Disclaimer: this is a review, and as such it contains spoilers of the whole series. Please proceed to read at your own risk if you still plan on watching this show or if you haven’t finished it yet. You have been warned.

Rookie Historian Goo Hae Ryung
(신입사관 구해령 / Sinipsagwan Gu Hae Ryeong)
MyDramaList rating: 7.5/10
Hi everyone! It’s been a crazy two weeks for me, so I took my sweet time finishing this drama. I won’t go into too much detail of what happened but it involved a sprained back and an infected housemate so I was pretty distracted and not always in the mood for certain things I was watching at the moment. But I really wanted to finish this one this weekend, so here we are! I hope everyone is taking care of themselves!
So as I said I took my time finishing this, not just because I wanted to move on with it but because I was genuinely interested in how things would turn out. I believe it’s a while since my last historical drama, but for some reason I always find it very refreshing, so I make sure to keep putting them on my to watch list. This one was a bit longer than the previous K-Dramas I watched on Netflix, so it definitely took some more time, but I’m glad I got around to finally watching it. Since I didn’t watch it in one go, I really hope that I’ll be able to write down my thoughts on it as properly as possible.
Now, without further ado, let’s go!
Rookie Historian Goo Hae Ryung is a 20-episode Netflix K-Drama, with each episode about an hour long. It takes place at the beginning of the 19th century in Joseon and centers on Goo Hae Ryung (played by Shin Se Kyung), a 26-year old woman from a well off family who loves to read. In the beginning, she takes jobs to read books aloud to court ladies and women from other noble families who can’t read – as it was unusual for women to be able to read and write at that time. However, when the rare opportunity rises for her to become a female historian at the royal palace, she takes it with both hands to get out of being forced into marrying and becoming a typical housewife. Hae Ryung lives with her older brother, Goo Jae Gyung (played by Gong Jung Hwan) ever since her father passed away when she was still little. Her brother has a governmental position as Third Inspector.
On the other hand, we have Yi Rim, also known as Prince Dowon (played by Cha Eun Woo), the youngest son of the King, who has been isolated to live all by himself in Nokseodang, at the far end of the palace grounds where no one is allowed to come. The truth about why he was sent there is clouded in rumors about him having some sort of sickness, but this isn’t true. Anyways, he lives there only with his personally assigned eunuch, Heo Sam Bo (played by Sung Ji Roo) and two court ladies to escort him. Even though his father dislikes him, his older brother, Crown Prince Yi Jin (played by Park Ki Woong) is very fond of his younger brother. Unknown to anyone, Yi Rim really likes to write stories. As he was forced to live at Nokseodang his entire life, he longs for the outside world and secretly writes romance novels under a pseudonym which is very popular amongst women, not only in court but also outside. One day, after publishing his latest volume, he manages to go out into the village for himself to see how his book is received. It is there that he meets Hae Ryung for the first time, in a book store.
While he is initially taken with her appearance, he is put off by the fact that she openly yawns while reading his book and even tells him how boring she thinks it is. After this first encounter, they meet again a couple of times, and it is only after Hae Ryung becomes a historian that she finds out he is actually a member of the royal family. Still, she keeps going to Noksaedang to work and while Yi Rim initially sees her as some kind of rival and wants to tease her, he gradually becomes romantically fond of her and vice versa.
As Hae Ryung passes the exam, she is one of four to enter the palace for the first time as a female historian. The other three are Song Sa Hee (played by Park Ji Hyun), Heo Ah Ran (played by Jang Yoo Bin) and Oh Eun Im (played by Lee Ye Rim). All of them are from wealthy families and have their own reasons for wanting to become historians, but their first couple of weeks don’t go as smoothly as they’d hoped. They are bullied relentlessly by their male superiors, sent on bothersome errands, and are kept away from the real, important work. However, as they gradually start proving their worth to everyone, they eventually also gain the respect from these seniors and the Office of Royal Decrees becomes a place filled with decent historians who all really respect their work.
Besides the budding romance between Hae Ryung and Yi Rim and the daily events in the life of a historian in the royal palace, there is another major storyline. The one about Hae Ryung and Yi Rim’s true backgrounds. As it turns out, Hae Ryung is not really Jae Gyung’s sister and Yi Rim not really King Yi Tae’s youngest son. Also, since the beginning there is this book that keeps being mentioned, The Story of Ho Dam, but this book is strictly banned from the kingdom, along with anything else that traces back to before the dethronement of the previous King, which is a forbidden subject. It’s like the current King has a secret that he desperately wants to keep hidden, but what could it be?
First of all, let me just say that I found it very interesting to learn about the real purpose of historians. I’ve never really noticed them in previous historical dramas, they were never really mentioned or pointed out, but now my view on them has changed completely. Historians are basically people who have to record all that happens in the royal palace, from recording meeting between officials and the King to recording the daily lives of the people living at the royal court. This has always been a task for men, as any government official position used to be only for men, but in this drama four women are given the chance to be the first female historians, and they are also stationed at different places around the palace grounds to record all the conversations that take place, for historical archiving purposes. Therefore it is of the utmost importance that the historians record the truth. In a sense, you could say that the historians have more power than the King. It is also mentioned in the drama, I believe, that ‘a good King should fear his historians’. And the way this drama played out, it definitely ended with a victory for the historians. I just wanted to comment that I really liked to get more insight in how these historians were working in these times. They have to carry around their sachaek (I believe this is their notebook in which they record their daily records) with them, and no one besides historians are allowed to read what they have written. It is very confidential work and it always keeps the higher ups on their toes when historians are present, because they know whatever they say will be stored in the royal archives and traced back if necessary. The power of writing and books was one of the most present themes in this series.
This was a very satisfying historical drama for me to watch since it didn’t portray the female characters as meek and submissive as women are often portrayed in historical dramas. On the contrary, Goo Hae Ryung is one of the strongest female lead characters in a (historical) drama I’ve seen so far. She is ahead of her time in intelligence, and she has her emotions under control at the right moments. She’s unbelievably mature, and always manages to stay calm and brave in even the most dire situations.
It was really interesting to see her dynamic with Yi Rim, who was like a puppy blinking his eyes into the sun for the first time. He wasn’t just younger than her in years (they had a 6-year age difference), but also in experience, and she manages to fascinate him with all her knowledge of the outside & Western world that she’s learned from books. She could also be really witty and mischievous with her humor, especially when it came to making Yi Rim flustered. Yi Rim is very naive and pure in the beginning of the series, but the more he discovers about his own family’s history, the more mature he becomes. He remains very pure in his feelings for Hae Ryung, though. Hae Ryung knows what and what not to do and when it’s safe to do it, but Yi Rim would sometimes forget his own position in his longing for her presence and attention.
What I kept finding interesting was that they both committed fully to their secret relationship, completely aware of the fact that they were prince and historian, which equalled = not possible. From the beginning they both should have known that this would not be allowed. And I was also kind of impressed with how well they managed to keep it between them. Only the servants around Yi Rim knew about it since they constantly saw them together, but honestly I was expecting this whole drama to happen – when the royal family would find they were romantically involved. This didn’t happen, though, and I’m partly grateful for it. Hae Ryung only backed off the moment that Yi Rim suddenly had to get married and they went in search of a bride for him, when it became a real issue. Before that, it seemed like she didn’t even care about who he was, although she knew that she didn’t want to marry into the royal family. It was difficult for her, but here too she was more realistic and mature than Yi Rim, who even went to see his grandmother the Queen Dowager to tell her he was in love with someone else and didn’t want to get married. But at some point it felt like Hae Ryung was trying to prove to herself it didn’t bother her and that was really painful to watch. She actually took the job of recording the potential bride candidates while they were reciting how they would make the perfect bride for Yi Rim. At this point I was really just shaking my head to the screen, mumbling, ‘Why are you doing this to yourself, girl??’ And of course, she found out she couldn’t take it, after all. But her feelings were very complicated. As much as she loved Yi Rim, she didn’t want to become a princess herself because that was the kind of life she absolutely did NOT want. On the other hand she also didn’t want Yi Rim to throw everything away for her, and she knew that he was certainly prepared to do this since he told her multiple times. So she decided to be the bad guy and push him away. While I usually hate this kind of trick to push someone away in order to ‘protect’ them, it did make sense to me why she did it. And I think Yi Rim, besides being a little heartbroken, also understood why she did it, and that it wasn’t that she didn’t love him back. Because even when they were ‘apart’, they were still able to get along just fine. As the storyline unfolded, they even teamed up to help each other in their respective quests to find out what had really happened to both their fathers.
The plotline of Hae Ryung and Yi Rim’s respective origins is gradually built up throughout the series. I think this was very well done. They mixed important clues with the daily happenings in the palace, and made it so that the final pieces really fell together in the last couple of episodes.
Throughout the series, there are a couple of ‘arcs’, as I’ll call them, that one by one bring the two closer to the truth. I liked how everything that happened had something to do with the big reveal at the end. Even if it was just some information they learned through this ‘arc’, or some person they met, every tiny thing gradually brought them closer. The banned book is already mentioned in the first episode, and at that point we don’t know anything about it yet, but the names from the book and the secret organization keep popping up, and as more people start reacting suspiciously to those, it becomes clearer and clearer that they have a bigger role in the story than we initially thought. In the end, everything seems to revolve around the dethronement of the previous King, who has become a taboo because his dethronement involved rumors about high treason and very inexcusable actions from the King’s side.
The first important ‘arc’ would be the smallpox epidemic. When news of an epidemic spreads, the King decides to send Yi Rim out on his first official mission as a prince, to visit an area that has allegedly been struck by the illness to show his face and comfort the people. Excited for his first mission, and therefore acknowledgement by his father, Yi Rim decides to go. Hae Ryung travels along with his delegation as their historian. This is when they come upon one major case of governmental corruptness: they are keeping the severity of the disease a secret of the capital. While the royal family thinks that the disease is already subdued and the people are well taken care of since they send so much medicine and food their way, other officials have interfered. They have actually barricaded these villages so no one can get in or out, trapping all the sick people inside without any medicine or food. The people who know about it are just trying to exploit the situation and make money out of it, for example by charging extra for medicine since people are desperate for it. Hae Ryung and Yi Rim discover this as they manage to get into one village, and here they meet Mo Hwa (played by Jun Ik Ryung), a female physician. We have already seen this woman before a few times, as she seems to be an acquaintance of the Queen Dowager, Hae Ryung’s brother, and Eunuch Heo. Her true identity isn’t revealed until later, but what’s clear is that she studied medicine under an organization called Seoraewon. This organization also seems to be linked to the previous King, and is therefore also a taboo. Their meeting with Mo Hwa is an important event.
The second major ‘arc’ is when a foreigner is suddenly captured in Joseon. A Frenchman called Jean Baptiste Barthélemy (played by Fabien Corbineau) suddenly appears and is questioned at court, but then he escapes. While he hides at Nokseodang with Yi Rim and becomes friendly with him, his servants and Hae Ryung, the King is paranoid with the rumors that he is here to spread Western (and therefore barbaric) Catholicism to Joseon. This leads to the discovery that there are actually quite some Catholics living in the Joseon, even in the palace. One of the historians Hae Ryung works with, Song Seo Gwon (played by Ji Gun Woo) turns out to be a Catholic and barely escapes beheading by agreeing to be exiled. Anyways, this Frenchman also turns out to be linked to Seoraewon, as he was actually on his way to meet with Mo Hwa when he got caught by guards. He manages to escape Joseon safely in the end.
The notion of Catholicism being spread to Joseon seems to be a very big thing to the King because this was also one of the rumors of which the previous King, his brother, was accused when he was dethroned.
It was nice to see an actual foreigner appear in a historical K-Drama, and I liked that they did him and his character justice. He just really looked like he belonged there for some reason! He spoke Korean very well, and I also liked how naturally Hae Ryung and Yi Rim took to him.
For me personally, the funniest thing was when they were trying to figure out from which country he was and after first speaking to him in Chinese and Japanese (yes, because he looks real Asian, guys), they suddenly started speaking Dutch! I was not prepared to suddenly hear my own language in a Korean historical drama, haha, so that was definitely a funny moment for me.
To get closer to the big reveal at the end, I need to explain a little more about the royal family and Mr. Bad Guy. So at the top of the Royal Family there’s the Queen Dowager (played by Kim Yeo Jin). She had two sons, Yi Gyeom and Yi Tae. Yi Gyeom was dethroned because of his alleged treason and now Yi Tae is King. So the King I’ve talked about until now is Yi Tae.
King Yi Tae (played by Kim Min Sang) can be described as a kind of grumpy, stubborn man who doesn’t like to be contradicted. He is very paranoid about comments that lead to people doubting his authority and is quick to punish people for it. Compared to him, his son Yi Jin seems to be a much juster and kinder person, who cares about justice and fairness and sees the good in people. When things kept happening and the banned book kept popping up, the King became so antsy that I kept on wondering what was going on. At one point he kept interjecting people at the slightest comment with, ‘Are you saying I don’t deserve this throne??’ as if it was some sort of panicky response. It made perfect sense in the end of course, but at first I just kept thinking that they should just make Yi Jin King already.
It just seemed like he wouldn’t give anyone a chance, everything/one that even slightly questioned his authority had to be beheaded or thrown in jail. This is also exactly what he tried to do with the people he discovered were Catholics, but luckily Yi Jin managed to avoid many of these punishments by stepping in, only to be reprimanded by his father for being ‘too weak’.
Moving on to Mr. Bad Guy, King Yi Tae was very close with the Second State Councillor, Min Ik Pyung (played by Choi Duk Moon) and together they often shared a drink as friends outside of their close work relationship. Min Ik Pyung climbed up from being a respectable historian to a position of power that he didn’t want to yield to anyone else, he became very greedy. His daughter is now the Crown Princess, Yi Jin’s wife (which made her completely miserable life since they both don’t have any real feelings for each other and Yi Jin keeps putting off having to sleep with her) and his son, Min Woo Won (played by Lee Ji Hoon) is a First Historian at the Office of Royal Decrees and Hae Ryung’s direct superior.
I have to address Woo Won properly since he can officially be seen as the second male lead of this drama even though he wasn’t in any way romantically involved with Hae Ryung (and thank god for that).
Woo Won and Yi Jin were childhood friends, they are of the same age and grew up together in the royal court and they are still very friendly with each other, even in their professional work relationship. Woo Won was initially very admiring of his father, but he is also very aware of how corrupt his father is becoming. At one point it is revealed that Woo Won used to be happily married, but when his bride’s father was suddenly convicted of treason and beheaded, his young wife took her own life shortly after and this event has completely changed Woo Won. He has become very stoic and dedicated to his work as a historian and rarely goes against his principles. As a First Historian, one of the higher up historians, he sometimes clashes with his juniors (including Hae Ryung) when they consult him about something that would be the right thing to do but that would go against the rules. He also argues with Song Seo Gwon when he discovers that he is a Catholic in secret, and is baffled by how devoted his junior is to this faith. However, he ultimately relents when they discover the big secret of the banned book and find out that the work of historians has been meddled with in the past – that’s when they all decide to stand tall against the royal court officials and even the King himself.
Let me go back a little to the life of the Royal Family, starting with the Queen Dowager, who was one of my favorite characters. She was the mother of the King, and therefore the grandmother of Yi Jin and Yi Rim. I have to say I sometimes got a little mixed up on how exactly the whole family was related since the King occasionally said things that just confused me. He said something to Yi Rim at one point about how his roots were filthy from the start (which made me go ‘uhm aren’t you part of his roots, sir?’), and at another moment he also said something to the Queen Dowager that made it sound like they weren’t fully related. This confused me because it seemed that she was definitely his biological mother. Anyways.
The Queen Dowager cared more for Yi Rim than anyone else seemed to, she was constantly worried for his health and wanted to make sure his future was secured. She was also the one who started executing the plan for him to get married and picking out the right bride for him, much to Yi Rim’s own dismay.
Yi Rim gets increasingly curious to his backgrounds when he starts having dreams about the dethroned King Yi Gyeom and when the Queen Dowager suddenly takes him with her to visit Yi Gyeom’s grave, people start to get really aggrevated with him, since the dethroned King is still a taboo and they were not allowed to publicly visit his grave like that. Also, Yi Rim can’t find any kind of record about his own birth, and no one wants to tell him anything, even the Queen Dowager.
In the end, it turns out that his birth, the dethronement of the previous King, and the fall of Seoraewon are all linked to each other and are therefore all in the same records, which have disappeared. The historian who kept these records was beheaded when he refused to yield them over to King Yi Tae and they have been missing ever since. However, with their amazing team work, Hae Ryung and Yi Rim manage to figure out it’s hidden in Nokseodang, Yi Rim’s living quarters.
When they find it, Hae Ryung brings it to the Office of Royal Decrees to examine it with the other historians and this is where the real battle begins: the historians against the King and his officials.
As it turns out, Yi Gyeom and Hae Ryung’s father, under the pseudonyms Ho Dam and Yeongan, set up Seoraewon together. Seoraewon was an educational institutation that enabled peasants and women, in all unprivileged people from lower ranks to learn about Western cultures, languages, and medicine. Mo Hwa and Jae Gyung both joined this organization when they were teenagers, and they both studied medicine under Hae Ryung’s father. The unusual treatment for the smallpox also came from him. Hae Ryung, officially named Seo Hee Yeon, was only 6 at this time. They also invited foreign guests to help with the lectures, such as Jean Baptiste’s older brother Dominique (played by the same person).
For some reason, with the help of Min Ik Pyung, false rumors were spread about Seoraewon. He managed to convince Yi Tae that people were being experimented on, killed and tortured at the organization, and that King Yi Gyeom was trying to get foreign people to spread Catholicism to Joseon. He managed to capture young Jae Gyung and his friend and after killing his friend, he forced Jae Gyung to change the contents of a letter from the King to Dominique in which he bid him a good journey. Jae Gyung was forced under sword point to write that the King asked Dominique to bring Catholicism to Joseon so that this could be used as ‘evidence’ for the dethronement. With this false proof, they attacked Seoraewon, slaughtered everyone there and in the end Min Ik Pyung even pierced King Yi Gyeom with his sword.
This was all on the same night that Yi Rim was born. Mo Hwa, who was attending the Queen Dowager at the time, was there when Yi Rim was born. Eunuch Heo helped her escape the palace with the baby.
Yi Tae was standing next to him, but from his shocked expression when Min Ik Pyung killed Yi Gyeom, I had the feeling he didn’t know he was going to do that and he must have probably felt guilty. Guilty enough to keep at least Yi Rim alive.
After this coup and betrayal, the Queen Dowager has been forced to live in the same palace as the man who killed her oldest son, hearing him call her ‘mother’, while fearing that he might one day get rid of Yi Rim. That’s why she’s been so protective of her youngest grandson all this time.
The messed up thing is, that King Yi Tae also starts manipulating Yi Jin, saying that if he brings out the truth about the forged documents, it will cost him the throne as well, as Yi Rim would be the first legitimate heir to the throne as Yi Gyeom’s oldest son. This does make Yi Jin waver a little (I felt so bad for him >__<) and he initially disapproves of the historians’ petition, written by Hae Ryung, to re-examine the documents they found.
During that night 20 years before, just before the attack on Seoraewon, Jae Gyung comes back to the house, admits to Hae Ryung’s father that he had to forge the King’s letter. Hae Ryung’s father tells him to take his daughter away, and so Jae Gyung takes little Hee Yeon and flees. From then on, she has been living as his little sister Goo Hae Ryung, not even remembering what really happened to her father.
As it turns out, Jae Gyung is the one who ended up writing The Story of Ho Dam, and when I think back about this, this kind of proved my theory from the beginning of the series. I had a feeling he had something to do with this, purely because of his response to mentions of the book, but it really turned out to be him in the end.
The most powerful scene of the whole series is the one in the final episode, when they are holding a banquet for King Yi Tae’s 20 years of being King. Here, all the confessions that were left unspoken are laid out on the table. Jae Gyung confesses how he was the one who forged the King’s letter as he was threatened by Min Ik Pyung, and then Yi Rim, Hae Ryung and the rest of the historians, plus the few official people on their side, all start pleading. I got goosebumps when Hae Ryung, while being held at sword-point, looked the King right in the eyes and told him that even if he should slash her throat, the historians would keep writing. No matter how the King yelled, all the historians kept writing. It was such a powerful moment. In the end, even Yi Jin joined them in pleading to right the wrongs. This final scene made a very big impact on me, because it really showed how much power the historians had, just by writing things down.
The series ends with a jump to three years later, Min Ik Pyung has by now died (either naturally or by punishment we don’t know), Woo Won is invited back to the historians’ office after finishing his father’s mourning period, his sister is no longer married to Yi Jin. Yi Jin still became King, because Yi Rim had no intention of taking the throne from him and is now in a very happy and free relationship with Hae Ryung.
I really liked how the show ends with a shot of Hae Ryung going back to work, because that showed all the more that this was the story of how she got through this, how she made her own path, and how even her relationship with Yi Rim didn’t necessarily define her. She was just Historian Goo Hae Ryung and she got there all by herself. It was a nice and powerful ending.
Now that I’ve covered the main story, I still need to discuss a couple of other characters before I go on to some cast comments.
First of all, Song Sa Hee. I’m kind of sorry I didn’t bring her up in more detail earlier as she was also one of my favorite characters. It seemed like she would be a kind of second female lead, but again, not involved in any kind of romantic triangle or square with Hae Ryung and Yi Rim (again, thank god).
She was the daughter of one of the higher government officials, someone at the same level as Min Ik Pyung, and everyone was surprised as to why she decided to become a historian, because she would be able to live very comfortably as she was. But she felt trapped. One thing she said that really hit me was that she didn’t want to live as a flower or a beautiful painting, as was expected of higher rank daughters. Becoming a historian would enable her to make her own way, her own life. She was the most serious one of the four female historians, the other three were drawn a little closer together by their love of gossip, but she always joined them for a drink when they had some time together away from their superiors. I was really glad that she didn’t become Hae Ryung’s enemy, even though she didn’t really open herself up to be friends exactly either. In the beginning, it seemed like she was even kind of spying for Min Ik Pyung, but she soon got sick of his tactics and wanted to stop. She was definitely on the historians’ side and also acknowledged her own father’s corruptness when it emerged. The most heartbreaking thing was when she was suddenly selected as one of Yi Rim’s bridal candidates. Min Ik Pyung had endorsed her and it was so sad when she came to him begging to let her out, because this was exactly the kind of life she wanted to avoid. Also, for another reason. As she was often stationed at Crown Prince Yi Jin’s quarters to record, the two of them had build some sort of bond. Sometimes it even seemed like there was a really tender thing blossoming between them (I definitely shipped them). Anyways, I believe she even admitted having some feelings for Yi Jin to the Crown Princess when she was spotted leaving his quarters early in the morning. They had been talking all night, but of course it was interpreted as that they had been doing more than that. After that, Sa Hee disappears for a while and only rejoins the historians later when they find the missing records.
I really enjoyed the two other female historians, Ah Ran and Eun Im. They were the moodmakers of the bunch, especially Ah Ran was a lover of gossip and occasionally shot off her mouth. The two of them are the only ones that bust Hae Ryung and Yi Rim together, but they manage to keep it a secret. In the end, I don’t really know exactly how necessary this was, that these two know, except that it made for some fun scenes where they kept interrogating Hae Ryung about their progress. But I would have expected it to become an issue when for example Ah Ran would shoot off her mouth again about it. In the end, nothing happened, and shortly after they found out, Hae Ryung and Yi Rim were forced apart by the marriage talk anyway, so I didn’t think it would’ve made a big difference whether they had found out or not.
It was funny to see them get into a fight with Yi Rim’s two court ladies, and Hae Ryung’s attending maid Seol Geum (played by Yang Jo Ah) was also a very funny character in that she couldn’t keep her mouth shut whenever she heard a juicy rumor. There were a lot of gossip lovers among the ladies, that’s for sure!
Let me get on with the cast comments!
So not long before watching this, I watched Run On, also with Shin Se Kyung, and I’ve seen other dramas with her but this was the first historical one I’ve seen of her! I have to say, this might be my favorite role by her so far. Shin Se Kyung has a knack for playing witty characters, and from her first appearance on I felt that she was a modern mind stuck in the Joseon period. She pulled it off really well. And I also liked how many different emotions she was able to portray, because despite her ability to keep her composure, she definitely cried and she definitely got angry. I really liked her in this drama!
This is the second drama I’ve seen with Astro’s Cha Eun Woo after My ID is Gangnam Beauty and I have to say I was kind of shocked! He was SUCH a different person! Now I know that acting is supposed to be like that, but I was really impressed with his versatility. Seeing him smile so much after watching My ID was almost kind of alarming, haha. I liked his character development a lot. In the beginning he was such a baby, every experience opened up a whole new world for him and seeing him fall for Hae Ryung was the cutest thing ever. He would just be completely dazed for the entire day after she’d snuck in a peck, it was so adorable. I definitely spurted out my drink when he was waiting for her in the final episode with that rose in his mouth, lol. I liked seeing this new side of his acting that I hadn’t seen before.
Now I have seen some series with Lee Ji Hoon, like School 2013, Legend of the Blue Sea, Gogh The Starry Night, even Blood (although I don’t remember much of that), but he’s always been kind of a minor side character or the second male lead who didn’t even stand a chance. It was so nice to see him in a main-ish role and I was VERY impressed with his acting. When he acted out that flashback scene where he found his wife who’d hung herself… My goodness, his expressions and acting were just amazing. I’m glad I got to see this side of his acting and it’s definitely made me more aware of him. I’m very glad that they didn’t make him fall in love with Hae Ryung because that would’ve just been very unoriginal and weird. I was actually glad to watch a drama without this typical quartet of people, it was refreshing!
I hadn’t seen anything with Park Ji Hyun yet, but I really liked her performance. I thought her character was very layered and I’m glad she wasn’t just a one-dimensional rival character or anything like that. In general, I liked how every character in the show had depth and showed growth. I was really rooting for her and Yi Jin to get together somehow, haha, even though I knew it wouldn’t happen since Sa Hee didn’t want to live that kind of life, just like Hae Ryung. I would like to see more of her acting in the future!
I kept wondering where I knew Park Ki Woong from, because he looked so familiar. And I figured out the only other thing I’ve seen him in was The Musical! Which is ancient! It’s been a really long time since I saw that and remember that it wasn’t a very good drama ^^” Anyways! I really liked him in this. He was a very likeable character, and even to the point where he was manipulated by his father, led to believe that his younger brother which he adored so much would actually take the throne away from him, I felt for him. You could see that it all went against his morals, and he handled it as well as he could. Also, I really liked his scenes with Sa Hee, he seemed so relaxed with her and he has a great smile! I liked him.
As I mentioned, the Queen Dowager was also one of my favorite characters. I have seen Kim Yeo Jin in previous dramas like Sassy Go Go, Moonlight Drawn By Clouds and lately in Itaewon Class, and she’s the typical mother kind of actress, but I loved seeing her as such a powerful and relentless female character in this drama. And when you learn about her side of the story, about having to live with the son that partook in killing her other son, it just makes her so strong, because she never once acts like a victim of what happened. I was really impressed by her acting since I haven’t actually her act so elaborately before, she was always just someone’s mom in other dramas with not a lot of personal screentime. Now I want to see more! I see that there are at least some more dramas with her on my to-watch list, so yay!
I’m sorry, I realize I haven’t said anything about Eunuch Heo Sam Bo yet! He needs to be mentioned! He was the most loyal person to Yi Rim, he was always with him and while he was mainly a comic relief character, his intentions were incredibly pure. He had been taking care of Yi Rim ever since he was born and had been nothing but a friendly figure to him. The scenes with him were always enjoyable because he was such a ‘good’ character. I didn’t know Sung Ji Roo from anything else but I kind of expected him to be a comedian or something! He certainly pulled off the comical scenes very well, haha.
Of course I knew some of the middle-aged man actors from several series as well. There were a lot of familiar faces in the Officials and the historians as well. I recognized the actress who played Eun Im was also in My ID is Gangnam Beauty because I remember writing in detail about her character since I liked her there as well.
There were also several actors and actresses that I didn’t know, so that was also nice. I like it when there’s a balance between people I do and do not know, haha.
Okay, so, to get to the conclusion of this review: I actually already rewrote stuff as I was writing it because I started out very incoherently. I hope it turned out for the better! Anyways, I enjoyed watching this drama. For a historical drama, it was very refreshing and unlike other stories as it focussed on strong female characters and the power of the written word. I really like the theme of the historians and how important they were. At the same time, it also tackled the issue of how women were looked down upon, in general, but all the more at the royal court. The starting period of the female historians was sometimes hard to watch since they were harrassed by literally anyone, just because they were rookies. I liked how all the events contributed to the final plot, how it gradually revealed little bits of the final truth. The build-up was really nice, also in the relationship between Hae Ryung and Yi Rim. I wondered at first what the whole side story of the banned book would bring to the story, as the other storylines were moving along just fine, and I guess I was worried that that additional storyline would be add too much extra drama to the story, but I think it was just the right amount. And they really wrapped up each plot before they started on to the next, so it didn’t feel like a mix of too many dramatic storylines happening at the same time.
It may not have been the most exciting historical drama I’ve seen, but it kept me interested and curious as to what would happen and what Hae Ryung and Yi Rim’s true origins were. I was positively surprised how it ended, and how they were able to become free together, just as they’d once only dared to imagine. I still can’t help but admire how they managed to not get busted while they were secretly dating around the palace grounds! That part went very smoothly indeed, haha.
I don’t have a lot of criticism, so it may have turned into a more analyzing review than a critical one. There were a lot of interesting events and the final message was very good in my opinion. I can’t emphasize it enough, but I found it really fascinating to learn more about these historians, especially since they appear to be so in the background, but they actually have so much influence and power. To think that we currently have access to this kind of information because of what they wrote back in those days!
I’ll be moving on with the next K-Drama on my list, I believe this will be a very dramatic one again, so I’ll be back soon with a new review! I hope this was at least a little bit enjoyable to read, I’m still trying to get back into a rhythm after these past few weeks. In any case, until next time! 🙂

