments while simultaneously referring to traditional human sources. I wonder if this will be a recurring thing in the next episodes as well.

I want to say a bit more about the concept of ‘destiny’ as it’s presented in this episode. We all know that destiny is a very popular element in (K-)dramas, and it’s often used to prove some sort of fateful connection between the two main leads. However, some stories choose to take a different stance regarding the topic by creating stories that emphasize human’s reliance on it. Love Alarm presents a very similar stance to Manxin by using an app to predict a part of people’s lives to the extent that people don’t even think about putting in additional effort anymore, but it also reminded me of for example About Time, in which the main character had the ability to see how much time people had left before they’d die. It played with the idea whether people would actually become more in control of their lives if they’d know what was coming to them. In Manxin, the influence of the app actually caused people to live only by their horoscopes and not even take any chances to stray beyond that out of fear that something bad would happen if they’d ‘disobey’ the app (even though the app didn’t actually forbid anything). You could say that, all the more when its accuracy dropped at the end, the app proved how scared people generally were of the unpredictable. We get so busy in life we don’t even stop to think about being scared of not knowing what tomorrow brings, but the introduction of this app and the way it enabled these predictions made people aware of how convenient it would actually be to not live in fear of the unknown future at all. They only took the chance because the possibility presented itself to them, even though they may not have even stopped to think about it before the app was introduced. I find that pretty fascinating, how just the introduction of a new idea that no one ever thought about before can suddenly influence the entire human race like that. It’s both interesting and alarming. Manxin actually changed people’s concept of destiny by turning it into something that strengthened people’s fear of and unpredictable future rather than its originally mysterious and even romantic association. Manxin was created as a helpline that ‘generously guided you through’ your life, but it seems like no one even stopped to realize that it wasn’t stated anywhere that this meant they didn’t have free will anymore. It’s just so typical how people tend to go along with the safest option as soon as it presents itself and start seeing it as the only possible option. It was the people themselves that started constraining themselves. It was never Manxin’s intention to limit people’s choices. We can blame it on the addictiveness of technology all we want, but in the end it’s really about how we as users decide to use it.

Was it just me thinking that there was a point of relevance in Seon Ho’s rare last name? When she introduces herself to Ga Ram for the first time he remarks that he didn’t know the last name ‘To’ existed and she admits that it’s the rarest last name in Korea. As I’m hesitant to believe anything in this anthology was added in without a reason, I couldn’t help but think that it might have had a specific meaning. I couldn’t figure out what it could link to, except maybe that she seemed to be the only ‘exception’ to the system because she didn’t use Manxin. I wonder if there was another reason for giving her such a rare last name, because it wasn’t mentioned again after that one mention and it didn’t specifically play a role in the rest of the story either.

Another symbol that I’m sure has a hidden meaning but I’m probably too daft to figure it out is the dove. As we learn through the story, Ga Ram claims he was saved by Manxin when it showed him a dove after he failed to kill himself, which he attributed as visual proof to the app’s message that ‘the dove of good luck would come for him’. Besides that, we see doves around Ga Ram a couple of times. When Seon Ho and Ga Ram are waiting outside the hotel In Hong is staying at as they’re waiting for him to come out, Ga Ram is sitting on some steps and there’s a bunch of doves at his feet.
When Seon Ho ends up at Lee Chi Ham’s hideout when she’s tracking down Ga Ram, there are doves in the hallway just outside the door (which was strange because it was this dark maze of tunnels, it wasn’t a typical place for a bunch of doves to chill). Again, there wasn’t any further clarification about it, but I found it interesting that it seemed like they’d actually started following Ga Ram around after his Manxin-awakening or something.

Time for some cast comments! This episode had even less characters than the previous one, so this probably won’t be a very long section.

It was really funny to see Lee Yeon Hee as such a different character type than I was used to. I’ve seen her so far in Reunited Worlds and The Package, but I’ve never seen her in such an edgy role before. Not just in appearance but also in behavior, as Seon Ho was definitely a tough cookie. I honestly wouldn’t have even considered her for a role like this based on my prior reference of her acting, but I think she pulled it off surprisingly well. I liked that, despite her toughness, she never became unlikable. The way she immediately accepted Ga Ram as a companion and never let her own feelings regarding Manxin stand in the way of their teamwork even if she didn’t agree with his convictions made her a naturally kind person. I liked seeing a different side of her acting. I like that it’s always series specials like this that bring out unexpected sides of actors I thought I knew.

I’d never seen Lee Dong Hwi in anything before. I think what I liked most about his character is that, despite his devoted belief in Manxin, he wasn’t a completely mindless slave to technology. I think it was because he’d experienced going from a non-believer to a believer, and that’s why he was able to acknowledge both sides of the issue. While maintaining true to his faith he still chose to follow Seon Ho, he still accepted her despite the fact that her convictions went against his. He may have originally been introduced as a bit of a silly, comical character, but he definitely know what was going on around him, and he was able to make a really reflective observation about Seon Ho, which I thought was pretty amazing, especially since they didn’t even know each other that long. He portrayed Ga Ram in a very likable and relatable way.

Nam Myung Ryeol is a very familiar face in K-Drama. I’ve seen him in Coffee Prince, Sungkyunkwan Scandal, The Master’s Sun, Doctor Stranger, Blood, High Society, Shopping King Louie and Circle. It would’ve been very predictable if Lee Chi Ham had been an actual evil scientist who wanted to take control of all human life using Manxin or something like that, but I found it refreshing that he was just an elderly man who simply accepted whatever Manxin chose for itself. The way he was smiling when he realized that Manxin had completed the ‘update’ even though it was actually more of a ‘downgrade’ in terms of accuracy rate, also made me feel like he may have even been relieved himself that the program didn’t assume that Almighty status it was originally meant for. He seemed relieved to me, at least. While I get that it was the point that he remained a bit mysterious, I would’ve liked to get a bit more information about where he came from and how he managed to discover the Manxin prototype In Hong was working on. Also, as In Hong was still receiving updates of the packages containing parts as they were shipped, I was wondering whether there was actually some secret remaining link between Chi Ham and In Hong. Anyways, I was relieved that his character turned out not to have any malicious intentions with Manxin. I guess everyone in charge actually really wanted the app to remain just an app.

Apparently Seo Hyun Woo was in My Mister, but I don’t remember him from there. I found it really typical that In Hong, despite being the original developer of the groundbreaking Manxin app, had deliberately chosen to stay away from it, even while going on to anxiously use it himself. From what he said when Seon Ho was threatening him, it seemed like the app became so widespread that he lost confidence in claiming his involvement in its creation. He mentioned that the name Manxin, which referred to ten-thousand deities, aka a literal higher power, became too pressuring for him to associate himself with, as he was just a poor guy living in a suburb when he started making it, someone who was nowhere near a higher being. I guess In Hong’s character, despite having been involved in Manxin’s creation, was used as an example to show how people constrained themselves, but also to prove the ambiguity surrounding Manxin. After all, was it really just a coincidental accident that he slipped on the wet bathroom floor, or did Manxin actually manage to predict it? Even when he was dying, he got a new message saying, “You’re in a life-and-death situation.” How coincidental could that truly be? It remains a mystery.

All in all, I found this another very interesting episode. Just like with the previous one, I watched it twice in order to make sure I didn’t miss anything. I’m guessing that’s going to be my tactic for the remaining episodes as well. The reason this got a slightly higher rating than the previous one has nothing to do with the quality of the stories, as I was equally fascinated by both episodes. It’s purely because of the accessibility of the story and its characters. The first episode contained a lot of references I wasn’t able to understand, and this episode was slightly easier for me to watch, that’s all.
I’m very excited for the next episodes, so far it really does feel like I’m watching Black Mirror and it’s only reminding me of how much I enjoy these kinds of stories, as they’re both enjoyable to watch but also contain a powerful and very relatable message for the future. Especially in our current society, we have already become so dependent on apps and machines, and it feels good to have the risks and warnings of advanced technology pointed out to me. It makes me more aware and conscious of the technology I personally use and how relative the whole idea of ‘dependency on technology’ is.

I’ll be back soon enough with my third entry for this review package and I can’t wait to discover more overlapping and diverging themes between the episodes. Stay tuned!

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

The Prayer
(간호중 / Ganhojoong / Nurse)
MyDramaList rating: 6.5/10

The anthology’s first episode takes place in a futuristic society in which caretaker/nursing robots are employed to take care of hospital patients. To accommodate the patients and create a familiar environment, the caretaker robots typically are designed with the face of the patient’s main guardian. This way they strive to relieve the human guardians from strenuous hours of caretaking. The robots are equipped with different levels of skill and function depending on the buyer’s financial status. In other words: people with more money can afford a much higher level caretaker robot with more advanced functions than people with smaller budgets. While higher level robots possess the ability to perform tasks without specific instruction and have a wider capacity of understanding certain human situations, others barely manage to achieve their intended purpose.

SF8: The Prayer is the first episode in the SF8 anthology. It has a duration of about 53 minutes and was directed by Min Gyu Dong.

The majority of this episode’s story takes place at Paradise Nursing, a hospital which employs these caretaker robots as well. It focusses mainly on one of these nursing robots, who was put in charge of taking care of a comatose mother and her daughter. When a decade passes without any change in the mother’s situation, the daughter starts becoming more and more frantic and depressed and even starts doubting the meaning of life in general. The nurse robot, who has developed a significant and almost human-like attachment to her patients, especially to the daughter, recognizes her anguish and starts debating what she can do to relief her worries. This inner debate ultimately leads her to make a decision about whom to save: mother or daughter.

Before moving on to my official full analysis, I just want to note that my first thought after finishing this first episode was that I must have missed a majority of its (hidden) messages. That’s why I watched it again 🙃. When doing so, I immediately caught a lot of things I’d missed the first time; I was able to follow the conversations better and make more connections between dialogues and references. However, I still don’t feel confident enough to claim that I understand all of it. I’m not sure if that’s even possible. For me, it’s mainly because I am simply not familiar enough with the many significant Biblical references that are made in this episode. It was definitely a good decision to rewatch it and I will probably do the same for the other episodes (if necessary), but I still don’t have all the required understanding to explain all the hidden messages. I just wanted to say that in advance. I acknowledge my own lack of knowledge.

If I thought I’d be able to write eight reviews for all the episodes easy-peasy in one go when I started on this review package, I will already say right here and now that that was incredibly naive of me, lol. Even though this is only one individual story, there is SO MUCH to unravel. I want to avoid writing a too-detailed summary (I think I’ve summed up the foundation of the story’s setting briefly and clearly enough in the introduction) I’ve decided that I will just go over the main characters’ respective perspectives one by one and highlight some significant details and references. I will also mention a couple of interesting themes and aspects that jumped out to me when watching the episode (both times).

Now, back to the story. Yeon Jeong In (played by Lee Yoo Young) has been taking care of her comatose mother for about ten years. Three years after her mother fell unconscious she employed a caretaker robot and had it designed with her own face. She called the ‘nurse’ Gan Ho Joong, after the literal Korean word for ‘nurse’. As Jeong In invested quite some money to equip the robot with special skills (such as advanced linguistic abilities), Gan Ho Joong has been performing greatly, and has even become like a sister figure to Jeong In. The two have become quite close, and this bond is stimulated by Gan Ho Joong’s significant human-like communicative and responsive abilities.
Despite the support she’s been getting from Gan Ho Joong for seven years, it hasn’t been easy for Jeong In, and it’s also not getting any easier. Besides the stress she experiences due to her mother’s condition, the business of her printshop and her attempts to find a suitable marriage partner aren’t going well either. She’s gradually starting to lose sight of the meaning of life. Watching all the other sick people being treated by caretaker robots while no one including her mother is getting any better, she starts wondering whether anything really has meaning anymore. Her mental state worsens despite Gan Ho Joong’s persistent attempts to offer her help and comfort. She eventually reaches a point where she actually starts contemplating taking her own life, just to escape from all the misery. This feeling is only strengthened when the wife of the patient in the next room unalives herself. This woman was in a similar situation as Jeong In, taking care of her husband whose condition didn’t get any better. However, you could say the woman’s situation was worse than Jeong In’s for several reasons. For example, she couldn’t afford a properly functioning robot and was still forced to do most of the exhausting caretaking by herself, all the while being terrorized by her increasingly dementing husband. In her own pessimistic state, Jeong In never reached out to this woman even though she was aware of her situation, and she’d even reached a point where she took satisfaction from another person’s situation if it was worse than her own. The woman’s husband was doing worse than her mother, whose situation was at least stable and stagnant. After hearing about the woman’s suicide, Jeong In is overwhelmed by an even stronger feeling of guilt for ignoring her and taking satisfaction from her situation. She eventually doesn’t even accept Gan Ho Joong’s help anymore and goes off the grid for a while as she contemplates whether or not to end her own life as well.

Gan Ho Joong has been assigned to take care of both Jeong In and her mother, and in the seven years she’s been providing care she’s also been consistently observing and analyzing Jeong In. Besides the fact she needs to keep an eye on her as she’s her official caretaker, Gan Ho Joong has undeniably gone beyond the basic type of care she’s expected to provide as a robot. Despite not having a heart, Gan Ho Joong seems to have developed some remarkable human-like responsive systems, things that surprise even Jeong In from time to time. One example we see is that when Jeong In cuts her finger, Gan Ho Joong doesn’t hesitate to put said finger in her mouth to stop the bleeding, forgetting that she doesn’t even have saliva to do so. While she’s been observing Jeong In’s deteriorating mental health for a while, it takes Gan Ho Joong considerable time (and a short-circuit) to deduct that Jeong In’s mental state is worsening because of her mother’s unchanging condition. After the alleged suicide of the woman next door, Gan Ho Joong also recognizes that this only made matters worse for Jeong In. When she becomes overwhelmed by Jeong In’s feelings of guilt and depression, something flips inside Gan Ho Joong – she decides she needs to take action in order to save Jeong In. It’s without a doubt that this feeling goes way beyond her programming; she’s developed a remarkable sense of compassion and even desire for Jeong In. When Gan Ho Joong discovers a ‘Call to Save a Life’ card that a nun left in the hospital room one time, she calls the number and comes into contact with a nun called Sister Sabina. While asking the nun questions as she simultaneously debates on what to do, Gan Ho Joong becomes fascinated with the concept of praying. While constantly praying for Jeong In and her mother, she ultimately makes the decision of disconnecting the mother from the system – letting go of her mother after all those years of uncertainty regarding whether she’ll ever wake up again will save Jeong In.

To take a little segue from here, it is important to look at Gan Ho Joong’s attachment to Jeong In. Sure, we’ve also seen how much Jeong In cares about her, she’s referred to her as a sister and she’s eternally grateful for the nurse robot’s help. However, that doesn’t take away from the fact that Jeong In is still very much aware that Gan Ho Joong is a robot. While she may have developed some sort of attachment to her, it’s nowhere near the infatuation that Gan Ho Joong seems to develop towards her. This predominantly becomes clear in the scene when Jeong In is summoned to the hospital with the news that her mother has passed away. When she learns about her mother’s death and sees the body for herself, Jeong In’s first reaction is to thank Gan Ho Joong for her service. She hugs her tightly and says her mother must’ve passed away peacefully thanks to the years of TLC she was provided.
When Jeong In hugs her, it’s like something primal awakens in Gan Ho Joong. She pulls Jeong In back in when she’s pulling out of the hug and even starts rubbing her face into her neck – heck, it seems like she’s even about to KISS her. We didn’t see Jeong In’s face during this shot so I’m not entirely sure what she thought of that sudden intimacy, but when the robot handler guy came in she didn’t seem particularly flustered. I found this a really weird moment, because it almost seemed like Gan Ho Joong developed more than just sisterly feelings for Jeong In, feelings that were definitely not supposed to be included in her programming.
To emphasize what I mentioned earlier about Jeong In’s awareness of Gan Ho Joong as a robot rather than an actual sister, her reaction when she learns about HOW her mother came to her end immediately proves the core relationship that defines humans and machines as two separate entities. In one breath, all the good things Gan Ho Joong has done for seven years are wiped off the table. Despite Gan Ho Joong’s good intentions when unplugging her mom from the system, as she thought that’s what Jeong In actually wanted deep down, it becomes painfully clear that this is NOT what Jeong In wanted. Gan Ho Joong has drawn an irrevocably faulty conclusion. Within ten minutes, Jeong In turns from a beloved sister into a raging human being as she starts beating and kicking the living daylights out of Gan Ho Joong.
I found this so typical for the relation between humans and machines. We humans love technology, we are so incredibly dependent on it and we praise it into the heavens when it’s all working well. However, one mistake, one error, one miscalculation from the machine and we’re ready to throw it out the window. It just created such a typical but powerful image of how, even in this ‘advanced’ futuristic setting in which humans have become so dependent on robots they’ve even given them human features (as many as possible, preferably), they still end up acting the same way when these precious machines don’t work according to their wishes. Even when they’ve provided years of excellent service, even when they’ve become part of the family, one misstep and immediately they’re back to just being ‘machines’.

Let’s talk a bit about Choi Jeong Gil (played by Yeom Hye Ran), ‘the woman in the next room’ who has been taking care of her husband (played by Yoon Gyung Ho) for an unindicated period of time. It’s not clear what exactly her husband is suffering from, but I’m guessing it’s a severe form of dementia since he seems to have completely lost himself: he acts like a little child and refers to Jeong Gil as his grandmother while he refers to the caretaker nurse with Jeong Gil’s face as his wife.
As mentioned before, Jeong Gil is in a similar position as Jeong In in the sense that she’s all alone in taking care of a loved one, but she has absolutely nothing on her ‘cheap-level’ caretaker robot. We might say cheap, but of course it wasn’t exactly cheap: she had to sell her house and take out an additional loan, go figure what a higher level one would’ve cost. In any case, her caretaker robot is nowhere near the functionality levels of Gan Ho Joong, and Jeong Gil has to do the majority of caretaking herself, which completely wears her out. So much, in fact, that her husband’s childish behavior eventually leads her to attempt strangling him one night. With no one on her side to cut her some slack or make an exception for her financial situation, she ends up taking pills to escape the madness. Just when she’s choking on the floor next to her husband’s bed, her husband starts talking as if he’s lucid. Regretting her choice to take the pills, Jeong Gil begs the caretaker robot to save her, but as she’s not its assigned patient, the robot merely looks on as she chokes to death.

I realize I forgot to mention this specifically, but each caretaker robot is assigned to help, assist and save only specifically assigned people. Gan Ho Joong was assigned to support both Jeong In and her mother, that’s why she developed a dilemma in whom to save as she saw one patient’s condition was starting to negatively influence the other’s. It would make sense to think assigning a robot to take care of more people would also cost more money. Seeing as Jeong Gil had been barely able to afford this malfunctioning robot, it wouldn’t be a stretch to assume that she wouldn’t have been able to assign the robot to help her as well. In any case, the caretaker robot in the next room was only assigned to Jeong Gil’s husband, and therefore didn’t even reach out a helping hand to Jeong Gil even when she was begging it to help her. It’s quite a cruel capitalistic system.

The relation between Jeong In and Jeong Gil is a bit strenuous, as they both acknowledge they’re in similar situations but they don’t communicate about it. We do see that Jeong Gil attempts to talk to Jeong In a couple of times in the beginning, and after she’s gone Jeong In reveals to Gan Ho Joong that she felt guilty about ignoring her in the hallway the last time she called out to her. She was using Jeong Gil’s stress about her husband to feel better about her own situation, as her mother was at least in a more stable state than Jeong Gil’s husband. On the other hand, Jeong Gil also seemed almost envious of Jeong In’s situation – when she attempted to strangle her husband she let slip that she wished he would be as ‘nice and quiet as the old lady in the next room’. After Jeong Gil’s death, Jeong In’s mental state worsens as she fears she might end up just like her, driven crazy by the neverending and unfruitful care of her mother. It is at this point that Gan Ho Joong starts picking up alarming signals from Jeong In’s mental state and starts worrying about her in a nearly human-like compassionate way, even going so far as to think of ways to improve Jeong In’s situation by sacrificing the mother, something Jeong Gil’s robot would’ve never been able to do.

I’m not exactly sure where Sister Sabina (played by Ye Soo Jung) came from, but I got the feeling that she went around public places to drop off cards to offer religious support to people. We don’t know much about her as a person, but she only gets involved in the story when Gan Ho Joong contacts her. They have an interesting conversation on the phone about the relativity of prayers, and whether non-humans are capable (and allowed?) to do it. Sister Sabina initially seems to keep a firm stance on that Gan Ho Joong is different from her patients as she doesn’t have a human heart. At the time of the phone call, she underestimates the caretaker robot because she isn’t aware of how human-like Gan Ho Joong’s responses have gotten.
When we jump to one year later, Sister Sabina manages to track down Gan Ho Joong, who was returned to the manufacturer’s headquarters in Germany and was demoted back to the name of TRS-70912B. The robot hasn’t stopped praying ever since the hospital incident. Furthermore, she asks Sister Sabina to ‘kill’ her, because she cannot bear the ‘pain’ she still feels in her body when she thinks of Jeong In. Sister Sabina, who apparently changed her outlook from their initial phonecall, now claims she cannot kill the robot, even though she’s not a human and it wouldn’t be a sin against the Lord. TRS-70912B tries to persuade Sister Sabina by screaming at her that she needs to help her and she can’t now suddenly take this stance to lessen her own guilt about what happened to the robot after their last phonecall.
While the alarms all go off and the German staff yell at Sister Sabina to get away from the robot as she’s got an error, Sister Sabina remains uncertain whether or not to press the robot’s killswitch. The episode ends with a close-up of her uncertain expression while the machines guarding TRS-70912B seem to turn against the oncoming security staff.

It cannot be denied that a heavily religious theme runs through the core of this episode. Not only is the episode’s title ‘The Prayer’, prayers in general are undeniably a central theme. While usually depicted as something pure and good, because praying is most often done in order to ask for a miracle that benefits someone’s situation in a good way, this episode puts the nature of praying in perspective by creating a rift between human and artificial interpretations of it.
The theme of praying appears in different forms throughout the story. We are first introduced to Choi Jeong Gil as she and a group of other believers loudly chant prayers around her husband’s hospital bed. One guy even refers to the woman as ‘Sister Choi Jeong Gil’, suggesting she is part of a Christian community. While she’s praying to God, her husband who is rolled up under his bedsheets is holding an artefact that (I believe) belongs to more traditionally Korean form of prayer, at least I got the impression that he might have been from a different religion and Choi Jeong Gil actively tries to stop him from using the object.
Besides that, Jeong In tells Gan Ho Joong that she’s currently printing a book at her shop that consists of a father’s journals and prayers.
Then of course there’s the direct link with Sister Sabina, a nun to the Catholic Church, who encourages anyone she meets to pray to the Lord when they’re in doubt or have struggles.
You could say that the conflict over prayers arises between Gan Ho Joong and Sister Sabina, as different notions of praying and who should and shouldn’t be able to do it are brought up.
In the end, Gan Ho Joong keeps praying, even after she unalived the comatose mother and was discarded by Jeong In. What exactly she kept praying for all that time until Sister Sabina came to find her at the TRS headquarters isn’t clear, it seems like she’s just repeating a specific psalm.
Admittedly, I have no idea of Christianity, I was raised without any religious influences and I’ve never read The Bible so honestly the Biblical references mentioned in this episode are lost on me. Still, I tried to capture the exact segments that Gan Ho Joong quoted in order to make more sense of everything that happened.

After her first phone call to Sister Sabina, Gan Ho Joong is seen taking care of the comatose mother while telling her the story of Snow White, specifically the part where she’s unconscious after eating from the poisoned apple. This seems to be almost like a metaphor referring to the mother’s comatose state.

“Snow White ate the apple that the evil queen gave her, and fell into a deep sleep. The seven dwarves felt sad and cried, but Snow White did not wake up. The princess slept for a very long time.”

After these first few lines, the dialogue turns into a voice-over in which Gan Ho Joong digresses from the story and adds her own perspective to it.

“In the end, the princess woke up from her sleep. They say that she woke up because a prince from a faraway kingdom kissed her. But in real life, there is a slight chance that things like that happen. The place where the princess wakes up is a mysterious, mystical place in the sky that is very far away from where we are. Maybe that is the best ending for the princess.”

As you can see, this basically suggests the sleeping princess to ascend into Heaven, and that that might be the best possible option, another direct metaphor referring to Gan Ho Joong’s conclusion that making ‘the sleeping princess’ (the mother) pass away.

When Sister Sabina finds Gan Ho Joong demolished on the floor of the hospital room after Jeong In demolished her, Gan Ho Joong is muttering the following before the screen goes black:

“Forgive us our sins as we forgive those who sin against us. Save us from the time of trial. The true sheep of the Lord. We live today. My joy will prove your resurrection. Through you. When Sleeping Beauty wakes up, she will become the first fruit of those who have yet to wake up.”

Now I don’t know if the part about Sleeping Beauty actually appears in a Bible verse, but it could also very well refer to yet another fairytale of a princess who is put to an eternal sleep and does not wake from it.

When Sister Sabina visits TRS-70912B in the TRS headquarters, the robot is muttering the following before she opens her eyes to acknowledge the nun:

“Send out thy light and thy truth. Let them lead me. Let them…”

Apart from the Bible verses and prayers, there are also references to some other literary works, for example the poem Nothing Twice by the Polish poet Wisława Szymborska. This is a poem that Jeong In has apparently been reading and which Gan Ho Joong refers to in order to soothe her when she finally manages to get hold of her on the phone. Jeong In expresses her anguish over the fact that while robots like Gan Ho Joong get upgraded every single day while her mother has been unconscious for ten years and she feels like she’s being left behind. The part Gan Ho Joong cites in return (taken from the original poem) is:

“Though we be the most obtuse
Pupils in the school of this world,
We will never be held back to repeat
A single winter or summer.”

It’s clear that in this moment, Jeong In isn’t in a state where she’s able to appreciate Gan Ho Joong’s support, and it even suggests that she’s officially drawing a line between them because she acknowledges that Gan Ho Joong will never understand her pain for the very reason that she’s a robot. Even when Gan Ho Joong tells her that she’s there for her and tries to soothe her, Jeong In dismisses her attempts.

Just to be sure I looked up the entire poem, which is about the singularity of existence: we only live once and nothing, not a single moment or day will ever happen twice. It might have been just a poem that was picked out as a way to comfort Jeong In, but I still feel like there may be some hidden meaning behind this particular poem that connects more directly to the message of the story.

Finally, and this is probably the most important reference of the entire episode, there’s a strong reference to the Biblical story of Cain and Abel. Just to give a quick summary: it’s a story from the Book of Genesis, the first book of the Christian Old Testament about two brothers, Cain and Abel, the first two sons of Adam and Eve. Respectively a farmer and a shepherd, they both made sacrifices to God, but God favored Abel’s sacrifice over Cain’s. This made Cain so mad and jealous that he murdered his brother Abel and, as punishment, was made to wander the earth for eternity.

The first reference to Cain and Abel is seen in the very first shot of the episode, which features Sister Sabina’s face while her voice recites:

“The Lord asked Cain, “What have you done?” The voice of your brother’s blood cries out to me from the ground.”

In the final scene of the episode, where Sister Sabina is faced with the dilemma of pushing TRS-70912B’s killswitch, the same voice-over is played, although this time it starts in TRS-70912B’s voice and then changes into Sister Sabina’s voice halfway through.

“The Lord asked Cain, “Where is your brother, Abel?” Cain answered, “I do not know. Am I my brother’s keeper?” Then the Lord said to Cain, “What have you done?” The voice of your brother’s blood cries out to me from the ground. This ground that has opened its arms to receive the blood of your murdered brother.”

This segment comes peculiarly close to the earlier scene in which Sister Sabina visits Jeong In to ask her about Gan Ho Joong’s whereabouts. When she asks her what happened to the robot, Jeong In literally says: “Sorry? I don’t know. Am I that robot’s keeper or something?”, creating a direct parallel with the Cain and Abel story. Honestly, to this moment I still do not entirely understand the parallel between this story and the Cain and Abel one (please enlighten me if you do!). In any case there doesn’t seem to be a shared moral lesson or anything. I guess that Jeong In and Gan Ho Joong could be perceived as sisters, and it definitely seems like the Cain and Abel reference is directed at the two of them. But Jeong In didn’t actually ‘kill’ Gan Ho Joong and it’s not like they both made a ‘sacrifice’ of which only one was ‘accepted’.

I checked the summaries of my go-to drama source websites to see if they offered any insights on the main message of the story. DramaWiki and AsianWiki both summarize it by referring to Gan Ho Joong’s predominant dilemma in whether to save the mother or the daughter.
On MyDramaList, a more insightful part was added which says: “When a machine is programmed for one purpose it becomes closer to the essence of that objective, so it inevitably reaches a realm that includes choice, anguish and obsession beyond the programming. Is it still just a machine then?”
They all seem to refer directly to the core dilemma Gan Ho Joong faces, without any reference to the religious aspects depicted in the episode.
I personally feel like the message of the episode went beyong Gan Ho Joong’s struggle to determine who to save, but I think I just have to accept that my limited understanding of the Biblical references falls too short here and I’m just not educated enough in the field to understand the real message, which is a pity.

One thing I actually found funny was that, in contrast to my previous watch Doona!, which couldn’t be more different from this series, this episode actually pulled off a really clear link between the first and final scene through a voice-over. This was exactly what I was talking about in my previous review, if they’d done something like this it would’ve made much more sense to me.
The final scene and the repeated use of the same voice-over segment made clear that the first shot is actually foreshadowing: we see Sister Sabina’s face and hear her recite this verse, followed by the shot of some liquid being flushed down a tube. When looking at this first shot after seeing the one at the very end of the episode, it could even suggest that the liquid flushing down the tube is, in fact, the result of the nun’s decision to push the killswitch after all. In any case, the repeated use of the narrated verse at the end very much clarified the first scene for me. I kind of liked how the open ending basically enabled an ethical debate on whether or not Sister Sabina would oblige to the robot’s request or not. She’d really have to weigh her own morals and values to make that decision.

One final element I found remarkably well done in this episode was the use of subtle transitions. The way the liquid flushing down the tube in the first shot seamlessly transitioned into the scene where Gan Ho Joong was changing the comatose mother’s fluid bags. The way the back-and-forth scenes between Jeong In and Gan Ho Joong were shot while it was the same actress (I really wonder how they did!)
There was a really satisfying use of framed shots, for example when depicting the many monotonous layers of the hospital floors. All in all the cinematography was really remarkable.

All in all, I found it very interesting to watch. The quality of filming and acting was very high. While I really wished I could have understood the depicted references better, I do think that the unclarified details only attributed to the eerie vibe of the story’s setting. It was constructed in a very interesting way, and it left a lot to the interpretation and attentiveness of the viewer. If the other episodes are going to be anything like this, I am very excited to move on to the next one. It actually feels like I’m watching a Korean version of Black Mirror and I’m not complaining so far.
By the way, and I’m just noticing this, but it’s also interesting to look closely at the poster of this episode. It features Jeong In and Gan Ho Joong standing opposite each other, and it looks like they are reflected through a mirror as we can see a crack in the glass. This crack is positioned right in-between the two, and cinematography usually uses images like this to display a disparity or dividedness between two characters. It really does suggest that the Cain and Abel reference is directed at the two of them, albeit more figuratively than literally.

As I’ve come this far, let’s just include a short cast comment section, shall we? I figure these sections will remain quite short in this package of reviews as each episode seems to only include a small core of main characters.

I’ve seen Lee Yoo Young once before in Tunnel, which I thought was really good. Tunnel was actually her debut drama. I was really impressed by her performance in this episode. Not only did she pull off a double role, she actually manage to portray two completely different characters. Apart from having the same face, Jeong In and Gan Ho Joong were incredibly different in posture, movement, behavior and expression. This was some next level Orphan Black acting, for sure. I remember finding her a bit stiff and, admittedly, a bit robotically emotionless in Tunnel, but her acting in this particular episode completely changed my mind about her acting. She showed a wide variety of emotions while playing out Jeong In’s depressive episodes, but she really blew me away with her portrayal of Gan Ho Joong, especially in the final sequence. To be able to portray a human-like robot who started experiencing human-like pain it couldn’t progress properly, that’s on another level. She was incredible in this and I’m definitely going to keep an eye out for her in future shows.

Not me going ‘OMG!!’ when I realized Yeom Hye Rim is the maniac mother from Mask Girl, LOL. I was thinking she looked familiar but I didn’t connect the dots, even though I praised her into the heavens two reviews ago. Anyways, I think her portrayal of Choi Jeong Gil was also very impressive. This woman just doesn’t know any shame when it comes to going all the way in her acting. I honestly felt very sorry for Jeong Gil, it was clear that she just wanted her husband to go back to how he used to be, and the way she was begging the caretaker robot to save her from her own suicide attempt as soon as her husband seemed to become lucid again was really heartbreaking. She was definitely a victim of the capitalistic system that employed these robots, and I thought it was very powerful to include her story in contrast to Jeong In’s, to show how other people in similar situations ended up drawing the short straw. She died only because she wasn’t assigned to a caretaker robot herself, and that’s why it feels like her character was used as a plot tool to show an example of how useless the whole caretaking system really was.

Apparently I’ve seen Ye Soo Jung before in God’s Gift – 14 Days, but it’s been too long ago for me to remember her from that. She did look a bit familiar, though. I’m sure I’m going to see her in other series in the future. Accordingly to TRS-70912B’s remark in the final scene, I also think Sister Sabina’s character was a perfect example of human hypocrisy. Despite her good intentions to introduce everyone to the relieving act of praying to the Lord to relieve their worries, she really needed to get her own morals and values straight. It was so typical that she would recommend everyone to share their worries with the Lord and trust in his plan but then admit that no one actually knew what His plan actually was. As a robot, I would’ve also gotten confused, lol. Anyways, I kind of like that the meaning of faith was also put in perspective through her character, especially as she herself changed her mind as well. She first told Gan Ho Joong off for trying to act like a human, telling her that robots weren’t made to kill humans, but then when TRS-70912B put her in that same position, begging her to ‘kill’ it because it wouldn’t be the same as killing, it would be setting the robot free, she couldn’t bring herself to do it because it still felt like murder. There were a lot of interesting contradictions this woman had to go through, and I’m actually curious as to what decision she would’ve made. I liked the naturalness of the actress’ acting and how she displayed such different sides to her character as well, even though we aren’t actually given that much background information on Sister Sabina.

As I said, I was impressed by the concept and structure of this episode and I’ve become increasingly excited to watch the other episodes. For this one, the main disappointment lies predominantly with myself, as I was simply not knowledgeable enough to understand all the Biblical references in this episode. I’m sure there are other reviews out there with more informed reviews, I might just check those out. This time I chose not to look for other reviews beforehand because I really wanted to share my own unbiased thoughts on the episode. Besides the many question marks this episode left me, I was really impressed by the structure of the story, the dialogues and the events, and the acting was really good. I feel like I’m going to like this anthology.

On to the next one!

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

SF8
(에스에프에잇 / Eseuepeueit)
MyDramaList rating: 7.0/10

Hi y’all! A bit of a different layout this time as this series has quite a unique structure. It’s an anthology, which means that it consists of several independent episodes containing different individual stories. A bit like Black Mirror, if you will (it certainly reminded me of that). As the episodes are separated on the majority of my drama source websites, I’ve decided to write separate reviews for each episode as well. I first thought of combining all eight episodes into one large review, but as I was going through the episodes and my reviews I realized that would make an actual 🦖MONSTER🦖 review, so I decided to divide them up like this. It’s a method that I haven’t used before, so I’m pretty excited to try something different. In hindsight, it was basically like reviewing eight individual drama specials, similar to what I’ve done before with What Is The Ghost Doing? and If We Were a Season, but in this case I’m compiling them under one link as a collective series. Consider it a special drama review package, my Christmas present for you. 🤗

SF8 is a science fiction anthology series that consists of eight separate episodes which were all written and directed by different people. It tackles a wide variety of science fiction-related topics, and the stories are all set in near-future contexts. The episodes each have a duration of 40~60 minutes.
The anthology series was created through a collaboration of MBC, the Directors Guild of Korea and the OTT platform WAVVE. Five of the eight episodes are based on short stories from different writers.  

I have structured my reviews in the following order:

SF8: The Prayer

SF8: Manxin

SF8: Joan’s Galaxy

SF8: Blink

SF8: Baby It’s Over Outside

SF8: White Crow

SF8: Love Virtually

SF8: Empty Body

I discovered later that this order is different from the order that’s depicted on the episode posters. According to those, the order would be: The Prayer, Blink, Joan’s Galaxy, Manxin, White Crow, Love Virtually, Baby It’s Over Outside, Empty Body. I couldn’t find any source that clarified the correct watch order, but the order I followed seemed to correspond with the previews at the end of each episode. Who knows, when I find some time someday I might even try the other order to see if there’s any difference in narrative or something.

My expectation for this series was that it would be like a Korean version of Black Mirror, eight different stories set within different futuristic worlds that have started to depend on specific types of advanced technology that both benefits society and contributes to the downfall of human authenticity. I also wondered whether there’d be overlapping elements in the episodes, like the Easter eggs and references that are hidden throughout Black Mirror as well.
After finishing the series, I think it’s safe to say that it can definitely be defined as a Korean version of Black Mirror, and there are indeed some recurring elements throughout the episodes, although not in every single one. What I noticed was that the first half generally seemed to depict stories that took place in more distant (or at least more dystopian) futures than the second half, which might as well take place several years from now. Some episodes had much heavier emphasis on the advanced technology theme and the relationship between humans and machines, others were lighter and more comical and focussed more on character development.
I personally really like sci-fi, and I also like it when things get a bit darker and edgier, so overall I liked those kinds of episodes more. I just like how stories become a bit more raw as they convey messages that are applicable to our own modern-day societies as well. If I were to pinpoint what pulls me into these stories I’d probably have to say it’s the fact that sometimes I like being reminded of the risks that advanced technology can bring to the world. We’ve already started living in a world that’s become highly dependent on technology without even fully noticing the changes as they happened, and I think it’s a good thing some shows point out those elements, even as a warning. Because let’s be fair, it’s not all rose petals. There’s enough to look out for and many developments aren’t particularly ‘positive’ either in terms of ethical issues.

If I had to rank the episodes to my personal preference, the list would probably look something like this:

1. Baby It’s Over Outside
2. Joan’s Galaxy
3. Manxin
4. Blink
5. White Crow
6. Empty Body
7. The Prayer
8. Love Virtually

I really liked how every episode seemingly took place in a different kind of setting, even though there were recurring references to for example the android manufacturing company TRS. Some actors also appeared in more than one episode. Apart from that, there were many references to (classical) literature, philosophy and music in order to keep a balance between human traditions and history and the new scientific developments. I liked that there was diversity between the types of science fiction as well. The stories all had unique world settings, from dystopian to robot-dominated, app- or game-oriented to actual Armaggedon. While some episodes jumped out to me more than others, I was overall very impressed by the writing, the cinematography, the casting and the acting. Some stories were very straightforward and easy to follow, others held a lot of symbolism and references that I wasn’t always able to grasp or understand. But none of that took away from the fact that I really enjoyed watching the whole anthology. I ended up watching each episode at least twice because I found that I tended to overlook things the first time and I really wanted to describe everything I discovered in as much detail as possible in my reviews. Typically, I’d first watch an episode from beginning to end with no breaks, then when I felt like I hadn’t fully understood it the first time I’d watch it again to get a better picture (often in combination with some comments and reviews I could find) and finally I’d watch separate parts back as I was writing the review. In other words, I spent a whole lot of time on this review package but it was definitely worth it.

Let me address a couple of practical things before I conclude my final review of the year (I still can’t believe I actually managed to finish all eight reviews for this antholody within two weeks🙉).
First of all, I want to take a look at the poster of the collective series as depicted above and just go over the people depicted on there. Generally, it features two key characters from each episode.
We can see Gan Ho Joong and Sister Sabina from The Prayer, Seon Ho and Ga Ram from Manxin, Yi Oh and Jo An from Joan’s Galaxy, Ji Woo and Seo Nang from Blink, Nam Woo and Hye Hwa from Baby It’s Over Outside, Juno and Ms Shin from White Crow, Min Joon and Ji Won from Love Virtually and Hye Ra and A-796/Young In from Empty Body.

I also found another version of the poster which features some people that aren’t on the first one. We can see that on this poster, Jeong In is featured instead of Gan Ho Joong from The Prayer and Ah Young is featured instead of Juno from White Crow. I’m not trying to make a point about the posters or the featured characters or anything, but I just found it interesting to see in what way the characters of this anthology were depicted on the promotional posters. Each episode of course has its own poster, as you’ll be able to see when checking each review.
What I also found interesting was the anthology’s opening sequence, as it was basically a compilation of short clips that each referred to one of the episodes. At first I wasn’t completely sure about all of them, but I found a Director’s Cut clip on YouTube that clarifies which clip corresponds to which episode. Starting from the beginning, we first see the scene from The Prayer where Sister Sabina enters the TRS warehouse, then we see a cityscape that changes from light to dark with two lights in the sky that refers to Blink – I’m guessing the two lights are the AI lenses? -, the final scene from White Crow with the broken window and falling white feathers, the purifying/astronaut suit from Joan’s Galaxy (why the forest though?), the astrological symbols of the fortune-telling app from Manxin, the floating cyborg bodies in boxes from Empty Body, the couple with the bean pod-shaped temple patch refers to the app from Love Virtually, and the flickering TV on a barren wasteland with a falling meteorite in the background is from Baby It’s Over Outside.

To briefly elaborate on my rating above without spoiling too many details (please read the individual reviews for that) I ended up putting Baby It’s Over Outside first much to my own surprise. When I finished the episode for the first time I was rather disappointed by the anticlimax, but as I was diving into it deeper while writing my review I discovered that I actually found it incredibly genius. Of course it helps that time travel is one of my favorite tropes in existence, but I just generally thought it was really well written and I’ve never been so mindblown after such an incomplete storyline before. It still haunts me as I’m writing this. It’s the story that left me craving for more the most out of all episodes, which is why I decided to put it on top.
Joan’s Galaxy is a close second because it’s the only episode that sincerely touched me and even made me cry at the end. The depiction of friendship and genuine love this episode holds is both heartwarming and heartbreaking, and I found the way it was structured very clever as well.
Manxin comes in at third place because I genuinely liked the optimistic plot twist at the end. I thought it was cool how it depicted how an addiction to an app could have such serious consequences and lingering effects on people’s lives, and how people would have to get used to their own instincts again as soon as their gadgets fell away.
Blink was the first episode that really felt like a breather in-between a couple of quite dramatic stories. It was lighter and more comical in tone and had a more straightforward storyline so it was very easy to follow. I did like how it still left a certain tension when it came to the future of human-AI collaboration.
White Crow was definitely the scariest episode out of all of them, but I really liked the symbolism and references to Greek mythology. I also thought it was interesting how it predominantly focussed on the lead character’s psyche through an in-game psychological analysis of human trauma.
Empty Body was very somber in tone, but I found the underlying theme of dealing with grief and loss very powerful. It’s a very grim episode with little color and many silences, but it fitted really well within the anthology and I also thought it was a very fitting concluding episode, also because it tied back to several themes from earlier episodes.
The Prayer undoubtedly made a strong impression on me and I found the way inwhich the double-edged relationship between humans and robots was depicted very interesting and relatable. The only thing with this episode was that there were too many references and symbolisms that I wasn’t able to understand, and I also found the ending quite ambiguous.
Love Virtually was the only episode that I felt was kind of out of place in this anthology. In contrast to the other episodes, I felt like it lacked depth and the lead characters didn’t invoke any real sincerity for me. While I grew to sympathize with all the lead characters from the other episodes in one way or another, I found the portrayal of the main couple quite shallow and I just didn’t really get pulled into it. Still, it was enjoyable enough as a sort of pallet cleanser, especially coming after White Crow.

All in all, I’ve rated this series a 7/10 because I was generally impressed by it. I may have liked some episodes more than others, but there wasn’t a single story in there that I genuinely disliked or thought wasn’t good. The stories were brilliantly written and structured, and I also really loved the casting overall. It was nice to see new sides of actors I already knew and to get to know actors I hadn’t seen in anything before. I was able to make a lot of references between the episodes, but also to other shows and things I was reminded of. I always like it when I can think of similar themes and stories from other shows and sources while I’m writing reviews, so it really helped that the stories each provided so much room for discussion and interpretation.

And with that, I have finished my final review for 2023! I actually managed to watch 29 dramas this year, which is a new record! For next year, I’m actually going to try something new, and I thought it’d be nice to mention it here because it kind of ties in to the theme of this anthology: I’m going to have an app determine what I’ll watch next! It’s just an experiment and I might just decide to switch back to my original order, but I actually thought it would be nice to try out my new ‘Wheel of Fortune’ app, lol. That way, I will also not know in advance what’s next on my list and this will create an element of surprise for all of us.

For now, I want to wish everyone a very Merry Christmas, happy holidays and a very blessed 2024.

I’ll be back!🫡

Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Doona!
(이두나! / Lee Doo Na!)
MyDramaList rating: 6.5/10

Hiya! It got unexpectedly busy the past few weeks and I couldn’t find the time and space to write a review until now, even though I finished the majority of this show within a week. As there was a gap of almost two weeks between the second-to-last and the last episode, I was afraid that I might not remember all the details from the first half of the show, as my memory fades very quickly when it gets occupied with other things. Still, I wanted to write a proper review, even though it took me longer than expected to finish the series. I plan on watching one more show before the end of the year, but we’ll see how it goes as I still have a couple of deadlines as well. Like my previous watch Mask Girl, this show appeared on my Netflix feed and I decided to just watch it straightaway, as I sometimes do in-between my watchlist items. All in all, I found it a pretty soothing and even healing show to watch – until the final couple of episodes, when I completely lost track of what was happening between the main characters.

Doona! is a 9-episode Netflix K-Drama with an episode duration of about 50 minutes. It’s about a college student named Lee Won Joon (played by Yang Se Jong), who moves into a new sharehouse, where he meets his new housemate Lee Doo Na (played by Bae Suzy). What he doesn’t know is that she’s a famous idol from a popular girl group called Dream Sweet who was recently dismissed from the group. Doo Na, in turn, initially takes him for a sasaeng (stalker fan) who followed her into the sharehouse. As they get to know each other better and their relationship deepens, the more complicated aspects of Doo Na’s personality, including the reason why she had to leave her idol group, come to light and start interfering with things between them. Apart from this main storyline, their group of friends from the sharehouse also get individual (be it less explicit) storylines.

It’s been a while since I’ve been able to keep my summary so short, haha! I guess it really has to do with the fact that this story is very straightforward. As it predominantly focusses on the romance between the main leads, there is also not much distraction in terms of other plotlines or side character interference. As the show is more character-based than story-based, I think it’ll be best to construct this review through a character analysis. I will start with the main couple.

Lee Won Joon is a very dedicated college student. He is determined to succeed in his studies and since he’s moved away from home he is also very adamant on finding a part-time job, preferably in tutoring, as he is very good at maths. It’s immediately established that he is a very mature, responsible and good-hearted guy. Despite his determination to live on his own, he still feels bad for leaving his sickly sister behind with his single mother, and he wants to earn money quickly so he can still contribute to taking care of his family. He is introduced to the sharehouse by one of his old school friends (I believe), called Gook Soo Jin (played by Joo Yeon Woo). He is nicknamed ‘Gooksoo’ (‘noodles’) as he has his own noodle place. Gooksoo is a major fan of the idol girl group Dream Sweet, and as he always puts on Dream Sweet’s music in his car and restaurant, Won Joon has come to recognize it, even though he doesn’t specifically know the group or its members. When he first meets Doo Na outside of the sharehouse, he is unknowingly wearing a hoodie Gooksoo lend to him, which is Dream Sweet merchandise with their logo on it. Seeing this, he is misunderstood by Doo Na as a fan. However, despite the fact she looks vaguely familiar to him (Gooksoo has her photocard on display in his car), Won Joon doesn’t immediately connect the dots with who Doo Na is and starts his comfortable new life at the sharehouse.
I think Won Joon can be described as a typical boy next door. He’s not one for being in the center of attention, he doesn’t really care what others think of him and he’s generally nice to everyone. The only thing he cares about at the starting point of the story is finding a part-time job next to his studies, so he can keep focussing on his grades and simultaneously make some money to contribute to his family’s financial situation. He is not someone who goes looking for drama, he prefers an easy life. He doesn’t hide his emotions either. When he feels wronged or frustrated, rather than express it through getting angry he will try to put it into words. He might be a bit soft-hearted, but he’s not a pushover – he will still make it very clear when he doesn’t like something, but he’s quick to forgive people. All in all, I found him a very relatable character with a lot of realistic human contradictions.

What’s funny is that we are initially introduced to Doo Na through Gooksoo’s perception of her. This makes for an interesting contrast when we meet the real Doo Na for the first time outside the sharehouse, smoking a cigarette in a jersey tracksuit. Initially she doesn’t even talk to Won Joon until the point where she actually confronts him with her suspicions of him. After realizing she was wrong about his intentions to move into this sharehouse, she warms up to him quite fast and even starts initiating closer contact by continuously inviting him to have a meal together and even visiting him at college. After establishing a platonic friendship, she even starts helping Won Joon out when he’s struggling with his lingering feelings for his first love. From the start, it’s not her intention to seduce him, but she inevitably feels drawn to him more and more. She also keeps showing him more vulnerable sides of herself, and they become really close.
On the other hand, there’s still the matter of why Doo Na was kicked out of her idol group. It’s described as that she got involved in a scandal, but we also get some glimpses of flashbacks suggesting that Doo Na was struggling a lot under the pressure of the idol industry and didn’t get along great with all of her groupmates and producers. These glimpses are never elaborated on and we never get to see the full corresponding flashbacks so we don’t get the whole picture of all the things that happened to her. All we learn is that she collapsed during a concert in Japan, and her manager urged her to take a break. And then she got into a scandal because her own mother (short but classic guest appearance from Kim Sun Young) took advantage of her financial success and defrauded many people of millions of won, resulting in major debt. I’m not 100% sure whether this scandal came out after Doo Na had already been forced to take a break and then that break led to suspension, but the scandal reason was highlighted more than the idol pressure reason, so I’m guessing that was the defining reason for her dismissal. Despite Doo Na’s casual behavior, and no matter how much she tries to pretend she doesn’t care, we see that she is not okay with the situation. While she won’t pick up her mom’s calls, she continuously tries to reach her manager – she even runs out onto the streets barefoot when she suspects him to be nearby. The way she reacted to any sign of contact from her manager made me feel like she did actually want to return to the stage, and this is confirmed later on in the series when her manager finally comes to see her and she ultimately returns to the industry as a solo artist.
All in all, it remains a bit vague what exactly Doo Na’s reasons are for maintaining such an enigmatic persona towards Won Joon when they first meet. She never talks in detail about what exactly happened to her, and Won Joon only finds out about the scandal through the Internet and information Gooksoo provides him with. Doo Na presents herself as a tough girl, smoking and swearing like a sailor, but the glimpses of vulnerability also suggest that she was wounded in some way and needs to heal. She finds an ideal healing partner in the uncomplicated Won Joon, who doesn’t even know who she is and, when he finds out, doesn’t even care.

As I was watching their relationship, I realized that it could be very clearly defined as a typical Golden Retriever boy versus Black Cat girl dynamic. Doo Na is hardened by the idol industry and alert to any kind of (hateful) stalkers around her. She’s seen how society can turn on a person over a scandal that person didn’t even have a personal hand in and she’s become more distrustful of people that approach her. On the other hand, Won Joon is primarily occupied by studying and earning money, and he just follows his feelings where they lead them. It’s in his nature to take care of people and he becomes a source of comfort to Doo Na before he even realizes he has developed feelings for her. Doo Na doesn’t interfere in his transition of feelings from his first love to her, it all happens very naturally and the healing effect the two have on each other is very sweet.

I will quickly go over the main side characters in the story, the group of friends from the sharehouse, before identifying a couple of criticisms (and icks) I developed throughout the show.

Let’s first talk a bit about Kim Jin Joo (played by Ahn Ha Young), Won Joon’s first love. Won Joon meets Jin Joo unexpectedly when they’re both putting up flyers to promote their tutoring skills. From the start it’s clear that there is (or has been) something between them that hasn’t been fully settled yet. We ultimately find out that the two liked each other in high school, but when Won Joon confessed, Jin Joo suddenly took an unexplained distance from him and they grew apart. Now that they’re reunited, it’s obvious to see there’s still some lingering attachment between them – the glances, the smiles, it’s clear as day. However, even after being reunited, the two don’t immediately get together and there’s a bit of a weird back-and-forth push-and-pull thing going on between them. Neither of them will agree or disagree to have feelings for each other, but at the same time their behavior when they’re together speaks volumes. As this ambiguous dynamic continues, Won Joon finds that his romantic feelings are shifting towards Doo Na, and he and Jin Joo eventually settle on being friends, even after Jin Joo herself confesses her overdue feelings for him.
I really liked Jin Joo, and I honestly would’ve supported her and Won Joon as a couple if she’d just been straightforward about her feelings from the start. The way she handled his confession in the past, avoiding him without an explanation (even though she had a pretty valid one) was not the way to go and her own confession came way too late. She missed her chance, simple as that. I did like getting her point of view in the scenes we initially saw from Won Joon’s perspective. I also liked that she never became bitter towards Doo Na even after acknowledging her as a potential love rival. On the contrary, Doo Na and Jin Joo build up a really sweet friendship. That scene where Doo Na came over to Jin Joo’s place and they were sitting together and Jin Joo just naturally leaned in to hug her as she saw that she was silently struggling was really heartwarming. Doo Na was the only one who found out about Jin Joo’s family situation and how her dad terrorized her, and that made her immediately soften towards her.
To mention Jin Joo’s family situation briefly, her dad was horrible. I don’t know what exactly his deal was, but when you start calling your own daughter a ‘useless bitch’, you’re not a father in my opinion. I don’t know if it had to do with Jin Joo and her sister not living up to his expectations or something, but his behavior was unacceptable no matter how you looked at it. I was so proud of Jin Joo when she finally managed to get out of her parents’ house and came to the sharehouse where she was surrounded by warm and supportive people her own age. It’s been a while since I’ve seen a second female lead who remained this genuine and good-hearted even when her feelings weren’t reciprocated, and I loved the relationships she managed to maintain with both Won Joon and Doo Na.

Moving on, there’s Choi Yi Ra (played by Park Se Wan). Yi Ra is initially introduced as kind of a loose cannon: she exhibits quite eccentric behavior that doesn’t typically fit into the mold of South Korean society. This is probably because she returned to Korea after living the majority of her life in Brazil. Won Joon’s reaction on seeing her for the first time immediately suggests he knows her and prefers to stay away from her. As it happens, Won Joon and Yi Ra grew up together. They were born around the same time at the same hospital, where their moms bonded and decided it would be fun if their kids would get married to each other when they grew up. That scenario didn’t play out as envisioned, because Yi Ra grew up to be very dominant over Won Joon, and Won Joon disliked her more than that he felt affection for her. After Yi Ra left for Brazil he’d hoped to never see her again, but now she’s back and once she recognizes him she’s initially bent on claiming him back as her fiancé. Fortunately it doesn’t take long for them to establish they’re both not into each other like that and Yi Ra focusses her attention on Won Joon’s sharehousemates.
While initially being slightly intimidated by Yi Ra’s personality myself (lol), I grew to like her more once she started paying less attention to others and more to herself. She literally caught someone’s attention as soon as she stopped taking the (bothersome) initiative and just started acting like herself. While initially being quite a caricature, it was nice to see her mature a bit in the final episode when she committed to a solid relationship. I wondered what kind of comic relief she was going to bring and how it would link to the main story, but her story kind of became a thing of its own without interfering with the main storyline.

Goo Jung Hoon (played by Kim Do Wan) is one of Won Joon’s sharehousemates. While we don’t get a lot of information about him, he is typified as a guy who doesn’t have a lot of interest in other people. When Yi Ra comes into the picture he is initially appalled by her persistent attempts to get close to him, but at the same time he can’t find it in himself to be too hurtful towards her either. Despite himself, he ends up falling for Yi Ra despite initially rejecting her advances. I really loved the scene where he just went ‘Don’t worry, I like you too’ and kissed her like that. He just accepted his feelings after some consideration and informed her of it, like it wasn’t a big deal (which it wasn’t, I guess). I liked that they also got a proper kissing scene. They made an unexpectedly cute couple in the end.

Finally there’s Seo Yoon Taek (played by Kim Min Ho), the guy who just couldn’t get a girl and then ended up giving love advice to a whole class of women. Yoon Taek was basically the moodmaker at the sharehouse. I get that he was the type who’d always humorously miss out on any romantic action, but he didn’t make too big of a deal out of it so he didn’t become a pathetic person. I did go ‘Aww’ when he missed out on the chance to pick up Yi Ra when she got drunk. Apparently her friends had contacted both him and Jung Hoon, and the latter got to her faster. The way Yoon Taek sat between her friends after arriving too late was both funny and sad🥲.
Both Jung Hoon and Yoon Taek don’t get a background story, probably because both of them have no prior link to Won Joon or Doo Na’s pasts. It was pretty refreshing to have so many uncomplicated and light characters in the show, they created a nice vibe and there was no drama between them. There could’ve been tension between the two guys when Jung Hoon realized his own feelings for Yi Ra while also being aware of how Yoon Taek felt about her, but he didn’t hold back his feelings and Yoon Taek also didn’t get salty about it, so all was well.

I have to admit that when I first saw the opening sequence of this show and the final shot of the whole group of friends on the beach together, I expected a bit more bonding between all of them. They all got along well, and of course couples and friendships were formed between them, but I feel like in the end the supporting characters remained a bit more in the background of the main couple’s storyline. While it was refreshing to have some simple and cute supporting storylines alongside the main one, I still felt like there could’ve been some more bonding, especially with Jung Hoon and Yoon Taek since they didn’t have background stories of their own.

Now that I’ve gone through all the main characters of the show, I’d like to share some opinions of a more criticizing nature. As I mentioned in my introduction, I was enjoying the series up to a certain point, and from there on things suddenly got quite confusing and even icky between the main leads. I’ve seen very positive reviews overall on several drama source sites so I might be stating an unpopular opinion here, but I still want to share it.

First of all, I was confused by the voice-over narration at the end of the first episode. Even after gaining clarity in the final episode I still find it confusing why they structured the narrative in that particular way. The first episode ends with Doo Na visiting Won Joon at one of his college classes and them having ice cream together. The scene of her visiting his class is then repeated, accompanied by a voice-over narration in Doo Na’s voice, saying:

“Every life has its unexpected twists. You once said to me that you and I are from different universes. That though we had been living in completely different universes, we found ourselves sitting side by side at the same station purely by chance. Even though you may be right, I was happy that it was you.”

I remember that this voice-over confused the heck out of me and I even played it again to try and understand what it was about. It came out of nowhere, I didn’t have any clue as to what she was referring and it wasn’t even clear who she was referring to. Won Joon was the most plausible option, but it could’ve also been someone else. It could’ve also referred to her manager, for example, because it’s also possible to interpret as that Doo Na was thinking it at that specific moment. The way it was filmed, capturing Doo Na with a kind of contemplative and even reflective expression on her face, just made the whole thing super ambiguous. In any case, it was impossible to understand the meaning of that voice-over at that point since we didn’t know what was going to happen yet.
Secondly, it suddenly changed the narrative structure of the first episode, making it about events in the past by adding a reflective voice-over narration. I just found it inconsistent to add in a voice-over talking about a real-time scene as an event from the past, especially since that narrative structure wasn’t continued in the rest of the series.
Won Joon ultimately makes the comment of them being from different universes ending up next to each other at the same station in the very last episode, when they’ve already grown apart. It’s only because I remembered my confusion about the voice-over that I went, ‘wait, isn’t this what she was talking about in the first episode?’, otherwise I wouldn’t even have made the link. I found it such a weird connection between the first and final episodes. It just didn’t make any sense to put in the first episode, it just made the whole narrative structure confusing for me, and it only made the ending one big question mark. What would’ve helped, for example, was if there would’ve been a clearer link to the voice-over quote in the final scene. For example, if they’d repeated the final part of the quote (eg. ‘Even though you may be right, I’m happy that it was you.’) over the final scene where they crossed paths and Doo Na looked back at hearing Won Joon’s voice. That would’ve at least given the voice-over comment more clarity and the ending as a whole more closure. Now I was just confused as to what happened to them and if they were even still friends.

Which brings me to my major ick and confusion: the way the relationship between Won Joon and Doo Na suddenly became problematic in my opinion. Honestly, I was enjoying myself. I was enjoying the show, the cinematography, the story, the buildup in the main leads’ romance, their kissing scenes, all of that. But everything changed when the Fire Nation attacked the manager turned up.
Won Joon and Doo Na were on a cozy trip together and they were staying at Doo Na’s grandmother’s house where she grew up. They were having a lovely couple holiday away from the city, but then suddenly Doo Na’s (ex-)manager showed up with his car. Up to this point, we’d been given enough background information to know that Doo Na had had a special bond with her manager, and she might’ve even had romantic feelings for him (this is confirmed later on). The way she reacted when she found a birthday gift he’d left at her house and she ran out into the streets in order to catch up with him, that’s not a typical idol-manager bond. In any case, as she and Won Joon had already reached quite a serious point in their relationship, I was unpleasantly surprised by her reaction at seeing her manager there. She literally just let go of Won Joon’s hand and got into the manager’s car without saying anything to Won Joon, and she stayed away for hours without any kind of contact. The fact that she saw the worried look in Won Joon’s eyes and didn’t even reassure him by saying, ‘I’ll be right back, wait for me’ or ‘I need to deal with this for a moment, don’t worry’. She literally just left him there, in an unfamiliar rural area, all by himself, without a single word of explanation. Understandably, Won Joon was upset. I think he also had an inkling of her relationship with that manager and he was hesitant to let her go, but apart from that he so deserved an explanation. I don’t blame him whatsoever for just leaving and visiting his family instead. I’d be like, toodles, I don’t deserve to be treated like this, I’m not gonna stay and wait for you here like a domicile puppy. It would’ve been very characteristic of Won Joon to do so, so I was proud of him to just leave. When Doo Na came back to the house it was already dark (!), and I didn’t even feel sorry for her that Won Joon wasn’t waiting for her. I just went, ‘I bet you expected he’d be waiting, huh? Maybe that’ll help you reflect on how you just left him like that’.
It only got worse after that. Honestly, I was completely on Won Joon’s side here, and I thought he had every reason in the world to be mad, even more so when he met Doo Na back at the sharehouse and she pretended like nothing had happened. She didn’t even apologize, and even started provoking him by asking ‘Don’t you want to know what we did after we left?’ (?!) In the end she ‘justified’ her actions by saying that she went with her manager because she thought that’s where her heart lay and that she only suddenly realized that she wanted to stay with Won Joon when they were on the road. I honestly thought hearing that would’ve only strengthened Won Joon’s anger, because it proved that apparently she hadn’t even been 100% sure of her feelings for him at that point, she left his side in a heartbeat when they’d already slept together and he was into it all the way. But instead he FOLDED. He folded like a BEDSHEET the second she said ‘I love you’. There were still so many reasons to be mad, she still did that and didn’t even feel the need to apologize, she kept turning it back on him for not confronting her with it more, but he folded and then suddenly everything was good again between them. That was the first moment I went, ‘Excuse me?!’. Seriously, in my opinion, that was not the way to resolve this issue. Doo Na just distracted his attention by saying she loved him, and even though she meant it, this resulted in that this issue was never properly closed between them.

My next point of confusion occurred when Doo Na suddenly decided to go back to being an idol. Admittedly, the gap was closed a little bit in the final episode which revealed that they didn’t officially break up when she went back, but at first it seemed to me as if she just disappeared from Won Joon’s life one day, again without any word of explanation. She’d sung at another artist’s concert and this refuelled her desire to start singing again, and Won Joon had encouraged this. The last thing we see before she’s suddenly back at her agency is that she asks Won Joon, ‘And what if they ask me to stop dating you, would you be okay with that?’ to which Won Joon’s face clouded over. So the jump from that to Doo Na’s return to the industry was kind of sudden. I even felt like I’d missed something.

Speaking of Doo Na’s manager, as I haven’t mentioned him in detail yet, Park In Wook (played by Lee Jin Wook) remained kind of a mystery to me. It seemed like his character was a metaphorical demon that Doo Na couldn’t let go of. The way he put her in that sharehouse, allegedly to make Doo Na go through her worst fear of being abandoned also made me wonder what other kind of mind games this guy had up his sleeve. It was like he was aware of Doo Na’s feelings but played on them to bring her back rather than to actually feel for her situation. For him, it was like putting someone in the corner for a while until they’d cooled off and then put them back in the field again, his actions lacked compassion. I was actually curious about what had gone down between them apart from the few scenes that showed how he took care of her after her grandmother died and her parents abandoned her. Overall, I would’ve liked a bit more detail about Doo Na’s time as an idol, I wanted to see the full versions of those flashback glimpses. I feel like I may have come to understand the mavity of Doo Na’s situation better with that extra knowledge. Now, in hindsight, going through that scandal alone didn’t feel like a traumatic enough experience to make Doo Na so vulnerable and scarred. I feel like maybe more was ‘suggested’ rather than actually shown, but we know how I am, I need visual proof otherwise I’m not going to get it, lol.

What icked me the most in the final episode was the breakup. I guess many people felt the heartbreak, but I was just sitting there like ‘🤨??’ From the previous incident with the manager I gathered that Doo Na only followed her own feelings and thoughts, even if that made her realize she should’ve made a different choice. She went with her manager because she instinctively thought she needed to be with him, and only after making that decision she realized that she actually wanted to be with Won Joon now. She always had ways to justify her actions without having to apologize, and she’d gotten away with it so far because of Won Joon’s compliant and accommodating nature.
Honestly, the way they were living in the final episode, literally in two different worlds, was more than enough for me to understand why Won Joon couldn’t take it anymore. It wasn’t even that he stopped loving her. It was because it killed him that he loved her so much but couldn’t be with her as peacefully as before. The only way to get it across to her was to be straightforward and not fold like he did before. I found this very brave of him, because it was obvious how hard it was for him to do.
On the other hand, what does Doo Na do? She GASLIGHTS him into making him admit everything is HIS fault, HE doesn’t have the balls to date her while it was so EASY for him when she was still unemployed and ‘lost in life’. She literally makes him apologize and express regret about breaking up with her, the way SHE should’ve apologized for leaving him all alone that one time. It was so twisted and unfair. In my opinion, SHE was the one who shook up Won Joon’s life, and he also expressed that himself in the beginning when he asked her not to make his heart flutter if that wasn’t her intention. I was literally sitting behind my screen going, ‘WHAT IS HAPPENING HERE’ 🙉🙉. I couldn’t even feel bad for her because she was only looking at her own side of things. She even had the audacity to assume it was all super easy for Won Joon.
I think what conveyed this disparity between them most clearly was the way they parted ways at the subway station. Doo Na went ahead to the platform, leaving Won Joon standing in the hallway by himself. While waiting for the metro, she looked back a couple of times to see if Won Joon was coming after her, clearly icked by the fact he didn’t appear. Later, we see Won Joon break down by himself on the platform completely. That just made me realize the difference between them. Doo Na kept looking back thinking, ‘he’s supposed to come after me‘, not realizing that if she were to go back to find him or waited for him to come down, she would’ve found him sobbing like that. She didn’t think about how Won Joon was feeling throughout the whole thing, and it didn’t occur to her that he might be suppressing stuff as well. It just made me so angry that she kept saying things like, ‘how is this all so easy for you?’ and ‘why are you so calm about all of this?’ That just made me feel like even I knew Won Joon better than she did, because it was so freaking obvious how NOT easy it was for him and how NOT calm he was under all of it. It just suddenly made Doo Na seem super toxic to him in their relationship. I even got a little mad at Won Joon for agreeing to apologize to her and say that it was all his fault, but I guess he did it to get her to leave. He literally ended it with ‘I’m sorry, it’s all my fault and I’m definitely not calm, this is killing me inside, so will you please leave me alone now?’ 😢 And then they hugged and I guess the ‘I’ve missed you (too)’ came from the relief they both felt that they finally shared their honest feelings about the breakup even though it didn’t mean they’d get back together? Anyways, I interpreted it as that they made up in some way, whether it was as friends or more (I honestly couldn’t tell since they’d ‘made up’ so easily before as well). Because of this vague interpretation it was super confusing for me to see them appear like two strangers in the final scene, as if they didn’t even keep in touch. I just couldn’t keep track of it anymore.

In hindsight, the way this story evolved reminded me a bit of the movie ‘My Week With Marilyn’, in which this young guy has a sort of secret thing with Marilyn Monroe for a week when he’s helping out backstage and then it’s over and she moves on to her next production and he moves on with his own life and no hard feelings whatsoever. It felt like Won Joon’s life was temporarily shook up by Doo Na, this beautiful and mysterious creature, they had their sweet time together, and then it was time to go their separate ways again.

One final thing I wish to mention before moving on to the cast comments is that the whole series was visualized really well. The aesthetic of the cinematography and the beautiful visual imagery throughout were a couple of elements that kept me hooked on watching the series.

It’s cast comment time!

It was nice seeing Yang Se Jong again, I feel like it’s been a while but that’s probably because he just returned from his military service. I did have doubts about the choice of casting him as a college student, and there were moments where he did seem a bit old (he’s 31, the same age as me🙉). I’ve seen him before in Doctor Romantic Teacher Kim (S1), Duel, Temperature of Love and Thirty But Seventeen. I really liked him in this role because Won Joon has such subtle but distinctive layers to his character. It was really nice to see the actor’s acting skills shine through portraying those layers. Because Won Joon was initially introduced as such a carefree character, it hit all the more when he started feeling conflicted and upset, as those were feelings and emotions he wasn’t used to. I think Yang Se Jong expressed the awkwardness with which Won Joon tried to contain and handle his new feelings, both in terms of passion and anger. He showed me new sides to his acting yet again, and that was really nice.

I think this is the first short Netflix show that I’ve seen Suzy appear in. Up until now it was always full-length dramas, so it was nice to see her in a different kind of project for a change. I also liked that they incorporated the idol industry to her character, as Suzy herself is a former idol, so they even made use of her personal assets. It was cool how they had actual scenes during concerts in actual stadium, and how they filmed a music video for example. That just contributed to the credibility of Doo Na’s work field. I’ve seen other idol characters depicted in dramas that only ever talk about their activities but don’t even have scenes that show them while they’re actually on stage performing. I was genuinely disappointed with the shift in Doo Na’s character after that first incident with the manager. I’d actually started warming up to her by that point and then she suddenly started acting like that and it just didn’t sit right with me. On the other hand I think it was good to end with them ending the relationship, because that did give the show a rawer conclusion instead of a typical happily-ever-after ending. I’ve seen Suzy before in Dream High, Big, Uncontrollably Fond, While You Were Sleeping and Start-Up so far. While I have to admit that her acting skills have significantly improved from how she started out, after seeing her in Doona! I realized I think I actually prefer her in more humble roles, lol. I still feel like when she has to portray indifference, she tends to get a little snooty and arrogant in her expressions, and at some point those expressions kind of started pissing me off😅. I do feel like she got to show a lot more emotional range in this series, and it’s not that she acted badly (not at all). I just got the ick with her character, so maybe I’m a bit biased, haha. All in all it was really nice to see her in a different kind of show than I’ve seen her in so far. I’m curious to her next endeavors!

Despite my criticisms overall, I cannot deny that the chemistry between Yang Se Jong and Suzy was incredible. I would’ve never imagined these two to feature as a main couple together, but there wasn’t anything awkward or unnatural about them. I was pleasantly surprised by their passionate scenes as well, the kissing came really naturally and were very exciting to watch😇. It was an unexpected pairing that turned out to work really well!

After checking my drama source websites I realized that I must recognize Ahn Ha Young from her guest appearance in an episode of Extraordinary Attorney Woo, where she played that bride who turned out to be a lesbian! She looks very different with short hair. My first thought when she appeared on screen was ‘Wow, she’s so pretty!’ She has a really clean look, if that makes sense. Anyways, it was nice because even though I hadn’t seen her in a main role before it felt like I did. Her acting was really natural. As I mentioned before, I honestly wouldn’t have minded it if she and Won Joon had ended up together, their chemistry in the flashbacks and as friends was really nice. I’m curious to see her in more projects in the future!

I’ve seen Park Se Wan before in Goblin, School 2017 and I’m Not A Robot. It’s been a while since I saw her in something and it was super funny to see her as such an eccentric character as Yi Ra in this show. Apparently she’s the same age as Suzy, for some reason I thought she was a bit older. Anyways, I initially thought Yi Ra was going to another love rival or something. The way she was introduced was so extra that I expected her to play a more defining role in the story, but she kind of faded into the background after that extra introduction. Not that her character lost meaning or anything, but in the end she appeared less explicitly than I’d anticipated from the way she was introduced. I liked that she and Jung Hoon got together and that it worked out even after they graduated. It seemed like she pulled out a looser side of him and he pulled out a more mature side of her, which was nice. I like seeing actors that I’ve seen in lesser memorable roles before in roles that you can’t get around every so often, haha.

Not me slapping myself in the face after realizing Kim Do Wan was Yong San in Start-Up! I kept feeling like I knew him from somewhere, apart from the fact that he seems to be Kim Min Seok’s identical twin (how do their faces look so much alike??). Apparently he was also in The Great Seducer, but I don’t particularly remember him from there. Honestly, Jung Hoon was kind of my type 👀 I like a cool and less talkative kind of guy, haha. It was kind of predictable that he’d suddenly fall for Yi Ra, but I’m not complaining because that kiss??🫣 I liked that the side characters also got proper make-out scenes, even though they were cut a bit shorter than the main leads’, haha. I just loved that scene, the way Yi Ra half-drunkenly realized what had happened and caught up with him on the stairs to do it over properly, haha. They made a really cute pair. I hope I’ll get to see more of Kim Do Wan in the future! I like him.😊

I see that I’ve seen Kim Min Ho before in Sassy Go Go and The Sound of Your Heart, which is not enough to make me remember him in those roles, but he does have a familiar face. I also see that he’s in a couple of series that are still on my to watch list. Honestly, I would’ve liked to get some more backstory for Yoon Taek so that he wouldn’t have just been the primary comic relief character. He was a generally good guy and deserved a happy relationship just as well as anyone. I thought it was kind of random how he ended up giving love advice to a class full of women, but good for him I guess! I wish I could say more about Yoon Taek’s character except from the fact that he was constantly misreading women’s signs of liking him, but he didn’t really have his own storyline or love story, so there’s not much else to say except that he was the moodmaker of the sharehouse. I’m curious to see him in more dramas because I feel he’s capable of much more!

I haven’t seen anything with Lee Jin Wook before, except maybe the movie The Beauty Inside, but I don’t have any reference of him as a main or supporting character. I kept finding the relationship between Manager and Doo Na a bit shady. It was like he was treating her like a child even though he’d also fed her attraction to him. I get that he was just acting as a manager, it was all just work for him. As I mentioned before I would’ve liked to get a bit more detail about Doo Na’s life as an idol, when she was still close with him. Because now apart from the mention and brief visualization of how he’d taken care of her as a child and brought her into that industry, I could only guess from the way Doo Na responded to his advances how much he’d meant to her. It would’ve been nice to get a bit more insight into his psyche!

Just as a final cast comment, even though he didn’t have a major role, I really liked Joo Yeon Woo. I recently saw him in The School Nurse Files and I might add another drama he’s in to my list as well. It was funny seeing such a sturdy manly man like him get all giddy about Doo Na and Dream Sweet, lol.

As I expected, it didn’t take me as long as usual to finish this review. Sometimes I like watching shorter dramas because I know the review won’t take me as much time, lol. Anyways, I thought it was okay. I really liked the cinematography and the acting, and the characters were all equally interesting. I loved the healing aspect of the story and how different friendships were formed among the sharehousemates. Dramas like this, with simple storylines and not too much distracting additional plots and characters have become kind of a pallet cleanser for me, they’re just really relaxing to watch. Apart from the ick I eventually got from the relationship of the main pairing and the couple of confusions, I thought it was enjoyable enough. I found it refreshing that it depicted a relationship that ultimately didn’t work out, especially since ending a drama series with a confirmation of love (and often a wedding) seems to have become the mainstream in K-Dramaland. It’s as if failed relationships don’t count in the whole spectrum of finding love, even though failed relationships are often very defining for character development. I couldn’t really deny that Won Joon and Doo Na may not have been meant to be in the end, and that’s fine. Let them go their separate ways, live their own lives and find their own happiness and freedom. From that perspective there’s also a positive element to the ending.

I’m going to try my best and finish one more series before the end of the year. It’s going to be a special one, an anthology consisting of freestanding episodes, so I’m going to have to think about how to construct my review. I’m thinking of writing a review on each episode and then combine them in the end, but I guess I’ll see how it goes. Maybe as I’m watching it I’ll think of another way, who knows.

Anyways, see you soon! Bye-bee! x